Can You Ever Forgive Me

First Hit: Excellent acting about a caustic, friendless author that finally finds her voice.

Lee Israel (Melissa McCarthy) is a biographer who is fixated on writing Fanny Brice biographies. She appeared once on the NYT Best Seller list but that was years ago. Her Agent tells her she’s got to change, but Lee, an obsessive alcoholic, likes her alienating way of living.

Then Lee loses her late-night editing job because she drinks and swears at her co-workers. Broke, with a sick cat, and behind in her rent she stumbles across an envelope with a typed and signed letter from a famous deceased author. She takes this letter to a book and artifact seller who gives her a few hundred dollars.

Realizing that she could sell forge letters with old typewriters and seasoned paper, she begins a quest of creating letters, signing them, and selling them to collectors and people who sell to collectors.

She befriends Jack Hock (Richard E. Grant) who is a homeless gay man at a bar who is also a drunk. Together the conspire to make and sell lots of these fake letters. Enjoying the fruits of their labor they eat well and Israel gets her old cat healed. Anna (Dolly Wells), one of the buyers of Lee’s fake letter, likes Lee and suggests they have dinner together. Sensing that Anna wants to get close, Lee blows her off but not before she accepts one of Anna’s short stories Anna would like feedback on.

This points out one of the incomplete and unsatisfying parts of the film. The film shows Lee reading this short story but never getting back to Anna. Another aspect of the story I would have liked more visibility into was why was Israel so cold, mean, and alienating towards people.

The forgeries are found out and the FBI is now after Lee. Getting caught through another one of Hock’s blunders, they create a plan to steal real letters and replace the real letters with her fakes.

As one imagines, she gets caught and is told to make restitution for her crimes. The result she now has something to write about and this story is the result.

McCarthy is sublime as Israel. She made this unlikeable character engaging, curiously interesting, and watchable. Grant was fantastic as the bon vivant wanna be that lived life on his charm alone. Wells was strikingly engaging as the bookseller who cared about Israel. I loved her trusting softness. Jane Curtin as Israel’s agent Marjorie was excellent, direct and forthcoming. Nicole Holofcener and Jeff Whitty wrote a strong and engaging screenplay. Marielle Heller did an excellent job of directing this film except I would have liked some closure on Anna’s script storyline.

Overall: This was a crafted film with excellent acting.

The Sisters Brothers

First Hit: This film had drama, comedy and interesting moments that were really strong, but overall it was an odd film.

The title alone will tip you off that this is an unconventional film. It opens with Eli and Charlie Sisters (John C. Reilly and Joaquin Phoenix respectively) in a night time fire fight with some hombres in a cabin. The brothers are deadly and kill everyone and because the barn catches fire as well, the horses burn. One of the scenes that stuck with me throughout was when one of the horses runs out of the barn, on fire. This scene led me to believe that this film could have some difficult to watch scenes, and it did.

Think spider. Think horse mauled by bear. Think suicide. Think chemical burns. Think amputations. Yes, this film has large number of overtly horrible scenes, but there are also thoughtful scenes.

The Sisters Brothers work for the Commodore (Rutger Hauer). They are his hit men. When he wants someone killed, he sends them. After the initial scene, there are a few scenes that attempt to show the brother’s dynamics. Charlie is the younger and wilder of the two brothers. His back story, of killing their father, is briefly explored. Charlie also, like his father, drinks and gets drunk a lot. Eli works at being more thoughtful and progressive. Watch his look in using a toothbrush for the first time. Yet, when push comes to shove he’ll do anything and kill anyone to protect his brother and himself.

Their latest job for the Commodore is to track down Hermann Kermit Warm (Riz Ahmed) who has created a secret formula that, when poured into water, highlights the gold. It makes the gold glow and thereby easy to pluck out of the water bed. Warm is being tracked by John Morris (Jake Gyllenhaal) for the Sisters brothers. He leaves them letters at towns along the way telling them where they are headed.

In one town, Mayfield, named after the town owner, Mayfield (Rebecca Root) the brothers run into a little trouble. She is controlling and decides she can make a name for herself if she kills the brothers. Sending groups of men after the Sisters, they all find their demise at the end of the Sisters Brothers' guns.

When the brothers finally catch up with Warm and Morris, they’ve a change of heart about their plans of working with the Commodore and together with Warm and Morris decide to create riches for themselves and move on.

The ending was a nice surprise and it did complete an odd and interesting story.

Reilly was fantastic as the older more thoughtful but loyal brother. I enjoyed his thoughtful dialogue about his life. The bit with the shawl and the hooker was interesting and moving. Phoenix was strong as the slightly touched, yet smart brother. The intensity of the brother’s dinner conversation in a San Francisco restaurant was excellent on both actor’s part. How their conversation elevated was wonderfully done. Gyllenhaal was wonderful as the bookish, thoughtful tracker and writer for the Commodore. Ahmed was wonderful as the chemist and dreamer of an egalitarian society. Root was strong as the matriarch of the town named after her. Hauer had a minor, yet pivotal role. Carol Kane (as Sisters Brothers’ mother) was great. Loved seeing Kane in a role again. Perfect casting decision. Jacques Audiard and Thomas Bidegain wrote an odd, yet interesting and thought-provoking script. Audiard made some amazing choices about scenes and the scenery that this movie was shot in. I thought the San Francisco city scenes to be interesting as well as the Sisters’ dialogue while in the city.

Overall: Despite some difficult scenes to watch, this was an odd film, but the chemistry between the actor’s characters was amazingly wonderful.

The Hate U Give

First Hit: A fantastic film about the existence of racism and, as indicated here, in our police departments as well.

I’ve seen three films this year that deal directly with racism, Blindspotting, BlacKkKlansman, and this film The Hate U Give. In both Blindspotting and this film, we have a white policeman shooting and killing an unarmed black man.

The film starts with Maverick “Mav” Carter (Russell Hornsby) giving his children; Starr (Amandla Stenberg), Seven (Lamar Johnson), and Sekani (TJ Wright), “the talk.” Mav’s been to prison, he’s fought the hard life but wants to stop the cycle of violence and pain in the family.

He's giving his children the talk about how to act when they are stopped by police for any reason because he knows how they will be viewed being black.

I was deeply saddened listening to this because it’s 2018 and I don't understand why haven't figured out that racism, in any form, is wrong. It shows that we’ve barely grown as a country.

Their mother, Lisa (Regina Hall), doesn’t want them exposed to the school in their ghetto neighborhood so she sends them to a mostly white college prep school. She wants her children to not be unduly influenced.

Before long, it happens. Starr is being driven home with her lifelong friend Khalil (Algee Smith), when they are stopped for changing lanes without signaling. Khalil, despite Starr’s insistence that he follow the cop’s commands, mouths off to the officer and eventually follows the officer’s commands. Standing outside the car, facing the car, while the policeman checks his ID, Khalil reaches in the car to get a hairbrush, and the officer shoots and kills him. Starr witnesses the whole thing and is in shock.

Starr testifies in front of the Grand Jury, the jury decides to not indict the officer, and the city goes into an uproar. Sound familiar? Yes, this scene has been happening across the U.S., and even with incriminating video footage we’re not holding policeman responsible for their quick trigger behavior.

This film explores this issue when Starr asks her uncle Carlos (Common), who is a black police officer, why police act this way. When he starts his monologue about how a policeman has to act and respond to tense situations, I found myself thinking, wow this is a compelling argument and I can nearly see why a policeman would react this way. However, when Starr asks would the cop shoot a white guy dressed in a suit driving a Mercedes, or would he ask the white guy to put his hands up. Carlos pauses, then says, he’d tell the white guy to put his hands up.

This is the issue. Why would a black police officer shoot the black man but tell the well dressed white man to raise his hands.

Other race issues show up when Starr’s closest friend at her prep school, Hailey (Sabrina Carpenter) shows her true colors as Starr becomes more vocal about her community in her community. A great juxtaposition was her white boyfriend Chris (K.J. Apa) who supports Starr in her quest to be seen and speak her truth. My only criticism of this film is that there are sections that seemed elongated or unnecessary that altered the intense pacing of this film. I would have rather had some smart trimming to keep the pacing at the higher level.

Regardless, this film has things to say and in summary, we’ve got a lot to learn and it starts with each of us doing soul searching.

Stenberg was sublime as Starr. She was both verbally and visually expressive at the right moments. Hall was wonderful as the strong mother who wants the best for her children but also gives them enough reign to grow. Hornsby was fantastic as the father. His pent up and controlled rage channeled to help his family was perfectly expressed in this film. Common was strong and his discussion with Starr about “what if…” was key. Apa was extraordinary in his role as the white boyfriend. Johnson and Wright were amazing as Starr’s siblings. Hall was wonderfully charismatic and excellent as the young man killed by the white officer. Anthony Mackie was very strong as King, the neighborhood drug dealer, controlling the actions of many. Audrey Wells wrote a strong script. George Tillman Jr. did a wonderful job directing this story and strong actors keeping the point of racism in focus.

Overall: This was an emotional film to watch as witnessed by the numerous times I had to wipe my eyes.

The Old Man & The Gun

First Hit: Once again Robert Redford shows why he’s one of the best in this, his swan song.

In 1994 I was standing at the United Airline's counter verifying my seat assignment. To my left was the First-Class counter and there was a gentleman standing there being served. We both left our respective customer service agents at the same time and ended up walking down the concourse together. I looked over at him and said, “where are you headed?” He smiled and said “Salt Lake City, you?” “Same” I said.

I mentioned that I was doing some work for the State of Utah and that I loved the beauty of the state. “Yeah, he said, it’s beautiful county.”

We continued walking towards our plane, but I couldn’t help but notice most of the people walking towards us were smiling and pointing at us. It was mostly women that were doing the pointing and nudging, with smiles on their faces, the person they were walking with.

I looked over at him and he looked back smiling when I said, “they must be looking at you, because I’ve never been looked at while walking in an airport." Then, as the smile creeped across his face, I said, “oh my, my mother is going to really be excited when I tell her I walked down the airport concourse with Robert Redford.” He laughed and said, “I get that a lot.”

Despite his outstanding performances as an actor, he’s never won an Oscar for acting and was nominated once for The Sting. I can tell you, that his performance as The Man in All Is Lost, is beyond amazing. He’s the only actor and the whole film is shot on a sailboat that is in distress. If you’ve never seen it, do so to watch this enigma of a man show you how to capture the whole screen all the time.

In The Old Man & The Gun, it’s been reported that this is his last film as an actor. And, as Forrest Tucker, Redford moved through this story like silk. As a lifetime bank robber he knows no other life. He’s been caught 16 previous times and escaped prison each time only to go back to the only profession that makes him happy.

We watch him rob banks by himself and with two partners, Teddy (Danny Glover) and Waller (Tom Waits). Hoping to catch the “Over the Hill Gang,” as the newspapers call them, is Police Detective John Hunt (Casey Affleck).

When Forrest robs a bank, he’s kind, thoughtful, and only shows the gun to the manager or teller. He waltzes in and out, no muss no fuss. He's a gentleman at all things.

During the initial robbery, he stops during his getaway to help Jewel (Sissy Spacek) who is stranded because her truck is stranded. What the audience knows it is also a away to take the heat off himself because the cops who are chasing him—drive right past.

He likes Jewel and they began to see each other and this story line provides the film much needed grounding.

Redford as Tucker is wonderful. He fits the enigmatic way Forrest goes through his life and I can see why Redford was attracted to this character. Spacek is fantastic. She’s so grounded and fully meets Redford’s character with grace. Affleck was strong as the determined detective that also has a heart to understand Tucker. Glover and Waits were great in their small but pivotal roles. Tika Sumpter as Affleck’s wife, Maureen, was sublime. I loved how she supported Hunt. David Lowery wrote and directed a wonderful story giving Redford a wonderful platform to say goodbye.

Overall: This was a joyous romp through Forrest Tucker’s life as a robber.

White Boy Rick

First Hit: The best part of this film is that somewhere there is a true story behind it; just not very well represented here.

Rick Wershe Jr. (Richie Merritt) is a young, somewhat quiet, and cocky fifteen-year-old boy being raised by a single dad Richard Wershe Sr. (Matthew McConaughey) along with his sister Dawn (Bel Powley).

Richard has a slightly twisted view of raising his kids surely because his parents Grandpa Ray (Bruce Dern) and Grandma Verna (Piper Laurie) are a real piece of work as well. The grandparents yell from their front porch at their son, who lives across the street and spend a lot of time criticizing how Richard is raising his kids.

Film starts with Richard and Rick coming home from a gun show where they purchase fake AK-47s to resell with home made silencers. Upon reaching home, they find Dawn high on heroin while being pawed by her much older dealer black boyfriend.

From here the film dives into Rick wanting to be a dealer, gets caught up with the FBI coaxing him too turn and become an informant by letting him keep the profits of his dealing. The FBI only want Rick to turn over the bigger fish. Part of their leverage is that they lay off Richard’s creating illegal silencers for the guns he resells.

We watch Rick become a big-time dealer in Detroit, help gets his sister get clean, but then makes mistakes and eventually ends up in jail.

Merritt was good as Rick in that he showed a inner strength along with a vulnerability. McConaughey was so-so as Rick’s dad. I don’t think he fit well with this role and his odd attempt to have a Detroit, northeastern, accent didn’t work very well. Dern was entertaining as a crotchety self-righteous old man. Laurie was equally crotchety until Dawn decided to come clean and spend time with her. Powley was very strong as a girl raised by a man who had no idea on how to raise a daughter and got herself together later in the film. Close to the best acting in this film. Brian Tyree Henry was strong as Police Detective Jackson. Jennifer Jason Leigh (as Agent Snyder) was excellent as the FBI Agent trying to flip Rick. Rory Cochrane was very good as FBI Agent Byrd working with Agent Snyder to flip and help Rick. RJ Cyler as Rick’s friend Rudell “Boo” Curry was excellent. He moved through this film convincingly. Andy Weiss and Logan Miller wrote an OK screenplay. Yann Demange directed this story, and it seemed a disjointed and unclear.

Overall: This story could have been told more effectively.