Chappie

First Hit:  At times disappointing and at other times interestingly introspective.

I’ll start with the interestingly introspective thoughts:  Can consciousness be identified, digitized, and downloaded/uploaded?

I loved thinking about this. In this film, Deon Wilson (Dev Patel) thinks he can create a computer program that will allow an electronic brain to learn like a child does (although faster). He’s already created programmable robots that act like police people which dramatically brings down the crime rate in Johannesburg South Africa, where this film takes place.

There is also a part where there is an uploading followed by a downloading of the “consciousnesses” of two humans and a robot named Chappie. This stuff is interesting and can cause one to think about the possibilities. However, the criminals Ninja (Ninja), Yolandi (Yo-Landi Visser), and Yankie (Jose Pablo Cantillo), where at times clown like and too obvious and overt in their actions to make it work. I found it unbelievable that the thieves let Deon go and return on his own free will.

Additionally, I’m not sure the Vincent Moore character (Hugh Jackman), who had developed a large aggressive armored robot, was required to make this film work. He became the antagonist for the criminals, Deon, the company Deon and he worked for, and society.

In the end it seemed like the writers and directors could have made a more thoughtful film without the demoness of Moore’s character and his robot (which was vaguely too similar to other robots in other films).

Patel was good as the caring “maker”. Visser was oddly and engagingly interesting in her role and verbal cadence. Ninja was overtly too much in both ways; as a uncaring bad guy and as someone who missed his girlfriend. Cantillo was the most interesting criminal. Jackman was good in his role but I didn’t think the role was needed. Sigourney Weaver was weak in her role as decision maker in the company that made the robots. Terri Tatchell’s script was both strong and weak. Neill Blomkamp’s direction followed the script, and used some interesting sets (like the round cylindrical building with the Vodafone sign) but this film lost site of the most interesting subject.

Overall:  The concept in this film was really good and the execution faltered in many ways.

Elysium

First Hit:  Well-crafted film about the future while keeping humanness as part of the story.

The future is clear, there are the haves and have nots.

The haves do not live on Earth any longer. They live on a spinning wheel space station just out of the atmosphere called Elysium. It can be seen from Earth. On this space station people do not get diseased and if they do, their machines make them well.

On Earth there is overcrowding, theft, crime, and denigration of humans and their spirit. Max (Played by Matt Damon) has been a thief, imprisoned, and now just is trying to get by. When he makes a joke to one of the robot policemen, he gets beat. His childhood friend, Frey (Alice Braga) is a nurse and was serving on Elysium but had to come back to Earth because her daughter Matilda (Emma Tremblay) had leukemia and wasn't a citizen.

Not being a citizen (meaning someone with an embedded code in their arm) means that you don't really exist to the people of Elysium. Frey and Max meet up again and she wants him to help her daughter to Elysium to get healed and he wants to get there because he just got a lethal dose of radiation and will die in 5 days.

Of course the heads of Elysium, especially Secretary of State Delacourt (Jodie Foster) who has eyes for more power, don’t want their world contaminated so no non-citizen gets to the space station.

This film explores, where are we going as a human race and what will we do to create equality among people. It explores the question of what will become of us in the year 2154.

Damon is, as he always is, sublime. He makes his role so real and effortless that you can’t help but be on his side and believe his rightness. Braga is great as his longtime friend. She brings such humanness to this film as does her daughter Tremblay. Foster is powerful and spot-on as the politico who wants control and to politically move up the ladder to President. Neill Blomkamp both directed and wrote this story. His extraordinary use of special effects on space vehicles and landscapes were well thought out and implemented.

Overall:  Although this film is well done, it may not do well at the box office because it just may be too smooth and the name doesn't help it.