Academy Awards - The Oscars

Once again it is time to celebrate a year of film watching. Here are my choices for the following awards along with thoughts about the selections and non-selections the Academy made.

• Best Actor - Nominees are:  Casey Affleck (Manchester by the Sea), Andrew Garfield (Hacksaw Ridge), Ryan Gosling (La La Land), Viggo Mortensen (Captain Fantastic), and Denzel Washington (Fences). There are strong performances in this group of actors. For me the obvious missing actor is Tom Hanks in Sully because it was so well made and gave me a real sense of a man who saved 155 lives. Given the Academy's choices, Affleck was sublime. You felt him and what he was going through from beginning to end. I loved this performance. I thought Garfield was very strong in this career defining role for him. He brought heart to this role. Gosling was amazing. His charm, piano playing, and dancing brought life to this dream like film. I loved the film Captain Fantastic and Mortensen was the key. His wide eyed brilliance made this film work. Lastly, Washington was simply a nuclear charged bit of energy bottled up and ready to pounce. Great performance, however it felt too much like a play like for me to like it in film. My choice is Affleck.

• Best Actress  - Nominees are:  Isabelle Hubert (Elle), Ruth Negga (Loving), Natalie Portman (Jackie), Emma Stone (La La Land), and Meryl Streep (Florence Foster Jenkins). Granted I did not see Florence Foster Jenkins because I saw a film about the same story a year earlier and didn't want to see the same story again. Missing from this nominee list is Amy Adams. She gave two powerful performances this past year; Arrival which is a film I adored (see below) and Nocturnal Animals where her cool intelligent nature amazingly unfolded on the screen. Given the choices, Hubert was absolutely fantastic in this role. Her ability to be both vulnerable and strong in the same breath expressed her greatness. Negga was very strong and I loved her role as she grows from a timid somewhat subservient person to a woman of strength and grit. I loved this story. Portman is an interesting choice. I found the character to be so different than my perception of Jackie that I was taken aback. This performance made me wonder about the real person and that's important in filmmaking. Stone was so fun and divine in this role. Her chemistry with Gosling is noticeable and helps her to elevate this role to amazing and grace like. Loved her in this film. My selection is Hubert as because she really brought a fully bodied and interesting character to life.

• Best Supporting Actress  - Nominees are:  Viola Davis (Fences), Naomie Harris (Moonlight), Nicole Kidman (Lion), Octavia Spencer (Hidden Figures), and Michelle Williams (Manchester by the Sea).  One of the amazing things about these choices is that a couple of these actors had very limited screen time to make an impact. The most striking was Williams. Davis gave an amazing performance as Washington's wife in Fences. It takes a lot to hold your own against Washington and here Davis shows everyone how. Watching Harris in Moonlight is like taking a very long road to forgiveness. I was amazed at this performance. Kidman in Lion was very strong. There is one scene when she's talking about how she came to adopt her Indian son, that was so deep and heartfelt I cried. Spencer was great in Hidden Figures. As a strong black woman wanting her due, she was fantastic. Williams, as I have said, had a small role but the scene where she is asking for forgiveness from Affleck was the most powerful 2 minute scene on film this year. I've got a close tie, with Williams and Davis, but in the end, I'll go with Davis.

• Best Supporting Actor  - Nominees are:  Mahershala Ali (Moonlight), Jeff Bridges (Hell or High Water), Lucas Hedges (Manchester by the Sea), Dev Patel (Lion), and Michael Shannon (Nocturnal Animals). I was a little taken back by the inclusion of Patel as a supporting actor. It felt more like a lead actor role to me. Ali in Moonlight is such a powerful integral character and he made it work so well. Loved his compassion. Bridges was wonderful in Hell or High Water. He made this character heart filled as well as having an distinct edge of sarcasm. Hedges in Manchester by the Sea was good. However, it wasn't enough for me to give him a good chance. Patel, as I previously stated, seemed nominated in the wrong category. Although he was really good, it just doesn't fit here. Shannon in Nocturnal Animals is beyond great. I loved his intensity and persistence of character. I was entranced when he was on the screen. I've got two front runners, Shannon and Ali. Upon reflection as to how they impacted the story, I'll go with Ali.

• Best Cinematography  - Nominees are:   Arrival, La La Land, Lion, Moonlight, and Silence. I will admit I did not see Silence as I just couldn't get motivated to see this film. Given this, Arrival was amazing with the visualizations of the ships, the anti-gravity sections of inside the ship and how they displayed and handled the aliens.  La La Land was gorgeous. Whether is was in or outside the Observatory, on the streets of LA, or in an apartment. There was care in how the colors and sets looked on the screen. Lion had wonderful accurate feeling scenes of India, especially the railway stations. I didn't quite buy the butterfly scenes as they seemed slightly over the top. However, the rest of the sets were amazingly done. Moonlight reflected just this, moonlight on the ocean. The shifts from scenes in school, on the beach, and cities in South Florida were luxurious. As I previously said I've no information about Silence because I didn't see it. From what I saw, I would have to select Arrival as my favorite with La La Land and Moonlight a very close second.

• Best Adapted Screenplay  - Nominees are:   Eric Heisserer (Arrival), August Wilson (Fences), Allison Schroder and Theodore Melfi (Hidden Figures), Luke Davies (Lion), and Barry Jenkins (Moonlight). All of them are wonderful stories. I loved the story and meaning behind Moonlight, Arrival, and Hidden Figures. Each of these stories were very impactful. Moonlight because it shared the somewhat hidden story of a black gay community. Arrival because it was one of the most amazing ways to share the concept of non-linear time. Hidden Figures was so powerful as to how the segregation of blacks almost hurt our chances to be successful in the space race with Russia. It is difficult to choose from such diverse stories, however in the end I'll select Moonlight.

• Best Original Screenplay  - Nominees are:  Taylor Sheridan (Hell or High Water), Damien Chazelle (La La Land), Yorgos Lanthimos and Efthymis Filippou (The Lobster), Kenneth Lonergan (Manchester by the Sea), Mike Mills (20th Century Women). Great list. The depth of friendship as expressed in Hell or High Water, the stories of love and growth as expressed in La La Land, The Lobster, and 20th Century Women, and humbling forgiveness as expressed in Manchester by the Sea - all were amazing. As an original story I am tossed between Manchester by the Sea and La La Land. Either winning would be accepted.

• Best Director  - Nominees are:  Denis Villeneuve (Arrival), Mel Gibson (Hacksaw Ridge), Damien Chazelle (La La Land), Kenneth Lonergan (Manchester by the Sea), and Barry Jenkins (Moonlight). Interesting that Lonergan, Jenkins, and Chazelle wrote the films they directed and it shows the importance of knowing what it is you want to portray/express. What is missing? For me the missing directors are Tom Ford (Nocturnal Animals) and Theodore Melfi (Hidden Figures), both of these films had great vision and execution. Choosing from this strong list is difficult. However, for the impact it had on me I'm down to two: Villeneuve and Chazelle because of how they eloquently told their stories. However, if Gibson, Lonergan, or Jenkins were to win, I wouldn't be upset.

• Best Picture  - Nominees are:   Arrival, Fences, Hacksaw Ridge, Hell or High Water, Hidden Figures, La La Land, Lion, Manchester by the Sea, and Moonlight. This is a full and dynamic list. I liked all these films. However, if I had to start separating these nominees, I'd pull out these three as my top contenders: Arrival, La La Land, and Manchester by the Sea. Each tells a story and tells their story very well. Each film was fully engaging and opens the heart in a new and different way. I cannot pick a winner because I loved watching these three films.

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Hacksaw Ridge

First Hit:  A very powerful and graphic film about a conscientious objector’s selflessness to save lives in a horrible battle.

This film is not easy to watch as many of the graphically violent scenes may make you cringe, close your eyes, or turn away from the screen as I did. Although the number of war torn bodies in this film was far greater than what I saw in Vietnam, the point wasn’t lost on me: “war is hell” as William T. Sherman in 1870 said and Director Mel Gibson wanted us to see. As he did in “Passion of the Christ” and “Apocalypto”, Gibson shows us man’s inhumanity to man.

Here he shows us Desmond Doss (Darcy Bryce and Andrew Garfield), whose belief in God, as a Seventh Day Adventist, won’t allow him to take another man’s life. We also see the lessons he learns from a difficult childhood. His father, Tom (Hugo Weaving), is an alcoholic which began with his own suffering from the loss of his childhood friends in WW I. The beatings his mother Bertha (Rachel Griffiths), brother Hal (Roman Guerriero and Nathaniel Buzolic) and he take, affected him deeply and as an audience member, were difficult to witness.

Because he has a sense of duty, despite the objections of his mother and father, he signs up to join the WWII effort as a medic Conscientious Objector in the US Army. Prior to his induction he meets Dorothy Schutte (Teresa Palmer) whom he charms with his wholesome, caring and kind nature. She sees the depth of his integrity and they agree to marry on his first leave.

When his platoon Sergeant Howell (Vince Vaughn) announces to the rest of his platoon that Desmond won’t be carrying a gun to protect his peers, they make him a pariah. He's beaten and disowned by his fellow soldiers and they even try to Court Martial him out of the Army.

Gibson painstakingly develops the backstory so that when Desmond enters the battle for Hacksaw Ridge the audience is ready for him to become the hero he became. As the first of only three Conscientious Objectors to receive the Medal of Honor, Desmond amazes his fellow soldiers. Alone he saves 75 wounded men by saying to himself and to his God, “give me the strength to save just one more”.

The battle itself is one of the most graphic you’ll ever witness and it is important to know this going in. For me it triggered huge sadness because of the memory of piling up dead Viet Cong soldiers after an all-night firefight.

Although this film is long at 2 hours and 11 minutes, the elongated battle scenes are extremely well orchestrated giving the audience a sequence of stories all tying together.

Garfield was spectacular and amazing in this performance. His embodiment of Doss was deeply heartfelt. I would predict that he may receive an Oscar nomination, along with a real chance to win. I’d definitely give him a vote. Weaving was powerful as the father who was gutted by his involvement in WWI along with how this, and his alcoholism, affected his life. The last scene where he reaches out to help his son was deeply heartfelt. Vaughn was in the best non-comedic role I’ve ever seen him in. In my view, this role brought a new dimension to his acting abilities. Bryce and Guerrieo were wonderful as the young Doss brothers. Palmer was fantastic as Desmond’s one true love. Griffiths was very good as Desmond’s suffering and faithful mother. Andrew Knight and Robert Schenkkan wrote a fantastic screenplay. This screenplay is Oscar worthy and the dialogue is amazing in its range. It contained humor, military order and strictness, romanticism, and spiritual beliefs all wrapped into one film effectively. Gibson, regardless of how you may think of him as a celebrity and person, his direction of this film is truly amazing. Like Spielberg, he knows how to craft scenes of war in a way that can make an audience feel the experience. He deserves to be given consideration for an Oscar as well. If you see this film, make sure you watch the short clips during the credits of the real Desmond and others who knew him.

Overall: Although this film can be hard to watch at times, it clearly makes a strong point about the power of one man living his truth.

99 Homes

First Hit:  Great and disconcerting story delivered by very strong acting.

The real estate game and crisis is highlighted in this film.

This film highlights families that are not able to continue paying their mortgage and get foreclosed upon. The person who takes charge of the eviction is aggressive real estate agent Rick Carver (Michael Shannon).

When he forecloses on Dennis Nash (Andrew Garfield), his mother Lynn (Laura Dern), and son Connor (Noah Lomax), Dennis finds a way to earn some money back and he hates the way he’s doing it. He now works for Carver as his right hand man.

Dennis likes the money, he likes that he’s able to provide for his son and mother, and he hates what he’s become. The film ensures the audience can, at a visceral level, relate to the people evicted from their homes. This is truly an American story.

Garfield is magnificent. He carries the greed and guilt perfectly. Shannon is perfect as the guy who has one focus, money and more of it. Dern and Lomax are great as Garfield’s mother and son. Ramin Bahrani both wrote and directed with film with a deft touch. He was able to create the sadness of loss and the greed of getting more perfectly through this screen play.

Overall:  I thought this was a really good film because it reflected a true American tragedy and the acting was great.

The Amazing Spider-Man

First Hit:  This was a fun-filled action fantasy film.

Sometimes a franchise film finds new legs and sets a new mark on what might become a new base for a new set of movies. This film does this.

Not taking away from Tobey Maguire and Kristen Dunst but Andrew Garfield (as Peter Parker, aka Spider-Man) and Emma Stone (as Gwen Stone) have a great start on creating a new set of adventures with the Spider-Man franchise.

In this film we go back to the beginning and discover the more about how Peter’s father and mother died, how he was raised by his Aunt May and Uncle Ben (played by Sally Field and Martin Sheen respectively). We learn how Peter’s father Richard (played by Campbell Scott) worked with Dr. Curt Connors (played by Rhys Ifans) to discover how to mix species for the betterment of humankind.

Parker in his curiosity of Connors’ lab gets bitten by a spider and we all know what happens from here. It is the way Parker discovers his talents that make this film fresh and fun; and this film is fun.

Even in the darkness of what will happen; while Parker is being hunted by the police or the Lizard (Connors’ alter ego) this film is enjoyable in all ways.

Garfield is very good as Parker/Spider-Man, my only criticism is that he’s just a little old to be playing a high school student. Outside of this small criticism, he’s great in this role and I know he’ll be wonderful for this franchise. Stone is very good and this film is about Spider-Man. Ifans is creepy enough to carry the transition between Connors and the Lizard. Field is good as the mostly fretting Aunt. Sheen is excellent as Parker’s caring uncle. James Vanderbilt and Alvin Sargent wrote a great script. Marc Webb did an excellent job of bringing new life to this wonderful story.

Overall:  This was a very well made and enjoyable film.

The Social Network

First Hit: An absolutely wonderfully engaging film.

From the first opening moments this film puts you on notice; pay attention to the dialogue and that this film is about the main character Mark Zuckerberg.

Jesse Eisenberg clearly makes Zuckerberg his character and you’ll not be able to take your eyes off him when he is on the screen.

This film is not authorized by Zuckerberg and therefore there are questions about it truthfulness. Yet much of the film comes from interviews and court records which came to pass because Zuckerberg was sued by a college roommate and other college acquaintances in which he had made a business agreement with.

Regardless of the exact truth, the story is engaging and mostly because of the fine acting by Eisenberg, Andrew Garfield as his roommate and initial CFO Eduardo Saverin, and Justin Timberlake as Sean Parker (Sean Fanning) founder of Napster. The story doesn’t delve into the workings of Facebook and the decisions to add types of functionality into the product.

The story is about Zuckerberg and some of the motivations and single mindedness around creating Facebook as something that would change the world. The film is a study in different types of people and what motivates them. My only downside to this film was that the first scene showed an intense and somewhat angry young man, I wondered how Zuckerberg had gotten this way.

Eisenberg is wonderful at bringing the single mindedness of Zuckerberg to life. Watching Zuckerberg in interviews, especially the hour + long one recently held at a computer museum, it is clear that Eisenberg matched the fact that Zuckerberg is extremely intelligent and is unafraid to chart his own course and willing to make mistakes along the way. Garfield is strong as the jilted and shocked roommate who started with owning 7% of Facebook stock which was stripped to .03% by Zuckerberg. Timberlake is spot on as the wonderkind Parker (Fanning) who brought down the music business with his file sharing program and who shared his knowledge of what it takes to create a huge internet based business. Aaron Sorkin wrote the intense and wonderfully succinct screenplay. David Fincher expertly directed this team of actors through the complexities of the subject.

Overall: This is a very entertaining and interesting film, well worth the price of admission.