Boy Erased

First Hit: Outstanding cast delivers sublime performances in a powerful story about LGBT conversion programs.

Gay and lesbian conversion programs exist, and the number shown at the end of the film, astounded me. In this day in age, church supported Christian conversion programs believe they can change someone’s sexual preference by indoctrinating people in the “way of the lord.”

Here, we have Jared Eamons (Lucas Hedges) heading off to college with the support of his homemaker mother Nancy (Nicole Kidman) and his father Marshall (Russell Crowe), a local church pastor and car dealership owner. With Marshall being a Baptist pastor he firmly believes that LGBT people are an abomination of the bible and his beliefs.

During high school Jared has a girlfriend Chole (Madelyn Cline) who would like Jared to be more sexually adventurous, but he is hesitant. This is the only indication that the audience really has that Jared is gay. During college he meets Henry (Joe Alwyn) who lives in the same dorm building as him. They become running buddies until one evening after playing video games, Henry tries to rape and sodomize Jared. It gets interrupted by a neighbor pounding on the shared wall, and Henry breaks down and pleads with Jared to not tell anyone about this event.

When the school calls home and tells Nancy and Marshall about this event at school, Jared, at first, says it’s not true. Marshall calls in his preacher friends and they decide as a group to send Jared to a bible-based conversion program to help Jared get the devil out of him and straighten him out. Going to the program the audience immediately sees how horrible it is.

The rules, the belief that bible loving men with no real training in psychology, can fix the gay problem with moral inventories, confessions, and intimidation is astoundingly ignorant of the truth. As Jared begins his moral inventory, he writes down the name Henry, crosses it out and writes down Xavier (Theodore Pellerin). The film wonderfully shows how Jared and Xavier met and what it meant to Jared.

When the pressure to state that Jared hates his father in front of the others gets to be too much, Jared gets up and leaves the room. He knows about the mistreatment of the others in the program. Stating he’s going to leave the program, the team running the program try to stop him. I loved how Cameron (Britton Sear), one of the other boys trying to be converted, stands up for Jared and helps him escape.

The scenes when Nancy decides and states she can no longer support Jared’s conversion program with Jared and Marshall were brilliantly presented.

Hedges was extraordinary in this role. His ability to create depth of character and keep the audience wondering what he’s thinking was amazing. Kidman was perfect. She was a follower until, it came down to the survival and happiness of her child. You believed her when she states her total support for Jared. Crowe was excellent as the preacher father who realizes in the end, it’s him that must change. Joel Edgerton (playing Victor Sykes) the chief therapist at the conversion center was excellent. He effectively gives the audience a taste of misguided beliefs. Flea does a great job playing Brandon, a converted and sober co-therapist. Alwyn was dynamite as the gay college student that couldn't stop himself. Pellerin is excellent as the sensitive man who holds Jared’s hand all night. Sear was amazing as the young high school football player who is severely punished in-front of the other attendees. Jesse LaTourette as one of the girls in the program was stunning in a mostly non-verbal role. Joel Edgerton did a wonderful job with both script and direction. Granted he has amazing actors at his mercy but it takes a great story and direction to make it work this well.

Overall: I left the theater saddened to know that so many of the conversion centers still exist because it is a reminder of religious ignorance.

Gringo

First Hit: This was a quirky film that I liked more than I thought I would with a few over the top scenes.

I didn’t know what to expect from this film and that was a good thing.

The premise is that Richard Rusk (Joel Edgerton) and Elaine Markinson (Charlize Theron) run a pharmaceutical company that is struggling to survive. Working for them is Harold Soyinka (David Oyelowo) who is a close friend of Richard.

Harold oversees their drug producing operations in Mexico. Unbeknownst to Harold, Elaine and Richard have made a deal to sell the company and a new formula to someone else. However, another group knows about this new formula that will make someone a lot of money. This formula is in a safe in the Mexican operational building.

Additionally, Harold is out of the loop about his wife, who has asked him for a divorce. He doesn’t know that his wife is having an affair with Richard.

Despondent over his impending divorce, and discovering his bosses do not support him, he quits his job and plans to disappear in Mexico.

Throughout all this, the deal with the purchasing pharmaceutical company is falling apart, the formula has been stolen and warring factions are brought into play. Then Richard hires his mercenary brother Mitch (Sharlto Copley), to find Harold, kill him if needed, and help resolve the theft.

All of this sets up situations that are both suspenseful and over the top funny. Some of the funniest scenes are with Elaine as she uses her sexuality to lure people to decide things her way.

Edgerton was good as the sex charged company man. Theron was over the top funny and bawdy in her portrayal of Markinson who wanted to get ahead using any means possible. Oyelowo was very funny as the trusting husband and employee believing that if he worked hard and obeyed all the laws, he’d be successful. The ending helps this ongoing riff. Copley was great and over the top and a skilled mercenary. Anthony Tambakis and Matthew Stone wrote this quirky screenplay that I enjoyed. Nash Edgerton did a fine job of getting the actors to engage in this film.

Overall: This film had enough laughs and engaging scenes to make it worth its’ while.

Red Sparrow

First Hit:  Although long at 2h 19min, it had enough twists, turns, and detail to keep me fully engaged.

Jennifer Lawrence (here as Dominika Egorova) is a strong actress and is able to project anger, sadness, and determination with only her eyes. It is this skill that sets her apart from many actresses.

As a Russian ballet dancer Dominika is revered more for her beauty than her dancing. However, she is good enough for the ballet company to give her an apartment and provide medical help for her sick mother. Her uncle Vanya Egorov (Matthias Schoenaerts) is part of Russian Intelligence and occasionally looks in on Dominika and her mom Nini (Joely Richardson).

When Dominika breaks her leg, Vanya recruits her to work for Russian Intelligence. He wants her because of her steely determination. He promises here that if she joins him, he’ll make arrangements for her mom to keep the apartment and her medical assistance.

Her first job is to seduce Dimitry Ustinov (Kristof Konrad). When he tries to rape Dominika, Russian Intelligence kills him while he’s on top of her. Because of her success she’s recruited to become a Sparrow. Sparrows use seduction and sex to get what they want from the people they seduce. They are trained in passionless seduction, hand to hand combat and how to use guns.

The Headmistress (Charlotte Rampling) of the Sparrow school is referred to as “Matron.” And it is her goal to make sure they become passionless seducers and combat ready spies.

Dominika is sent on a mission to Budapest to seduce American spy Nate Nash (Joel Edgerton). The goal is to find out the Russian Intelligence mole he was working with so that this mole can be destroyed.

Throughout the film, we see Dominika developing a path and plan to survive and persevere while keeping her mom’s health, safety, and welfare on her mind. However, as an audience member, we don’t always know what her plan is and how it will work out. That's the best part of this film. The unknowing, underscored with believing that Dominika will, in the end, get revenge, makes this story work.

Lawrence was excellent as the cold-hearted Sparrow who had a soul. I didn’t fully buy her being a premiere ballerina (jumps were barely 6 inches high), but this was completely overshadowed by her ability to embody the role as a spy. Rampling was perfect as the cold-hearted Matron of the Sparrow school. Edgerton was strong as the American spy who risked his life to keep his mole secret. Richardson was good as Dominika’s mom. Mary-Louise Parker (as Stephanie Boucher) was strong in her role as a US Senator’s Chief of Staff. Jeremy Irons (as General Vladimir Andreievich Korchnoi) was perfect. His cold intimidating voice and manner worked well. Justin Haythe wrote a good complicated screenplay. Director Francis Lawrence did a good of not tipping the story’s hand.

Overall:  I enjoyed the film’s puzzle and it was the acting that made it work.

Loving

First Hit:  A sweet and expressive film about true love.

The overflowing sweetness of this true story is accentuated by difficulties our society, specifically the State of Virginia’s anti-miscegenation statute which prohibited marriage between people classified as white and colored. The film shares how this couple persevered.

Richard Loving (Joel Edgerton), a bricklayer and race car enthusiast, never saw color. His quiet way of being was congruent with his life as expressed in the active conscious quality he put into his work, his abilities for making cars faster and his love for his girlfriend Mildred (Ruth Negga). Mildred’s family owned the race car he worked on part time and was part of their family. When Mildred gets pregnant with their child, he buys an acre of land to build their home and asks her to marry him.

Because of the Virginia laws, they run off to Washington DC to get married as Virginia won’t let an interracial couple marry. However, one night the home they are staying in is raided and they get thrown into jail.

This naïve couple hire a lawyer who cuts a deal with the judge, if they plead guilty, to leave the state and not return for 25 years. They end up in DC and it isn’t the life they want together. Mildred especially dislikes the city as her, now three, children have few places to play outside.

Mildred writes a letter to U.S. Attorney General Bobby Kennedy gets a response by the ACLU. Attorney Bernie Cohen (Nick Kroll) takes the case and because the statute of limitations have passed, he has to find a way to get it back into court. One day he meets civil litigator Philip Herschkop (Jon Bass) and together they find a way to get the case re-heard, appeal it all the way to the U.S. Supreme Court.

The feel of the late 1950’s through 1968 was amazingly shared on the screen. The way people talked, the cars, and the settings were wonderfully created and filmed. The director, Jeff Nichols, made this interesting even though Richard was mainly soft spoken, quiet, and man of few words. Pacing was important to keep the audience engaged and Nichols made this really work.

Edgerton was sublimely strong and clear in his silent way. You felt his pain and clarity of his love of Mildred. Negga was fantastic as Mildred. Her strength building through the film resulted in their decision to take their case forward. Kroll and Bass did a wonderful job of being the Loving's lawyers. Nichols wrote a superb screenplay and his direction was clear and true.

Overall:  Loving was lovely.

Black Mass

First Hit:  Very disappointing film as there is little substance about Whitey’s motivation to be the criminal he was.

I was looking forward to seeing this film, because I thought I’d learn something about James “Whitey” Bulger, the man who was on the FBI’s 10 most wanted lists for years.

I learned very little except he, as Johnny Depp played him, had a brother named Billy (Benedict Cumberbatch) that was a State Senator, his childhood friend named John Connolly (Joel Edgerton) was an FBI agent, and that he became an FBI informant to further his criminal career. But there was nothing about what drove Whitey to his life of crime and even more, nothing around the deeper motivation for his killing and crime spree.

The side story about Connolly was mediocre and, in this film, it was obvious his association with Whitey was ill-used and inappropriate. It was bad script-writing, poor direction, poor acting and/or a combination of any of these resulting in the audience being un-engaged while the payoff never arrived.

Depp had a great look for the film, and it appears he did what the script and director called for, but there wasn’t enough there to make it interesting. Cumberbatch was excellent in his small role and his meetings with Connolly were perfectly executed. Edgerton was OK, and it issue seemed to be the way the script was written and how the director wanted him to be emphatic about how Whitey was helping the FBI. It just didn’t see it working as a real story. Mark Mallouk and Jez Butterworth wrote the script that lacked backstory as to why Whitey took up a life of crime while his brother became a State Senator. Scott Cooper didn’t seem to see how the way he filmed this story lacked interest. The subject is a fascinating one, but it was all lost within intense vignettes.

Overall:  This film lacked depth and interest.