Usher Raymond

Burden

First Hit: This is a compelling true story about racial change in a small South Carolina town.

The movie documents this story about how Mike Burden (Garrett Hedlund), who was part of the Ku Klux Clan, decides to change his beliefs and makes amends because of his love for a woman.

In this small town, the Klan is still alive and well. Tom Griffin (Tom Wilkinson) is the head honcho in more ways than one. He’s on the verge of opening a Ku Klux Klan museum in an old movie theater, and the most impoverished people in town rent furniture and televisions from him. His repossession rate for his rentals is high. He intimidates the town with this control.

Burden works for Griffin and is his prime repossessor. Griffin treats Mike like his own son. On one repossession, Burden meets Judy (Andrea Riseborough), whose current boyfriend is behind in his payments, and Burden takes the television. Judy throws a temper tantrum and storms out to the car. She attempts to drive off, but the car won’t start and Burden gets the car started for her. The looks they give each other show that there is going to be a connection.

Judy has a young boy whose best friend is a young black child. The relationship between the young boys is a reminder that when Burden was young, his best friend was Clarence Brooks (Usher Raymond), a black person. Clarence is working but having trouble making payments on a rented television. Mike has arrived to repossess the tv. Seeing Judy’s boy playing with Clarence’s son brings up memories of their past friendship, and conflicting feelings based on his current beliefs as a Klansman.

The town has a large black population that comes together at the church that is led by Reverend Kennedy (Forest Whitaker). Kennedy preaches love, forgiveness, and bringing people together non-violently. As you might expect, with the KKK museum opening in town, the black community is upset, and Kennedy leads the non-violent protest.

At one point, Judy puts it to Burden that he has to pick between her or his continuing to be part of the Klan. This choice begins Mike’s transition from his being Klan-oriented to seeing how it is hurting the community and people he cares about.

Hedlund was amazing as Burden. The way he talked, scattered his gaze when communicating with anyone, and how his walk embodied someone who was doing little to further himself was well done. As he found his voice, he showed subtle ways to make his character believable as he evolved. Whitaker was wonderous as the town’s reverend whose goal was to create a peaceful difference. When he brings unexpected guests home, the way he tries to make it right with his family was perfectly portrayed. Riseborough was terrific as Judy. She captured a young woman who stood for her beliefs and had enough compassion to let Burden find his way to her. Wilkinson was excellent and utterly horrible as the town’s Klan leader. He made me believe he was a Klansman. Andrew Heckler wrote and directed this true story. I loved seeing the real people at the end of the film as the credits rolled.

Overall: This was a wonderfully presented story about how racism tears communities apart and how love, forgiveness, and acceptance can put them back together.

Hands of Stone

First Hit:  Having watched a few of Roberto Duran’s bouts, it was interesting to know more about the man who had “Hands of Stone”.

If you don’t like boxing, you probably won’t like this film as there are a fair number of boxing sequences in this film and it is not easy to watch people getting punched.

Duran (Edgar Ramirez) is first shown as a boy attempting to keep himself and his family fed. He runs the streets and steals from the Americans by taking guava's from the trees in the canal zone. Like most other Panamanians, he is resentful of U.S. presence in the canal zone.

Although the Panamanian and U.S. governments’ agreed to U.S. ownership of the canal zone, there is widespread resentment. This is important because when he fights in the U.S. he’s battling both the U.S. government's oppressive nature to Panamanians and his opponent.

In the case of the flamboyant USA Gold Medalist Sugar Ray Leonard (Usher Raymond) he created a massive dislike and even insulted his wife Juanita (Jurnee Smollett-Bell) as a part of his strategy to get under Leonard’s skin. Teaching him how to be a great boxer and to fully use his given talents is Ray Arcel (Robert De Niro). Because of previous entanglements with the mob who had a lot of control over boxing, he trained Duran for free.

This film explores Duran’s relationship with Felicidad Iglesias (Ana de Armas) who ended up marrying him. The film also explores his hunger to fight and what happens when he wins more than he ever thought he would. This film tells a story.

Ramirez was very good as Duran and made his journey believable. De Niro was fantastic as Roberto’s father figure as well as trainer. Raymond was strong as Ray Leonard. His movement around the ring and engaging personality were mirrors of the very public character he was playing.   Armas was wonderful as Duran’s tested wife. How she continued to show up to him was great. Smollett-Bell was good as Leonard's wife. John Turturro was good in a small role as the mob heavy putting pressure on Arcel. Ellen Barkin was very good as Stephanie Arcel, Ray’s wife. Pedro Perez did a wonderful job as Duran’s lifelong trainer. Ruben Blades is perfectly pushy as the money man behind Duran. Jonathan Jakubowicz wrote and directed this film. I thought that the script was very good and brought out an interesting story. The direction of the scenes was especially strong in the ring.

Overall:  If you like or interested in boxing in the late 1970s and early 1980s this is definitely worth seeing.

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