Woody Harrelson

Midway

First Hit: Besides being too long, I didn’t like and couldn’t engage with the main character Dick Best (Ed Skrein).

As portrayed here, Best was a pilot who liked breaking the rules, thought highly of himself and his flying skills, but eventually, his arrogance, depicted as bravery, helped to win the war over Japan at Midway.

I don’t know what it was, but if another actor played Best, I might have better related with this character. Actors, from another time, who might have made this role work are Steve McQueen or Paul Newman. These guys had a way of being edgy and arrogant but likable.

There are other issues with this film that stood out as well. There were sections that were supposed to provide a depth to the story but seemed needless. Additionally, the strategic planning of the attack on Midway became muddled.

On a positive note, many of the action scenes were well choreographed and very exciting to watch.

This film is about how the battle of Midway became the turning point of the Pacific War between the United States and Japan. Early on, we see Pearl Harbor being bombed. This was particularly effective and was well depicted with the surprise and the panic that set in after the attack.

The US goal was to hit back at Japan in a way that would have them rethink their choice to attack the United States.

The key players in this story are Best, Lieutenant Commander Edwin T. Layton (Patrick Wilson), who was an intelligence officer, and Admiral Chester W. Nimitz (Woody Harrelson). Layton had developed data, with a team of intelligence analysts, that gave him a hunch that the Pearl Harbor attack was coming. Nimitz had heard about Layton’s ideas and after his assignment to head the Pacific Fleet, he told Layton to bring him information that would allow his decimated fleet to execute a surprise counterattack.

Midway was that surprise attack. In addition to this story, there were side stories. One was about Vice Admiral William “Bull” Halsey (Dennis Quaid), who was the on-boat commander of the aircraft carrier leading the fleet. He had a horrible case of shingles, which eventually put him out of commission. There was also a story about Lieutenant Colonel Jimmy Doolittle (Aaron Eckhart) who first bombed Japan, and because the way the mission worked out, he and his entire squadron had to ditch their planes because they ran out of fuel.

There are also sweet scenes with Best and his wife Anne (Mandy Moore), one of the few who understood and embraced her husband’s erratic intensity. There are also depictions of Japanese ship commanders and Admirals, which are brief and attempt to show the ignorance of and blind devotion to the war effort as commanded by their emperor.

Skrein was not likable as Best. What I don’t know was it Skrein or his character I didn’t like or want to champion. Eckart, in the bombing of Japan side story, was solid as Doolittle. Wilson was excellent as the intelligence officer Layton. The scene where he is pressed for the details on the theory of a Midway attack by the Japanese was powerful. Harrelson gave a strong performance as Nimitz. His belief in his team, especially Layton, was well executed. Quaid was good as Halsey, a “bull” of a man. Moore was excellent as the trusting and understanding wife of the film’s wildcard character. Wes Tooke wrote a meandering script that seemed to take in too many stories. Roland Emmerich had an excellent eye for many of the action scenes, but the story seemed to take too large a bite.

Overall: Because I couldn’t get into the main character, the film fell flat.

Zombieland: Double Tap

First Hit: There are some wonderfully funny moments in this zombie spoof.

Ten years after the original Zombieland, the same characters are back, older, wiser, and ready to take on the ever-evolving zombies. To this end, the team talks about the three different types of zombies, but then they learn about the high powered zombies.

Tallahassee (Woody Harrelson), Columbus (Jessie Eisenberg), Wichita (Emma Stone), and Little Rock (Abigail Breslin) are still roaming the eastern part of the United States, taking what they want, living where they want, and killing all the Zombies that come their way.

The women are struggling with the men. Little Rock is feeling out of sorts because she’s running around with adults, and she would like to find people her own age. Wichita is feeling pressured by Columbus to get married. Adding to the women’s misery, Tallahassee thinks he’s the boss of this motley crew and spends most of his time tinkering with The Beast, the Gatling gun protected car.

Deciding to take residence in the White House, things come to a head. Little Rock and Wichita steal The Beast and leave a cryptic note for the men saying “so long.”

Wichita and Little Rock run into a young hippy they call Berkeley (Avan Jogia), who is a pacifist guitar-playing guy looking for Babylon. A place he says, where no guns allowed, and the compound is walled off to protect the residents from the zombies.

Columbus runs into Madison (Zoey Deutch) at a mall that he and Tallahassee are pilfering. She’s a dumb blonde who has been living in a freezer that keeps her safe from the zombies. She goes back to the White House with him and seduces him.

Little Rock leaves her sister Wichita to run off with Berkeley in search of Graceland and then maybe Babylon. Alone, Wichita comes back to the White House to ask Tallahassee and Columbus to help her find her younger sister. But as soon as she gets there, she confronts Columbus for sleeping with Madison so quickly after she had left.

Deciding to stay together, they head out to find Little Rock, fearing she’s making a mistake. The journey has them killing lots of zombies on their way to Graceland, thinking that is where Little Rock was headed. After seeing Graceland empty, they find the church of Elvis and find Nevada (Rosario Dawson) running the joint, alone. Ready to rest before heading out again, The Beast is run over and crushed by a monster truck driven by Albuquerque (Luke Wilson) and Flagstaff (Thomas Middleditch).

With Albuquerque and Flagstaff acting just like Tallahassee and Columbus, respectively, there are moments of great full-throated laughs through the one-ups-man-ship of these four guys. The back and forth is priceless.

The theme of this film is outrageous fun through gags and props. Some of the accessories are; The Beast, the suburban van, the motorhome, Babylon (pronounced by Madison as “Baby lon”), and who killed Bill Murray. Murray is shown in the opening minutes of the ending credits, stay for this. Even Elvis gets his due in this film.

Harrelson is hilarious. He uses sincere looks while going through his mood swings. But the underlying smirk of amusement and self-deprecating humor makes his performance thoroughly enjoyable. Eisenberg was excellent as the semi-cautious list-making member of this crew. Stone is terrific as Eisenberg’s love interest and older sister to Little Rock. Breslin has physically changed more than anyone of the other actors in this crew because she was very young in the original film. She carried her scenes with strength. Deutch was so much fun as the dumb blonde. She made this role work exceptionally well, and I enjoyed her as an addition to this team. Dawson was beautiful as the proprietor of the church of Elvis. Wilson and Middleditch were great as memes of Harrelson and Eisenberg respectively. The swagger of Wilson and the nerdiness of Middleditch were correctly done. Jogla, as Berkeley, the hippie, was OK. I just didn’t think he brought the same level of humor and fun to his role. Murray, in the credits, was excellent. Rhett Reese, Paul Wernick, and Dave Callahan wrote a fun script. They didn’t try to make it too close to the first film and just let the fun be expressed in this one. Ruben Fleischer did an excellent job of directing this film with a loose fun-filled feel while keeping the story logical and moving.

Overall: This film was a great follow-up to the original.

Solo: A Star Wars Story

First Hit: I liked it and thought it did a great job of bringing Han Solo into the overall Star Wars story.

Sometimes prequels to an established story fail. Other times they add and bring to life characters that we’ve already been introduced to. This film is one of the latter. Just like the 2009 film Star Trek did for the Star Trek movie and TV series.

Here, Han (Alden Ehrenreich) has a big job to do. He must give us cocky irreverence alongside being a strong capable person and carry a believability of his intention to be a strong dependable character of the resistance in the future.

The first part I really loved was his flying his low-level cruiser into a very tight area and getting stuck. It is the attitude that he can make it yet accepting he didn’t and then moves on. You also sense that he learns from each mistake.

He gets separated from the love of his young life Qi’ra (Emilia Clarke) and vows to her he will come back for her.

I loved that his last name “Solo” is given to him by an Empire recruiting officer. He has no last name and no family, so when the officer says, "your name" he says "Han" and the officer says "Han what?" and Hans says he doesn't have a last name, so the officer says “Han (waits a moment or two) Solo” because he's alone and a renegade – perfect.

After joining the Empire, he gets expelled from flight school, and finds himself fighting for the Empire by slogging it out in the mud which he detests because he sees himself as a fighter pilot. He becomes slightly enamored with Captain Beckett (Woody Harrelson) who he soon finds out is only parading as a Captain to get over on the Empire and make some money because he owes Dryden Vos (Paul Bettany).

Failing this Beckett, his wife Val (Thandie Newton) and Rio Durant (voice by Jon Favreau) decide to steal some hyper-fuel Coaxium as a way to repay Vos. Their problem is that Solo, hoping to join them by blackmailing Beckett, tries to turn them in but the tables are turned, and Solo gets thrown into jail to battle the beast.

The beast happens to be a Wookie named Chewbacca (Joonas Suotamo) and because Solo speaks a little Shyriiwook (Chewbacca’s language) they plot to get out of jail together. They do, join Beckett and make an attempt to steal the Coaxium.

Failing this, Solo runs into Lando Calrissian (Donald Glover) who owns the Millennium Falcon, and together they try to find and steal more Coaxium because Solo thinks Qi’ri is being enslaved by Vos, he wants to buy her back.

This is the set up and what the viewer gets is the introduction of Solo, Chewy, and Lando for the future films. It also sets the tone for the resistance whom Solo helps.

The downside of the film is that it is a little long. However, it is engaging. The film does not depend on computer generated graphics and stuff to make it work, it depends on characters that you learn about and begin to care about or dislike. They bring in just enough of the upcoming story, the Star Wars series of films, by building a strong base for these characters. Did Solo really win the Millennium Falcon in a card game?

Ehrenreich was excellent. Although I didn’t think anyone could bring the swagger of a young Harrison Ford Solo, Ehrenreich did a credible job. Clarke was very strong as Qi’ra. She hid her changed alliances very well and kept the audience and Solo guessing. Newton was great in a smaller role as Beckett’s wife. Harrelson was outstanding as Beckett who was a swindler extraordinaire always looking out for himself and his wife. Suotamo was excellent as Chewbacca. I thoroughly enjoyed how he and Solo because partners. Glover as Lando was very strong. He carried the basis of the future and older Lando perfectly. Bettany was outstanding as Vos. His growing evilness as he got angrier was perfect for the role. Jonathan and Lawrence Kasdan wrote and excellent script. It carried the deep Star Wars theme through the entire picture. Ron Howard, as director, showed why he’s one of the best and an excellent choice to make this prequel.

Overall: Extremely entertaining and worthy of the Star Wars franchise name.

Academy Awards - The Oscars

Once again it is time to celebrate a year of film watching. Here are my choices for the following awards along with a few thoughts about some of the selections and non-selections The Academy made.

  • Actor in a Leading Role – The nominees are: Daniel Kaluuya (Get Out), Timothee Chalamet (Call me by Your Name), Gary Oldman (Darkest Hour), Daniel Day-Lewis (Phantom Thread), and Denzel Washington (Roman J. Isreal, Esq.). Who else could be on this list? Tom Hanks (The Post), James Franco (The Disaster Artist), and Richard Gere (Norman). However, regardless of who wasn’t on the list, the runaway best performance is Gary Oldman for Darkest Hour. His Winston Churchill was simply sublime.
  • Actress in a Leading Role – The nominees are: Meryl Streep (The Post), Sally Hawkins (The Shape of Water), Margot Robbie (I, Tonya), Francis McDormand (Three Billboards Outside Ebbing Missouri, and Saoirse Ronan (Lady Bird). Who didn’t get nominated? Rachel Weisz (My Cousin Rachel), Emma Stone (Battle of the Sexes) and Jessica Chastain (The Zookeepers Wife). If it were up to me, I’d select Saoirse Ronan in Lady Bird because of the variety and excellent delivery of teenage emotions she effectively brings to the screen. Margot Robbie was utterly fantastic as Tonya Harding. Francis McDormand was filled with angst and fire as the woman who lost her daughter to rape and murder. Sally Hawkins was ethereal as Elisa Esposito a deaf woman who communicates with the captured creature. Meryl Streep showed the subtle development of strength as her character Katharine Graham.
  • Supporting Actress – The nominees are: Lesley Manville (Phantom Thread), Laurie Metcalf (Lady Bird), Allison Janney (I, Tonya), Mary J. Blige (Mudbound). Octavia Spencer (The Shape of Water). Who is missing from this list? Melissa Leo (Novitiate), who gave one of most outstanding performances of the year. The film wasn’t seen and that is a shame. This is a strong field but choosing from the nominees, I’d select Allison Janney. Her depiction of Tonya Harding’s mother was vividly cold.
  • Supporting Actor – The nominees are: Christopher Plummer (All the Money in the World), Woody Harrelson (Three Billboards Outside Ebbing, Missouri), Sam Rockwell (Three Billboards Outside Ebbing, Missouri), Willem Defoe (The Florida Project), and Richard Jenkins (The Shape of Water). A great set of actors. Missing? Steve Carell (Battle of the Sexes) gave us an incredibly life like Bobby Riggs. I’d have to say that Sam Rockwell would get my vote although each of the above deserve the recognition.
  • Best Cinematography – The nominees are: Bruno Delbonnel (Darkest Hour), Hoyte van Hoytema (Dunkirk), Rachel Morrison (Mudbound), Dan Laustsen (The Shape of Water), and Roger Deakins (Blade Runner 2049). Great list of people creating and delivering great pictures. My vote would go for Hoyte van Hoytema in Dunkirk. I admired the multitude and type of scenes that were shot and how they were made into a cohesive feeling of awe.
  • Writing (Adapted Screenplay) – The nominees are: Dee Rees and Virgil Williams (Mudbound), Michael H. Weber and Scott Neustadter (The Disaster Artist), James Ivory (Call Me by Your Name), James Mangold, Michael Green and Scott Frank (Logan), and Aaron Sorkin (Molly’s Game). My vote would go to  Michael H. Weber and Scott Neustadter for The Disaster Artist.
  • Writing (Original Screenplay) – The nominees are: Guillermo del Toro and Vanessa Taylor (The Shape of Water), Martin McDonagh (Three Billboards Outside Ebbing, Missouri), Emily V. Gordon and Kumail Nanjiani (The Big Sick), Jordan Peele (Get Out) and Greta Gerwig (Lady Bird). This is probably the tightest category to be contested. Each of these stories is amazingly original. Therefore, I don’t have a single selection, they all are deserving.
  • Film Editing – The nominees are: Lee Smith (Dunkirk), Tatiana S. Riegel (I, Tonya), Jonathan Amos and Paul MacHliss (Baby Driver), Sidney Wolinsky (The Shape of Water), and Jon Gregory (Three Billboards Outside Ebbing, Missouri). All very good, however the standout in editing goes to Lee Smith for Dunkirk. This is a story based film and not a character based film and because of this the editing makes this film engaging.
  • Directing – The nominees are: Paul Thomas Anderson (Phantom Thread), Guillermo del Toro (The Shape of Water), Christopher Nolan (Dunkirk), Greta Gerwig (Lady Bird), and Jordan Peele (Get Out). What is missing. To me there are huge gaps here. Margaret Betts (Novitiate), Kathryn Bigelow (Detroit), Craig Gillespie (I, Tonya), and Joe Wright (Darkest Hour) all had a great firm hand on their story's and told them with excellence. Out of the nominees, I’d vote for Christopher Nolan and Dunkirk because he made this event come alive. However, Greta Gerwig (Lady Bird) got amazing performances from her cast.
  • Picture – The nominees are: Darkest Hour, Dunkirk, Phantom Thread, Get Out, The Post, Three Billboards Outside Ebbing, Missouri, The Shape of Water, and Lady Bird. All these pictures, except Phantom Thread (review in process) are films I loved to watch for different reasons. What is missing? I think Novitiate, Detroit, and Battle of the Sexes were deserving as well. However, Novitiate would be my candidate for replacing Phantom Thread which I didn’t really find likable or engaging. Who will win? My wish would be Dunkirk, Lady Bird, and Three Billboards Outside Ebbing, Missouri in that order. If Novitiate was in the mix, it would be a tie between it and Dunkirk.

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Three Billboards Outside Ebbing, Missouri

First Hit:  Very interesting characters but in the end, the story was unsatisfying, dark, and disturbing.

This is a story about grief, the processing of this grief, and challenging this small town's law enforcement abilities.

Mildred (Francis McDormand) has spent about a year hoping to get satisfaction from the Ebbing Police, headed by Chief Willoughby (Woody Harrelson), about the rape and killing of her daughter Angela (Kathryn Newton). There have been no real leads or suspects for more than nine months and Mildred’s depression is not subsiding.

To bring attention to the lack of progress on solving the case, Mildred buys advertising on three billboards down the road from her home and near were her daughter’s remains were found. On the billboards, she calls out the police chief specifically as to why nothing has happened on the case.

Of course, Willoughby is upset at the publicity and failure to resolve this case, but he’s also struggling with pancreatic cancer and will be dead soon. His second in command Officer Jason Dixon (Sam Rockwell) is bigoted, racist, and basically dumb. As Dixon gets involved in the case he manages to create havoc and is incredibly insensitive towards most everyone.

What invited me to stay engaged with the film was the hard edge of each of the characters: Mildred’s pain. Willoughby’s difficulties as his cancer begins to win. Mildred’s son Robbie (Lucas Hedges) and his dealing with his own sadness and the embarrassment his mom is causing. Dixon’s insensitivity towards everyone. Just about everyone in the cast has a defined view of the world and it represents everyone in every town.

What didn’t work for me, was the conclusion. I don’t mind films that only lead one to create their own ending, however this film either had too much information (no DNA evidence) or too little information to have the drive-away scene in the end. It fell flat to me.

McDormand was very strong in this role. It fit her well. Harrelson was very good as the police chief facing his failure with this case and that he was dying and wanted to leave on his own terms. Rockwell was almost overwhelming. I certainly didn’t like his character through ninety-five percent of the film, which was the point. Hedges was good as the moody son who is dealing with pain and embarrassment. Peter Dinklage (playing townsman James) was excellent. His wit and charm showed through. Caleb Landry Jones (as Red Welby the owner of the advertising billboards) was sublime. His willingness to make a deal and stand up to public pressure was wonderful. John Hawkes (as Charlie, Mildred’s ex-husband) was good. Samara Weaving (as Penelope, Charlie’s new young girlfriend) was amazing as the out of touch and not-so-smart girl who wants to be accepted. Martin McDonagh wrote and directed this film. A lot of the writing was crisp and to the point which I admired but I thought the story was slightly convoluted and unsatisfying at the end.

Overall:  This film was entertaining but not quite complete.

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