Red Sparrow

First Hit:  Although long at 2h 19min, it had enough twists, turns, and detail to keep me fully engaged.

Jennifer Lawrence (here as Dominika Egorova) is a strong actress and is able to project anger, sadness, and determination with only her eyes. It is this skill that sets her apart from many actresses.

As a Russian ballet dancer Dominika is revered more for her beauty than her dancing. However, she is good enough for the ballet company to give her an apartment and provide medical help for her sick mother. Her uncle Vanya Egorov (Matthias Schoenaerts) is part of Russian Intelligence and occasionally looks in on Dominika and her mom Nini (Joely Richardson).

When Dominika breaks her leg, Vanya recruits her to work for Russian Intelligence. He wants her because of her steely determination. He promises here that if she joins him, he’ll make arrangements for her mom to keep the apartment and her medical assistance.

Her first job is to seduce Dimitry Ustinov (Kristof Konrad). When he tries to rape Dominika, Russian Intelligence kills him while he’s on top of her. Because of her success she’s recruited to become a Sparrow. Sparrows use seduction and sex to get what they want from the people they seduce. They are trained in passionless seduction, hand to hand combat and how to use guns.

The Headmistress (Charlotte Rampling) of the Sparrow school is referred to as “Matron.” And it is her goal to make sure they become passionless seducers and combat ready spies.

Dominika is sent on a mission to Budapest to seduce American spy Nate Nash (Joel Edgerton). The goal is to find out the Russian Intelligence mole he was working with so that this mole can be destroyed.

Throughout the film, we see Dominika developing a path and plan to survive and persevere while keeping her mom’s health, safety, and welfare on her mind. However, as an audience member, we don’t always know what her plan is and how it will work out. That's the best part of this film. The unknowing, underscored with believing that Dominika will, in the end, get revenge, makes this story work.

Lawrence was excellent as the cold-hearted Sparrow who had a soul. I didn’t fully buy her being a premiere ballerina (jumps were barely 6 inches high), but this was completely overshadowed by her ability to embody the role as a spy. Rampling was perfect as the cold-hearted Matron of the Sparrow school. Edgerton was strong as the American spy who risked his life to keep his mole secret. Richardson was good as Dominika’s mom. Mary-Louise Parker (as Stephanie Boucher) was strong in her role as a US Senator’s Chief of Staff. Jeremy Irons (as General Vladimir Andreievich Korchnoi) was perfect. His cold intimidating voice and manner worked well. Justin Haythe wrote a good complicated screenplay. Director Francis Lawrence did a good of not tipping the story’s hand.

Overall:  I enjoyed the film’s puzzle and it was the acting that made it work.

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First Hit:  Scenes of this film are really good and reflective.

I can understand the lack of an audience for this film. People aren’t necessarily compelled to watch something that has such a stigma – yet it would be wise if people did.

Adam (Mark Ruffalo) is a recovering sex addict. Although he has 5 years of sobriety from sex, he’s still scared every day of what can happen if he acts out on his underlying desires. His sponsor, Mike (Tim Robbins), is encouraging him to consider dating and being open and honest in a full and engaged relationship.

Mike is an addict himself with multiple additions, or so we are led to believe and his steadfast guidance is honored in the weekly meetings. His wife Katie (Joely Richardson) has been through it all with him and she continues to be a supportive because she loves him.

To view the obsessiveness of this addition, the film uses Neil (Josh Gad) a doctor who rubs against people in the subway, tries to film up his bosses dress, watches porn films he’s made and on the internet. He is out of control and tries to BS his fellow AA meeting group about his sobriety.

The scenes in the meetings were good, and some were very good. The scenes of Neil falling to his obsessive behavior are tinged with Gad’s own humor, but also show to the lengths some go to, to not acknowledge their disease. Bringing Adam out and into the world of a sexual relationship is Phoebe (Gwyneth Paltrow). She has had a prior relationship with an addicted person (alcohol) and makes it clear she doesn’t want to be with someone who’s in a “program”.

When Adam honesty opens up this part of himself to Phoebe is a powerful part of this film. Then seeing Adam’s fall into past behavior was equally powerful. The film also shows how addictions affect family by sharing Mike’s son Danny (Patrick Fugit) own fight to sobriety although it is different than his father’s.

Ruffalo is really good and believable is presenting the constant vigilance he has to take and how easy it is to fall down again. Robbins is very good as the slightly self-righteous sponsor who has years and years of sobriety and his arrogant behavior leads him to being humble. Gad is great and willing to put obsessive behavior on film. Paltrow is beautiful, and carries her character in the ways many people share about addicted people. Fugit is good as the son who is attempting to make amends his own way. Pink as Dede, another addicted person, is wonderful and she brought a strong woman’s voice to the film. Stuart Blumberg and Matt Winston wrote a very good script and obviously did their homework. Blumberg’s direction was very good while some scenes were exceptionally strong.

Overall:  I really like this film because the closeness of addiction in me and my extended family’s life.