Point Break

First Hit:  A couple great visuals do not make a film worth watching.

The two major surfing scenes were great (the waves not the acting in and around them being found and surfed) as was the wingsuit flight the actors take in the alps. Outside of these scenes, this film is poorly constructed with a dull tired script and tries to entice people with action.

But as George Lucas stated in a recent interview with Charlie Rose; you cannot make a good film by doing cool things and build a story around it.

A good film has a great story as its underpinnings and the cool things are only there to help tell the story. This film is full of cool things these guys do while attempting to complete the Osaki 8 which is suppose to be a way to reach enlightenment. Through this back ass wards way we are supposed to be tempted into being interested in a story about fighting crime.

The other part of the Osaki 8 is to create balance with the earth by giving back to it what was taken from it. What makes it even worse is that the latter part (balance) is a stupid premise because to do what they do, they will (and do) hurt others in the process, which cannot create balance.

The film tries to convince you that balance will be achieved by spilling a billion dollars floating down to earth in the Mexican jungle. If this last sentence is confusing – then go waste your time and see this film to understand what I mean. But don’t tell me I didn’t warn you. The Osaki 8 are challenges like: Emerging Force, Birth of Sky, Awakening Earth, etc.. These innocuous terms have been interpreted by the group to mean do something with enlightenment.

Like Birth of Sky was jumping from a plane and diving into the deepest hole in the earth while the balance comes from pushing a billion dollars out of the same plane they jumped from and letting all the money flutter to the ground. Johnny Utah (Luke Bracey) once a renegade risk taker knows about this legend of the 8. But because of a risk he took with his best friend years before, he ends up working for the FBI. He’s given a mission to find out who robbed a slew of diamonds and gave them away and who dumped all the money from the plane.

The way the events take place leads Utah to believe it is being done by a group of guys trying to complete the Osaki 8. He infiltrates the group by risking a ride on 60 foot waves (Life of Water). The group thinks he may be up doing the 8 with them to it so they indoctrinate him into the group.

Through the group’s leader Bodhi (Edgar Ramirez), Utah meets Samsara (Teresa Palmer) Osaki’s widowed partner. If you haven’t noticed the references to spirituality; the writers used character names that are spiritual based. “Samsara” and “Bodhi” are both Sanskrit. Samsara is Sanskrit for the struggle and cycle of life and death (reincarnation) while Bodhi means understanding and enlightenment.

Then the writers used "Osaka 8” which is very analogous to Buddha’s 8-fold path to enlightenment term. Give me a break – this was a waste of time.

Bracey is a good looking young man and in this film that is about all he brought. Ramirez overacted as someone who drank too much of the Osaki Kool-Aid. Palmer was cute and flighty enough to be an embodiment of Samsara. Kurt Wimmer wrote a mindless screenplay and Ericson Core gets some kudos for some great action shots but that’s all.

Overall:  It is very sad that this film got made, except that the waves were really cool.

Sicario

First Hit:  A strong drug war film that digs into ways the government is bending rules to gain some control over Mexican cartels.

I liked this film more the day after (the day I’m writing this) than I did watching it.

I’m not sure why, except maybe the jurisdictional confusions created by Matt Graver (Josh Brolin) of the CIA and Kate Mercer (Emily Blunt) of the FBI and assorted other agencies like the DOD and local and Mexican police agencies continued to process in my brain through the night.

While watching it I wanted more clarity about why Mercer was involved, why Graver’s associate Alejandro (Benicio Del Toro) seemed so cold, perverse and with purpose.

The story revolves around a way that the US Government is trying to control the influx of drugs from Mexico along with the mindless killing of Mexicans that come across the border into this country. The initial scene is what sets this tone.

Blunt is wonderful. She plays the rule following toughened agent very well. Brolin is good and at times I thought he was too flippant to be a government agent. Del Toro was superb. His steely resolve in this character was perfect. Daniel Kaluuya (as FBI agent Reggie Wayne) was very good and a great co-companion of Blunt’s character. Taylor Sheridan wrote a script that, at times, seemed overly complex or confusing. Dennis Villeneuve did an excellent job of directing this story, through the complexities as well as the more direct violent scenes.

Overall:  This film grew on me after seeing it, which is a good thing.

Black Mass

First Hit:  Very disappointing film as there is little substance about Whitey’s motivation to be the criminal he was.

I was looking forward to seeing this film, because I thought I’d learn something about James “Whitey” Bulger, the man who was on the FBI’s 10 most wanted lists for years.

I learned very little except he, as Johnny Depp played him, had a brother named Billy (Benedict Cumberbatch) that was a State Senator, his childhood friend named John Connolly (Joel Edgerton) was an FBI agent, and that he became an FBI informant to further his criminal career. But there was nothing about what drove Whitey to his life of crime and even more, nothing around the deeper motivation for his killing and crime spree.

The side story about Connolly was mediocre and, in this film, it was obvious his association with Whitey was ill-used and inappropriate. It was bad script-writing, poor direction, poor acting and/or a combination of any of these resulting in the audience being un-engaged while the payoff never arrived.

Depp had a great look for the film, and it appears he did what the script and director called for, but there wasn’t enough there to make it interesting. Cumberbatch was excellent in his small role and his meetings with Connolly were perfectly executed. Edgerton was OK, and it issue seemed to be the way the script was written and how the director wanted him to be emphatic about how Whitey was helping the FBI. It just didn’t see it working as a real story. Mark Mallouk and Jez Butterworth wrote the script that lacked backstory as to why Whitey took up a life of crime while his brother became a State Senator. Scott Cooper didn’t seem to see how the way he filmed this story lacked interest. The subject is a fascinating one, but it was all lost within intense vignettes.

Overall:  This film lacked depth and interest.

Dope

First Hit:  An interesting, well executed, thoughtful, coming of age film.

As a coming of age film, this was very good. It worked because the characters are fun, interesting and unique.

As a geek Malcom (Shameik Moore) hangs out with two other geeks Jib (Tony Revolori) and Diggy (Kiersey Clemons). Together they have a band and play music as an escape from "The Bottoms", a harsh, tough and hard hitting neighborhood in Inglewood, CA where they live.

To navigate their senior year, they try to keep a low profile while applying to college. However, trying to not get harassed by the local drug dealers and thugs,  Malcom gets involved with a particular drug dealer and a young lady. This involvement creates and unforeseen and unfortunate circumstance requiring he use his intelligence and wit to sell someone else's drugs through the internet. How does this help? It might get him into Harvard.

Moore is amazing in this role. His command of the story is wonderful. Revolori is strong as his friend and bass player. He's funny and supportive. Clemons is fantastic as his lesbian drummer and dear friend. Rick Famuyiwa wrote and directed this excellent film.

Overall:  This was an excellent film in that it delivered the story with joy, heartache, and style.

Spy

First Hit:  It was pretty funny at times and walked a nice line between slapstick and heart.

Susan Cooper (Melissa McCarthy) plays a desk-bound, behind the scenes CIA agent, who gets a chance to go out into the field. Because she is unknown by the person they are attempting to track, and her inexperience in the field, there are numerous opportunities for awkward comedic situations.

Her CIA counterparts Rick Ford (Jason Statham) and Bradley Fine (Jude Law) play their roles straight which adds to the situational and physical comedy.

McCarthy was the best I’ve seen her. Her comedy here wasn’t as pressed as it was in an earlier film, Bridesmaids, and showed more variability and vulnerability in her character. Jason Statham was like most all the roles he plays in other films – very intense and single-minded. Jude Law was fine in his James Bondish sort of way. Paul Feig wrote and directed this film and it worked.

Overall:  I liked this much better than I had thought I would because I hadn’t been much of a fan of the films McCarthy's been in.