Peter Farrelly

Green Book

First Hit: Excellent acting, engaging story, and both funny and thought-provoking make this film fun to sit through.

The story starts out having to show the ability of Tony Lip (Viggo Mortensen) to manipulate a situation to his benefit and then his questionable racist views. The first by absconding a hat of a big time crime boss and the other putting glasses in his kitchen trash can after being used by two African American plumbers after fixing his sink.

The first event closes the Copacabana Club because of destruction caused the by hat owner where Tony works as a bouncer. This leads to his unemployment. Weighing a job option from the hat owner because he finds the missing hat (the one he stole) or a possible job driving for Dr. Don Shirley (Mahershala Ali), who is “not a real doctor” but a three-time Ph.D. in music and related areas.

As a driver for Dr. Shirley, he’d be driving him to concerts throughout the south. As a sophisticated classically trained black musician in the 1960’s, he will not be well received by some of the people they may run into during the tour. Tony sees this as an opportunity to make good money and he knows Dr. Shirley will need protection. The “Green Book” is giving to Tony and lists African American friendly hotels and restaurants in the south to help his navigate the south.

The film really defines the differences between these two men and the deep truth they both believe about how people need to be treated. During the film their friendship unfolds in glorious ways; during the long drives, over meals, and over drinks. To watch each, unpeel their veneers and support each other during the tribulations each finds themselves in was truly engaging.

The letters Tony writes, as dictated by Dr. Shirley, to his wife Delores (Linda Cardellini) are both funny and sweet. The ending scene when Dr. Shirley meets Delores was perfect.

What stood out for me was the ways each of the characters learned and grew from their relationship during this trip. In true life they stayed close friends for the rest of their lives and died within months of each other.

Mortensen was phenomenal as Tony Lip. Yes, his accent slightly changed during some of the scenes, but his spirit and acting made this small error a non-issue. He was great and may be up for an award during awards season. Ali was no less phenomenal than Mortensen. The ability to capture his character's schooling and skills in a character in such a reserved, yet engaging way, was sublime. Cardellini was wonderful as Tony’s wife who shared her husband with Dr. Shirley. Nick Vallelonga and Brian Hayes Currie wrote an outstanding script. The dialog between Tony and Dr. Shirley was filled with quips and a subtle unfolding of two very different people to each other. Very well done. Peter Farrelly did a wonderful job of setting up scenes and sets that reflect the time and era of the 1960’s.

Overall: This was a very entertaining and thoughtful film filled with moments of sadness and joy.

Hall Pass

First Hit: A better than average comedy.

The premise of Hall Pass is that two married men, who like to fondly remember they college days as ladies men, get a free week away from their marriage.

The wives think that by giving the men Hall Passes they will realize they have it best with their current wives. Rick (played by Owen Wilson) and Fred (played by Jason Sudeikis) are the husbands married to Maggie (played by Jenna Fischer) and Grace (played by Christina Applegate) respectively. When they receive their Hall Pass they spend their time with their friends (who want to watch them get laid), at odd places like Applebee’s to try to pick up women.

The film is mostly about their haphazard attempts to find women to sleep with. The scenes are out-loud funny with a ring of truth running through it all. The women also discover that by granting a Hall Pass to their husbands that they’ve also given themselves a Hall Pass. What happens to Maggie and Grace is with more intent and more calculating than the men.

Wilson is in one of his better roles here. He just isn't a smart-alecky guy. Here he is more controlled and through this control he is actually funnier. Sudeikis is, at times, the over the top guy. The scene of him masturbating in his car is pretty off the wall and funny. Fischer is very good as Wilson’s wife who has to rediscover her love. Applegate is wonderful as Sudeikis’ wife. She is sexy, smart and is an excellent casting choice. Nicky Whelan plays a coffee shop girl that Wilson is infatuated with and she does a good job of being that woman. Richard Jenkins is really funny as a character named Coakley who is the Wilson's and Sudeikis' sex and woman mentor. Pete Jones and Peter Farrelly wrote this very tight and funny script. Bobby and Peter Farrelly co-directed this film very tightly and with a real bent to bring out the real funny aspects of married men.

Overall: This was an unexpected joy because it kept its reins in enough to make it both funny and with a point.

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