Green Book

First Hit: Excellent acting, engaging story, and both funny and thought-provoking make this film fun to sit through.

The story starts out having to show the ability of Tony Lip (Viggo Mortensen) to manipulate a situation to his benefit and then his questionable racist views. The first by absconding a hat of a big time crime boss and the other putting glasses in his kitchen trash can after being used by two African American plumbers after fixing his sink.

The first event closes the Copacabana Club because of destruction caused the by hat owner where Tony works as a bouncer. This leads to his unemployment. Weighing a job option from the hat owner because he finds the missing hat (the one he stole) or a possible job driving for Dr. Don Shirley (Mahershala Ali), who is “not a real doctor” but a three-time Ph.D. in music and related areas.

As a driver for Dr. Shirley, he’d be driving him to concerts throughout the south. As a sophisticated classically trained black musician in the 1960’s, he will not be well received by some of the people they may run into during the tour. Tony sees this as an opportunity to make good money and he knows Dr. Shirley will need protection. The “Green Book” is giving to Tony and lists African American friendly hotels and restaurants in the south to help his navigate the south.

The film really defines the differences between these two men and the deep truth they both believe about how people need to be treated. During the film their friendship unfolds in glorious ways; during the long drives, over meals, and over drinks. To watch each, unpeel their veneers and support each other during the tribulations each finds themselves in was truly engaging.

The letters Tony writes, as dictated by Dr. Shirley, to his wife Delores (Linda Cardellini) are both funny and sweet. The ending scene when Dr. Shirley meets Delores was perfect.

What stood out for me was the ways each of the characters learned and grew from their relationship during this trip. In true life they stayed close friends for the rest of their lives and died within months of each other.

Mortensen was phenomenal as Tony Lip. Yes, his accent slightly changed during some of the scenes, but his spirit and acting made this small error a non-issue. He was great and may be up for an award during awards season. Ali was no less phenomenal than Mortensen. The ability to capture his character's schooling and skills in a character in such a reserved, yet engaging way, was sublime. Cardellini was wonderful as Tony’s wife who shared her husband with Dr. Shirley. Nick Vallelonga and Brian Hayes Currie wrote an outstanding script. The dialog between Tony and Dr. Shirley was filled with quips and a subtle unfolding of two very different people to each other. Very well done. Peter Farrelly did a wonderful job of setting up scenes and sets that reflect the time and era of the 1960’s.

Overall: This was a very entertaining and thoughtful film filled with moments of sadness and joy.

Academy Awards - The Oscars

Once again it is time to celebrate a year of film watching. Here are my choices for the following awards along with thoughts about the selections and non-selections the Academy made.

• Best Actor - Nominees are:  Casey Affleck (Manchester by the Sea), Andrew Garfield (Hacksaw Ridge), Ryan Gosling (La La Land), Viggo Mortensen (Captain Fantastic), and Denzel Washington (Fences). There are strong performances in this group of actors. For me the obvious missing actor is Tom Hanks in Sully because it was so well made and gave me a real sense of a man who saved 155 lives. Given the Academy's choices, Affleck was sublime. You felt him and what he was going through from beginning to end. I loved this performance. I thought Garfield was very strong in this career defining role for him. He brought heart to this role. Gosling was amazing. His charm, piano playing, and dancing brought life to this dream like film. I loved the film Captain Fantastic and Mortensen was the key. His wide eyed brilliance made this film work. Lastly, Washington was simply a nuclear charged bit of energy bottled up and ready to pounce. Great performance, however it felt too much like a play like for me to like it in film. My choice is Affleck.

• Best Actress  - Nominees are:  Isabelle Hubert (Elle), Ruth Negga (Loving), Natalie Portman (Jackie), Emma Stone (La La Land), and Meryl Streep (Florence Foster Jenkins). Granted I did not see Florence Foster Jenkins because I saw a film about the same story a year earlier and didn't want to see the same story again. Missing from this nominee list is Amy Adams. She gave two powerful performances this past year; Arrival which is a film I adored (see below) and Nocturnal Animals where her cool intelligent nature amazingly unfolded on the screen. Given the choices, Hubert was absolutely fantastic in this role. Her ability to be both vulnerable and strong in the same breath expressed her greatness. Negga was very strong and I loved her role as she grows from a timid somewhat subservient person to a woman of strength and grit. I loved this story. Portman is an interesting choice. I found the character to be so different than my perception of Jackie that I was taken aback. This performance made me wonder about the real person and that's important in filmmaking. Stone was so fun and divine in this role. Her chemistry with Gosling is noticeable and helps her to elevate this role to amazing and grace like. Loved her in this film. My selection is Hubert as because she really brought a fully bodied and interesting character to life.

• Best Supporting Actress  - Nominees are:  Viola Davis (Fences), Naomie Harris (Moonlight), Nicole Kidman (Lion), Octavia Spencer (Hidden Figures), and Michelle Williams (Manchester by the Sea).  One of the amazing things about these choices is that a couple of these actors had very limited screen time to make an impact. The most striking was Williams. Davis gave an amazing performance as Washington's wife in Fences. It takes a lot to hold your own against Washington and here Davis shows everyone how. Watching Harris in Moonlight is like taking a very long road to forgiveness. I was amazed at this performance. Kidman in Lion was very strong. There is one scene when she's talking about how she came to adopt her Indian son, that was so deep and heartfelt I cried. Spencer was great in Hidden Figures. As a strong black woman wanting her due, she was fantastic. Williams, as I have said, had a small role but the scene where she is asking for forgiveness from Affleck was the most powerful 2 minute scene on film this year. I've got a close tie, with Williams and Davis, but in the end, I'll go with Davis.

• Best Supporting Actor  - Nominees are:  Mahershala Ali (Moonlight), Jeff Bridges (Hell or High Water), Lucas Hedges (Manchester by the Sea), Dev Patel (Lion), and Michael Shannon (Nocturnal Animals). I was a little taken back by the inclusion of Patel as a supporting actor. It felt more like a lead actor role to me. Ali in Moonlight is such a powerful integral character and he made it work so well. Loved his compassion. Bridges was wonderful in Hell or High Water. He made this character heart filled as well as having an distinct edge of sarcasm. Hedges in Manchester by the Sea was good. However, it wasn't enough for me to give him a good chance. Patel, as I previously stated, seemed nominated in the wrong category. Although he was really good, it just doesn't fit here. Shannon in Nocturnal Animals is beyond great. I loved his intensity and persistence of character. I was entranced when he was on the screen. I've got two front runners, Shannon and Ali. Upon reflection as to how they impacted the story, I'll go with Ali.

• Best Cinematography  - Nominees are:   Arrival, La La Land, Lion, Moonlight, and Silence. I will admit I did not see Silence as I just couldn't get motivated to see this film. Given this, Arrival was amazing with the visualizations of the ships, the anti-gravity sections of inside the ship and how they displayed and handled the aliens.  La La Land was gorgeous. Whether is was in or outside the Observatory, on the streets of LA, or in an apartment. There was care in how the colors and sets looked on the screen. Lion had wonderful accurate feeling scenes of India, especially the railway stations. I didn't quite buy the butterfly scenes as they seemed slightly over the top. However, the rest of the sets were amazingly done. Moonlight reflected just this, moonlight on the ocean. The shifts from scenes in school, on the beach, and cities in South Florida were luxurious. As I previously said I've no information about Silence because I didn't see it. From what I saw, I would have to select Arrival as my favorite with La La Land and Moonlight a very close second.

• Best Adapted Screenplay  - Nominees are:   Eric Heisserer (Arrival), August Wilson (Fences), Allison Schroder and Theodore Melfi (Hidden Figures), Luke Davies (Lion), and Barry Jenkins (Moonlight). All of them are wonderful stories. I loved the story and meaning behind Moonlight, Arrival, and Hidden Figures. Each of these stories were very impactful. Moonlight because it shared the somewhat hidden story of a black gay community. Arrival because it was one of the most amazing ways to share the concept of non-linear time. Hidden Figures was so powerful as to how the segregation of blacks almost hurt our chances to be successful in the space race with Russia. It is difficult to choose from such diverse stories, however in the end I'll select Moonlight.

• Best Original Screenplay  - Nominees are:  Taylor Sheridan (Hell or High Water), Damien Chazelle (La La Land), Yorgos Lanthimos and Efthymis Filippou (The Lobster), Kenneth Lonergan (Manchester by the Sea), Mike Mills (20th Century Women). Great list. The depth of friendship as expressed in Hell or High Water, the stories of love and growth as expressed in La La Land, The Lobster, and 20th Century Women, and humbling forgiveness as expressed in Manchester by the Sea - all were amazing. As an original story I am tossed between Manchester by the Sea and La La Land. Either winning would be accepted.

• Best Director  - Nominees are:  Denis Villeneuve (Arrival), Mel Gibson (Hacksaw Ridge), Damien Chazelle (La La Land), Kenneth Lonergan (Manchester by the Sea), and Barry Jenkins (Moonlight). Interesting that Lonergan, Jenkins, and Chazelle wrote the films they directed and it shows the importance of knowing what it is you want to portray/express. What is missing? For me the missing directors are Tom Ford (Nocturnal Animals) and Theodore Melfi (Hidden Figures), both of these films had great vision and execution. Choosing from this strong list is difficult. However, for the impact it had on me I'm down to two: Villeneuve and Chazelle because of how they eloquently told their stories. However, if Gibson, Lonergan, or Jenkins were to win, I wouldn't be upset.

• Best Picture  - Nominees are:   Arrival, Fences, Hacksaw Ridge, Hell or High Water, Hidden Figures, La La Land, Lion, Manchester by the Sea, and Moonlight. This is a full and dynamic list. I liked all these films. However, if I had to start separating these nominees, I'd pull out these three as my top contenders: Arrival, La La Land, and Manchester by the Sea. Each tells a story and tells their story very well. Each film was fully engaging and opens the heart in a new and different way. I cannot pick a winner because I loved watching these three films.

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Captain Fantastic

First Hit:  This is an amazing film about family, love, and the belief in doing something different.

This film stayed with me for days after watching it. The strength of the film is in the characters.

I’m not sure where they got the name for the film, but to let you know it has nothing to do with a fantasy comic book character and all to do with an amazing man brave enough to raise his children in a way that makes them fully responsible for their actions, by giving the skills to make good choices, and allowing them the freedom to discover.

Viggo Mortensen (as the father Ben) has a daily regimen for his six children that includes, hunting, climbing, running, exercise, reading, cooking, cleaning, and helping their siblings. They are living somewhere deep in the woods in the Pacific Northwest far away from any city and the noise of urban and suburban America.

The children all speak at least four languages and the truth when they talk. They have been home-schooled, are resilient, and each have their unique personal strengths that come out in the film. We learn that their mother Leslie (Trin Miller) has been in the hospital for 3 months for her struggles of being bipolar.

Ben then learns on a trip to town to get mail and supplies, that she has committed suicide. He tells the children in a very straightforward manner and their grieving process is touchingly shown. They want to go to the funeral but Leslie’s father Jack (Frank Langella) forbids it and threatens Ben with being arrested. He blames Ben for Leslie’s life choices and for making his daughter ill.

Of course the audience and Abigail, (Ann Dowd) Leslie’s mom, knows different; but it makes for some riveting scenes between Ben and Jack. During the trip to the funeral, they visit Leslie’s sister Harper (Kathryn Hahn), brother-in-law Dave (Steve Zahn), and their two boys. The scenes during this visit are interesting as well as hilarious.

Mortensen again reminds me here about how good an actor he is. He is fantastic (maybe why the film was named this) and clearly shows why he’s a great actor. George McKay (as Bo) was amazing as the oldest son. Samantha Isler (as Kielyr) was so present and strong as the oldest daughter. Annaliese Basso (as Vespyr) was sublime as the second oldest daughter. Nicholas Hamilton (as Rellian) was the second oldest son was wonderful in his pivotal role. Shree Crooks and Charlie Shotwell (as Zaja and Nai respectively) played the two youngest children and they brought so much humor and joy to the film that it would have been far less without them. Langella was perfect as the conservative, wealthy father of Leslie who stressed about the path his daughter took. Dowd was great as the slightly oppressed wife of Langella while being understanding of her son-in-law Ben and her daughter’s wishes. Matt Ross wrote and directed this film. The writing was outstanding, sharp, pointed and elegant all at the same time. His direction was spot on, leaving the audience to engage and learn more about this family.

Overall:  One of the very best films I’ve seen all year.

A Dangerous Method

First Hit:  I liked the concept but this was a very uneven film.

Sabrina Spielrein (played by Keira Knightley) was a disturbed patient of Carl Jung (played by Michael Fassbender) and ended up being a psychologist and lover of Jung.

She was one of the first to be treated by Jung using the talking method (psychoanalysis). Unfortunately, Knightley’s rendition of Spielrein seemed totally out of place, overly acted, and poorly executed. From the jutting chin, distorted hand positions and the occasional half hearted attempt at a Russian accent, her part was mostly unwatchable.

For this I fault both director David Cronenberg and Knightley. The interaction between Freud (played by Viggo Mortensen) and Jung was somewhat better and as one who studied a lot of psychology and did work in this field I would have like a deeper engagement of each of their theories and the differences between them.

However this film floated along like a rudderless boat. In the end I didn’t care about any of the characters nor did I think I learned much.

Knightley was mostly horrible. This is the worst role I’ve ever seen her in and wonder why she was directed this way. Fassbender was very controlled and reserved as I suppose the character was required to be, yet it took away from the depth of who he was playing. Mortensen was better at Freud than the others were in their characters. There was an arrogant solidness of his thought process that was palatable and interesting. However I would have like to have known more. Christopher Hampton and John Kerr wrote a lifeless script. Cronenberg did not do his best work here and it showed.

Overall: For such a rich subject, to have this fall this flat was really very sad.

The Road

First Hit: A very dark story about what it might be like if we keep heading down the road we’re on.

The world, as we know it, has ended and a few people are alive. We don’t know what ended the world; it could have been war but mostly it looks like a disaster of some sort hit our planet. The mood is dark and stays dark throughout most of the film.

The characters don’t have names and Viggo Mortensen plays the man, Kodi Smit-McPhee plays the boy, and Charlize Theron plays the woman. Through dream flashbacks you learn that the woman, somewhat regretfully, has a child during our planet's deterioration.

She is strong and doesn’t want to live this long slow painful death she sees for the remaining humans. She chooses death. The man believes he must live on with the boy so they travel South looking for warmer weather.

They run into gangs of people who kill and eat strangers and it is clear that women and children are the prized killings and first to be eaten. The man and boy survive these tribulations as they move South and towards the ocean.

The boy is naïve and yet wise and guides his father towards kindness when possible. They run into one old man on the road played by Robert Duvall and befriend him for a couple of days. This is a dark story with small nuggets of kindness here and there.

Mortensen is intense as the man and is very good in this part. He was an excellent choice for this part. Smit-McPhee is sweet and looks as if he could have been Theron’s son (I’m sure he was picked for this part because of the resemblance). Duvall is wonderful for is portrayal of the old man who has most, but not all, of his marbles left. The constant darkness of this film both in color and texture of the scenes is powerful. A scene showing humans being stored and harvested for their meat is tough to watch. There are a handful of scenes in dream sequences where Theron and Mortensen are young lovers when the world was still hopeful and these scenes bring some light colors to the screen but those scenes are few and far between.

Overall: Make no mistake; if you don’t like dark foreboding films then don’t go to see this. However, it is a story that could be telling of our future if we’re not careful.