Gemini Man

First Hit: Entertaining story, but it was the special effects of a young Henry Brogan (a young Will Smith) that was the star.

Ang Lee spent time and money using CGI to make Henry (Will Smith) have a Junior, and it worked.

Brogan is the most perfect and lethal sniper the US Government has ever had. To prove the point, we see him in the first scenes preparing to kill a man moving on a train traveling at 248 kilometers per hour (154 mph) while lying on a hillside some 200 meters (~650 ft) away from the tracks. He nails it.

But Brogan is done with killing after he’s shot more than seventy people. He’s tired, 51-years-old and all the deaths are eating away at him. At one point, he says, “I can’t even look at myself in the mirror.”

However, the powers that be, including CIA director Janet Lassiter (Linda Emond), want Brogan dead, and the funny thing is that the reason for this is poorly explained and developed in this story. This was the weakest part of the plot, but if you buy their explanation, it works well enough to enjoy the rest of the film.

Arriving back home after the initial assassination scene, ready to enter retirement, he heads to the harbor where he has a boat. Going to pay for gas, he finds a new person named Danny Zakarweski (Mary Elizabeth Winstead) in the dock shed. She gives him a story that the previous guy retired and that she’s studying marine biology at the nearby University of Georgia.

Taking his boat to meet with a secret contact, he finds a directional bug under the dashboard. Arriving back at the dock, he storms into the shed where Danny is seated and accuses her of being an agent operative for the government. She denies and denies his allegations. Apologizing he asks her out to eat as a way to make up for his rudeness and accusations. When he meets her for dinner, she shows her his research proving she’s an agent.

This scene gives the audience supporting information that Brogan is smart and knows what he’s doing, not only with a rifle, but he’s made it this far because he’s smart. Secondly, being found out implicates Danny in a larger scheme, and now she must support Brogan because she becomes an assassination target as well.

He awakes when assassins come to his home. He takes care of them as only an assassin would and rushes to Danny’s house to tell her she’s surly a target for assassination now and to go with him.

This is the setup. Lassiter is under threat by Clay Verris (Clive Owen), who owns a gun for hire company called Gemini. Verris is holding information that will ruin Lassiter’s career. If Lassiter cannot finish the job by getting rid of Brogan, his team will. Her ego won’t let him take over yet. She wants to prove she can finish the job.

After multiple failures by Lassiter’s team, Verris uses his squad of assassins, including a 23-year-old-clone version of Brogan, to kill Brogan, Zakarweski, and Brogan’s close pilot friend Baron (Benedict Wong).

The rest of the film is about the battle between the clone and Brogan, along with understanding why a clone of Brogan was created.

The action was excellent, although at times it seemed as if the fight scenes were too long. The realism of the younger clone put together by the CGI team was terrific. I loved having Danny as part of the plot because her rationality and the way she added to the story grounded the film.

Smith was strong as Brogan, the supreme assassin and weapon of the United States. He outwardly carried enough of the internal pain of his upbringing to make his character seem real and whole. Winstead was excellent as the agent sent to track Brogan and ends up partnering with him as he gets to the root of the issue at hand. Owen is outstanding and always makes a great evil foil. His voice and attitude are perfect as the antagonist. Emond was good as the CIA director trying to clean up the mess she’s created by losing so many men to Brogan’s skills. Wong was the perfect long-time associate to Brogan. They had great chemistry together. David Benioff and Billy Ray wrote an entertaining screenplay. Lee knows how to create action, and he does here as well. I think they might have gotten more impact by shortened the fighting scenes as they felt long. He didn’t settle for less with the CGI of the Will Smith (Brogan) clone. It was amazingly done it seemed like Brogan was fighting a real person.

Overall: Entertaining enough and at the end with Brogan is telling his clone about his prowess it felt typical good time Will Smith.

Billy Lynn's Long Halftime Walk

First Hit:  A bittersweet story about war hero Billy Lynn figuring out who he is, what's important to him, and where he belongs.

In the context of being a soldier, doing what he was taught to do and being part of a team of men whom he cares about; he ends up with a Silver Star and Billy Lynn (Joe Alwyn) is surprised by the attention of all this.

Billy has been a screw-up most of his life and while protecting the honor of his sister Katheryn (Kristen Stewart), he gets caught by the police. As done in many places in the USA, courts often let convicted criminals choose to join the military instead of jail time in hopes that the structure teaches young men responsibility. The structure helps him to be more responsible as does the close camaraderie between the diverse backgrounds of the men in his squad. He’s particularly taken by Squad leader "Shroom" (Vin Diesel) who pontificates about spirit and the spirituality behind all things.

The film begins with Billy coming home and getting ready to be honored for bravery with a victory tour and a half-time celebration at a Dallas Cowboys football game. Director Ang Lee uses flashbacks to give the audience the harrowing story of “Bravo” squad, as they engage in an intense fire fight in Iraq.

The best thing about the film is the juxtaposition between the fans, workers, cheerleaders, and football team owner Norm’s (Steve Martin) attitude and perception of the war and the men who fight it and what it means to be a hero. The film does this really well by cutting back and forth between the gun battle and the half-time celebration.

I related to the nervousness of the squad as loud noise and fireworks had them, in a nervous reflex, ducking for cover. I remember coming home from Vietnam and ducking and covering at every backfire from a car or startling loud noise.

Along with the celebration, all through the film there is a promoter Albert (Chris Tucker) who is attempting to get a deal for a film about the bravery of the squad. He makes it urgent because he can only get them big money while they are “hot” property. When Norm states that he's willing to fund their film, but only offers the men $5,500 each, Billy and Dime (Garrett Hedlund) take a firm stand. The story is not America’s but theirs and it cannot be bought for this very low price.

A film like this would need a love interest and here Billy runs into a Dallas Cowboy Cheerleader Faison (Makenzie Leigh) who admires the hero in Billy but does she even really see him? The idea of being close to a hero is effectively shared in their brief encounters and belies a real relationship.

Alwyn is very good in this role of naïve, yet worldly in the ways of life and death, young man. Martin is very effective as “America’s Football Team” owner. He is the personification of someone looking for an edge, notoriety, while taking advantage of situations for his own benefit. Diesel is strong as the philosophy spouting leader. Nice to see Diesel in a softer role. Hedlund is perfect as the toe the line new squad leader keeping his team together. Stewart is wonderful as the caring sister who feels responsible for her brother’s predicament. Leigh is great as the cheerleader who is more in love with a hero than the hero himself. Tucker is very believable as a promoter. Jean-Chrisophe Castelli wrote an interesting screenplay which takes on the challenge of showing the public's disconnect from the realities of war and yet wanting to own the heroes for their work. Lee effectively shows half-time pageantry, the behind the scenes of how the pageantry gets put together, and the battle scenes. His use of color is exquisite. This isn’t an easy story to tell but in Lee’s hands it works very well.

Overall:  I was surprised by how much I ended up liking the film because the title actually put me off.

Life of Pi 3D

First Hit:  Extraordinary visualization of the story and a little long winded.

This film is worth seeing in 3D because it is, at times, visually arresting.

It is hard making something this beautiful when most of the film is on the blue water, with a blue sky, and a single white boat. But Ang Lee makes it work extremely well. What didn’t work, like the book, was the long winded set up.

A writer comes to visit Pi Patel (Adult character played by Irrfan Khan), to hear his amazing story. Their dialog and the early set up of Pi’s life takes up more of the screen time than necessary. In a book it is sometimes necessary to create long narratives to ensure the readers get the picture.

With film, it is an easier task to make the picture clear in the audience (a picture is worth a thousand words) and this film is proof. Finally when we do get into the heart of the story with Pi Patel (played by Suraj Sharma) it with amazement that we watch how he navigates and negotiates life of living on a small 26-foot lifeboat with initially, an orangutan, zebra, hyena and a Bengal tiger named Richard Parker.

Nature takes its course with the animals so it comes down to just the tiger and Pi creating a tentative working relationship. Again, just like the beginning, it seems as though we spend more time on the water than necessary. There could have been 10 minutes taken out and it would have made no difference to the story. Then we have, like in the book, the questionable ending.

Outside of these issues, this film was very joyous to watch.

Khan was perfect as the older Pi Patel in that he brought the kind of earnestness and life view that could only have been gained from such an adventure. Sharma was wonderful as the boy who had to become a man by living through 200+ days on the sea with a Bengal tiger. He did this through his ability to learn, grow and be creative in his determination. David Magee wrote a screenplay that was right in line with the Yann Martel’s novel. Ang Lee did an amazing job with the visual part of the film, some snipping of its length would have enhanced it.

Overall:  This was an amazingly beautiful film to watch and is worth the 3D price.

Lust, Caution

First Hit: Beautifully shot and gives a sense of the time period and while erotic it wasn’t necessarily arousing which made the sex a tool of seduction. A well crafted film.

Ang Lee’s latest film uses the power of sex and desire to tell a tale of the struggle to make a difference in the war between Japan and China. Idealistic college students wanting to make a difference in the war hatch a plot to kill a Chinese Official who, they perceive, is being a traitor to his own country. The initial plot fails and a new one takes shape that requires one of them to seduce the official. The story evolves from showing the power of seduction and how one can never know how this affects the involved parties.

The NC-17 rating comes from the powerful and visually arresting sex scenes. Some are rough others are an exploration of the growing relationship. Although the film was a little long, all the acting was superb, the direction clear and the storytelling interesting and engaging.

Overall: I liked the film and although a couple of the panoramic scenes seemed false it was exquisitely and beautifully shot.