Matt Cook

Angel Has Fallen

First Hit: Highly implausible, slightly boring at times, but there were a couple of touching scenes.

The film begins with Mike Banning (Gerard Butler) moving through rooms in a building shooting and being shot at. It looks and feels real. Then he gets captured, and we discover it is a training exercise at Wade Jennings’ (Danny Huston) new combat training facility.

Wade and Mike talk, and we learn that they are old combat friends. Their lives’ have diverged with Wade setting up this large facility hoping to obtain government contracts to train people and participate in wars for the USA. Mike is a Secret Service Agent, married, with a young daughter, and in line to become a Director.

Mike is shown taking pills to alleviate headaches and other body pains, a result from his past work. As a long-standing Secret Service Agent, he works closely with President Trumbull (Morgan Freeman), and during a fishing excursion, the President and all the Secret Service Agents are attacked by a fleet of tiny drones.

The drones kill everyone except Mike and The President because they dive into the water. The audience knows who sent the drones, and it takes very little time for the audience to figure out who is behind the perpetrator’s scheme.

The film attempts to make this story interesting by having the FBI determine that Mike set up the presidential assassination, so they are after him. Having been rescued with the President after the attempt, they lock him up, but of course he escapes their custody. However, relying on this worn storyline, and knowing this isn’t true, there is no suspense in this film, and it now must rely solely on the action being good enough to keep the audience engaged.

For me, it didn’t. It was too predictable, not very inventive, and the film felt like it was trying to be good, but it didn’t flow smoothly or interestingly.

The best parts were when Mike found and engaged with his long-lost father, Clay (Nick Nolte). Clay is a very crusty Vietnam veteran living entirely off the grid deep in a forest area of Virginia. When Wade’s agents, who are looking to kill Mike, come to assassinate them on Clay’s land, Clay’s skills as a mercenary are a hoot to watch in action.

Teaming up, Clay and Mike head out from Clay’s cabin and try to find out who’s behind the assassination attempt and to save The President because someone clearly wants him dead.

When Clay shows up at Mike’s home and surprises his wife Leah (Piper Perabo), the scene is both touching and funny.

Everyone knows how the film ends, and although The President spends most of the time in a coma, his last two scenes, one with Mike and one with his Vice President Kirby (Tim Blake Nelson) make up for some of the film’s failings.

Butler was satisfactory in this role as Banning. Given the prognosis from doctors about his physical condition, I sincerely doubt that he would have been able to live through the action he was involved in. But that is movie life, they set up the impossible, but he succeeds. Nolte was a hoot. The Butler remark that he could be mistaken for the Unabomber was perfect. Nolte does a superlative crusty mean. Perabo had a small role, but her sincerity and nature were terrific. The film might be better served if she were more integral to the story. Freeman was his calm intelligent self and always makes a good president, or God. Huston was excellent as the “lion” who wanted to live a life of a lion and fight to the end. Nelson as VP was too easy to see through, from the get-go. Robert Mark Kamen and Matt Cook wrote the screenplay. The issue with it is that it used worn-out ideas in an old concept. There was nothing refreshingly new here except using small drones, in a swarm, to make an assassination attempt. Ric Roman Waugh has a mediocre script to work with, but many scenes seemed to take too long and had little value.

Overall: Just wasn’t exciting enough to keep me engaged.

Patriots Day

First Hit:  This was an interesting perspective of a very tragic event in Boston and America’s history.

This dramatization of a horrific event was both; interesting from a historical perspective and not very engaging from a character standpoint. The film took a very broad perspective of the people to be included as characters. It included the various law enforcement agencies including; the Boston Police Department, the FBI, Watertown Police Department, MIT Police Department and a couple of other US Government agencies. From a citizen perspective, there were both students and citizens from various neighborhoods.

The filmmakers made attempts to provide backstories, or history per se, of certain characters, however despite being helpful at a small level it was difficult to engage with anyone at an emotional level. For example; Police Officer Sergeant Tommy Saunders (Mark Wahlberg) was the lead character and we learn early on he’s got a history with the department and is on probation. Why? We never really find out but there are multiple references to alcohol and there are a couple scenes where he drinks when it might have been better if he didn’t.

But this isn’t the story, but it nagged at me that we didn’t have this history. The story is about how Boston and others captured the brothers, Dzhokhar Tsarnaev and Tamerlan Tsarnaev (Alex Wolff and Themo Melikidze respectively), who become radicalized Muslim bombers and exploded two bombs at the finish line of the Boston Marathon.

The film tries to track a lot of people including: the Tsarnaev brothers, Tamerlan’s wife Katherine Russell (Melissa Benoist), Officer Saunders, bomb injured married couple Patrick Downes (Christopher O’Shea) and Jessica Kensky (Rachel Brosnahan), MIT Officer Sean Collier (Jake Picking), car jacked Dun Meng (Jimmy O. Yang), Boston Commissioner Ed Davis (John Goodman), Boston Mayor Thomas Menino (Vincent Curatola), FBI Special Agent Richard DesLauriers (Kevin Bacon), Watertown Police Sergeant Jeffery Pugliese (J. K. Simmons), Carol Saunders (Michelle Monaghan), Massachusetts Governor Deval Patrick (Michael Beach), and a host of others. It begins the evening before the bombing and goes to when they were captured (Dzhokhar) and killed (Tamerlan). One thing that was interesting was that this film had one of the largest credited and uncredited casts for any film in recent memory.

The filmmakers used some archival footage as well as re-enacted scenes in following the brothers, law enforcement, and citizens over subsequent week as the brothers tried to escape, go to New York to place another bomb, and how they were captured through the use of technology, law enforcement officers, and the bravery of citizens.

Wahlberg was very good as the film’s key focal point. I wanted to know more of why he was being punished, but from a character point of view he was very strong. Wolff and Melikidze were both very solid as the brothers who brought this havoc to Boston. I think they did a great job of emoting the attitude as affected Muslim radicals. Bacon was wonderful as the FBI agent trying to get the bombers identified and captured quickly. O’Shea and Brosnahan were wonderful as the married couple that lost limbs, survived, and made it back to a subsequent race. Yang was really good as the young man whose car was hijacked by the brothers during their escape. Simmons was OK as the Watertown Sergeant. Goodman was strong as the Commissioner. Picking was wonderful as the caring officer that was shot by the brothers. Monaghan was engaging as Officer Saunders’ wife. Peter Berg, Matt Cook, and Joshua Zetumer wrote a very ambitious screenplay that attempted to cover numerous stories around this very tragic event. In this ambitious effort, it lost a little heart and focus. Peter Berg did his best to cover this expansive story.

Overall:  This is an amazing story to tell and it does honor the affected people.

Triple 9

First Hit:  This is a somewhat complicated slow-build up film with a satisfying ending.

“Triple 9” is police code for Officer Shot/Down.

In Atlanta when this call comes over the police radios, all units head to the scene above everything else. This is a critical piece of the plot of this film as we have crooked police officers Franco Rodriguez (Clifton Collins Jr.) and Marcus Belmont (Anthony Mackie) working with former federal agents Michael Atwood (Chiwetel Ejiofor) and Gabe Welch (Aaron Paul) to obtain hard to get items for a Russian Jewish syndicate led by the crime bosses’ wife Irina Vlaslov (Kate Winslet).

First they obtain a safe deposit box by robbing a bank and then the get a file box from a NSA secure location. There are additional complications because Atwood has a child with Irina’s sister Elena (Gal Gadot) and both he and Irina use the child to get something they want.

Looking into the robberies and internal issues with the Atlanta Police force are Jeffrey Allen (Woody Harrelson) and Chris Allen (Casey Affleck). The way this film unfolds the story is strong in that it gives you bits of the story and then bits of the characters as it fills out each in the end. The direction was strong and many of the scenes, and ways they were shot, were compelling.

Collins ended up being an intense critical component of this film. When he said he had no issue with a 999 you felt he meant it. Mackie was strong, portrayed a coldness in his police work while occasionally breaking into showing his heart in his role. The development of the partnership with Chris Allen was excellent. Affleck, as Allen, was very good as the no-nonsense brash new guy on the Atlanta force with the balls to move things forward. Ejiofor was very good as the father who was going to, in the end, exact the price for the betrayal of the Russian mob. Winslet was truly a surprise and not a surprise. She played the role of female matriarch and mob leader to perfection. Harrelson was odd and compelling as the strung out police detective who, in his own way, wanted the right thing to happen. Paul was strong as the disintegrating member of the team. His drug use and internal pressure had him spiraling downward. Luis Da Silva Jr. as Luis Pinto was great as the leader of a Latino gang. He showed great presence and a set of cojones when it came towards the police. Matt Cook wrote a very strong script. John Hillcoat did a good job of directing this complex story and creating a solid story and characters.

Overall:  This was a strong film with a few very strong performances.

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