Wes Bentley

Knight of Cups

First Hit:  An interesting, esoteric and ethereal film of a man reflecting on his place in the world through his relationships.

This film is not and will not be everyone’s cup of tea. In general it is about self-discovery, our purpose in this life, and understanding ourselves individually and collectively.

Those who value self-reflection and contemplating their own life as a way to see and better understand their current place and have patience for the film to unfold in its own way may like it.

One particular sequence early on with Ben Kingsley’s voice over states something like; it takes us so long to begin to see the depth of who we are because we spend most of our time responding to outside stimuli. During this sequence the images on the screen are of a young Rick (Christian Bale) on the beach with his family and in other settings.

The film is divided into 8 named sequences. Each, except the final section called Freedom, are named after Tarot cards, as is the name of the film. The "Knight of Cups" is the heart filled Knight in the Tarot deck. Although the Knight is on a horse (strength), because the horse is in a walking position, the Knight and the other representations on the card represent calmness and being ruled by the heart when important decisions are made.

Rick goes through the film in this etheric way, little outside emotion is seen, and each scene gives a view into his feelings. The people speaking to him fade in and out and one can begin to sense that Rick is Hollywood connected.

Each of these sections, which reflect the names of the cards are about the women he’s been with, his angry and lost brother Barry (Wes Bentley), his controlling, angry, and demanding father Joseph (Brian Dennehy) (their section is named “The Hangman”), and an immoral playboy Tonio (Antonio Banderas) (his section is named “The Hermit”).

My sense was that the latter was Rick’s own reflection of his playboy ways. The women are Della (Imogen Poots) whose section is “The Moon” and she is young and rebellious. The section called “Judgement” is played by his former wife, a physician, Nancy (Cate Blanchett). “The Tower” is played by Freida Pinto as a serene model named Helen. Teresa Palmer, as a spirited playful stripper named Karen is the section called “The High Priestess”. Elizabeth (Natalie Portman) is “Death”, the person Rick wronged. And finally, “Freedom”, an innocent Isabel (Isabel Lucas) who assists him in seeing ahead.

All of these stories are mixed and matched with life events, like robbery, heated arguments, disagreements, moments of bliss, and each of them lying on a backdrop of natural reflective scenes of Rick in the desert and on the beach at sunset.

Bale says little in the film, much of his thoughts and feelings are shared through visuals of him solitarily reflecting, with others but almost always on the edge of being disengaged, and the scenes outside himself, what he’s seeing. Because he had no physical script to work from, he was genuinely perfect for the role because of his ability to be silent yet communicative at the same time. Bentley is very strong as the angry, lost brother. Dennehy was perfect as the father. It was so nice to see him again. Poots was very good as Della. She clearly provided an edge to Rick’s life. Blanchett was very strong as his former physician wife. Her compassion to the people she worked on was amazing. Banderas was great as the playboy and during the A-List Hollywood party, he was like a kid in a candy store. Pinto was elegant in her role as a serene presence in Rick’s life. The model shoot was very realistic. Palmer was strong as the enticing playful stripper. Portman was extremely strong as a tortured married woman who both loved and felt wronged by Rick. Lucas was very good in representing a path forward. Terrence Malick wrote and directed this film. His strengths are getting creatively strong improvisational performances from his cast. The visual shots in the film are often arrestingly beautiful.

Overall:  As I said, this film isn’t everyone’s cup of tea, but it was mine.

The Hunger Games

First Hit:  A tad long but a satisfying storyline, some great acting and visually enticing.

This is an age old story about the have and have-nots.

The haves living their life of opulence and self-aggrandizing while they abuse the have-nots by making their young kill each other for their pleasure and television amusement. Remind you of history? 

If this is a picture of how we could end up, it is very sad. Oppression of another human being is not the way out of our inability to see each and every human being as our equal.

In this version of this old story, Katniss (played by Jennifer Lawrence) volunteers to step in for her younger sister who was selected, in her first year of eligibility, to be one of two warriors from the depressed area called District 12. From age 12 to age 18, once a year each district (there are 12) must submit two warriors to compete to the death as homage to their society and/or religious beliefs.

Her partner from District 12 is Peeta (played by Josh Hutcherson) a quiet unassuming boy who has had a difficult history. Together they are take a modern train to a very modern opulent city where they are groomed and trained to kill each other and the other 22 participants.

They are coached by a heavily drinking guide named Haymitch (played by Woody Harrelson) and kind stylist named Cinna (played by Lenny Kravitz). The behind the scenes producer for the television program which everyone watches is Seneca Crane (played by Wes Bentley). He is under the guidance of President Snow (played by Donald Sutherland).

The MC for the television program where they are interviewed before being set out to kill each other is Caesar Flickerman (played by Stanley Tucci). One character which stood out for me besides the main characters was Rue (Amandla Stenberg) who was one of the 24 selected to be part of the killing. Her soft kindness and presence was one of the hopes of a better generation.

The visual shots, at times, were stunning the utopian city was well crafted to reflect both future and totalitarian Nazi like symbols. However, some of the hand-held stuff was just jerky stupid. One does not see the world in this jerky way and makes me wonder about the overuse and intentional camera movement.

Lawrence was, as she was in “Winter’s Bone” driven, clear and with feeling and kindness. She has an ability to emote strength and heartfelt empathy in one look. Hutcherson was solid as the guy who knew he was going to die, was self-effacing and yet let it be known he was in love. Harrelson was, again, superb. Kravitz was very strong as someone who cared about the participants. Tucci was on the edge of being over the top as the MC – wonderful job. Bentley was good but I was very distracted by his beard. Stenberg was sublime. Sutherland was very good as the President who controlled the games uncaringly. Gary Ross, Suzanne Collins and Billy Ray created a strong script from the book of the same name. Gary Ross allowed this film to unfold well but some of his choices of camera shots – especially the jerky ones were ill advised and take away from being engaged with the film.

Overall:  This was enjoyable if a bit long and made me wonder why this film and the books are aimed at and popular with teens.

Gone

First Hit:  Despite a thin plot line, Amanda Seyfried brought intensity to this role which was worth watching.

There isn’t quite enough backdrop and history to give a good historical framework and picture of Jill (Seyfried) but the film tries to fill in the blanks by giving storylines and flashbacks to give the audience some sense of why she is the way she is.

We see her at the beginning being very cautious which is supposed to identify that she’s been down this road before and will do anything to keep it from happening again. What we learn is that she was dumped in a dirt hole in a vast national park near Portland and was able to escape but not before finding out that there were others before her who were in and died in this hole. She thinks he’s after her and her sister.

The police however, don’t believe a word of what she says so they don’t help her when her sister goes missing. The police, in this film, are portrayed as nincompoops and I hope aren’t reflective of detectives at the Portland Police Department. They even added a new detective to this case, Peter Hood (played by Wes Bentley), who was weird enough to make the audience think he is the killer.

There was no reason for this and the film would have been fine without this character. The woman police officer (Officer Ash – played by Erin Carufel), who was supposed to be a voice of reason was portrayed stupidly.

The lead detective Powers (played by Daniel Sunjata) was so un-police like that I truly wondered why he was there at all.

Despite the very thin way this film was written, Seyfried made it work watching and was the only reason to watch this film.

Seyfried is very good at holding this character’s traits of fear, strength, drive, and resolve to finding and eliminating the man who once captured her throughout this film. Carufel was mostly useless. Sunjata looked good but from a police officer’s ability to deduce and be inquisitive he lacked everything that would make him a detective. Bentley had no reason to be in the film. Allison Burnett wrote a very weak script. Heitor Dhalia didn’t get anything much from the characters except Seyfried which tells me she did this on her own.

Overall: Maybe worth a rainy boring Sunday afternoon view.

googleaa391b326d7dfe4f.html