Bad Boys for Life

First Hit: Funny at the right times, but confusing gun battles took away from the story.

Will Smith as Detective Mike Lowery and Martin Lawrence as Detective Marcus Burnett can be engagingly funny together. And in many scenes, they hit that sweet spot by bringing outright out-loud laughter from the audience.

The background of this story is that these two have worked together for twenty plus years and, during this time, created havoc in the Miami Police Department by being both hasty in their actions and unconventional in their investigative methods. The directors, Adil El Arbi and Bilall Fallah put this right up front in the opening scenes when they have the detectives drive through Miami at recklessly high speeds in Lowery’s 911 Porsche.

Burnett wants to retire but gets yanked away from fulfilling this dream when Lowery gets riddled with five bullets from Armando (Jacob Scipio), an assassin riding a motorcycle down one of Miami’s boulevards. In another early scene, we see Armando breaking his mother Isabel Aretas (Kate del Castillo) out of prison.

Isabel is intent on revenging an old score which resulted in the death of her husband. She asks Armando to kill all that had to do with her former husband's death. One of the aspects of Isabel that the audience is made aware of early is that she sees herself as a witch of some sort.

Directing the detective’s work over the years was Captain Conrad Howard (Joe Pantoliano). After Lowery’s shooting, he brings on his newly formed AMMO (Advanced Miami Metro Operations) squad to solve the cases of all the current assassinations by using data and more conventional crime resolution techniques. This team is led by Lowery’s ex-girlfriend Rita (Paola Nunez).

Lowery won’t be held back and goes out to find his assassin and finally convinces Burnett to come out of retirement to help him one last time.

The rest of the film is about the slight conflicts between the AMMO squad and Lowery and Burnett’s tactics on finding and dealing with the assassins.

The AMMO team has some hilarious interactions with Lowery and Burnett, which helped set the stage. However, it is Marcu’s comments to Mike that gets the most laughs. One funny scene is when Mike names the color dye Mike uses to cover the gray in his goatee.

However, what didn’t work was the convoluted shootouts, two specifically, one in a warehouse garage and the other in an old hotel that was confusing. Just too much noise and shooting that didn’t make a whole lot of sense.

Smith is his typical smart-alecky competent self. As such, he is perfect for this role. Lawrence is terrific as the sidekick attempting to bring some sanity to his partner’s life. Pantoliano is solid as a police captain. Nunez is good as Lowery’s former girlfriend and leader of AMMO. Castillo is okay as the woman looking for revenge. Vanessa Hudgens, as Burnett’s all-knowing supportive wife, is terrific. Chris Bremner, Peter Craig, and Joe Carnahan wrote the screenplay. Directors Arbi and Fallah did a good job of bringing both action and comedy to bear.

Overall: There was nothing memorable about his film or story, but it was a fun experience.

Gemini Man

First Hit: Entertaining story, but it was the special effects of a young Henry Brogan (a young Will Smith) that was the star.

Ang Lee spent time and money using CGI to make Henry (Will Smith) have a Junior, and it worked.

Brogan is the most perfect and lethal sniper the US Government has ever had. To prove the point, we see him in the first scenes preparing to kill a man moving on a train traveling at 248 kilometers per hour (154 mph) while lying on a hillside some 200 meters (~650 ft) away from the tracks. He nails it.

But Brogan is done with killing after he’s shot more than seventy people. He’s tired, 51-years-old and all the deaths are eating away at him. At one point, he says, “I can’t even look at myself in the mirror.”

However, the powers that be, including CIA director Janet Lassiter (Linda Emond), want Brogan dead, and the funny thing is that the reason for this is poorly explained and developed in this story. This was the weakest part of the plot, but if you buy their explanation, it works well enough to enjoy the rest of the film.

Arriving back home after the initial assassination scene, ready to enter retirement, he heads to the harbor where he has a boat. Going to pay for gas, he finds a new person named Danny Zakarweski (Mary Elizabeth Winstead) in the dock shed. She gives him a story that the previous guy retired and that she’s studying marine biology at the nearby University of Georgia.

Taking his boat to meet with a secret contact, he finds a directional bug under the dashboard. Arriving back at the dock, he storms into the shed where Danny is seated and accuses her of being an agent operative for the government. She denies and denies his allegations. Apologizing he asks her out to eat as a way to make up for his rudeness and accusations. When he meets her for dinner, she shows her his research proving she’s an agent.

This scene gives the audience supporting information that Brogan is smart and knows what he’s doing, not only with a rifle, but he’s made it this far because he’s smart. Secondly, being found out implicates Danny in a larger scheme, and now she must support Brogan because she becomes an assassination target as well.

He awakes when assassins come to his home. He takes care of them as only an assassin would and rushes to Danny’s house to tell her she’s surly a target for assassination now and to go with him.

This is the setup. Lassiter is under threat by Clay Verris (Clive Owen), who owns a gun for hire company called Gemini. Verris is holding information that will ruin Lassiter’s career. If Lassiter cannot finish the job by getting rid of Brogan, his team will. Her ego won’t let him take over yet. She wants to prove she can finish the job.

After multiple failures by Lassiter’s team, Verris uses his squad of assassins, including a 23-year-old-clone version of Brogan, to kill Brogan, Zakarweski, and Brogan’s close pilot friend Baron (Benedict Wong).

The rest of the film is about the battle between the clone and Brogan, along with understanding why a clone of Brogan was created.

The action was excellent, although at times it seemed as if the fight scenes were too long. The realism of the younger clone put together by the CGI team was terrific. I loved having Danny as part of the plot because her rationality and the way she added to the story grounded the film.

Smith was strong as Brogan, the supreme assassin and weapon of the United States. He outwardly carried enough of the internal pain of his upbringing to make his character seem real and whole. Winstead was excellent as the agent sent to track Brogan and ends up partnering with him as he gets to the root of the issue at hand. Owen is outstanding and always makes a great evil foil. His voice and attitude are perfect as the antagonist. Emond was good as the CIA director trying to clean up the mess she’s created by losing so many men to Brogan’s skills. Wong was the perfect long-time associate to Brogan. They had great chemistry together. David Benioff and Billy Ray wrote an entertaining screenplay. Lee knows how to create action, and he does here as well. I think they might have gotten more impact by shortened the fighting scenes as they felt long. He didn’t settle for less with the CGI of the Will Smith (Brogan) clone. It was amazingly done it seemed like Brogan was fighting a real person.

Overall: Entertaining enough and at the end with Brogan is telling his clone about his prowess it felt typical good time Will Smith.

Collateral Beauty

First Hit:  Wonderful concept, wonderful cast, mediocre execution.

The idea that someone could talk with Love, Time and Death is interesting. Having a cast with Will Smith (as Howard), Edward Norton (as Whit), Kate Winslet (as Claire), Michael Pena (as Simon), Helen Mirren (as Brigitte and Death), Keira Knightly (as Amy and Love), Jacob Latimore (as Raffi and Time), and Naomie Harris (as Madeleine) all in one film is amazing. However, there was something about the script and way it was directed that had this film fall short of its potential.

The title “Collateral Beauty” was also at fault in some ways. Normally when we hear the word “collateral” we hear it with the word “damage”. This term is used in the movie as a lesson or mantra that Madeleine hears after the loss of her child. When she was in the hospital, just prior to her daughter’s death, an old woman sitting next to her outside her dying child’s room said, do not be so taken by grief that you forget to see the collateral beauty. The movie does nothing to really show what this means.

The focus of the film is that Howard, who is a brilliant advertising creative executive, loses his young 6-year old daughter to a disease. The company he’s built with Whit, Claire and Simon begins to suffer and is now losing clients because of his disengagement with work. He spends his days building domino trails then knocking them down, or riding his bike at night through the streets of New York City. To save their company and investments Whit, Claire and Simon arrange to have Amy, Raffi and Brigitte pretend to be Love, Time and Death respectively in hopes of communicating with Howard to bring him out of his deep sorrow.

Although this is done with some seriousness, the constructs and building of the story is weak. When the words and concept of "Collateral Beauty" are passed from Madeleine to Howard, the failure to engage the audience and Howard are palpable. It is at this point I realized that this film, regardless of how it finishes, would be lack luster.

Smith was OK as the once engaging advertising company creator, leader and grieving father. Norton was slightly better as Howard’s business partner. Winslet was fine as the morally caring business partner. Pena was very good as the ill business executive who cares about his family. Knightly was good as Love. Mirren was very good as Death, her style brought strength to the film. Latimore was strong as Time. Harris was very strong as the grieving mother. Allan Loeb wrote a weak screenplay in that the characters lacked depth and the story never grew. Direction by David Frankel was weak in that he never saw the failings of the story to find ways to make it have more depth. The film never really shared the beauty of a child’s depth which, in this case, was supposed to be collateral.

Overall:  Although somewhat engaging at the beginning, it fails to fulfill any beauty collateral or not.

Concussion

First Hit:  Granted, the NFL did not know what was happening at first, but when they learned and refused to do something about it by letting their greed for money persevere, I wasn’t shocked.

Fact: Multiple hits on the head, like what happens on a football field, can cause CTE (Chronic Traumatic Encephalopathy), a neurodegenerative disease. This brain damage has directly led to the deaths of many football players and more will needlessly die because of this.

This film tells the story through the eyes of an immigrant who came from Nigeria because he believed that America was the greatest of all countries. Bennet Omalu M.D. (Will Smith) came to the US with more doctorate and master’s degrees than probably any two or three of the most educated people you may know.

Despite being brilliant, people tried to denounce his discovery of CTE because he wasn’t born in this country, was black, and didn’t watch football.

The script was very strong from the get go and when it has him explaining why human brains are more susceptible to this type of injury than a woodpecker or a bighorn sheep you know that he's been careful and pragmatic in his work.

At first he believed that he was helping the NFL when he shared his research with them, but all they saw was economic ruin if the story got out.

The film uses the story of Mike Webster (AKA “Iron Mike”) an NFL center who was considered one of the greatest centers of all time. His untimely death at age 50 from apparent suicide was questioned by Omalu because, nothing in his body said he should have this sort of ending.

What Omalu discovered through detailed unprecedented research was that repetitive head hitting caused CTE. The result gave a reason as to why Webster was hallucinating and not be able to take care of himself. He lost his home, family, and lived in a pickup truck for years before dying.

Supporting Dr. Omalu on this path was his boss Dr. Cyril Wecht (Albert Brooks), former NFL physician Dr. Julian Bailes (Alec Baldwin) and Dr. Steven DeKosky. Together they wrote a paper for a scientific journal that when published scared the hell out of the NFL. The film also balances his fight to get the NFL to acknowledge his findings, with his meeting and falling in love with his wife, Prema Mutiso (Gugu Mbatha-Raw). She was amazing in her support of his work.

The film effectively used, hard to watch, scenes of football players hitting each other helmet to helmet and their heads hitting the ground after being tackled. The pacing of the film is perfect and there isn’t a minute wasted on fluff.

Smith was sublime and perfect in this role. He embodied a man who only wanted the truth to be told and would do anything to have it be heard. Brooks was amazing as Omalu’s boss. One got the sense that he admired Omalu as a man and a fellow physician. He wanted to be there to support him because he knew Omalu’s brilliance would reveal the truth. Baldwin was very strong as the former NFL physician who knew that Omalu’s science was correct and was willing to go against his old bosses and friends for the truth to be unveiled. David Morse as Mike Webster was scary great. He held the audience and his fellow actors with the tension he created in this role. Mbatha-Raw was wonderful in her supportive role as Omalu's wife. She provided a grounded sense throughout the film. Peter Landesman wrote and directed this film. His interpretation of the story and use of the actors make this a film to consider at awards time.

Overall:  This film has a lot to say to anyone who lets their sons play football: Do you want to risk the possibility of brain damages?

Focus

First Hit:  Despite the clichés, this film does have its surprises and overall was enjoyable.

I like con-films. One of my favorites, of course, is “The Sting”. This film does not have the acting that “The Sting” had, but it was very entertaining.

Will Smith as Nicky was raised by a con-man and has always lived the con-man life. He doesn’t allow anything to stick to him, personally, because that is the downside – stickiness leads to attachments and in his life attachments are not good. In walks Jess (Margot Robbie). She is also a con-artist but mostly focuses on picketing and tries to hustle Nicky.

He sees through the con, explains to her and her partner where they went wrong but see’s enough in her to have her audition to become part of a team that executes a set of cons and hustles in New Orleans during Super Bowl week. It was fun to watch the hustles and more fun to watch Smith intelligently swagger through this part. Although I suspected the ending, there was still enough of a twist that brought a level of humanity to it all.

Smith was perfect for this role, streetwise, smart, and having a level of humorous swagger to make it all work. This isn’t academy award type stuff, but it is enjoyable. Robbie is fun to watch and it appears that she probably had fun making this film – it showed. Adrian Martinez as Farhad, the computer nerd of the hustling group, was effective. Gerald McRaney was great as Owens. Glenn Ficarra and John Requa wrote and directed with film with enough humor and seriousness to make it fun to watch.

Overall:  I left the theater with a smile on my face, which is good enough.