Booksmart

First Hit: A potent mixture of comedy and how high school can bring out the best and worst in kids.

Many people have or had a best friend in high school. Those friends are your backstop; understanding enough of you to let you sense a level of acceptance bringing peace in turbulent times. Sometimes it is the group of like people you run with and other times it is just one person.

In Booksmart, we have best friends Amy (Kaitlyn Dever) and Molly (Beanie Feldstein) as two very focused bookish girls who spent all their time, outside the classroom, studying to graduate high school and get into the best colleges.

The film starts on the last day as they walk through the halls of the school and the party has begun. All the other kids are just having fun, throwing stuff in the air, not caring about anything but having fun. Amy and Molly are severe students and think that others won’t amount to anything. They are playing it straight.

Sitting in Ms. Fine’s (Jessica Williams) class, the film gives a great picture of how these two do not fit into the school’s popular social structure. The fact that their teacher Ms. Fine suggests that they let loose a little is funny and telling.

Despite being outsiders, both of them have minor crushes on other students. Amy, being gay, has a crush on a quirky, edgy girl Ryan (Victoria Ruesga) and Molly has a crush on Nick (Mason Gooding).

When the girls learn that the other “party hardy” students are also smart and heading to ivy league schools as well, they decide on the last day before graduating, they are going to attend a significant high school party and cut loose.

The path to the party is full of high-jinx, and funny situations as the girls do their best to get into the party mode for the first time in their lives. Their boundaries get crushed, and they end up having their first all-out disagreement in front of the entire party.

I thought the dialogue was smart and whippet-fast. I liked the scenes they found themselves in, including a Lyft being driven by their principle Jordan Brown (Jason Sudeikis). Ms. Fine feels sorry for them and in a critical moment of the evening, provides real party clothes for the girls because she’s a single woman in LA and has lots of clothes in her car. Kids having crushes on their teachers and girls who maybe went too far with too many boys finding out that it can hurt. All of these vignettes were really well acted and staged.

Dever was terrific as the cute, conservative, young gay girl. She did a great job with her character. Feldstein was equally funny and engaging in her role. Williams was excellent, and I loved her walking up behind a student at graduation, mistakenly – an amusing scene. Sudeikis was his usual charming self and both as Principal and a Lyft driver, he made the role believable. Ruesga was outstanding as the quirky, fun loving girl. Gooding was excellent as the class VP and, in the end, a sweet boy. Molly Gordon, as Triple-A (Annabelle), was excellent as the girl who wanted to be loved for who she is. Skyler Gisondo was sublime as the rich boy who wished to have friends and had a kind giving heart. Diana Silvers (as Hope) was arresting as the slightly bitter girl who put down others but really cared as well. Emily Halpern, Sarah Haskins, Susanna Fogel, and Katie Silberman wrote a powerfully relevant screenplay that was both insightful and hip. Olivia Wilde got outstanding performances and clearly had a strong vision directing this film.

Overall: Good movie for parents of teenagers and teenagers alike.

Mother's Day

First Hit:  Schmaltzy in so many ways, and yet I was touched by the four major mother’s day stories.

The stories are:  A divorced mother Jennifer Aniston (as Sandy) dealing with her husband’s new young wife Tina (Shay Mitchell) and he children’s interaction with the new step-mom.

Britt Robertson and Julia Roberts (as Kristin and Miranda respectively) who represent an adoptive child finding and reconciling with her mother.

Jason Sudeikis (as Bradley), whose wife was killed while serving her country, raising two girls alone and how will he treat this emotive day.

Lastly Kate Hudson and Sarah Clarke (as Jesse and Gabi respectively) as sisters who have marriages (one sister marries a foreigner and the other is in a gay marriage) that their parents reject.

As with most Garry Marshall films, the film has multiple interrelated stories and they are not hard hitting. Even though they aren't amazingly dynamic or intellectually challenging, the stories touch on themes the general population knows about and has experienced in some way.

Marshall makes it easy for the audience to laugh about these situations, which really have much deeper roots and societal impact.

Aniston is really good. I loved when she was sitting in her car while in the grocery store parking yelling to herself about her situation. As the mother who is now dealing with a rival, she’s tells this story well. Mitchell is good as the new step-mom. Robertson is very good as the young mother being hesitant to marry her child’s father because of the uncertainty she has from not ever meeting her biological mom. Roberts’ smile makes her role as TV sales spokeswoman work well. When she meets her grandchild for the first time, the emotion welling up in her is perfect. Sudeikis is strong and funny as the dad learning how to be the sole support for his two smart wonderful daughters. Hudson and Clarke are great as sisters hiding their lives from their parents. The screenplay, although its grit level is softball in nature, was written by Tom Hines, Anya Kochoff Romano, and Matt Walker. Garry Marshall directed this with his usual easy listening manner, which was entertaining, included funny bits, and there were a couple of tears due to my own life experiences.

Overall:  Although it’s a light softball type film, there are deeper roots Marshall is letting the audience ponder.

Race

First Hit:  What a wonderful story of a man whose greatness and perseverance had him rise above and over race and discrimination.

Jesse Owens (Stephen James) was one of the greatest Olympic track and field athletes the United States has ever had.

Raised when racial discrimination was still a huge issue in the US, learning to ignore the external noise, and do what he did best made this story even more phenomenal.

The story follows Jesse, his depressed father, supportive mother and Ruth Solomon (Shanice Banton) his girlfriend and mother of his daughter, as he finds is way through all the external noise to greatness. Guiding him along the way was his Ohio State University coach Larry Snyder (Jason Sudeikis).

One of the most powerful lesson delivering scenes was when the track team was in the locker room when the OSU football team comes in and demands that the track team leave, especially because of Jesse and other blacks on the track team. While the football coach is yelling at Larry and the football team yelling at the track team to leave, Larry is speaking about how concentration and listening to one voice, his voice, is how Jesse will be able to persevere against all the racial noise he’s going to get as he races.

During all the yelling, all of a sudden you hear the coaches voice say to Jesse, do you understand? Do you hear me? And the noise drops away from Jesse and hearing his coaches voice above the loud arguing, he says “Yes, I hear you coach.”. It is a wonderful scene and serves Jesse well especially when he goes to the 1936 Olympics and 110,000 people are yelling at him.

As he shows his greatness, the crowd becomes unified with him. It is a great story.

James is outstanding as Jesse. He plays him with humble awareness of doing well and honoring himself as a person. Sudeikis was great as the occasionally sarcastic, caring, and wonderful coach. Banton was wonderful as Jesse’s fiancé and then wife, making sure Jesse makes his own choices. Jeremy Irons was fantastic as the inimitable Avery Brundage. David Kross as Jesse’s Olympic long jump German rival Carl ‘Luz’ Long was great. Joe Shrapnel and Anna Waterhouse wrote a wonderfully engaging script. Stephen Hopkins did a wonderful job of directing this film and the shots of Jesse entering the Olympic stadium for the first time were especially effective.

Overall:  This was a wonderful biography of a man who stood heads above the fray of racial injustice.

Horrible Bosses 2

First Hit:  Although there were some funny bits, it lacked being a full on comedy.

The three main characters Nick (Jason Bateman), Kurt (Jason Sudeikis), and Dale (Charlie Day) are opening their own business with a product for the shower.

The whole storyline around this and their interaction is, for the most part, not funny. They try funny bits; like demonstrating their product on TV, breaking into a house and stealing some nitrous oxide; but they aren’t funny at all. There is very little that's funny about the bits these three do together. However the funny parts is when they bring other characters into the fold.

Chris Pine as Rex the son of the owner of a large distribution company. Christoph Waltz as Bert the successful owner of the distribution company. Kevin Spacey as Dave the old imprisoned boss they wanted to kill. Jamie Foxx as Dean “MF” Jones, their criminal friend who gives them guidance.

And last but not least, Jennifer Aniston as Dr. Julie Harris and sex addicted dentist. Each of these other characters bring in dialogue and aliveness that make the audience laugh-out-loud. However in the end, the film is dead on arrival.

Bateman looks bored in the role. He’s supposed to be the smart steady one and he's this character to the detriment of the film. Sudeikis tries to be lively  and funny as the sex starved guy, but again the role and dialogue is old before it comes out of his mouth. Day as Dale the family man, is dull and unintelligent and ads little to the film. However, Pine is dynamic, over the top, and great as the son who wants more from his dad than he has. Waltz is oddly funny as the guy who puts his business and money over the welfare of his son (Pine). Foxx is intensely funny as the bad-ass friend of the crew. Spacey is intimidatingly intense as the imprisoned scruple-less boss. Aniston is great as the sex starved dentist. Watching her spit out her desires of what she wants to do with the men is precious. Sean Anders and John Morris wrote an unfunny story for the main characters while livening up the dialogue for the other characters. Anders didn’t do a very good job of writing and directing this comedy.

Overall:  This has to be the last of this series – it would only get worse if they try.

The Millers

First Hit:  Although not great, I enjoyed this film and many laughs came easily.

I was in the mood for something lighthearted and maybe with some substance. “The Millers” came through really well.

The substance is about learning about selflessness – movement away from selfishness. David (Jason Sudeikis) is a small time dime-bag marijuana dealer. He’s doing the same thing he’s been doing all his life. He only cares about himself and making the required sales. He’s worked for Brad (Ed Helms) for a very long time.

Brad is wealthy (he collects whales not cars) and is a jerk. David gets robbed trying to stop his neighbor Kenny (Will Poulter) from breaking up a street robbery of Casey (Emma Roberts) by some street punks. It’s Kenny’s good heart that put him in danger. When David decides to help and this kindness backfires on him.

Losing a lot of Brad’s money and pot, Brad gives David the option of picking up a bunch of pot in Mexico and bring it across the Mexican/US border OR be can be killed. If he does the smuggling job, he’s promised money, relief from his indebtedness to Brad, and maybe a little more freedom.

To make this happens, David hatches the idea that if he looked like a family man in a RV then the likelihood of being stopped at the boarder would be less. So he recruits Kenny, then Casey - who is homeless, and his neighbor Rose (Jennifer Aniston) to become his family on this adventure. He offers them some money. Rose is a stripper, hates her job and has been stilted both financially and emotionally by her past boyfriend.

With the promise of a payoff, this motley crew becomes “The Millers” and they trek off to Mexico to collect some pot and to make some money. But the situations that happen on the way drive them all to see that being part of a family has meaning for all of them.

What makes the story and funny situations work is excellent acting on all their parts.

Sudeikis is very good as a slacker, just selfishly going on with his life and slowly and sporadically finding that he cares about the family he put together for his profit.  Helms is great as the jerky drug dealer. Aniston is fabulous as a stripper, pretend mother, and as the grounding force of this film. Roberts is a delight and, like Aniston, segues from hardened loaner, to a girl wanting to be heard, seen and loved. Poulter was amazing and a real prize. His innocence and bravery was perfect. Nick Offerman and Kathryn Hahn as Don and Edie Fitzgerald fellow RV travelers were a great addition to the story. Bob Fisher and Steve Farber wrote a witty screenplay. Rawson Marshall Thurber provided a deft touch directing this ensemble cast of strong actors.

Overall:  This was every entertaining and definitely worth the price of admission.