Gold

First Hit:  Hard to engage with a film when you don’t like the main character.

There is very little about Kenny Wells (Matthew McConaughey) that is likeable. He’s smarmy in the way he looks, how he acts, and his intentions. Granted the film lets the audience believe he might have changed in the ending scene, however, there’s enough to believe differently.

Supposedly this is based on a true story, however after reading about the real story; “loosely” is probably the best possible description. However, that isn’t the point of this review, therefore I will not spend time on the differences between the real story and this story.

In this film, Wells is drinking and smoking so much of the time I could almost smell the smoke and alcohol laden odor coming through the screen. This isn’t necessarily a bad thing; however, for the main character to be so unappealing made it hard to get into the film. I’m not sure why McConaughey had to gain so much weight and have such thin hair on top of his head, but these things didn’t help his unshaven, scraggly tooth looking character. It was almost as if he wanted to make himself as unappealing as possible.

The way he treated his longtime girlfriend Kay (Bryce Dallas Howard) was horrendous. She loved him and supported him through his destruction of his Dad (Craig T. Nelson) and grandfather’s company Washoe Mining. It gets so bad they work out of a bar.

Kenny gets the idea from a dream to hook up with Michael Acosta (Edgar Ramirez) and find gold in Indonesia. Unbeknown to Wells, Acosta has salted the drilling core findings and because Wells believes they’ve found gold, he revives Washoe Mining and sell millions of shares as they go public.

This film also involves the family of the Monarch in Indonesia. When the monarchy and other investors discover that this has been a hoax, everything falls apart.

The scenes of the jungle and drilling operation were well done. The boardroom scenes were, at times, powerful, and the use of the bar as Washoe’s office was very telling of the whole film and Wells’ personality. The one thing the film did do very well was show just how fleeting wealth can be.

McConaughey was OK as Wells. He had great handle on the maniac part of a gold prospector, but everything else felt very overdone and took away from the film instead of adding to it. Howard was strong as Wells longtime girlfriend. She was appropriately supportive and loving. The scene in the hotel after the company went public on the stock trading floor, was very well done. Ramirez was great as the geologist and Wells gold prospecting partner. His engagement and support, with a slight questionable edge was wonderful. Patrick Massett and John Zinman wrote a wonderful script. I loved some of the lines, however it was McConaughey and director Stephen Gaghan's misguidance for the main character that hurt this film. I liked the sequence of the scenes and many of the sets were very well done, but being put off by the main character who is in virtually every scene can and did hurt this film.

Overall:  I liked the story of greed, gold and how it played out, but without someone or something to care or think about, it felt lifeless.

Hands of Stone

First Hit:  Having watched a few of Roberto Duran’s bouts, it was interesting to know more about the man who had “Hands of Stone”.

If you don’t like boxing, you probably won’t like this film as there are a fair number of boxing sequences in this film and it is not easy to watch people getting punched.

Duran (Edgar Ramirez) is first shown as a boy attempting to keep himself and his family fed. He runs the streets and steals from the Americans by taking guava's from the trees in the canal zone. Like most other Panamanians, he is resentful of U.S. presence in the canal zone.

Although the Panamanian and U.S. governments’ agreed to U.S. ownership of the canal zone, there is widespread resentment. This is important because when he fights in the U.S. he’s battling both the U.S. government's oppressive nature to Panamanians and his opponent.

In the case of the flamboyant USA Gold Medalist Sugar Ray Leonard (Usher Raymond) he created a massive dislike and even insulted his wife Juanita (Jurnee Smollett-Bell) as a part of his strategy to get under Leonard’s skin. Teaching him how to be a great boxer and to fully use his given talents is Ray Arcel (Robert De Niro). Because of previous entanglements with the mob who had a lot of control over boxing, he trained Duran for free.

This film explores Duran’s relationship with Felicidad Iglesias (Ana de Armas) who ended up marrying him. The film also explores his hunger to fight and what happens when he wins more than he ever thought he would. This film tells a story.

Ramirez was very good as Duran and made his journey believable. De Niro was fantastic as Roberto’s father figure as well as trainer. Raymond was strong as Ray Leonard. His movement around the ring and engaging personality were mirrors of the very public character he was playing.   Armas was wonderful as Duran’s tested wife. How she continued to show up to him was great. Smollett-Bell was good as Leonard's wife. John Turturro was good in a small role as the mob heavy putting pressure on Arcel. Ellen Barkin was very good as Stephanie Arcel, Ray’s wife. Pedro Perez did a wonderful job as Duran’s lifelong trainer. Ruben Blades is perfectly pushy as the money man behind Duran. Jonathan Jakubowicz wrote and directed this film. I thought that the script was very good and brought out an interesting story. The direction of the scenes was especially strong in the ring.

Overall:  If you like or interested in boxing in the late 1970s and early 1980s this is definitely worth seeing.

Point Break

First Hit:  A couple great visuals do not make a film worth watching.

The two major surfing scenes were great (the waves not the acting in and around them being found and surfed) as was the wingsuit flight the actors take in the alps. Outside of these scenes, this film is poorly constructed with a dull tired script and tries to entice people with action.

But as George Lucas stated in a recent interview with Charlie Rose; you cannot make a good film by doing cool things and build a story around it.

A good film has a great story as its underpinnings and the cool things are only there to help tell the story. This film is full of cool things these guys do while attempting to complete the Osaki 8 which is suppose to be a way to reach enlightenment. Through this back ass wards way we are supposed to be tempted into being interested in a story about fighting crime.

The other part of the Osaki 8 is to create balance with the earth by giving back to it what was taken from it. What makes it even worse is that the latter part (balance) is a stupid premise because to do what they do, they will (and do) hurt others in the process, which cannot create balance.

The film tries to convince you that balance will be achieved by spilling a billion dollars floating down to earth in the Mexican jungle. If this last sentence is confusing – then go waste your time and see this film to understand what I mean. But don’t tell me I didn’t warn you. The Osaki 8 are challenges like: Emerging Force, Birth of Sky, Awakening Earth, etc.. These innocuous terms have been interpreted by the group to mean do something with enlightenment.

Like Birth of Sky was jumping from a plane and diving into the deepest hole in the earth while the balance comes from pushing a billion dollars out of the same plane they jumped from and letting all the money flutter to the ground. Johnny Utah (Luke Bracey) once a renegade risk taker knows about this legend of the 8. But because of a risk he took with his best friend years before, he ends up working for the FBI. He’s given a mission to find out who robbed a slew of diamonds and gave them away and who dumped all the money from the plane.

The way the events take place leads Utah to believe it is being done by a group of guys trying to complete the Osaki 8. He infiltrates the group by risking a ride on 60 foot waves (Life of Water). The group thinks he may be up doing the 8 with them to it so they indoctrinate him into the group.

Through the group’s leader Bodhi (Edgar Ramirez), Utah meets Samsara (Teresa Palmer) Osaki’s widowed partner. If you haven’t noticed the references to spirituality; the writers used character names that are spiritual based. “Samsara” and “Bodhi” are both Sanskrit. Samsara is Sanskrit for the struggle and cycle of life and death (reincarnation) while Bodhi means understanding and enlightenment.

Then the writers used "Osaka 8” which is very analogous to Buddha’s 8-fold path to enlightenment term. Give me a break – this was a waste of time.

Bracey is a good looking young man and in this film that is about all he brought. Ramirez overacted as someone who drank too much of the Osaki Kool-Aid. Palmer was cute and flighty enough to be an embodiment of Samsara. Kurt Wimmer wrote a mindless screenplay and Ericson Core gets some kudos for some great action shots but that’s all.

Overall:  It is very sad that this film got made, except that the waves were really cool.

Joy

First Hit:  Wonderful story about a woman who learned to understand her creative inventive power and used it to change her life and the world around her.

This is the story about Joy Mangano. Yes, dramatic license was taken in presenting this story, however the essence and path of the story is true.

Joy (Jennifer Lawrence) married the wrong guy Tony (Edgar Ramirez), who lives in her basement because he cannot afford to live anywhere else. Her mom Terry (Virginia Madsen), lives in her house and spends all her time watching soap operas from her bed.

Her Dad Rudy (Robert DeNiro), helps to pay the mortgage because when he’s not living with a girlfriend he’s living in her house as well. Then, like bookends, also living in her house are her two children who require her time and attention and her grandmother Mimi (Diane Ladd).

Mimi keeps pushing her to get back to the creative person she was as a child so that she can become the true successful matriarch of the family. Joy's life is filled with one problem after another. She addresses and deals with them in a robotic way so that she can take just one more step. Resignation is the sign she carries in her eyes and in her spirit.

Finally, the creative inventive person she was when she was young perks back to the surface when she cuts herself cleaning up wine and broken glass with a mop. This event pushes her to invent a mop which revolutionizes the mop and cleaning.

The rest of the film is about the difficulties of getting the product sold. She sells the head of QVC Neil Walker (Bradley Cooper) that this mop can be a success on his network. He takes the chance, it fails, but her perseverance gets her another opportunity. The interaction between Lawrence and Cooper is magnetic. They work so well together.

Another one of my favorite scenes is preceded by her admitting defeat and then with all being lost, she digs into the paperwork and agreements and shows up in Texas (think showdown on main street) with someone who claims he owns a patent on her product. The dialogue in the hotel room – perfect.

This film is about perseverance, belief, and the ability to find one’s inner strength to explore what might be next.

Lawrence gives another top-notch performance. It will be considered for possible selection in the Oscar race. De Niro is strong as the flighty unfocused father. Isabella Rossellini’s performance as Trudy, De Niro’s latest girlfriend, was inspired. Madsen was funny and oddly interesting as the soap opera watching mom. Ladd was sweet as the solid motivating family matriarch grandmother. Ramirez was great as the ex-husband who supports his former wife’s plans. Cooper was fantastic. He fully embraced the role as guide, cheerleader and occasional heavy. Dascha Polanco was outstanding as Joy’s supportive friend Jackie. David O. Russell wrote and directed this team of actors with originality, focus, and clarity.

Overall:  I loved the inspiration that emanates from this film.