Christopher Plummer

Knives Out

First Hit: An enjoyable investigative romp with a group of very capable actors in an old fashion story.

This film reminded me of an old fashion crime drama, sort of like a “Clue” game. What makes this movie work is the way these capable actors tell this tale of crime and deceit in both a comedic and dramatic way.

Marta Cabrera (Ana de Armas) is an in-home nurse who has also befriended her only client, Harlan Thrombey (Christopher Plummer). Harlan is very wealthy from writing eighty successful mystery novels. His health is failing, hence the need for Marta. Marta has become his only true confidant because the rest of the family, except his daughter Linda Drysdale (Jamie Lee Curtis), totally lives off his generosity.

Linda and her husband Richard (Don Johnson) live in Harlan’s home and don’t fully escape from Harlan’s largeness because he funded Linda’s successful real estate business. They have a son Hugh Ransom Drysdale (Chris Evans), who is arrogant, flippant, and smart while living off an allowance from Harlan.

Harlan’s home is large and his mother, Great Nana (K Callan) lives with him. She doesn’t talk and sits in a wheelchair throughout the film but plays an important role in the story. Other family members who are living off Harlan’s wealth and success include; Walt Thrombey (Michael Shannon), his wife Donna (Riki Lindhome) who run Harlan’s publishing company. Joni Thrombey (Toni Collette) who is Harlan’s deceased son Neil’s wife, and their daughter Meg (Katherine Langford), who receive an allowance from Harlan for Meg’s schooling. Each of them are taking advantage of Harlan and during the film’s story, each of these ways are explored more fully.

The family has gathered to celebrate Harlan’s 85th birthday. During this party, most of the family, we learn, have discussions with Harlan about his largeness towards them.

The next morning, after the party, the housekeeper Fran (Edi Patterson) finds Harlan dead in his study with his throat slit, it appears to be a suicide.

However, someone has anonymously hired Benoit Blanc (Daniel Craig) a famous southern investigator to find out if it was murder or suicide. Blanc, working with the police, begin to unravel the mystery as to why Blanc was hired to be involved.

The police are convinced it was suicide, but the extraordinary questioning skills of Blanc and his inquisitive mind of solving puzzles begins to shed a different light on Harlan’s death. Slowly, and methodically, his interviews begin to piece a different story together.

One of the funnier parts of the interviewing process by Blanc, we learn that Marta cannot lie. If she lies, she throws up. There are a couple hilarious, slightly gross, scenes of this.

When the lawyer comes and the Will is read, everyone gathers to find out that Harlan has left everything, I mean everything, to Marta. The family doesn’t know what to do, or how they will survive, or do they?

Craig is hilariously fantastic as the investigator Benoit Blanc. His slow southern drawl and idiosyncrasies, during the interviews using the piano, are spot on funny and pointed. Evans is perfect as the conniving Ransom. His ability to be both charming and evil are perfect. Armas is sublime as Marta. Her expressions of the fear of doing something wrong, her caution because having a mother who is illegally in the country, and also wanting to do the right thing for Harlan are excellent. Curtis is outstanding as the daughter who wants more. Shannon is terrific as the son who thinks he’s in charge of Harlan’s business but really is just a pawn. Collette is perfectly flighty and conniving as the social influencer and thief in the name of her daughter Meg. The rest of the cast is equally good in making this a wonderful romp. Rian Johnson wrote and directed this fun filled mystery and got the best out of everyone for their roles.

Overall: This was a perfect, fun filled, and enjoyable movie to sit through.

Academy Awards - The Oscars

Once again it is time to celebrate a year of film watching. Here are my choices for the following awards along with a few thoughts about some of the selections and non-selections The Academy made.

  • Actor in a Leading Role – The nominees are: Daniel Kaluuya (Get Out), Timothee Chalamet (Call me by Your Name), Gary Oldman (Darkest Hour), Daniel Day-Lewis (Phantom Thread), and Denzel Washington (Roman J. Isreal, Esq.). Who else could be on this list? Tom Hanks (The Post), James Franco (The Disaster Artist), and Richard Gere (Norman). However, regardless of who wasn’t on the list, the runaway best performance is Gary Oldman for Darkest Hour. His Winston Churchill was simply sublime.
  • Actress in a Leading Role – The nominees are: Meryl Streep (The Post), Sally Hawkins (The Shape of Water), Margot Robbie (I, Tonya), Francis McDormand (Three Billboards Outside Ebbing Missouri, and Saoirse Ronan (Lady Bird). Who didn’t get nominated? Rachel Weisz (My Cousin Rachel), Emma Stone (Battle of the Sexes) and Jessica Chastain (The Zookeepers Wife). If it were up to me, I’d select Saoirse Ronan in Lady Bird because of the variety and excellent delivery of teenage emotions she effectively brings to the screen. Margot Robbie was utterly fantastic as Tonya Harding. Francis McDormand was filled with angst and fire as the woman who lost her daughter to rape and murder. Sally Hawkins was ethereal as Elisa Esposito a deaf woman who communicates with the captured creature. Meryl Streep showed the subtle development of strength as her character Katharine Graham.
  • Supporting Actress – The nominees are: Lesley Manville (Phantom Thread), Laurie Metcalf (Lady Bird), Allison Janney (I, Tonya), Mary J. Blige (Mudbound). Octavia Spencer (The Shape of Water). Who is missing from this list? Melissa Leo (Novitiate), who gave one of most outstanding performances of the year. The film wasn’t seen and that is a shame. This is a strong field but choosing from the nominees, I’d select Allison Janney. Her depiction of Tonya Harding’s mother was vividly cold.
  • Supporting Actor – The nominees are: Christopher Plummer (All the Money in the World), Woody Harrelson (Three Billboards Outside Ebbing, Missouri), Sam Rockwell (Three Billboards Outside Ebbing, Missouri), Willem Defoe (The Florida Project), and Richard Jenkins (The Shape of Water). A great set of actors. Missing? Steve Carell (Battle of the Sexes) gave us an incredibly life like Bobby Riggs. I’d have to say that Sam Rockwell would get my vote although each of the above deserve the recognition.
  • Best Cinematography – The nominees are: Bruno Delbonnel (Darkest Hour), Hoyte van Hoytema (Dunkirk), Rachel Morrison (Mudbound), Dan Laustsen (The Shape of Water), and Roger Deakins (Blade Runner 2049). Great list of people creating and delivering great pictures. My vote would go for Hoyte van Hoytema in Dunkirk. I admired the multitude and type of scenes that were shot and how they were made into a cohesive feeling of awe.
  • Writing (Adapted Screenplay) – The nominees are: Dee Rees and Virgil Williams (Mudbound), Michael H. Weber and Scott Neustadter (The Disaster Artist), James Ivory (Call Me by Your Name), James Mangold, Michael Green and Scott Frank (Logan), and Aaron Sorkin (Molly’s Game). My vote would go to  Michael H. Weber and Scott Neustadter for The Disaster Artist.
  • Writing (Original Screenplay) – The nominees are: Guillermo del Toro and Vanessa Taylor (The Shape of Water), Martin McDonagh (Three Billboards Outside Ebbing, Missouri), Emily V. Gordon and Kumail Nanjiani (The Big Sick), Jordan Peele (Get Out) and Greta Gerwig (Lady Bird). This is probably the tightest category to be contested. Each of these stories is amazingly original. Therefore, I don’t have a single selection, they all are deserving.
  • Film Editing – The nominees are: Lee Smith (Dunkirk), Tatiana S. Riegel (I, Tonya), Jonathan Amos and Paul MacHliss (Baby Driver), Sidney Wolinsky (The Shape of Water), and Jon Gregory (Three Billboards Outside Ebbing, Missouri). All very good, however the standout in editing goes to Lee Smith for Dunkirk. This is a story based film and not a character based film and because of this the editing makes this film engaging.
  • Directing – The nominees are: Paul Thomas Anderson (Phantom Thread), Guillermo del Toro (The Shape of Water), Christopher Nolan (Dunkirk), Greta Gerwig (Lady Bird), and Jordan Peele (Get Out). What is missing. To me there are huge gaps here. Margaret Betts (Novitiate), Kathryn Bigelow (Detroit), Craig Gillespie (I, Tonya), and Joe Wright (Darkest Hour) all had a great firm hand on their story's and told them with excellence. Out of the nominees, I’d vote for Christopher Nolan and Dunkirk because he made this event come alive. However, Greta Gerwig (Lady Bird) got amazing performances from her cast.
  • Picture – The nominees are: Darkest Hour, Dunkirk, Phantom Thread, Get Out, The Post, Three Billboards Outside Ebbing, Missouri, The Shape of Water, and Lady Bird. All these pictures, except Phantom Thread (review in process) are films I loved to watch for different reasons. What is missing? I think Novitiate, Detroit, and Battle of the Sexes were deserving as well. However, Novitiate would be my candidate for replacing Phantom Thread which I didn’t really find likable or engaging. Who will win? My wish would be Dunkirk, Lady Bird, and Three Billboards Outside Ebbing, Missouri in that order. If Novitiate was in the mix, it would be a tie between it and Dunkirk.

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All the Money in the World

First Hit: An interesting and slow moving detailed story giving light as to why it took so long get John Paul Getty III released.

I was curious about the 1973 kidnapping of John Paul Getty III (played by Charlie Plummer) when it happened. He was imprisoned by Italian mob kidnappers for almost 6 months before he was released.

At age 16 and part of the wealthiest family on earth at the time, the kidnappers thought this would be an easy way to extort $17M dollars from the Gettys. The kidnappers believed that because this amount of money was small pittance to J. Paul Getty (Christopher Plummer), the boy’s paternal grandparent, it would be an easy score.

However, as the film points out, J. Paul Getty had no intention to pay any amount for anyone in his family that was kidnapped for ransom. J. Paul believed that people were not reliable and that the only things that were reliable were physical things, like paintings, buildings, sculptures, and other such things. The man was a focused miser.

When the kidnappers contact John Paul’s mother Gail Harris, she said she had no money and couldn’t pay the ransom. Her former husband John Paul Getty II (Andrew Buchan) was a drug addled and addicted person. He was little and no use to either his former wife Gail or his father J. Paul.

Paul assigned Fletcher Chase (Mark Wahlberg) to find his grandson and help control Gail. However, the persistence of the kidnappers was extraordinary and only after sending Gail one of John Paul’s ears did J. Paul decide to assist a little.

The scenes inside J. Paul’s home was very reflective of his miserly ways. Lights were kept low and the coldness of the interior rooms was a perfect representation of the coldness in his heart and the disdain he had towards his family. The ultimate knife in the heart moment was when he finally agreed to spend some money to free his grandson, but he wanted full and complete custody of all Gail’s children and would only spend an amount that was tax deductible to free the boy.

The oppressive and obnoxious paparazzi were properly represented and displayed the low life jobs and intentions they make money from. The cold heartedness of the kidnappers and the obedience of their womenfolk was sad to witness. I kept wondering where was the compassion and the passion for which Italians are also noted?

Williams was strong in this role. Her intelligence and clear focus of what her priorities were was signified the difference between her and the family she married in to. Wonderful performance. Wahlberg was good as the man who wanted to serve both the man who paid him, J. Paul, and the needs of Gail. Christopher Plummer was fantastic. Although I occasionally wondered how the original actor, Kevin Spacey, would have done the part, Plummer’s physical presence, age, and acting abilities were sublime. Charlie Plummer was good as the privileged kidnapped grandson. Romain Duris as one of the abductors, Cinquanta, was excellent. He realized over time that he cared about John Paul’s welfare. David Scarpa wrote the script. The story and storyline was excellent but the execution by director Ridley Scott was un-inviting which made it difficult to care about the characters.

Overall:  This film was more interesting than engaging and I must commend Scott for the seamless way he replaced Spacey with Plummer in a month’s time.

Danny Collins

First Hit:  I really enjoyed the film mostly because of the music followed closely the characters.

Danny (Al Pacino) is an aging rock and roll star that sings his and other’s old songs to an aging audience that love his old songs. It is just for the money.

He’s still into drugs and drinking while seeing the irony of having a young fiancé. She’s with him for the money and drugs. On his birthday his manager Frank Grubman (Christopher Plummer) gives him a letter written to him by his all-time hero, John Lennon.

Frank bought this 40 year old letter for Danny after tracking it down to a collector. Danny is overwhelmed by the gift, and decides he needs to change his life. So he moves into a hotel in New Jersey being managed by Mary Sinclair (Annette Bening). They have great banter and the chemistry is palpable. Besides getting rid of his drugs and trying to write new songs, he wants to visit his son Tom Donnelly (Bobby Cannavale) whom he’s never met.

His son doesn’t care one iota about him and wants him out of his life. His daughter Hope (Giselle Eisenberg) is ADHD and through her Danny tries to find a way back into his son’s heart. This film is about the difficulties of redemption, forgiveness, growing, and letting go.

Pacino is pretty good, and although there are times I felt he was over milking the part, other times he appeared clued into the role and was creating a wonderful character. Bening was wonderful. She was a great foil for Pacino’s role. Plummer was fantastic. Cannavale was superior as the son who was both angry and happy to meet his father. The star of this film was Eisenberg. She was amazing. Dan Fogelman wrote and directed this film. His use of the John Lennon music was absolutely perfect. The other stories that make up this film were strong.

Overall:  I thoroughly enjoyed the film and it was the music that got me fully engaged.

The Girl with the Dragon Tattoo

First Hit:  Being skeptical of a remake so soon after the original was assuaged by excellent execution.

Guy Richie might take a lot of lessons from David Fincher. Fincher took the challenge of creating a remake of a less than moderately successful film which had a huge book following within a couple years of the original, and make it really work.

I had anxiety that Noomi Rapace’s version of Lisbeth Salander in the original Swedish version would forever taint my being able to enjoy seeing anyone else in this role, but Rooney Mara did an outstanding job. Not necessarily better, slightly different and very effective.

The story was essentially the same, I got through the language issue (Daniel Craig made no attempt to be from Sweden) early on and within 15 minutes I did not notice it.

The scenery was exquisitely shot and provided the audience wonderful framing for the cold hearted story which is told. Craig as Mikael Blomkvist was clearly a strong force in the film and was a different take than the original.

In this version Blomkvist was a stronger more powerful energy. Even though this film was 2 hours and 38 minutes long there was not one wasted frame. Every moment was clearly scripted and directed.

Rooney Mara was outstanding as Lisbeth and her intensity, physicality and intelligence showed through this film like a beacon of light. Craig was superb as Blomkvist. His intensity and intelligence matched Mara’s and therefore they fit well together. Christopher Plummer was perfect as Henrick Vanger. Stellan Skarsgard was sublime as Martin Vanger, the man who hated women and loved control through power over people. Robin Wright as Erika Berger, Blomkvist’s part time lover, friend and business associate was very good in a subtle, yet critical, part. Steven Zaillian did an excellent job of creating the script from Stieg Larsson’s novel. Fincher fired on all cylinders and made this film his. The moment the initial credits rolled, with an old, but updated, Led Zeppelin song in the background, the audience knew they were in for something interesting.

Overall:  This was a very good and successfully developed remake – Kudos to all.

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