Benedict Wong

Gemini Man

First Hit: Entertaining story, but it was the special effects of a young Henry Brogan (a young Will Smith) that was the star.

Ang Lee spent time and money using CGI to make Henry (Will Smith) have a Junior, and it worked.

Brogan is the most perfect and lethal sniper the US Government has ever had. To prove the point, we see him in the first scenes preparing to kill a man moving on a train traveling at 248 kilometers per hour (154 mph) while lying on a hillside some 200 meters (~650 ft) away from the tracks. He nails it.

But Brogan is done with killing after he’s shot more than seventy people. He’s tired, 51-years-old and all the deaths are eating away at him. At one point, he says, “I can’t even look at myself in the mirror.”

However, the powers that be, including CIA director Janet Lassiter (Linda Emond), want Brogan dead, and the funny thing is that the reason for this is poorly explained and developed in this story. This was the weakest part of the plot, but if you buy their explanation, it works well enough to enjoy the rest of the film.

Arriving back home after the initial assassination scene, ready to enter retirement, he heads to the harbor where he has a boat. Going to pay for gas, he finds a new person named Danny Zakarweski (Mary Elizabeth Winstead) in the dock shed. She gives him a story that the previous guy retired and that she’s studying marine biology at the nearby University of Georgia.

Taking his boat to meet with a secret contact, he finds a directional bug under the dashboard. Arriving back at the dock, he storms into the shed where Danny is seated and accuses her of being an agent operative for the government. She denies and denies his allegations. Apologizing he asks her out to eat as a way to make up for his rudeness and accusations. When he meets her for dinner, she shows her his research proving she’s an agent.

This scene gives the audience supporting information that Brogan is smart and knows what he’s doing, not only with a rifle, but he’s made it this far because he’s smart. Secondly, being found out implicates Danny in a larger scheme, and now she must support Brogan because she becomes an assassination target as well.

He awakes when assassins come to his home. He takes care of them as only an assassin would and rushes to Danny’s house to tell her she’s surly a target for assassination now and to go with him.

This is the setup. Lassiter is under threat by Clay Verris (Clive Owen), who owns a gun for hire company called Gemini. Verris is holding information that will ruin Lassiter’s career. If Lassiter cannot finish the job by getting rid of Brogan, his team will. Her ego won’t let him take over yet. She wants to prove she can finish the job.

After multiple failures by Lassiter’s team, Verris uses his squad of assassins, including a 23-year-old-clone version of Brogan, to kill Brogan, Zakarweski, and Brogan’s close pilot friend Baron (Benedict Wong).

The rest of the film is about the battle between the clone and Brogan, along with understanding why a clone of Brogan was created.

The action was excellent, although at times it seemed as if the fight scenes were too long. The realism of the younger clone put together by the CGI team was terrific. I loved having Danny as part of the plot because her rationality and the way she added to the story grounded the film.

Smith was strong as Brogan, the supreme assassin and weapon of the United States. He outwardly carried enough of the internal pain of his upbringing to make his character seem real and whole. Winstead was excellent as the agent sent to track Brogan and ends up partnering with him as he gets to the root of the issue at hand. Owen is outstanding and always makes a great evil foil. His voice and attitude are perfect as the antagonist. Emond was good as the CIA director trying to clean up the mess she’s created by losing so many men to Brogan’s skills. Wong was the perfect long-time associate to Brogan. They had great chemistry together. David Benioff and Billy Ray wrote an entertaining screenplay. Lee knows how to create action, and he does here as well. I think they might have gotten more impact by shortened the fighting scenes as they felt long. He didn’t settle for less with the CGI of the Will Smith (Brogan) clone. It was amazingly done it seemed like Brogan was fighting a real person.

Overall: Entertaining enough and at the end with Brogan is telling his clone about his prowess it felt typical good time Will Smith.

Doctor Strange (3-D)

First Hit:  I fully enjoyed the film and Benedict Cumberbatch is perfect as Dr. Stephen Strange.

What makes this film work and hold together is the acting of Cumberbatch. In fact, one could take out some of the special effects and this film still works.

Strange is a compulsive, arrogant, and a larger than life self-aggrandizing surgeon. His surety and cavalier way of performing surgery are displayed in opening scenes. He’s listening to music and then challenges one of his assistants to change up the music and give him a music quiz. The song his assistant hopes to trip him up on is Chuck Mangione’s “Feels So Good” which the assistant says came out in 1978 while Strange argues correctly that it was released in 1977. This was a superb way to display who he is.

Then, to solidify the point, Dr. Christine Palmer (Rachel McAdams), rushes into the OR and asks Dr. Strange to look at a patient who they are about to harvest for organs. Her claim is that the patient can be saved and isn’t brain dead. Strange looks at the medical x-rays, scans and diagnosis documents, moves the patient to ER and pulls a bullet out of the patient’s head, thereby stopping the organ harvest, keeping the man alive. He only cares about his success at being right and competent and sort of rejects the patient's family's thanks. Lastly Dr. Palmer shows a deeper than friendship interest in him but he just sluffs it off putting his needs ahead of everything.

However, he gets hurt in an accident and destroys his hands. Without having his surgical skills available he ends up with nothing and takes one last trip looking for Kamar-Taj, a place that may be able to provide him help in getting his hands back. While in Kathmandu he ends up meeting “The Ancient One” (Tilda Swinton). She calls him out on his arrogance and self-centeredness and demonstrates that there is more to life than the physical world. She demonstrates alternate realities and it shocks Strange into curiosity and then wanting to become a student. As The Ancient One points out, Strange still thinks of only himself but takes him on as a student because he’s got abilities and really wants to learn.

The film ultimately is about two things: First, the fight between good (light) and evil (darkness). And two, about how to live by putting others first. To this end, the film is interesting, however, I do believe that the number of spectacular visual scenes to represent the fragility of most peoples’ perception of reality were not needed. At first the spinning of the streets and buildings into different spatial realities were cool and interesting to watch. But after a while it took away from the story and acting which was very strong.

Cumberbatch was extraordinary good in this fantasy film. He brought a serious, adventurous and human context to the character regardless of the topsy-turvy visual convolutions. Swinton was much better than I thought she would be. I struggled thinking that it needed to be an Asian spiritual leader because the film felt like it was sharing ancient Asian wisdom. However, from the get go, Swinton owned the role. Chiwetel Ejiofor as Mordo, The Ancient One’s right hand person, was excellent. He put an edge into the film that made it better. McAdams was wonderful as Strange’s co-surgeon. Her humanness towards a difficult Strange was perfect. Benedict Wong (as Wong) was delightful. His protective seriousness of the spiritual path and library worked well against Strange’s behavior. Jon Spaihts, Scott Derrickson, and C. Robert Cargill wrote a wonderful screenplay, which was enhanced by the use of humor and interesting dialogue among the characters. Derrickson had a strong hand on the tiller of this film. I only thought that he used CGI more than needed.

Overall:  Although the film is not Oscar worthy, I thoroughly enjoyed the film and that is the point.

googleaa391b326d7dfe4f.html