The Hate U Give

First Hit: A fantastic film about the existence of racism and, as indicated here, in our police departments as well.

I’ve seen three films this year that deal directly with racism, Blindspotting, BlacKkKlansman, and this film The Hate U Give. In both Blindspotting and this film, we have a white policeman shooting and killing an unarmed black man.

The film starts with Maverick “Mav” Carter (Russell Hornsby) giving his children; Starr (Amandla Stenberg), Seven (Lamar Johnson), and Sekani (TJ Wright), “the talk.” Mav’s been to prison, he’s fought the hard life but wants to stop the cycle of violence and pain in the family.

He's giving his children the talk about how to act when they are stopped by police for any reason because he knows how they will be viewed being black.

I was deeply saddened listening to this because it’s 2018 and I don't understand why haven't figured out that racism, in any form, is wrong. It shows that we’ve barely grown as a country.

Their mother, Lisa (Regina Hall), doesn’t want them exposed to the school in their ghetto neighborhood so she sends them to a mostly white college prep school. She wants her children to not be unduly influenced.

Before long, it happens. Starr is being driven home with her lifelong friend Khalil (Algee Smith), when they are stopped for changing lanes without signaling. Khalil, despite Starr’s insistence that he follow the cop’s commands, mouths off to the officer and eventually follows the officer’s commands. Standing outside the car, facing the car, while the policeman checks his ID, Khalil reaches in the car to get a hairbrush, and the officer shoots and kills him. Starr witnesses the whole thing and is in shock.

Starr testifies in front of the Grand Jury, the jury decides to not indict the officer, and the city goes into an uproar. Sound familiar? Yes, this scene has been happening across the U.S., and even with incriminating video footage we’re not holding policeman responsible for their quick trigger behavior.

This film explores this issue when Starr asks her uncle Carlos (Common), who is a black police officer, why police act this way. When he starts his monologue about how a policeman has to act and respond to tense situations, I found myself thinking, wow this is a compelling argument and I can nearly see why a policeman would react this way. However, when Starr asks would the cop shoot a white guy dressed in a suit driving a Mercedes, or would he ask the white guy to put his hands up. Carlos pauses, then says, he’d tell the white guy to put his hands up.

This is the issue. Why would a black police officer shoot the black man but tell the well dressed white man to raise his hands.

Other race issues show up when Starr’s closest friend at her prep school, Hailey (Sabrina Carpenter) shows her true colors as Starr becomes more vocal about her community in her community. A great juxtaposition was her white boyfriend Chris (K.J. Apa) who supports Starr in her quest to be seen and speak her truth. My only criticism of this film is that there are sections that seemed elongated or unnecessary that altered the intense pacing of this film. I would have rather had some smart trimming to keep the pacing at the higher level.

Regardless, this film has things to say and in summary, we’ve got a lot to learn and it starts with each of us doing soul searching.

Stenberg was sublime as Starr. She was both verbally and visually expressive at the right moments. Hall was wonderful as the strong mother who wants the best for her children but also gives them enough reign to grow. Hornsby was fantastic as the father. His pent up and controlled rage channeled to help his family was perfectly expressed in this film. Common was strong and his discussion with Starr about “what if…” was key. Apa was extraordinary in his role as the white boyfriend. Johnson and Wright were amazing as Starr’s siblings. Hall was wonderfully charismatic and excellent as the young man killed by the white officer. Anthony Mackie was very strong as King, the neighborhood drug dealer, controlling the actions of many. Audrey Wells wrote a strong script. George Tillman Jr. did a wonderful job directing this story and strong actors keeping the point of racism in focus.

Overall: This was an emotional film to watch as witnessed by the numerous times I had to wipe my eyes.

The Hunger Games

First Hit:  A tad long but a satisfying storyline, some great acting and visually enticing.

This is an age old story about the have and have-nots.

The haves living their life of opulence and self-aggrandizing while they abuse the have-nots by making their young kill each other for their pleasure and television amusement. Remind you of history? 

If this is a picture of how we could end up, it is very sad. Oppression of another human being is not the way out of our inability to see each and every human being as our equal.

In this version of this old story, Katniss (played by Jennifer Lawrence) volunteers to step in for her younger sister who was selected, in her first year of eligibility, to be one of two warriors from the depressed area called District 12. From age 12 to age 18, once a year each district (there are 12) must submit two warriors to compete to the death as homage to their society and/or religious beliefs.

Her partner from District 12 is Peeta (played by Josh Hutcherson) a quiet unassuming boy who has had a difficult history. Together they are take a modern train to a very modern opulent city where they are groomed and trained to kill each other and the other 22 participants.

They are coached by a heavily drinking guide named Haymitch (played by Woody Harrelson) and kind stylist named Cinna (played by Lenny Kravitz). The behind the scenes producer for the television program which everyone watches is Seneca Crane (played by Wes Bentley). He is under the guidance of President Snow (played by Donald Sutherland).

The MC for the television program where they are interviewed before being set out to kill each other is Caesar Flickerman (played by Stanley Tucci). One character which stood out for me besides the main characters was Rue (Amandla Stenberg) who was one of the 24 selected to be part of the killing. Her soft kindness and presence was one of the hopes of a better generation.

The visual shots, at times, were stunning the utopian city was well crafted to reflect both future and totalitarian Nazi like symbols. However, some of the hand-held stuff was just jerky stupid. One does not see the world in this jerky way and makes me wonder about the overuse and intentional camera movement.

Lawrence was, as she was in “Winter’s Bone” driven, clear and with feeling and kindness. She has an ability to emote strength and heartfelt empathy in one look. Hutcherson was solid as the guy who knew he was going to die, was self-effacing and yet let it be known he was in love. Harrelson was, again, superb. Kravitz was very strong as someone who cared about the participants. Tucci was on the edge of being over the top as the MC – wonderful job. Bentley was good but I was very distracted by his beard. Stenberg was sublime. Sutherland was very good as the President who controlled the games uncaringly. Gary Ross, Suzanne Collins and Billy Ray created a strong script from the book of the same name. Gary Ross allowed this film to unfold well but some of his choices of camera shots – especially the jerky ones were ill advised and take away from being engaged with the film.

Overall:  This was enjoyable if a bit long and made me wonder why this film and the books are aimed at and popular with teens.

Colombiana

First Hit: Zoe is beautifully lithe and athletic, but I’m not sure this form was the best vehicle.

Zoe Saldana was the best character in the film Avatar; sublime in every way. In Colombiana she plays another physical character and she is great at it.

The problem with this film is the subject. It starts in Columbia when a young 10 year old Cat (Amandla Stenberg) watches the death of her father and mother. They were killed because her father who was an assassin for a Columbian drug lord and decided he wanted to retire. 

After her parents are killed, she is questioned about something her father might have left behind, she stabs the interrogator in the hand and bolts out the window. The foot chase in these opening scenes sets up Cat's character as an adult.

Older Cat (played by Saldana) is now an assassin for her uncle who sets her up with the people she kills. She leaves a calling card which assists the FBI into finding her, but she’s good and has been baiting the FBI to publicize her calling card so that the Columbian a drug lord will try to come find her to kill her. She gets her wish.

Unfortunately as the film unfolds towards its obligatory ending I realize how preposterous the assassinations are. First there were too many killings unrelated to the point of the film, and these scenes were create just to show the audience that Cat is fully capable of getting into any place and completing her assignment.

The saving grace of this film is watching her move.

Saldana is fun to watch and therefore I enjoyed what she did. The story line wasn’t the best so from an acting point of view this was a good physical role for her. Stenberg was fantastic as young Cat She showed great athleticism and determination when running away from her father’s assassins. Luc Besson and Robert Mark Kamen wrote the screenplay which was, to me, just obviously grouped setups for for the final scene. Oliver Megaton directed this film and from an action point of view it was well done, from a storyline point of view is suffered.

Overall: It was entertaining and well worth a look on pay per view or on DVD.