Mad Max: Fury Road

First Hit:  One very, very long chase movie consisting of unrealistic and poorly choreographed scenes that were generally bad enough to have the audience laugh.

Yes the fun things about the original Mad Max films were the bizarre chase scenes. However, what made it watchable and interesting was the story line outside of the vehicle chases. Here there is little story and even less of anything of interest.

Max (played by Tom Hardy) says so little that virtually no emotion comes from him except when he hallucinates his daughter in front of his eyes. Then there is Charlize Theron as Imperator Furiosa, a driver for Immortan Joe (Hugh Keays-Byrne) the emperor, sort of speak, of his group of people. I cannot go into the story because it is simply one long huge chase scene and the hero’s survive - what else would I say?

Theron is OK but I’m puzzled as to why she would take this role – it just lacks the depth I’m use to seeing from her. Hardy was OK as well and I don’t know why he made this film except maybe for the money. George Miller and Brendan McCarthy wrote a meaningless script filled with staged chase choreography. Miller directed this film with this vision: How many crashes can I get on film (one - beginning to end), how bizarre can I make the vehicles (electric guitar and player as a hood ornament) and how can I bury any semblance of a story (just have people chase each other).

Overall:  Not much of a film and less of a story.

Ex Machina

First Hit:  I liked it because it was a thoughtful look at Artificial Intelligence (AI).

Caleb (Domhnall Gleeson) is a nerd programmer for the largest internet search company in the world. His company does 95+% of all searches.

The owner of the company Nathan (Oscar Isaac) lives in the middle of nowhere so that he can develop his AI ideas undisturbed by anyone in the outside world. He invites Caleb to visit him at his outpost home/lab to put his latest robot Ava (Alicia Vikander) through the Turing Test.

Upon arrival Caleb finds Nathan to be casual, yet precise clearly in-charge of what he wants and his home/lab exemplifies all this - especially with the security system. At one point we are shocked to see Kyoto (Sonoya Mizuno) serving them because we think Nathan is alone in the home/lab. She doesn't speak so the audience is left with a question about  her.

Caleb’s interviews with Ava are done through glass and it is clear this is a truly unique encounter for both of them. When we meet Ava she has a human typeface, hands and feet with the rest being see-through material and the rest is a weaved material. When asked about how Nathan programmed Ava he said he didn’t. He said he used all the decision making data people make on his internet browser which he collects and feeds into Ava. In other words she is the compilation of everyone’s choices and decisions. She analyzes these decisions and makes her decisions based on this. I found this fascinating.

Gleeson was fabulous. His curiosity and kindness help make this film move. Isaac is becoming a great actor. His previous role in “A Most Violent Year” was great and this one was even better. He uses his intensity and intelligence perfectly. Vikander was amazing. Her quizzical innocence and beauty was wonderful to behold. I was fascinated by the character. Mizuno was great and beautiful as the attentive robot. Alex Garland wrote and directed this film. He knew what he wanted and he delivered a thoughtful interesting film.

Overall:  I really enjoyed the thoughtfulness by which AI was presented in this film.

Insurgent

First Hit:  I liked this slightly better than Divergent, and that’s about it.

We are back in the structured society of 6 factions: Abnegation (Selfless), Dauntless (Brave), Erudite (Intelligent), Amity (Peaceful), Candor (Honest) and Divergent (which is all traits).

They all live in an area where most the buildings are broken down or in small camps in the woods. There are some who live in well maintained and modern buildings. All of this is behind a circular wall where supposedly nothing exists beyond the wall.

The point seemed to be there was a secret box that when someone figures out how it works, the revealed information helps everyone. To get to the point of the film we’ve got to sit through lots of fighting, bravery, and adventure. Was it interesting? Somewhat. Was it believable? At times barely.

Shailene Woodley as Tris was good and she did a really good job with the various feelings and situations she was put in. Theo James as Four was solid. Kate Winslet as leader of the people Jeanine was good given the lines and role. Jai Courtney as Jeanine’s henchman was OK. Miles Teller as Peter was one of the more interesting characters in this film. Brian Duffield and Akiva Goldsman wrote the partially interesting but convoluted script. Robert Schwentke directed the film with some wonderful visuals but it plodded along with a more convoluted plot than needed.

Overall: This second of the series was good enough to see the next film.

Chappie

First Hit:  At times disappointing and at other times interestingly introspective.

I’ll start with the interestingly introspective thoughts:  Can consciousness be identified, digitized, and downloaded/uploaded?

I loved thinking about this. In this film, Deon Wilson (Dev Patel) thinks he can create a computer program that will allow an electronic brain to learn like a child does (although faster). He’s already created programmable robots that act like police people which dramatically brings down the crime rate in Johannesburg South Africa, where this film takes place.

There is also a part where there is an uploading followed by a downloading of the “consciousnesses” of two humans and a robot named Chappie. This stuff is interesting and can cause one to think about the possibilities. However, the criminals Ninja (Ninja), Yolandi (Yo-Landi Visser), and Yankie (Jose Pablo Cantillo), where at times clown like and too obvious and overt in their actions to make it work. I found it unbelievable that the thieves let Deon go and return on his own free will.

Additionally, I’m not sure the Vincent Moore character (Hugh Jackman), who had developed a large aggressive armored robot, was required to make this film work. He became the antagonist for the criminals, Deon, the company Deon and he worked for, and society.

In the end it seemed like the writers and directors could have made a more thoughtful film without the demoness of Moore’s character and his robot (which was vaguely too similar to other robots in other films).

Patel was good as the caring “maker”. Visser was oddly and engagingly interesting in her role and verbal cadence. Ninja was overtly too much in both ways; as a uncaring bad guy and as someone who missed his girlfriend. Cantillo was the most interesting criminal. Jackman was good in his role but I didn’t think the role was needed. Sigourney Weaver was weak in her role as decision maker in the company that made the robots. Terri Tatchell’s script was both strong and weak. Neill Blomkamp’s direction followed the script, and used some interesting sets (like the round cylindrical building with the Vodafone sign) but this film lost site of the most interesting subject.

Overall:  The concept in this film was really good and the execution faltered in many ways.

Jupiter Ascending (3D)

First Hit:  All this film has going for it are a few interesting visuals.

Before I knew it, this film descended into the realm of “are you kidding me?” Not only was the premise stupid the execution of this premise was almost as bad.

The only thing that saved it were some of the visuals. Really:  People owned planets in our galaxy? They were divided up amongst 3 people whose job it was is to harvest human specific DNA stuff to make themselves live longer. Their stated goal - to live as long as one can - even unhappily. The planet owners claimed the only worthwhile commodity that exists is time? Titus Abrasax (Douglas Booth), Kalique Abrasax (Tuppence Middleton) and Balem  Abrasax (Eddie Redmayne) owned planets and did the harvesting.

Each wanted the prize planet Earth (of course where most the human type people live). Kalique and Titus live on spacecraft and Balem lives in the red eye of Jupiter which is protected from the gases by some structure he’s built. With Earth being the most desired planet, each of the Abrasax’s kids are trying to find and entice the rightful owner of Earth to give it up to one of them.

Earth is unknowingly owned by earthling Jupiter Jones (Mila Kunis), who also happens to be their reincarnated mother. When she learns that she owns Earth… OK you may start to get my drift. This story is so far-fetched, complicated and convoluted that it just doesn't (read as "can’t") work. Oh heck, I forgot there is also a hero Cain Wise (Channing Tatum) who flits about on shoes that allow him to skate through life and space at outstanding speeds. Mind you no one else in the film has these skate shoes.

The visuals of the different worlds, of the red eye of Jupiter and the space vehicles are good to very good but that is about it. The dialogue was stilted, the premise undefinable, and the execution miserable.

Kunis was OK, and given the level of story-line, script and direction this is a complement. Booth was bland. Middleton was barely OK. Redmayne was disastrous. The difference between this role and the one as Stephen Hawking is like night and day. Tatum was very disappointing. However for all of these people it wasn’t their acting that brought this down, it was the concept, script and direction. I wonder how they all got bamboozled into taking these roles. Andy and Lana Wachowski did the producers a disservice by actually pitching and making this film.

Overall:  Don’t waste your time. It is bad even in 3D.