Instant Family

First Hit: This was a very funny, touching, and poignant film about foster care and love.

Based partially on a true story, Pete and Ellie Wagner (Mark Wahlberg and Rose Byrne respectively) are enjoying a wonderful life together. They have built a successful business of flipping homes together. However, when they visit her family during one of the holidays, the family gets into a heated, yet hilarious discussion about kids.

They attend a Foster kid information meeting, which is hilarious, that is led by Sharon (Tig Notaro) and Karen (Octavia Spencer). As they learn more about the foster children and their needs, the more they are touched and consider adopting.

They select an older girl Lizzy (Isabela Moner) who has two younger siblings Juan and Lita (Gustavo Quiroz and Juliana Gamiz respectively). after learning that they will have to take all three the first week or so, starts off fairly well and when Pete and Ellie go to their foster support group they think, they’re “pretty good at this.” But then it happens, Pete and Ellie are faced with the difficulties, resentment, and behavior issues that foster care children can bring to the table through no fault of their own.

Watching Pete and Ellie, learn to fall in love with the kids was very well done. It was a subtly evolved piercing their outward bravado.

The scenes, although obvious in nature, allowed the actors to grow into the family dynamic and situation with both comedic and heartbreaking outcomes. When the biological mother comes back into their life, it was obvious that Lizzy hoped it would work, but the pressure overcame the mother —again. When Pete and Ellie meet with their support group, the comradery of people facing like and different difficulties with their foster children was both amusing while containing some real life challenges.

The quick quips between Sharon and Karen were extremely well timed and appropriately funny.

Wahlberg was strong as the charged up wanna be dad, fixer, and solver of problems. Although he can come off as pressing the character at times, in the end, he was perfect. Byrne was excellent. I loved her movement from reluctance to strong advocate. She showed sensitivity, warmth and strength. Moner was brilliant as the teenage girl that had been thrust into a parenting role and then had to let go and become a teenage girl learning how to grow up. The two scenes with the hairbrush were perfect: First sensitive, touched; followed by resentment and hurt. Quiroz and Gamiz were wonderful as Moner’s younger siblings. Quiroz showed a wonderful sensitive side, while Gamiz was both sweet and strong-willed. Spencer was fantastic and very funny as one of the foster case women. Notaro was equally wonderful and funny as Spencer’s straight woman and co-case worker. As a team they were perfect for this story. Julie Haggerty as Jan, Ellie’s mother, was wonderfully naïve, yet insightful. Margo Martindale was perfect as Pete’s overbearing, loud, and strong willed mother whose insights to raising children were helpful. Sean Anders and John Morris wrote a funny screenplay that made use of real-life experience. Anders did a good job of making this film work. His actual experience with foster care and adoption was apparent.

Overall: This film worked because the story had a ring of truth and the actors embraced their characters.

All the Money in the World

First Hit: An interesting and slow moving detailed story giving light as to why it took so long get John Paul Getty III released.

I was curious about the 1973 kidnapping of John Paul Getty III (played by Charlie Plummer) when it happened. He was imprisoned by Italian mob kidnappers for almost 6 months before he was released.

At age 16 and part of the wealthiest family on earth at the time, the kidnappers thought this would be an easy way to extort $17M dollars from the Gettys. The kidnappers believed that because this amount of money was small pittance to J. Paul Getty (Christopher Plummer), the boy’s paternal grandparent, it would be an easy score.

However, as the film points out, J. Paul Getty had no intention to pay any amount for anyone in his family that was kidnapped for ransom. J. Paul believed that people were not reliable and that the only things that were reliable were physical things, like paintings, buildings, sculptures, and other such things. The man was a focused miser.

When the kidnappers contact John Paul’s mother Gail Harris, she said she had no money and couldn’t pay the ransom. Her former husband John Paul Getty II (Andrew Buchan) was a drug addled and addicted person. He was little and no use to either his former wife Gail or his father J. Paul.

Paul assigned Fletcher Chase (Mark Wahlberg) to find his grandson and help control Gail. However, the persistence of the kidnappers was extraordinary and only after sending Gail one of John Paul’s ears did J. Paul decide to assist a little.

The scenes inside J. Paul’s home was very reflective of his miserly ways. Lights were kept low and the coldness of the interior rooms was a perfect representation of the coldness in his heart and the disdain he had towards his family. The ultimate knife in the heart moment was when he finally agreed to spend some money to free his grandson, but he wanted full and complete custody of all Gail’s children and would only spend an amount that was tax deductible to free the boy.

The oppressive and obnoxious paparazzi were properly represented and displayed the low life jobs and intentions they make money from. The cold heartedness of the kidnappers and the obedience of their womenfolk was sad to witness. I kept wondering where was the compassion and the passion for which Italians are also noted?

Williams was strong in this role. Her intelligence and clear focus of what her priorities were was signified the difference between her and the family she married in to. Wonderful performance. Wahlberg was good as the man who wanted to serve both the man who paid him, J. Paul, and the needs of Gail. Christopher Plummer was fantastic. Although I occasionally wondered how the original actor, Kevin Spacey, would have done the part, Plummer’s physical presence, age, and acting abilities were sublime. Charlie Plummer was good as the privileged kidnapped grandson. Romain Duris as one of the abductors, Cinquanta, was excellent. He realized over time that he cared about John Paul’s welfare. David Scarpa wrote the script. The story and storyline was excellent but the execution by director Ridley Scott was un-inviting which made it difficult to care about the characters.

Overall:  This film was more interesting than engaging and I must commend Scott for the seamless way he replaced Spacey with Plummer in a month’s time.

Patriots Day

First Hit:  This was an interesting perspective of a very tragic event in Boston and America’s history.

This dramatization of a horrific event was both; interesting from a historical perspective and not very engaging from a character standpoint. The film took a very broad perspective of the people to be included as characters. It included the various law enforcement agencies including; the Boston Police Department, the FBI, Watertown Police Department, MIT Police Department and a couple of other US Government agencies. From a citizen perspective, there were both students and citizens from various neighborhoods.

The filmmakers made attempts to provide backstories, or history per se, of certain characters, however despite being helpful at a small level it was difficult to engage with anyone at an emotional level. For example; Police Officer Sergeant Tommy Saunders (Mark Wahlberg) was the lead character and we learn early on he’s got a history with the department and is on probation. Why? We never really find out but there are multiple references to alcohol and there are a couple scenes where he drinks when it might have been better if he didn’t.

But this isn’t the story, but it nagged at me that we didn’t have this history. The story is about how Boston and others captured the brothers, Dzhokhar Tsarnaev and Tamerlan Tsarnaev (Alex Wolff and Themo Melikidze respectively), who become radicalized Muslim bombers and exploded two bombs at the finish line of the Boston Marathon.

The film tries to track a lot of people including: the Tsarnaev brothers, Tamerlan’s wife Katherine Russell (Melissa Benoist), Officer Saunders, bomb injured married couple Patrick Downes (Christopher O’Shea) and Jessica Kensky (Rachel Brosnahan), MIT Officer Sean Collier (Jake Picking), car jacked Dun Meng (Jimmy O. Yang), Boston Commissioner Ed Davis (John Goodman), Boston Mayor Thomas Menino (Vincent Curatola), FBI Special Agent Richard DesLauriers (Kevin Bacon), Watertown Police Sergeant Jeffery Pugliese (J. K. Simmons), Carol Saunders (Michelle Monaghan), Massachusetts Governor Deval Patrick (Michael Beach), and a host of others. It begins the evening before the bombing and goes to when they were captured (Dzhokhar) and killed (Tamerlan). One thing that was interesting was that this film had one of the largest credited and uncredited casts for any film in recent memory.

The filmmakers used some archival footage as well as re-enacted scenes in following the brothers, law enforcement, and citizens over subsequent week as the brothers tried to escape, go to New York to place another bomb, and how they were captured through the use of technology, law enforcement officers, and the bravery of citizens.

Wahlberg was very good as the film’s key focal point. I wanted to know more of why he was being punished, but from a character point of view he was very strong. Wolff and Melikidze were both very solid as the brothers who brought this havoc to Boston. I think they did a great job of emoting the attitude as affected Muslim radicals. Bacon was wonderful as the FBI agent trying to get the bombers identified and captured quickly. O’Shea and Brosnahan were wonderful as the married couple that lost limbs, survived, and made it back to a subsequent race. Yang was really good as the young man whose car was hijacked by the brothers during their escape. Simmons was OK as the Watertown Sergeant. Goodman was strong as the Commissioner. Picking was wonderful as the caring officer that was shot by the brothers. Monaghan was engaging as Officer Saunders’ wife. Peter Berg, Matt Cook, and Joshua Zetumer wrote a very ambitious screenplay that attempted to cover numerous stories around this very tragic event. In this ambitious effort, it lost a little heart and focus. Peter Berg did his best to cover this expansive story.

Overall:  This is an amazing story to tell and it does honor the affected people.

Deepwater Horizon

First Hit:  Although this could have been an interesting film, the disappointing and needless jerky camera work took away from actually seeing what was happening.

I found myself engaged in this film was when the ideological conflict arose between BP (British Petroleum) and Transocean, (owners of the drilling platform). However, I wasn’t engaged as much when the well blew up and everybody was running around trying to save themselves and others. What made these scenes worse was the shaky camera work and lousy editing. It simply was difficult to be engaged with anything when nothing gets into focus. The conflict between the Transocean and BP was, at times, riveting as each side wanted something. BP led by Vidrine (John Malkovich) wanted to hurry the project along because they were 43 days behind schedule. Transocean led by Mr. Jimmy (Kurt Russell) wanted to execute all the appropriate and timely tests to ensure that drilling hole was secure. The lead role in this film was the view from Mike Williams (Mark Wahlberg) who worked for Mr. Jimmy and was responsible for all the operating systems on Deepwater Horizon. However, as much as we wanted to care about Williams, his wife Felicia (Kate Hudson) and his daughter Sydney (Stella Allen), the real story in this film was about the differences of opinion between BP and Transocean.

Wahlberg was good in this role, however where he was supposed to shine was in the saving of crewmembers from the exploding rig. However, the lousy camera work and poor editing made his segments of the film far less interesting. My favorite part of his role is when he detailed a listing of issues that needed to be fixed on Deepwater Horizon while talking to Vidrine. Malkovich was OK in his role of pushing BP’s agenda. His accent was odd to me, however his intensity was excellent. Russell was wonderful as the know-it-all General Manager of Deepwater. I loved his tenacity and presence to stick to what was important. Hudson was good as Williams’ wife. Gina Rodriguez (as Andrea Fleytas) was engaging and I would have like more from her part. Matthew Michael Carnahan and Matthew Sand wrote a strong script. What failed this film was the direction by Peter Berg who focused on the blowing up of Deepwater Horizon and doing it in a way that didn’t allow the audience to see what was happening. Shame, this could have been good but this shows you how lousy direction and focusing on blowing up stuff doesn’t always make a good picture.

Overall:  Really disappointed how the director got swayed by the possibility of blowing up something and not focusing on the story and reason for the explosion.

Ted 2

First Hit:  Some very funny laugh out-loud moments along with crude and sophomoric scenes.

This film was much like the first with John (Mark Wahlberg) and Ted (voice by Seth MacFarlane) being best friends, doing drugs (mostly pot), and acting like they are frat brothers.

However, Ted decides that he’s in love and marries Tami-Lynn (Jessica Barth). Donny (Giovanni Ribisi) still has a grudge (from the first film) that Ted belongs to John. He decides to hatch a plan to have Ted declared “property” and not a human. The case goes to court.

Along the way, we have lots of cameos including Jay Leno, Liam Neeson, Michael Dorn and Sam Jones in roles that personified characters they’ve played. The crude language was more than required to make it funny but there are lots of humorous situations.

Wahlberg was OK at John but I actually like him better in more serious roles. Barth is perfect as Ted’s wife and made her role work. Ribisi is always great in his slightly perverted role. Amanda Seyfried as Samantha, Teds lawyer, was a great counterpoint. Morgan Freeman playing a civil right attorney Patrick Meighan was a typical role for him and even Ted made fun of his perfect voice. Seth MacFarlane and Alec Sulkin wrote the script, which, for the most part worked. MacFarlane also directed the film.

Overall:  It was funny but film becomes forgettable by the next day.