At Eternity's Gate

First Hit: I both learned something about Vincent van Gogh and enjoyed the film's journey about this amazing painter.

I love van Gogh’s work. Next to Mark Rothko, he’s my favorite artist. Early in this film, van Gogh (Willem Dafoe) is shown walking towards a young woman tending her flock. He says he wants to draw her, then we fade into scenes where we watch Vincent in nature looking for something that grabs him, so he can stop and paint.

The film emphasizes that van Gogh liked to paint in one swoop – meaning what he saw and felt internally in that moment had to be completely documented and painted in one attempt.

The film also noted that Vincent ate poorly, sometimes only existing on bread and booze. He also drank heavily possibly to quiet the raging internal voices.

Often, van Gogh states that painting was the only thing he knew how to do. At one point he claims that when he paints, it's the only time, he finds internal peace and mental quiet. It was, as one told him, his meditation. He stated there were occasions where he didn’t remember events and what happened to him, and as a result of these events, he found himself in trouble or a mental hospital.

The film gave a significant amount of time towards his friendship towards fellow painter Paul Gauguin (Oscar Isaac), who was discovering some success. Although their styles were different and they argued a lot, there was a friendship between them. Vincent was more dependent on the relationship. Gauguin pushed van Gogh to take his time, consider the canvas and how the paint adheres to the canvas while painting, while van Gogh kept saying, one must work quickly to catch the feeling given the artist in that moment. Use color and paint to show the power being shown the artist.

Theo (Rupert Friend), Vincent’s brother, supported Vincent by sending him money each month. Vincent would spend the money on painting supplies because as later shown, Vincent was a prolific painter. He created some 2,100 pieces of art and 860 of them oil paintings.

As he delved into his style of bold expressive colors, painted impulsively and dramatically. His brother tried selling his art as his agent, but nobody wanted to buy the paintings. He also drew drawings in an accountant’s ledger book, which according to the film wasn’t found (discovered) until 2016.

The film gets back to the opening sequence with the young lady with her flock. The encounter doesn’t end well and was one reason he found himself in a sanitorium or hospital. Vincent had internal demons it was situations, such as these, that he didn’t remember, that caused him to be a scary person to others.

For someone who was rejected by his fellow artists and the world back then, today his paintings can demand in excess of $50m each.

There has been some controversy about how Vincent died. It’s been said and written that the gunshot stomach wound he had was self-inflicted, however, the film has it that he was shot by one of the two young men that were robbing him of his supplies while he was out painting one day.

Dafoe was very strong as van Gogh. His rough angular face looked much like van Gogh’s might have looked like. But it was Dafoe’s eyes that shared the intensity and other worldly nature of artist. Isaac was strong as Gauguin. Friend was very good as Vincent’s brother Theo. Jean-Claude Carriere and Julian Schnabel wrote this interesting dialogue. Schnabel did a wonderful job of creating scenes that kept me visually and mentally engaged.

Overall:I felt like it must have been very difficult to be Vincent van Gogh – if he only knew how his great work would finally be accepted.

Annihilation

First Hit: This film wasn’t suspenseful, interesting, or had characters the audience could care about.

It was hard for me to believe that a film with Natalie Portman (as Lena), Jennifer Jason Leigh (as Dr. Ventress), Oscar Isaac (Kane), and Gina Rodriguez (Anya) could not be full of drama and interest. However,  not being able to care about the characters, I was hoping to care about their predicament.

Lena is a teaching physician in biology medicine after having a seven-year career in the military. It was in the military where she met her husband Kane who is a special ops person in the military.

Kane gets assigned to be sent into “The Shimmer” which is overtaking a place on the east coast of the United States. He's suppose to help the government understand what this thing is. The Shimmer came as a result of a meteorite hitting a lighthouse. Every group that goes into The Shimmer never comes back and The Shimmer is expanding.

However, after a year Kane does return and is in a sealed room being watched by the government and scientists. To find out what caused her husband to be in this comatose state Lena goes in to The Shimmer with Anya, Dr. Ventress and two others.

Only Lena gets to the goal, the lighthouse where the meteor struck.

The Shimmer wasn’t very interesting to look at. The story line and what Lena finds at the lighthouse isn’t interesting. The worst thing is that the characters aren’t interesting at all.

Portman probably did as she was told by the director and read the lines, but there wasn’t any depth to her character and I’m not sure where to put this problem because Portman is a great actress and usually delivers a strong character. Leigh was intense and gritty but, as with Portman’s character, I didn’t care and didn’t want to know anything more about her. Rodriguez was the most volatile character but there wasn’t anything around her character to have me care either. Isaac was no better than the rest of the characters, non-interesting. Alex Garland wrote and directed this mess.

Overall: This film is not worth seeing even though the names associated with the film are held in high regard.

Star Wars: The Last Jedi

First Hit:  Unimpressive effects, tired story, and there is little hope that the new cast of characters can carry this story into the future.

Trying to create the magic of the original film by using the same music, the open space background and the scrolling storyline explanation almost worked.

However shortly into the story, all we got to watch is multiple battles; signal combatants and groups of combatants. It just got boring to watch fight after fight after fight.

What would have helped was, if Rey (Daisy Ridley) had the depth of spirit and a powerful inner presence to play someone going to take us, and the story, to a next level and into the future. Her facial expressions showed she doesn't understand the depth of this story and the inability to create the kind of intrigue that Star Wars must hang on. The lack of communication through her eyes was a dead giveaway. This was a disappointment because in her first turn as Rey in “The Force Awakens,” she showed promise. The hopes of having a strong independent woman take us forward is perfect because Leia’s character passes with Carrie Fisher’s passing.

Another problem with this film is Luke Skywalker’s role and character (Mark Hamill). Here he is played as grumpy and tired. Yes, he has a right to be tired and grumpy, for all the battles’ he’s been through but the script gives him little room to breathe. Because of this he suffocates as Luke and so does the audience.

The story is essentially the turning over the final page of the old guard characters, and opening the book to the new guard. Hans Solo is gone, Darth Vader is gone, Snoke (Andy Serkis) gets toasted, and Leia, who is the leader of the resistance, has a son, Kyle Ren (Adam Driver), who becomes the leader of the first order bent on destroying the resistance and ruling the universe. Before it was father (dark) and son (light); now it is mother (light) and son (dark).

Too many things are already known, which is the opposite of what made the original film work. The first film was an exploration into the unknown. The films, after the original, varied in strengths and weaknesses, but always sought to keep an edge of the unknown for the future. The Force Awakens, was strong and was that way because it was a welcome back to the original story and characters and what would happen as they passed. Now we know - little.

Besides being overall dark of color, there are a few interesting special effects but nothing that will set this film apart from any of the other effects focused films that have come out in the last few years. Effects can never take the place of a good story with interesting characters.  And having mediocre effects and little story makes this film fail.

Hamill acted as though the life had been sucked out of him. Yes, this was part of the role but it didn’t seem like his heart was in this character any longer. Carrie Fisher as Leia was tired. She looked tired, there was little energy or enthusiasm coming from her and this swan song is not reflective of what she gave to the role in the past. Driver is one of the few highlights in the film as he does have the capability to carry the anger and darkness required as the new enemy of the resistance. Ridley is fair as Rey. She’s supposed to be a ray of light to the upcoming stories but to me she lacks a depth of spirit and it shows in every frame she’s in. John Boyega as Finn is good. As a side character and carrying what is good about the resistance he’s strong, but I didn’t buy into his being the fighter he is made out to be. Oscar Isaac as Poe Dameron was good but it’s mostly script and storytelling that fails him. Serkis as the character Snoke is good enough. Rian Johnson wrote this mediocre script that relies on fighting and digital effects more than telling a great story with characters. Johnson also directed this film and it shows that he doesn’t have the chops for telling a Star Wars story that intrigues an audience into the future.

Overall:  This film could keep me from seeing next installment as I don’t want to dragged down any further.

X-Men: Apocalypse

First Hit:  Much better than the other Marvel (Comic) film “Captain America…” but it felt worn and reaching.

The beginning is a set up based on some past historical idea about a demonic force called En Sabah Nur/Apocalypse (Oscar Isaac) wanting to finish his evolvement which will give him total world domination. But to complete this task he has to usurp the powers owned and inherent in Professor Charles Xavier (James McAvoy), the leader of the X-Men (and women). By obtaining this power he can rule the world.

The film fails to make this important task engaging enough thereby making the film uninteresting, let alone believable by any stretch of the imagination. The other story is that Erik Lehnsherr/Magneto (Michael Fassbender) has distanced himself from the other X-Men(women) and Professor Xavier.

In this distancing, Magneto has joined with Apocalypse and will execute his commands to rearrange the planet by removing the metal structures of the earth thereby making earth’s inhabitants helpless. The interplay between the X-Men is good and does make this film interesting in ways that has some depth.

The most fun part of the film has to do with Quicksilver/Peter Maximoff (Evan Peters) because his scenes are lighthearted, well-conceived, and simply fun to watch. He brings a humorous element to the whole film and when he’s on the screen, I was engaged.

What seemed pressed were scenes with Raven/Mystique (Jennifer Lawrence) as it seemed she really didn’t want to be in this role and is done with the X-Men series of films. I’d be surprised to see her in another, unless she needs the money.

Isaac created a good enough demonic Apocalypse character, and the makeup helped a lot. Fassbender was OK as the aloof, isolated Magneto. McAvoy was strong as Professor Xavier. Peters was fantastic and the best part of the film. His tongue-in-cheek and cavalier representation of the character was appropriately in-line with my view of what Marvel Comics were originally about. The rest of it has become too serious and seems only there to extract more money out of the public. Lawrence seemed done with the whole thing and her performance and character lacked inspiration. Simon Kinberg wrote the sometimes witty and sometimes labored screen play. Bryan Singer brought some interesting visual scenes to the screen but the attempt to make this story real falls on deaf eyes (yes I mean deaf eyes).

Overall:  Although fun enough, this franchise has to make more and more unrealistic set-ups to attempt to make the stories continue to work into the future.

Star Wars: The Force Awakens (3-D)

First Hit:  Nailed it. This film immediately took me back to May 25, 1977 when the story first began and I knew it was going to be an amazing ride - this film was no different.

I remember standing in line about 38 years ago to see “Star Wars” and wondering if it was going to be as good as the hype.

As the yellow storyline rolled across the screen fading into a vanishing point while being accompanied by the powerful John Williams score; I sat back and smiled and said to myself, “here we go” and the ride began. Yesterday at the 9:00 AM I saw the 3D presentation of film number 7.

As soon as the story-line started scrolling up the screen, accompanied by the John Williams score, I laughed out loud, smiled, and said to myself; “it’s back and I'm ready". There was no let down in this film. The new characters were perfectly cast, the re-introduction of the original characters amazingly handled, while the story was very interesting and moved the whole set of stories forward with suspense, tragedy, and excitement. The writing was top notch, the visual effects were reminiscent to the first film, yet updated with today’s technology and the characters grew in depth while adding to the legacy. 3-D used perfectly - not a distraction only an enhancement.

Harrison Ford returned as Han Solo. He was wonderfully introduced, exquisitely honored, and ceremoniously pathed. For his part, Ford was amazing. Carrie Fisher came back as General Leia (versus Princess Leia) the leader of the resistance against the First Order. Although less dynamic than Ford, her place and fulfilment of her part of the puzzle was required and perfectly executed. I was happy she was part of the film. Mark Hamill continued as a much older and wiser Luke Skywalker. Although his role was small, it begins a new cycle as well, wonderful. As for the major new players: Daisy Ridley as Rey was superb. She filled her role as an intelligent, physically capable, and believer of her destiny amazingly well. She exemplifies and is the new heroine for this series. John Boyega as Finn was auspiciously wonderful as a new male hero for the resistance. Lupita Nyong’o was fantastic as Maz Kanata the very old wise woman. Oscar Isaac was fun as Poe Dameron a renegade fighter pilot for the resistance. Domhnall Gleeson was perfectly arrogant and heartless as the General Hux, leader of the First Order. Lastly, Adam Driver as dark side leader Kylo Ren was very strong. Lawrence Kasdan and J.J. Abrams wrote an incredibly strong script. Definitely Oscar worthy. Abrams fulfilled everybody’s hope in delivering a very exciting film that kicks off a new era of Star Wars films. The next one will be tough to do – just as Lucas found out.

Overall:  Abrams, Kasdan, and the whole team turn out an amazing story – thank you.