Battle of the Sexes

First Hit:  Thoroughly enjoyable, entertaining and educational.

What makes this film work really well are the actors and clear direction that added insight into one of the most outrageous and important moments in women’s sports history.

Being old enough to recall the original battle of the sexes tennis matches (both one and two), it was important to make it true to the story while adding depth of character. That is what this film did. Learning more about Billie Jean King (Emma Stone), her husband Larry (Austin Stowell), Bobby Riggs (Steve Carell) and their paths was powerful, clearly defined and heartwarming.

King wanted equal money for the women who played in the same tournaments that men played in. Receiving less than 10% of what the men earned in winning the U.S. Open was degrading to women and women’s tennis everywhere. She wanted equal pay because they put people in the seats just as well as the men.

USLT (United States Lawn Tennis) leader, tennis great, Jack Kramer (Bill Pullman) told King that this wasn’t possible and that men were just better, stronger, and more interesting tennis players. Being rebuffed on her request, she and Gladys Heldman (Sarah Silverman), founder of World Tennis magazine decided to start their own tennis tour.

This tour got off to a rocky start but when Virginia Slims (cigarette maker) started sponsoring their events with real prize money, women’s tennis started to take hold and capture their supportive audiences.

Then there was incurable gambler Bobby Riggs who lived very well off of his wife’s money. Priscilla (Elisabeth Shue) loved her husband, his funny ways but struggled with his constant gambling. Fed up after he comes home with a Rolls Royce he won in a card game, she kicks him out of the house.

Nowhere to go, Bobby as a former Wimbledon singles, doubles and mix doubles tennis champion, he carries through with an idea one of his gambling buddies comes up with. Could a fifty-five-year-old former Wimbledon champ beat the best women’s tennis player? Capitalizing on this idea, he hounds Billie Jean to play him and offers her $35K. She refuses him and eventually Bobby calls on the new women’s #1 player, Margaret Court (Jessica McNamee) to take on the challenge. She does and gets publicly trounced by Bobby in two straight sets. As expected this hurts women's tennis and therefore Billie Jean decides to make this right.

All through this Billie slowly is discovering she is attracted to women, which in those days was not well accepted. The scene where Billie becomes gob-socked by her attraction to a woman was amazing. As she’s getting her hair done for photos just prior to their first Virginia Slims tournament, the hairdresser Marilyn Barnett (Andrea Riseborough), starts touching Billie’s hair and you can feel them both melt away. This was one of the best, most effective scenes in the film because of the acting and direction. I sat there and felt Billie Jean breaking down and opening up with barely any words spoken.

Of course, as we all know, after the Court fiasco, King plays Bobby and makes history.

The tennis was extremely well done. The director recreated many of the winning points just like they actually happened. Billie and women’s tennis did get invited back into the USLT tour for equal pay because of Billie Jean’s perseverance and skill.

Learning what drove Billie Jean as a little girl to excel in tennis, how her husband supported her throughout her personal discovery and how chauvinistic men thought of women was superbly covered.

Stone was amazing. The scene of her sitting in the hair salon meeting Marilyn for the first time was amazing. How she slowly evolved Billie’s character towards acceptance of both her tennis greatness and her attraction to women was sublime. Carell was perfect. He played Bobby just as we saw him on television. But what made this really work besides the physical likeness was giving his home life honest depth. Risenborough was wonderful as Billie’s first lover. Pullman was great as Kramer. Silverman was exquisite as the woman who put together the Virginia Slims tour together out of nothing. Natalie Morales as co-tennis player Rosie Casals was super. She reflected the persona of the real Rosie. Shue as Riggs wife was perfect. It was wonderful to see Shue again and her reflection of a wealthy woman of the era was spot-on. Stowell was good as Billie Jean’s understanding and supportive husband. McNamee was good as tennis rival Margaret Court. In real life Court’s current homophobic rants echo the subtle opinions her and her husband expressed in the film. Alan Cumming as Cuthbert ‘Ted’ Tinling tennis clothing designer for the women on the Virginia Slims tour was excellent. I liked his encouragement to King at the end of the film. Simon Beaufoy wrote an excellent script. He caught all the nuances of the time and I appreciated it. Jonathan Dayton and Valerie Faris as co-directors were spot on in all ways. I loved how they integrated television clips of the time, 1973, (Howard Cosell and Chrissy Evert among them) into a film made in 2017. Their vision was sublime.

Overall:  For anyone interested in knowing how today’s women’s tennis stars got the equal money recognition they deserve, see this film.

Bleed for This

First Hit:  Although very well acted, it didn’t stay with me nor was I inspired.

The oddity for me about this film was seeing this amazing struggle that Vinny Pazienza (Miles Teller) went through to fight again, yet also being turned off by a number of the movie's characters. The pushiness and arrogance of his father Angelo (Ciaran Hinds), promoter and son Lou Duva (Ted Levine) and Dan Duva (Jordan Gelber), and the treatment of family members, just left me cold.

It is not that I have to like the characters in a movie, however for some reason, Angelo, Lou and Dan turned me off to other parts of the film. On the converse side Vinny’s relationship with his trainer Kevin Rooney (Aaron Eckhart) was priceless. This was the best part of the film. The push/pull and of their personalities was exquisite.

The film shined when it was about how Vinny found his inner strength to really live again. Up until that one point, Miles did a great job of moving Vinny to level of complacency while healing. But then it switches and he becomes the focused Vinny the film begins with, thus moving the film into another gear. When Kevin joins him in his quest, the movie started to sing again and the bonding between these two men in the basement was outstanding.

The fight scenes were OK. Some of the the ring choreography was puzzling but overall it was exciting and gave an air of the battles Vinny went through. The training scenes and the appropriately dark and grungy gyms used to train in, were perfect given the era and type of boxer Vinney portrayed.

Vinny’s mom Louise (Katey Sagal) not being able to watch any of his fights, spent that time in front of her alter of Jesus emblemed candles and other Jesus iconic stuff. It was difficult for me to relate to that kind of praying, yet it made sense for the film and Italian family. Additionally, the scenes of Vinny and entourage in strip joints also fit the film’s genera, and were insightful to the characters in their own way.

Teller was very strong as Vinny and made his battle believable. Each time he had to get into a car or duck under something I cringed and ducked in my seat as well. Eckhart was outstanding as Vinny’s trainer. I loved his drunk scenes as well as his sober focused scenes equally. Hinds was perfectly obnoxious, egotistic and arrogant as boss of his family and what he wanted. The scene of him chomping and smoking a cigar on the porch while telling off Kevin was perfect in all ways. Levine and Gelber was wonderful as the father and son promoters always looking out for their interests while feigning the interest of the fighters they promote. Sagal was good as the suppressed mom always worried about her son’s fighting. Ben Younger both wrote and directed this film. The writing in many of the scenes was outstanding and getting the actors to deliver on those lines was skillful.

Overall:  Engaging film to watch but forgetful by the next day.

Queen of Katwe

First Hit:  Although this is a wonderful story, the film's representation did not do it justice.

Confusion is what I felt through much of the early part of this film because we go through 8 years of time, as noted by the overlays on the screen announcing each new year, without any discernible physical changes in the characters. The subject, Phiona Mutesi (Madina Nawanga), is followed from before her teens to her mid-teens with virtually no change in her looks. We all know that these are years in which a person changes a lot physically, but here there is nothing and therefore confusion in each scene because we really don't know how old she is until context is given. The story is wonderful. It is about Phiona, who comes from the poorest of the poor in Uganda, where her mother is raising 4 children by herself, finds herself in Robert Katende’s (David Oyelowo) church where he’s teaching chess to young children. She sits down and becomes fascinated by the movement of the chess pieces and soon she is spellbound by the game. Quickly she learns that she naturally understands the complexities and challenges of the game, which also allows her to escape her limited and difficult life. From this point of view, the film and story was inspirational. I loved her first plane ride scene when the camera pans to her fingers moving and griping the seat's armrests. Her mother Nakku Harriet’s (Lupita Nyong’o) surprised happiness at seeing her new home for the first time, embraced the amazing joy residing in this film. Besides the lack of clear time references with the main character, the film was too long. There were three times, I came out of being engaged in the story to wondering why it was taking so long to tell the story. It needed to be more crisp.

Nawanga was wonderful as Phiona. Although I wish they would have used a second person for the younger years, Nawanga was perfect for the later character. Oyelowo was amazing as the patient minister and chess teacher. I loved the stories he told his kids to help them with the pressures of being in chess tournaments. Nyong’o was sublime as Phiona’s mother. Her strength and intelligence shined through as she fought to keep her children fed, with a roof over their heads and safe. William Wheeler wrote a script that tried to tell too much. It made the running time of 124 minutes laborious. Mira Nair did an OK job of directing the characters, however as previously noted, the film did a disservice by having Nawanga try to play through so much time, and to not cut aspects of the story to make the film crisper.

Overall:  This is a wonderful story, but the execution, by the director and screenwriter, didn’t live up to the power of the story.

Hands of Stone

First Hit:  Having watched a few of Roberto Duran’s bouts, it was interesting to know more about the man who had “Hands of Stone”.

If you don’t like boxing, you probably won’t like this film as there are a fair number of boxing sequences in this film and it is not easy to watch people getting punched.

Duran (Edgar Ramirez) is first shown as a boy attempting to keep himself and his family fed. He runs the streets and steals from the Americans by taking guava's from the trees in the canal zone. Like most other Panamanians, he is resentful of U.S. presence in the canal zone.

Although the Panamanian and U.S. governments’ agreed to U.S. ownership of the canal zone, there is widespread resentment. This is important because when he fights in the U.S. he’s battling both the U.S. government's oppressive nature to Panamanians and his opponent.

In the case of the flamboyant USA Gold Medalist Sugar Ray Leonard (Usher Raymond) he created a massive dislike and even insulted his wife Juanita (Jurnee Smollett-Bell) as a part of his strategy to get under Leonard’s skin. Teaching him how to be a great boxer and to fully use his given talents is Ray Arcel (Robert De Niro). Because of previous entanglements with the mob who had a lot of control over boxing, he trained Duran for free.

This film explores Duran’s relationship with Felicidad Iglesias (Ana de Armas) who ended up marrying him. The film also explores his hunger to fight and what happens when he wins more than he ever thought he would. This film tells a story.

Ramirez was very good as Duran and made his journey believable. De Niro was fantastic as Roberto’s father figure as well as trainer. Raymond was strong as Ray Leonard. His movement around the ring and engaging personality were mirrors of the very public character he was playing.   Armas was wonderful as Duran’s tested wife. How she continued to show up to him was great. Smollett-Bell was good as Leonard's wife. John Turturro was good in a small role as the mob heavy putting pressure on Arcel. Ellen Barkin was very good as Stephanie Arcel, Ray’s wife. Pedro Perez did a wonderful job as Duran’s lifelong trainer. Ruben Blades is perfectly pushy as the money man behind Duran. Jonathan Jakubowicz wrote and directed this film. I thought that the script was very good and brought out an interesting story. The direction of the scenes was especially strong in the ring.

Overall:  If you like or interested in boxing in the late 1970s and early 1980s this is definitely worth seeing.

Race

First Hit:  What a wonderful story of a man whose greatness and perseverance had him rise above and over race and discrimination.

Jesse Owens (Stephen James) was one of the greatest Olympic track and field athletes the United States has ever had.

Raised when racial discrimination was still a huge issue in the US, learning to ignore the external noise, and do what he did best made this story even more phenomenal.

The story follows Jesse, his depressed father, supportive mother and Ruth Solomon (Shanice Banton) his girlfriend and mother of his daughter, as he finds is way through all the external noise to greatness. Guiding him along the way was his Ohio State University coach Larry Snyder (Jason Sudeikis).

One of the most powerful lesson delivering scenes was when the track team was in the locker room when the OSU football team comes in and demands that the track team leave, especially because of Jesse and other blacks on the track team. While the football coach is yelling at Larry and the football team yelling at the track team to leave, Larry is speaking about how concentration and listening to one voice, his voice, is how Jesse will be able to persevere against all the racial noise he’s going to get as he races.

During all the yelling, all of a sudden you hear the coaches voice say to Jesse, do you understand? Do you hear me? And the noise drops away from Jesse and hearing his coaches voice above the loud arguing, he says “Yes, I hear you coach.”. It is a wonderful scene and serves Jesse well especially when he goes to the 1936 Olympics and 110,000 people are yelling at him.

As he shows his greatness, the crowd becomes unified with him. It is a great story.

James is outstanding as Jesse. He plays him with humble awareness of doing well and honoring himself as a person. Sudeikis was great as the occasionally sarcastic, caring, and wonderful coach. Banton was wonderful as Jesse’s fiancé and then wife, making sure Jesse makes his own choices. Jeremy Irons was fantastic as the inimitable Avery Brundage. David Kross as Jesse’s Olympic long jump German rival Carl ‘Luz’ Long was great. Joe Shrapnel and Anna Waterhouse wrote a wonderfully engaging script. Stephen Hopkins did a wonderful job of directing this film and the shots of Jesse entering the Olympic stadium for the first time were especially effective.

Overall:  This was a wonderful biography of a man who stood heads above the fray of racial injustice.