Robert Redford

The Old Man & The Gun

First Hit: Once again Robert Redford shows why he’s one of the best in this, his swan song.

In 1994 I was standing at the United Airline's counter verifying my seat assignment. To my left was the First-Class counter and there was a gentleman standing there being served. We both left our respective customer service agents at the same time and ended up walking down the concourse together. I looked over at him and said, “where are you headed?” He smiled and said “Salt Lake City, you?” “Same” I said.

I mentioned that I was doing some work for the State of Utah and that I loved the beauty of the state. “Yeah, he said, it’s beautiful county.”

We continued walking towards our plane, but I couldn’t help but notice most of the people walking towards us were smiling and pointing at us. It was mostly women that were doing the pointing and nudging, with smiles on their faces, the person they were walking with.

I looked over at him and he looked back smiling when I said, “they must be looking at you, because I’ve never been looked at while walking in an airport." Then, as the smile creeped across his face, I said, “oh my, my mother is going to really be excited when I tell her I walked down the airport concourse with Robert Redford.” He laughed and said, “I get that a lot.”

Despite his outstanding performances as an actor, he’s never won an Oscar for acting and was nominated once for The Sting. I can tell you, that his performance as The Man in All Is Lost, is beyond amazing. He’s the only actor and the whole film is shot on a sailboat that is in distress. If you’ve never seen it, do so to watch this enigma of a man show you how to capture the whole screen all the time.

In The Old Man & The Gun, it’s been reported that this is his last film as an actor. And, as Forrest Tucker, Redford moved through this story like silk. As a lifetime bank robber he knows no other life. He’s been caught 16 previous times and escaped prison each time only to go back to the only profession that makes him happy.

We watch him rob banks by himself and with two partners, Teddy (Danny Glover) and Waller (Tom Waits). Hoping to catch the “Over the Hill Gang,” as the newspapers call them, is Police Detective John Hunt (Casey Affleck).

When Forrest robs a bank, he’s kind, thoughtful, and only shows the gun to the manager or teller. He waltzes in and out, no muss no fuss. He's a gentleman at all things.

During the initial robbery, he stops during his getaway to help Jewel (Sissy Spacek) who is stranded because her truck is stranded. What the audience knows it is also a away to take the heat off himself because the cops who are chasing him—drive right past.

He likes Jewel and they began to see each other and this story line provides the film much needed grounding.

Redford as Tucker is wonderful. He fits the enigmatic way Forrest goes through his life and I can see why Redford was attracted to this character. Spacek is fantastic. She’s so grounded and fully meets Redford’s character with grace. Affleck was strong as the determined detective that also has a heart to understand Tucker. Glover and Waits were great in their small but pivotal roles. Tika Sumpter as Affleck’s wife, Maureen, was sublime. I loved how she supported Hunt. David Lowery wrote and directed a wonderful story giving Redford a wonderful platform to say goodbye.

Overall: This was a joyous romp through Forrest Tucker’s life as a robber.

Truth

First Hit:  This struck home because of how two careers were ruined by the power of people in high position and the unwillingness to acknowledge the “Truth”.

I won’t talk about how this strikes home, and I will apologize ahead of time for any political bent this review may take. George W. Bush is protected here by his political strategists (see previous review of “Our Brand Is Crisis”) to divert the public from hearing the truth.

These strategist and doubt creators twisted enough controversy about the investigation towards Bush’s lost year (AWOL) of military service commitment that Dan Rather (Robert Redford) and Mary Mapes (Cate Blanchett) lost their jobs.

The story is how Mapes, a prize winning producer, discovers documents that indicate Bush went AWOL from his military duty. As she dug into the information it became clear to her and her team that this story was true, therefore CBS ran the story on 60 minutes with Rather telling the tale. The timing of this was crucial because Bush was running for President.

Bush’s team found ways to bring up questions about the information that was published. In pouncing on this, the pressure on CBS was enormous and they kowtowed to the bullies of government and sponsors who supported Bush. There was an investigation done and in the near last scene, Mapes tells the committee why they are wrong.

The most beautiful scenes are when Mapes and Rather are together talking. It is evident that there is a respectful father/daughter, mentor/mentee relationship built on mutual respect for each other’s work. When the brief and actual clips of Bush are shown, you see and feel the mealy small minded way Bush comments on his win - throwing up is an acceptable response.

This is what makes this film good; the mixture of relevant information and how it is presented. Just before the credits role, the audience gets to see that the research did not disprove Mapes’ story and that people’s lives were adversely affected by telling (or not telling) the “Truth”.

Blanchett is amazing in telling this story. I was captured by her character. Redford is perfect as Dan Rather. Topher Grace as researcher Mike Smith showed a lot of intensity – not sure it was needed. Dennis Quaid as Lt. Colonel Roger Charles, fact finder and conservative throttle for Mapes was strong. James Vanderbilt wrote a very strong compelling script and directed these fine actors and story is a clear honest way.

Overall:  I like this film because of the story it told.

A Walk in the Woods

First Hit:  Enjoyable, interesting at times and funny – it was “A Walk in the Woods”.

This film has two veteran actors past their prime, showing why they still have something left in the tank.

Bill Bryson (Robert Redford) and Stephan Katz (Nick Nolte) are two old friends who’ve not seen each other for quite some time. Bryson gets an idea that he needs to change something in his life and decides to walk the Appalachian Trail (From Georgia to Maine).

His wife Catherine (Emma Thompson) doesn’t want him to do this, thinks he’s too old and makes a stipulation that he has to do this with someone. He calls lots of people and everyone turns him down, except Katz who wasn’t asked directly but heard it from a mutual friend. He’s interested because he has arrest warrants out against him and this will give him some relief from those worries.

The characters are clearly defined, Bryson refined, well spoken, and intelligent, while Katz is rude, crude, and well worn. But during the walk we see their likeness and learn of their history together. All the while each is walking in this beautiful part of the country for their own reasons.

They meet people along the way that supposedly challenge their beliefs, but only one, hiker Mary Ellen (Kristin Schaal), challenge them as a team. I never got a solid clear feeling as to why Bryson did the hike in the first place but it probably wasn’t important.

Overall, Redford was strong and was perfect to play this reserved controlled character. Nolte has had a lot of hard miles on him and was perfectly cast in this role because his character called for his background. Thompson was effective in her small role. Schaal was perfectly annoying and wonderful in her role as fellow hiker. Rick Kerb and Bill Holderman wrote a good screenplay that effectively highlighted these two disparate characters. Ken Kwapis got a fair amount of great scenes from these two, but some of the scene sets were obviously done in a studio.

Overall:  This was a very enjoyable film.

Dying to Know: Ram Dass & Timothy Leary

First Hit:  A fantastic film about the friendship and paths of these two amazing spiritual adventurers.

I believe that being a baby boomer helped me to see this film with fascination, wonder, and joyous recognition.

I can imagine that being born in the 70s, 80s, or 90s, these men and their exploits might be new news. However, as a baby boomer who did/used acid (LSD), mescaline, and other psychedelics, I smirked with a knowing smile remembering the great trips and the ones that scared the holy Jesus out of me. Like these two, this experimentation with drugs, along with my burgeoning meditation practice starting in 1967, created a crack within my consciousness wide enough for me to consider the larger picture of the whole and consider living in the now.

Just as with Ram and Timothy, many of our generation's spiritual practice was enhanced by the fissures created in perception by using drugs. Here, Timothy is nearing death and the now’s are pointing straight into the arms of death or non-breathing. Ram is sitting with Timothy and they just have a conversation.

The thrust of the film is their conversation of life's recollections, where they are now, and  how they might address the door of death.The film traces their friendship, kinship and paths to find a way to live from what they learn and not by the rules set up by our structured society.

We learn from each of them, how much they meant to each other’s own growth and how they face or see death. Leary is near death during the film and we have glimpses of him in his last moments. We also have Ram Dass learning how to live after suffering a major stroke.

The documentarian was very skilled at giving light to each’s path along with their communal path, our common path.

Robert Redford's narration was perfectly paced and toned. David Leach wrote the script for narrator Robert Redford. Gay Dillingham pieced together an amazing, funny, and insightful story from current and archive film.

Overall:  I left the film inspired to continue to do more spiritual work.

Captain America: The Winter Soldier

First Hit:  The story didn’t hold together and was simply a place to display CGI’s.

The best character parts of the film were in the interchanges between Steve Rogers/Captain America (Chris Evans) and Natasha Romanoff/Black Widow (Scarlett Johansson). And although Robert Redford as Alexander Pierce, brought a level of sophistication to his part, this film was all about creating HUGE computer generated imagery and having people do battle with the images.

The other interchanges that were engaging were with Sam Wilson/Falcon (Anthony Mackie) and the Captain. Didn’t have the same sense with Nick Fury (Samuel L. Jackson) and other characters – he seemed removed from them (or the story) although he was a key piece. I had no interest in the story about CGIs because they are non-characters – only machines.

The film appeared to feature the technology that was being created but so what – it was uninteresting. Was any part of this story believable? Yes, the greed and lust for power. But, after just 12 hours of seeing the film and writing this, I can’t remember anything positive outside of what I’ve mentioned.

Evans is a good but the screen play written for him is rather lame and uninteresting. The scenes with his co-star Johansson were the best part of the film. I suspect it was Johansson that made those scenes work – she was really good. Mackie was perfect as Evans’ right hand guy. Redford was good with what he had, which wasn’t much. Jackson just seemed like he was in a film of his own. Although the scenes included him, he also seem detached from them. Christopher Markus and Stephen McFeely wrote a week character screen play while the direction by Anthony and Joe Russo seemed disjointed and without life.

Overall:  One of the worse Marvel produced films – they cannot make CGI be a character in this way.

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