Robert Mark Kamen

Angel Has Fallen

First Hit: Highly implausible, slightly boring at times, but there were a couple of touching scenes.

The film begins with Mike Banning (Gerard Butler) moving through rooms in a building shooting and being shot at. It looks and feels real. Then he gets captured, and we discover it is a training exercise at Wade Jennings’ (Danny Huston) new combat training facility.

Wade and Mike talk, and we learn that they are old combat friends. Their lives’ have diverged with Wade setting up this large facility hoping to obtain government contracts to train people and participate in wars for the USA. Mike is a Secret Service Agent, married, with a young daughter, and in line to become a Director.

Mike is shown taking pills to alleviate headaches and other body pains, a result from his past work. As a long-standing Secret Service Agent, he works closely with President Trumbull (Morgan Freeman), and during a fishing excursion, the President and all the Secret Service Agents are attacked by a fleet of tiny drones.

The drones kill everyone except Mike and The President because they dive into the water. The audience knows who sent the drones, and it takes very little time for the audience to figure out who is behind the perpetrator’s scheme.

The film attempts to make this story interesting by having the FBI determine that Mike set up the presidential assassination, so they are after him. Having been rescued with the President after the attempt, they lock him up, but of course he escapes their custody. However, relying on this worn storyline, and knowing this isn’t true, there is no suspense in this film, and it now must rely solely on the action being good enough to keep the audience engaged.

For me, it didn’t. It was too predictable, not very inventive, and the film felt like it was trying to be good, but it didn’t flow smoothly or interestingly.

The best parts were when Mike found and engaged with his long-lost father, Clay (Nick Nolte). Clay is a very crusty Vietnam veteran living entirely off the grid deep in a forest area of Virginia. When Wade’s agents, who are looking to kill Mike, come to assassinate them on Clay’s land, Clay’s skills as a mercenary are a hoot to watch in action.

Teaming up, Clay and Mike head out from Clay’s cabin and try to find out who’s behind the assassination attempt and to save The President because someone clearly wants him dead.

When Clay shows up at Mike’s home and surprises his wife Leah (Piper Perabo), the scene is both touching and funny.

Everyone knows how the film ends, and although The President spends most of the time in a coma, his last two scenes, one with Mike and one with his Vice President Kirby (Tim Blake Nelson) make up for some of the film’s failings.

Butler was satisfactory in this role as Banning. Given the prognosis from doctors about his physical condition, I sincerely doubt that he would have been able to live through the action he was involved in. But that is movie life, they set up the impossible, but he succeeds. Nolte was a hoot. The Butler remark that he could be mistaken for the Unabomber was perfect. Nolte does a superlative crusty mean. Perabo had a small role, but her sincerity and nature were terrific. The film might be better served if she were more integral to the story. Freeman was his calm intelligent self and always makes a good president, or God. Huston was excellent as the “lion” who wanted to live a life of a lion and fight to the end. Nelson as VP was too easy to see through, from the get-go. Robert Mark Kamen and Matt Cook wrote the screenplay. The issue with it is that it used worn-out ideas in an old concept. There was nothing refreshingly new here except using small drones, in a swarm, to make an assassination attempt. Ric Roman Waugh has a mediocre script to work with, but many scenes seemed to take too long and had little value.

Overall: Just wasn’t exciting enough to keep me engaged.

Taken 3

First Hit:  Third time was not a charm for this series.

Bryan Mills (Liam Neeson) is back for a third time and instead of his wife or daughter being directly held hostage, here we have a situation where his former wife Lenore (Famke Janssen) is killed to get his attention.

He is being framed for the killing and it is up to him and a LA cop Frank Dotzler (Forest Whitaker), to find the truth. As with all “Taken” films, there is a lot of violence, amazing skills of eluding his pursuers, and the righteous ending of his innocence. The frame-up is staged by his former wife’s husband and a Russian mobster.

The film felt constricted and Neeson is getting a little long in the tooth do be riding a car down an elevator shaft and magically surviving.

Neeson is good in this role he owns. However, the script, his age and the tired franchise all need to be retired with this last film. Janssen has a small and shortened role which doesn’t give her much room to show her skills. Maggie Grace, as Kim Mills, Bryan’s daughter, is good in this safe, non-eventful role. Whitaker is, as always, a scene stealer and is a strong presence in the story. Luc Besson and Robert Mark Kamen wrote this weak and uninspired script. Olivier Megaton was the director and the finished result was rather week.

Overall:  This was a very uninspired film.

Taken 2

First Hit:  Almost as good as the original film which many follow-ons cannot claim.

With Liam Neeson getting older, I wondered if he’d be able to deliver on another intense action thriller.

As divorced CIA agent Bryan Mills, he’s about to go to Istanbul for a short 3-day protection job. Before his trip he's spending time with his daughter Kim (played by Maggie Grace) and assisting her with her driving test. He’s, as you might imagine, very controlling and deliberate.

When he goes to pick up his daughter he gets the chance to talk with his former wife Lenore (played by Famke Janssen). She is unhappy and Mills is sensitive to her unhappiness. Yes, he misses her. When he discovers she and Kim cannot go on their trip to China together, he offers them a trip to Istanbul. They take him up on his offer and that is this film's set up.

The people he killed in the previous Taken film because they stole his daughter are after him and his whole family. They are revengeful – this, for me, is the stupid part of the film. However without this revenge there is no film.

Once the killers take Mills and his wife, then the game is on and here is where Mills skills and Kim’s insistence to help her father create a way to kill the perpetrators and save their family.

The action is swift and precise and this alone makes this film come together.

Neeson is wonderful and believable as both a father and action agent. He can do both very well. Janssen was very good as his lost former wife. Grace was great as the daughter willing to help her father. Rade Serbedzija as Murad the primary perpetrator was excellent at embodying the philosophy of revenge. Luc Besson and Robert Mark Kamen wrote a good screenplay. Oliver Megaton directed the action in an adequate way, although the fight scenes were a little too staccato to watch to make them feel real. It is a way to hide poor action choreography.

Overall: The action was good. And as a follow-on to the original film, this one bodes well.

Colombiana

First Hit: Zoe is beautifully lithe and athletic, but I’m not sure this form was the best vehicle.

Zoe Saldana was the best character in the film Avatar; sublime in every way. In Colombiana she plays another physical character and she is great at it.

The problem with this film is the subject. It starts in Columbia when a young 10 year old Cat (Amandla Stenberg) watches the death of her father and mother. They were killed because her father who was an assassin for a Columbian drug lord and decided he wanted to retire. 

After her parents are killed, she is questioned about something her father might have left behind, she stabs the interrogator in the hand and bolts out the window. The foot chase in these opening scenes sets up Cat's character as an adult.

Older Cat (played by Saldana) is now an assassin for her uncle who sets her up with the people she kills. She leaves a calling card which assists the FBI into finding her, but she’s good and has been baiting the FBI to publicize her calling card so that the Columbian a drug lord will try to come find her to kill her. She gets her wish.

Unfortunately as the film unfolds towards its obligatory ending I realize how preposterous the assassinations are. First there were too many killings unrelated to the point of the film, and these scenes were create just to show the audience that Cat is fully capable of getting into any place and completing her assignment.

The saving grace of this film is watching her move.

Saldana is fun to watch and therefore I enjoyed what she did. The story line wasn’t the best so from an acting point of view this was a good physical role for her. Stenberg was fantastic as young Cat She showed great athleticism and determination when running away from her father’s assassins. Luc Besson and Robert Mark Kamen wrote the screenplay which was, to me, just obviously grouped setups for for the final scene. Oliver Megaton directed this film and from an action point of view it was well done, from a storyline point of view is suffered.

Overall: It was entertaining and well worth a look on pay per view or on DVD.

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