Denzel Washington

The Equalizer 2

First Hit: Although the plot premise was slightly forced, I loved how Denzel Washington makes sure he’s on the right side of things.

I had difficulty understanding why the couple were murdered at the beginning of this film. Although the film attempts to provide enough information to make it understandable, for me, something was missing. It needed a bit of context in some way.

However, the subsequent murders by a small group of men, doing cleanup, had more clarity.

Meanwhile, we watch Robert McCall (Washington) living his life as a Lyft driver occasionally, using his killing skills to right a wrong to a friend or a societal criminal activity.

The strongest statement to McCall’s effectiveness as a do-gooder was when he rectifies the wrong done to a call girl by a group of young rich entitled men. After taking the woman to a hospital, he goes back to the apartment and pulverizes the group of men for their actions towards the woman.

His closest friend and former boss, from his active government days, Susan Plummer (Melissa Leo), investigates the initial couple’s murder and because she’s so good, the band of men responsible for the initial killing, decide to kill her as well.

This puts McCall over the line and how he’s out for complete revenge. When he discovers the responsible party for the killings are former men he worked with, he ensures they know he’ll come after them, and that his only sadness will be he can kill them only once.

There is a side story about his wife’s death and his inability to go back to where they lived together.

However, it is his guidance towards Miles Whittaker (Ashton Sanders) that really brings out his deep seated patience, caring and mentorship. Miles is torn between wanting to join a gang to earn some coin for himself and his mama and his ability to draw. His brother died by a bullet and in some ways he wants to get revenge. The other, more sensitive side of him, wants to honor his talent for drawing and painting. The film does take time to explore this side as well.

Washington is perfect as the thoughtful, competent killer. His ability to break into a smile, then look someone down with a glare that exudes death is perfect for this role. Makes me want to hope for yet, another episode. Leo is perfect as the no nonsense former leader of a secret government assassination team. Sanders was wonderful as the young man trying to find his way. Pedro Pascal (playing Dave York) as McCall’s old running mate when they worked for the government together. Thought he carried his role with perfectly. Richard Wenk and Michael Sloan wrote the script. For me, the beginning wasn’t set up well enough with the killing of the couple, but other than this, I liked how it unfolded. Antoine Fuqua directed this film. What didn’t work well for me, besides the opening couple’s murder sequence, was the having the final war between McCall and the clean-up team be shot in a storm. For me it didn’t add to the tense ending only made it harder to follow.

Overall: I love Denzel in this role and therefore I enjoyed the film.

Academy Awards - The Oscars

Once again it is time to celebrate a year of film watching. Here are my choices for the following awards along with a few thoughts about some of the selections and non-selections The Academy made.

  • Actor in a Leading Role – The nominees are: Daniel Kaluuya (Get Out), Timothee Chalamet (Call me by Your Name), Gary Oldman (Darkest Hour), Daniel Day-Lewis (Phantom Thread), and Denzel Washington (Roman J. Isreal, Esq.). Who else could be on this list? Tom Hanks (The Post), James Franco (The Disaster Artist), and Richard Gere (Norman). However, regardless of who wasn’t on the list, the runaway best performance is Gary Oldman for Darkest Hour. His Winston Churchill was simply sublime.
  • Actress in a Leading Role – The nominees are: Meryl Streep (The Post), Sally Hawkins (The Shape of Water), Margot Robbie (I, Tonya), Francis McDormand (Three Billboards Outside Ebbing Missouri, and Saoirse Ronan (Lady Bird). Who didn’t get nominated? Rachel Weisz (My Cousin Rachel), Emma Stone (Battle of the Sexes) and Jessica Chastain (The Zookeepers Wife). If it were up to me, I’d select Saoirse Ronan in Lady Bird because of the variety and excellent delivery of teenage emotions she effectively brings to the screen. Margot Robbie was utterly fantastic as Tonya Harding. Francis McDormand was filled with angst and fire as the woman who lost her daughter to rape and murder. Sally Hawkins was ethereal as Elisa Esposito a deaf woman who communicates with the captured creature. Meryl Streep showed the subtle development of strength as her character Katharine Graham.
  • Supporting Actress – The nominees are: Lesley Manville (Phantom Thread), Laurie Metcalf (Lady Bird), Allison Janney (I, Tonya), Mary J. Blige (Mudbound). Octavia Spencer (The Shape of Water). Who is missing from this list? Melissa Leo (Novitiate), who gave one of most outstanding performances of the year. The film wasn’t seen and that is a shame. This is a strong field but choosing from the nominees, I’d select Allison Janney. Her depiction of Tonya Harding’s mother was vividly cold.
  • Supporting Actor – The nominees are: Christopher Plummer (All the Money in the World), Woody Harrelson (Three Billboards Outside Ebbing, Missouri), Sam Rockwell (Three Billboards Outside Ebbing, Missouri), Willem Defoe (The Florida Project), and Richard Jenkins (The Shape of Water). A great set of actors. Missing? Steve Carell (Battle of the Sexes) gave us an incredibly life like Bobby Riggs. I’d have to say that Sam Rockwell would get my vote although each of the above deserve the recognition.
  • Best Cinematography – The nominees are: Bruno Delbonnel (Darkest Hour), Hoyte van Hoytema (Dunkirk), Rachel Morrison (Mudbound), Dan Laustsen (The Shape of Water), and Roger Deakins (Blade Runner 2049). Great list of people creating and delivering great pictures. My vote would go for Hoyte van Hoytema in Dunkirk. I admired the multitude and type of scenes that were shot and how they were made into a cohesive feeling of awe.
  • Writing (Adapted Screenplay) – The nominees are: Dee Rees and Virgil Williams (Mudbound), Michael H. Weber and Scott Neustadter (The Disaster Artist), James Ivory (Call Me by Your Name), James Mangold, Michael Green and Scott Frank (Logan), and Aaron Sorkin (Molly’s Game). My vote would go to  Michael H. Weber and Scott Neustadter for The Disaster Artist.
  • Writing (Original Screenplay) – The nominees are: Guillermo del Toro and Vanessa Taylor (The Shape of Water), Martin McDonagh (Three Billboards Outside Ebbing, Missouri), Emily V. Gordon and Kumail Nanjiani (The Big Sick), Jordan Peele (Get Out) and Greta Gerwig (Lady Bird). This is probably the tightest category to be contested. Each of these stories is amazingly original. Therefore, I don’t have a single selection, they all are deserving.
  • Film Editing – The nominees are: Lee Smith (Dunkirk), Tatiana S. Riegel (I, Tonya), Jonathan Amos and Paul MacHliss (Baby Driver), Sidney Wolinsky (The Shape of Water), and Jon Gregory (Three Billboards Outside Ebbing, Missouri). All very good, however the standout in editing goes to Lee Smith for Dunkirk. This is a story based film and not a character based film and because of this the editing makes this film engaging.
  • Directing – The nominees are: Paul Thomas Anderson (Phantom Thread), Guillermo del Toro (The Shape of Water), Christopher Nolan (Dunkirk), Greta Gerwig (Lady Bird), and Jordan Peele (Get Out). What is missing. To me there are huge gaps here. Margaret Betts (Novitiate), Kathryn Bigelow (Detroit), Craig Gillespie (I, Tonya), and Joe Wright (Darkest Hour) all had a great firm hand on their story's and told them with excellence. Out of the nominees, I’d vote for Christopher Nolan and Dunkirk because he made this event come alive. However, Greta Gerwig (Lady Bird) got amazing performances from her cast.
  • Picture – The nominees are: Darkest Hour, Dunkirk, Phantom Thread, Get Out, The Post, Three Billboards Outside Ebbing, Missouri, The Shape of Water, and Lady Bird. All these pictures, except Phantom Thread (review in process) are films I loved to watch for different reasons. What is missing? I think Novitiate, Detroit, and Battle of the Sexes were deserving as well. However, Novitiate would be my candidate for replacing Phantom Thread which I didn’t really find likable or engaging. Who will win? My wish would be Dunkirk, Lady Bird, and Three Billboards Outside Ebbing, Missouri in that order. If Novitiate was in the mix, it would be a tie between it and Dunkirk.

Thank you for visiting my site. May you all Be Well...

Roman J. Israel, Esq.

First Hit:  I enjoyed the innocence, charm , clumsiness, and brilliance of Denzel Washington’s Israel.

Roman J. Israel, Esq. (Washington) is a savant in knowing civil law. Teamed with his former professor, who is the court face of this law firm, Israel is the brilliant man behind the curtain. Israel has spent his entire career at a desk in the office preparing all the paperwork and briefs for his partner.

One day his partner has a heart attack and passes away. When Israel goes to the office he's greeted by Lynn (Amanda Warren), his partner’s daughter. She tells him the firm is broke and defunct. He’s asked to get a continuance for all the pending court cases, but instead, he goes to court and starts arguing the cases and immediately gets hit with a contempt of court citation because he lacks tact and courtroom experience.

The firm is being swallowed-up by a law firm run by George Pierce (Colin Farrell). Pierce offers Israel a job doing what he’s been doing for more money and initially Israel says no. Discovering that he’s stuck in the 1970’s, as reflected by his taste in music, electronics, and clothing, and has poor communication skills, he cannot get a job.

Forced to make some money, he takes Pierce's up on his offer and becomes the office odd-ball. But some soon learn just how brilliant he is and how he set the tone for civil rights law during his career. In an opportunity to address a local ACLU group led by Maya Alston (Carmen Ejogo), he again discovers how misplaced his views can be to a young group of activists.

As he sees his life careening out of the mental box he’s lived in, he makes one attempt to move into the 21st century. In doing so, he breaks attorney / client privilege and turns in the name of a trigger man in a murder robbery. Collecting reward money, he begins to treat himself.

This is where we get to watch Washington do his magic in acting. He makes the constant shifting between be the 70’s boxed-up guy and a modern guy taking advantage of the world. It's sublime.

Of course, as a Hollywood movie would do, all this catches up with Roman and his way of making it right and how Pierce honors this choice is touching.

Washington is brilliant. He climbs into role and the character with a clear understanding of making this part really work. Farrell is wonderful as the quick smart lawyer and business owner. The moments where he shows us and Israel his humanness is just enough to make it all work. Ejogo was fantastic. She made me believe she loved what she did and that she knew the civil rights history Israel brought to her life. Dan Gilroy wrote and directed this film. I loved the look and feel he brought to Israel as a throw-back to today’s world.

Overall:  I liked the story and thought it worked well.

Academy Awards - The Oscars

Once again it is time to celebrate a year of film watching. Here are my choices for the following awards along with thoughts about the selections and non-selections the Academy made.

  • Best Actor - Nominees are:  Casey Affleck (Manchester by the Sea), Andrew Garfield (Hacksaw Ridge), Ryan Gosling (La La Land), Viggo Mortensen (Captain Fantastic), and Denzel Washington (Fences). There are strong performances in this group of actors. For me the obvious missing actor is Tom Hanks in Sully because it was so well made and gave me a real sense of a man who saved 155 lives. Given the Academy's choices, Affleck was sublime. You felt him and what he was going through from beginning to end. I loved this performance. I thought Garfield was very strong in this career defining role for him. He brought heart to this role. Gosling was amazing. His charm, piano playing, and dancing brought life to this dream like film. I loved the film Captain Fantastic and Mortensen was the key. His wide eyed brilliance made this film work. Lastly, Washington was simply a nuclear charged bit of energy bottled up and ready to pounce. Great performance, however it felt too much like a play like for me to like it in film. My choice is Affleck.
  • Best Actress  - Nominees are:  Isabelle Hubert (Elle), Ruth Negga (Loving), Natalie Portman (Jackie), Emma Stone (La La Land), and Meryl Streep (Florence Foster Jenkins). Granted I did not see Florence Foster Jenkins because I saw a film about the same story a year earlier and didn't want to see the same story again. Missing from this nominee list is Amy Adams. She gave two powerful performances this past year; Arrival which is a film I adored (see below) and Nocturnal Animals where her cool intelligent nature amazingly unfolded on the screen. Given the choices, Hubert was absolutely fantastic in this role. Her ability to be both vulnerable and strong in the same breath expressed her greatness. Negga was very strong and I loved her role as she grows from a timid somewhat subservient person to a woman of strength and grit. I loved this story. Portman is an interesting choice. I found the character to be so different than my perception of Jackie that I was taken aback. This performance made me wonder about the real person and that's important in filmmaking. Stone was so fun and divine in this role. Her chemistry with Gosling is noticeable and helps her to elevate this role to amazing and grace like. Loved her in this film. My selection is Hubert as because she really brought a fully bodied and interesting character to life.
  • Best Supporting Actress  - Nominees are:  Viola Davis (Fences), Naomie Harris (Moonlight), Nicole Kidman (Lion), Octavia Spencer (Hidden Figures), and Michelle Williams (Manchester by the Sea).  One of the amazing things about these choices is that a couple of these actors had very limited screen time to make an impact. The most striking was Williams. Davis gave an amazing performance as Washington's wife in Fences. It takes a lot to hold your own against Washington and here Davis shows everyone how. Watching Harris in Moonlight is like taking a very long road to forgiveness. I was amazed at this performance. Kidman in Lion was very strong. There is one scene when she's talking about how she came to adopt her Indian son, that was so deep and heartfelt I cried. Spencer was great in Hidden Figures. As a strong black woman wanting her due, she was fantastic. Williams, as I have said, had a small role but the scene where she is asking for forgiveness from Affleck was the most powerful 2 minute scene on film this year. I've got a close tie, with Williams and Davis, but in the end, I'll go with Davis.
  • Best Supporting Actor  - Nominees are:  Mahershala Ali (Moonlight), Jeff Bridges (Hell or High Water), Lucas Hedges (Manchester by the Sea), Dev Patel (Lion), and Michael Shannon (Nocturnal Animals). I was a little taken back by the inclusion of Patel as a supporting actor. It felt more like a lead actor role to me. Ali in Moonlight is such a powerful integral character and he made it work so well. Loved his compassion. Bridges was wonderful in Hell or High Water. He made this character heart filled as well as having an distinct edge of sarcasm. Hedges in Manchester by the Sea was good. However, it wasn't enough for me to give him a good chance. Patel, as I previously stated, seemed nominated in the wrong category. Although he was really good, it just doesn't fit here. Shannon in Nocturnal Animals is beyond great. I loved his intensity and persistence of character. I was entranced when he was on the screen. I've got two front runners, Shannon and Ali. Upon reflection as to how they impacted the story, I'll go with Ali.
  • Best Cinematography  - Nominees are:   Arrival, La La Land, Lion, Moonlight, and Silence. I will admit I did not see Silence as I just couldn't get motivated to see this film. Given this, Arrival was amazing with the visualizations of the ships, the anti-gravity sections of inside the ship and how they displayed and handled the aliens.  La La Land was gorgeous. Whether is was in or outside the Observatory, on the streets of LA, or in an apartment. There was care in how the colors and sets looked on the screen. Lion had wonderful accurate feeling scenes of India, especially the railway stations. I didn't quite buy the butterfly scenes as they seemed slightly over the top. However, the rest of the sets were amazingly done. Moonlight reflected just this, moonlight on the ocean. The shifts from scenes in school, on the beach, and cities in South Florida were luxurious. As I previously said I've no information about Silence because I didn't see it. From what I saw, I would have to select Arrival as my favorite with La La Land and Moonlight a very close second.
  • Best Adapted Screenplay  - Nominees are:   Eric Heisserer (Arrival), August Wilson (Fences), Allison Schroder and Theodore Melfi (Hidden Figures), Luke Davies (Lion), and Barry Jenkins (Moonlight). All of them are wonderful stories. I loved the story and meaning behind Moonlight, Arrival, and Hidden Figures. Each of these stories were very impactful. Moonlight because it shared the somewhat hidden story of a black gay community. Arrival because it was one of the most amazing ways to share the concept of non-linear time. Hidden Figures was so powerful as to how the segregation of blacks almost hurt our chances to be successful in the space race with Russia. It is difficult to choose from such diverse stories, however in the end I'll select Moonlight.
  • Best Original Screenplay  - Nominees are:  Taylor Sheridan (Hell or High Water), Damien Chazelle (La La Land), Yorgos Lanthimos and Efthymis Filippou (The Lobster), Kenneth Lonergan (Manchester by the Sea), Mike Mills (20th Century Women). Great list. The depth of friendship as expressed in Hell or High Water, the stories of love and growth as expressed in La La Land, The Lobster, and 20th Century Women, and humbling forgiveness as expressed in Manchester by the Sea - all were amazing. As an original story I am tossed between Manchester by the Sea and La La Land. Either winning would be accepted.
  • Best Director  - Nominees are:  Denis Villeneuve (Arrival), Mel Gibson (Hacksaw Ridge), Damien Chazelle (La La Land), Kenneth Lonergan (Manchester by the Sea), and Barry Jenkins (Moonlight). Interesting that Lonergan, Jenkins, and Chazelle wrote the films they directed and it shows the importance of knowing what it is you want to portray/express. What is missing? For me the missing directors are Tom Ford (Nocturnal Animals) and Theodore Melfi (Hidden Figures), both of these films had great vision and execution. Choosing from this strong list is difficult. However, for the impact it had on me I'm down to two: Villeneuve and Chazelle because of how they eloquently told their stories. However, if Gibson, Lonergan, or Jenkins were to win, I wouldn't be upset.
  • Best Picture  - Nominees are:   Arrival, Fences, Hacksaw Ridge, Hell or High Water, Hidden Figures, La La Land, Lion, Manchester by the Sea, and Moonlight. This is a full and dynamic list. I liked all these films. However, if I had to start separating these nominees, I'd pull out these three as my top contenders: Arrival, La La Land, and Manchester by the Sea. Each tells a story and tells their story very well. Each film was fully engaging and opens the heart in a new and different way. I cannot pick a winner because I loved watching these three films.

Thank you for viewing my site.

Fences

First Hit:  Excellent acting but this film feels like too much a play.

This is Denzel Washington’s film as he was the main character as well as directing it. It is purely a dialogue based film and there is very little space for it to breathe.

I’m not sure that it could have been done differently as August Wilson who wrote the play also wrote the screenplay. Additionally, Washington and Viola Davis did this on Broadway and therefore their experience as these characters was play based.

Washington as Troy Maxson is a garbage collector (lifter) for the city of Pittsburg. His wife Rose (Davis) takes care of the home. One point made in the film is that Rose manages the money because each Friday he brings home his envelope with $76.00 and he gives it to her. He expounds on this time and time again throughout this film as a way to state who really controls the home in his eyes. They have a home partially purchased by a settlement given to his brother Gabriel (Mykelti Williamson) because he’s got a metal plate in his head. Troy has a sense of guilt about this.

His best friend Jim Bono (Stephen Henderson) is also a lifter and together they talk all day as they lift garbage cans into their truck. Troy protests, asking the city why all the drivers are white and when he’s called down to the commissioner’s office instead of being punished, he’s made a driver.

Troy tells stories in the backyard while drinking gin with Bono. His son Cory (Jovan Adepo) wants his dad to sign football scholarship papers so that he can go to college. Troy refuses because he says nothing will come of it, just as nothing came from his self-aggrandizing baseball abilities. He doesn’t understand that Cory just wants a good education at a good college.

Troy and Rose also have another older son named Lyons (Russell Hornsby) who isn’t willing to work like his dad and wants to be a musician. Unfortunately, he must borrow money from time to time and Troy gives him a hard time each time he asks.

This film is about a man rebelling about his fenced in life, his transgressions, and his son coming out from the control of his father. It is a story that has roots in most families where there are fathers having different plans for their son’s life. This is also a story about friendship in addition to how Troy demeans his own integrity and life by introducing his way to have more freedom.

The sets are simple. There are a couple scenes of Troy working, many backyard and inside their home scenes, and a couple of front yard scenes. I felt as though the backyard sets were very staged for the dialogue and not realistic.

Washington was very strong. He commanded every scene. Davis was wonderful and when it was time for her to shine, she did. Henderson was fantastic as the lifelong friend. Hornsby was good as the older son and Adepo was very strong as the younger son who wanted to find a way out of his current life. Williamson was amazing as the mentally limited brother. His horn blowing scene at the end was sublime. The script by Wilson was too play like and therefore didn’t make use of the big screen. Washington was hampered by both the script and his experience with the play.

Overall:  This is a much better play than film.

googleaa391b326d7dfe4f.html