Ana de Armas

Knives Out

First Hit: An enjoyable investigative romp with a group of very capable actors in an old fashion story.

This film reminded me of an old fashion crime drama, sort of like a “Clue” game. What makes this movie work is the way these capable actors tell this tale of crime and deceit in both a comedic and dramatic way.

Marta Cabrera (Ana de Armas) is an in-home nurse who has also befriended her only client, Harlan Thrombey (Christopher Plummer). Harlan is very wealthy from writing eighty successful mystery novels. His health is failing, hence the need for Marta. Marta has become his only true confidant because the rest of the family, except his daughter Linda Drysdale (Jamie Lee Curtis), totally lives off his generosity.

Linda and her husband Richard (Don Johnson) live in Harlan’s home and don’t fully escape from Harlan’s largeness because he funded Linda’s successful real estate business. They have a son Hugh Ransom Drysdale (Chris Evans), who is arrogant, flippant, and smart while living off an allowance from Harlan.

Harlan’s home is large and his mother, Great Nana (K Callan) lives with him. She doesn’t talk and sits in a wheelchair throughout the film but plays an important role in the story. Other family members who are living off Harlan’s wealth and success include; Walt Thrombey (Michael Shannon), his wife Donna (Riki Lindhome) who run Harlan’s publishing company. Joni Thrombey (Toni Collette) who is Harlan’s deceased son Neil’s wife, and their daughter Meg (Katherine Langford), who receive an allowance from Harlan for Meg’s schooling. Each of them are taking advantage of Harlan and during the film’s story, each of these ways are explored more fully.

The family has gathered to celebrate Harlan’s 85th birthday. During this party, most of the family, we learn, have discussions with Harlan about his largeness towards them.

The next morning, after the party, the housekeeper Fran (Edi Patterson) finds Harlan dead in his study with his throat slit, it appears to be a suicide.

However, someone has anonymously hired Benoit Blanc (Daniel Craig) a famous southern investigator to find out if it was murder or suicide. Blanc, working with the police, begin to unravel the mystery as to why Blanc was hired to be involved.

The police are convinced it was suicide, but the extraordinary questioning skills of Blanc and his inquisitive mind of solving puzzles begins to shed a different light on Harlan’s death. Slowly, and methodically, his interviews begin to piece a different story together.

One of the funnier parts of the interviewing process by Blanc, we learn that Marta cannot lie. If she lies, she throws up. There are a couple hilarious, slightly gross, scenes of this.

When the lawyer comes and the Will is read, everyone gathers to find out that Harlan has left everything, I mean everything, to Marta. The family doesn’t know what to do, or how they will survive, or do they?

Craig is hilariously fantastic as the investigator Benoit Blanc. His slow southern drawl and idiosyncrasies, during the interviews using the piano, are spot on funny and pointed. Evans is perfect as the conniving Ransom. His ability to be both charming and evil are perfect. Armas is sublime as Marta. Her expressions of the fear of doing something wrong, her caution because having a mother who is illegally in the country, and also wanting to do the right thing for Harlan are excellent. Curtis is outstanding as the daughter who wants more. Shannon is terrific as the son who thinks he’s in charge of Harlan’s business but really is just a pawn. Collette is perfectly flighty and conniving as the social influencer and thief in the name of her daughter Meg. The rest of the cast is equally good in making this a wonderful romp. Rian Johnson wrote and directed this fun filled mystery and got the best out of everyone for their roles.

Overall: This was a perfect, fun filled, and enjoyable movie to sit through.

Blade Runner 2049

First Hit:  Although this film was well shot and interesting in its context, I ended up not caring about the characters.

The original 1982 ‘Blade Runner’, projected our life in 2019. It was bleak and focused on the creation, use, and abilities of replicants. It left us with questions as to whether replicants could re-create. Given that we are developing robots, self-driving autos and other interesting things, we are not what was projected back then.  Given this, it is my guess that we won't be what this film says about 2049. The only caveat would be, we could be worse off than what is projected.

The original wasn't popular (gross sales) when it came out, however it did organically grow a larger and wide-ranging audience because of its questions, pacing and the way it was shot. It became more of a cult film that aged really well. In other words, as time went by, its positive qualities came forth and lasted. In that film replicants went back to Earth to find their creator and Rick Dekard (Harrison Ford) was sent back to kill these renegade replicants and in doing so, he started having questions of his own.

In this new version, again the languid pacing is in its own world, and because we have a history of this, it's expected. This makes this better understood in the first viewing. We are placed into the year 2049 and Los Angeles is this bizarre sort of world of real humans and replicants. If replicants can reproduce, then what use are humans? The story then, is about a Blade Runner “K” (Ryan Gosling) who thinks he’s found the remains of previously pregnant replicant and is tasked by his boss Lt. Joshi (Robin Wright) to find out if this baby lived and destroy all evidence of its existence.

This is asked of him because there is a fear that there will be a war between humans and replicants. As he learns more about this person’s possible existence he learns more about his possible part of this evolution.

This film’s storyline isn’t easy to follow; however, one aspect is that K thinks he may have real memories, versus programed memories and he tries to validate this by official memory maker Dr. Ana Stelline (Carla Juri). He also speaks with the head of company that makes replicants Niander Wallace (Jered Leto).

Wallace is trying to program replicants to reproduce and in one scene, a fully grown and replicant reproduced woman drops onto a padded platform in the middle of an empty room. To make the point that this is a reproduced replicant, she arrives via a replica of an amniotic sac. Rather interesting and telling scene.

In search of his own beginnings, K then goes to San Diego which is a waste dumping ground, and speaks with Mister Cotton (Lennie James) who helps him put real context to a dream he has. Then he heads to a deserted and dust filled Las Vegas and finds Deckard (Harrison) hiding out with a rangy dog. At first Deckard doesn’t trust K that’s validated when all of a sudden others come to kill them both. Deckard is abducted by Luv (Syliva Hoeks) as a way to control the future.

However, K feels kindred to Decker and helps him escape. In the end, this film leaves the viewer with questions, as it's suppose to do, and makes one wonder if there will be one more film.

The music is a great part of this film. It enhances the sense, time, and etheric feeling of this film. The visual pacing is variable; however, the overall sense was, for me, too slow and pedantic. There were sections I wanted sped up or removed as the sense of the pace was already established and it was taking too long to develop and I was losing interest.

Gosling is strong is this type of role. His inner quiet and strength is what made him the right person for this part and he does it well. Juri is wonderful as the manufacturer of memories. Wright was good as K’s boss. Hoeks was strong as the steely person wanting to control what information gets out and what doesn’t. Leto is very good as the person creating the replicants. His otherworldly presence is felt. Ford was perfectly grumpy and irritated that his life was discovered and made more complicated by K. Ana de Armas as the hologram Joi was enticingly strong. James was excellent as the leader of the orphan kids in San Diego. The music by Hans Zimmer and Benjamin Wallfisch was a very strong part of this film. The mood, sets, and pacing by Denis Villeneuve was very strong under his direction. Hampton Fancher and Michael Green wrote the complex screen play that did a good job of moving the overall story forward.

Overall:  I struggled with the pacing, loved many of the sets, and thought the overall story was interesting enough to keep me engaged.

Hands of Stone

First Hit:  Having watched a few of Roberto Duran’s bouts, it was interesting to know more about the man who had “Hands of Stone”.

If you don’t like boxing, you probably won’t like this film as there are a fair number of boxing sequences in this film and it is not easy to watch people getting punched.

Duran (Edgar Ramirez) is first shown as a boy attempting to keep himself and his family fed. He runs the streets and steals from the Americans by taking guava's from the trees in the canal zone. Like most other Panamanians, he is resentful of U.S. presence in the canal zone.

Although the Panamanian and U.S. governments’ agreed to U.S. ownership of the canal zone, there is widespread resentment. This is important because when he fights in the U.S. he’s battling both the U.S. government's oppressive nature to Panamanians and his opponent.

In the case of the flamboyant USA Gold Medalist Sugar Ray Leonard (Usher Raymond) he created a massive dislike and even insulted his wife Juanita (Jurnee Smollett-Bell) as a part of his strategy to get under Leonard’s skin. Teaching him how to be a great boxer and to fully use his given talents is Ray Arcel (Robert De Niro). Because of previous entanglements with the mob who had a lot of control over boxing, he trained Duran for free.

This film explores Duran’s relationship with Felicidad Iglesias (Ana de Armas) who ended up marrying him. The film also explores his hunger to fight and what happens when he wins more than he ever thought he would. This film tells a story.

Ramirez was very good as Duran and made his journey believable. De Niro was fantastic as Roberto’s father figure as well as trainer. Raymond was strong as Ray Leonard. His movement around the ring and engaging personality were mirrors of the very public character he was playing.   Armas was wonderful as Duran’s tested wife. How she continued to show up to him was great. Smollett-Bell was good as Leonard's wife. John Turturro was good in a small role as the mob heavy putting pressure on Arcel. Ellen Barkin was very good as Stephanie Arcel, Ray’s wife. Pedro Perez did a wonderful job as Duran’s lifelong trainer. Ruben Blades is perfectly pushy as the money man behind Duran. Jonathan Jakubowicz wrote and directed this film. I thought that the script was very good and brought out an interesting story. The direction of the scenes was especially strong in the ring.

Overall:  If you like or interested in boxing in the late 1970s and early 1980s this is definitely worth seeing.

War Dogs

First Hit:  I enjoyed this film because it showed the absurdity of how the US Government created a system allowing two young men in their 20's to bid for and win large contracts to provide arms to and for our government.

Based on a true story, I was both flabbergasted and amazed at the ingenuity of Efraim Diveroli and David Packouz (Jonah Hill and Miles Teller respectively) to find ways to bid for and win US Government arms contracts.

David is a massage therapist in Miami and his fiancé Iz (Ana de Armas) becomes pregnant. Efraim, his old junior high-school friend, comes back into town with a proposition to help him in his new business, arms dealer.

Together they start landing contracts, but the one that puts them on the map is one where they end up having to drive cases of Beretta handguns from Jordan to Baghdad. The complications to their story included, David lying to Iz about his whereabouts and what he was doing as well as Efraim’s deep seeded greed and how it plays out in their deals as well as his personal relationships.

Bradley Cooper as Henry Girard a US Citizen arms supplier (middle man) who is also on a watch list because of some previous nefarious dealings. Many of the scenes were made good because of the acting of both Teller and Hill.

Teller was strong as the somewhat gullible friend, who in the end, was not so gullible. Hill was a blast. His laugh and intensity was perfect for the kind of guy that uses people to benefit himself. Armas was very good as David’s fiancé and mother of their daughter. Cooper was well cast in that he brought the right kind of intensity and friendliness when it suited him. Stephen Chin, Todd Phillips, and  Jason Smilovic wrote a fun and intense script based on a Rolling Stone article. Phillips also seemed to have a strong hand in the direction as the various countries and scenes were well constructed.

Overall:  Although not a blockbuster, it was a fun film and enjoyable to watch.

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