Playing for Keeps

First Hit:  Predictable film, some strong moments, and generally disappointing with this strong cast.

George (played by Gerard Butler) is a finished professional soccer player from Scotland. He was famous, blew through his money, and is now looking for work.

He’s also is divorced from Stacie (played by Jessica Biel) who is living with their son Lewis (played by Noah Lomax) and her fiance (played by James Tupper). While trying to find a job he moves near his son and ex-wife and becomes the soccer coach for his son’s team. He is a hit and the team begins to score and win games.

However, as expected the parents of the kids on the team want to influence the coach to play their kid or provide special coaching. Making it more complex is that George is a ladies man and all the divorcees want a piece of him in more ways than one. To this end we have Uma Thurman (Patti) who is married to Carl (played by Dennis Quaid).

Patti wants to have an affair with George while Carl, who influences the team and George with money, will kill anyone who has an affair with his wife. There is also Denise (played by Catherine Zeta-Jones) who has influence at ESPN and uses her sexuality and connections to influence George.

Lastly, there is Barb (played by Judy Greer) who is freshly divorced and is prime for sex. Besides the predictability of the film, it sets things up but then lets them go. Example: Carl gives George a bunch of money for the team and George uses it for his rent and deposit on his new digs but there is no consequence for this action.

Butler is good and fits the role well but it just seems so predictable. Biel is very good and she and Butler create a wonderful chemistry. There are a couple of scenes when they are speaking with each other that were really strong. Quaid’s role was odd and not very well thought-out. Zeta-Jones was good and created some fun in the film. Thurman is oddly interesting as a lonely unhappy lush wife. Greer is one of the more interesting people in the film with her emotional jags. Robbie Fox wrote a bland screenplay. Gabriele Muccino directed this film in a very safe way. There wasn’t anything that really stood out or was detrimental. It was safe.

Overall:  This film would be a good Sunday evening family DVD or streaming watch.

Total Recall

First Hit:  I enjoyed this version more than the 1990 version.

Unlike “The Dark Knight Rises” (see previous review), the opening sequence sets up the story well.

The point of the opening sequence of a film like this is to set us up to get our buy-in, to have us suspend our reality and invite us into a story.

Total Recall does this and that is why I enjoyed it. Douglass Quaid, aka Houser, (played by Colin Farrell) is stuck in a life he doesn’t understand. He goes to work making robot enforcers in Great Britain from Australia by getting on and riding the “Fall”.

The Fall is what people call the vehicle which transports people through the only two habitable places on earth, Great Britain and Australia. Its path is through the middle of the earth and when it reaches the core there is a few minutes of gravity suspension because gravity switches its pull.

Australia is called the colony and everyone there is poor. It is ruled by Great Britain and Chancellor Cohaagen (played by Bryan Cranston) and they suppress everything for control. There, of course, is an underground group fighting the rule and Matthias (played by Bill Nighy) is their leader. Quaid’s wife Lori (played by Kate Beckinsale) is a cop and works a lot of nights investigating and killing the rebels.

We learn quickly, she’s one of the best and toughest investigators. Douglas, in his frustration with his life, goes to “Total Recall” which promises dreams that make you feel good. His visit takes us into a new story of what is reality and what is truth.

Although an unbelievable story, it works because the actors, script and direction allows us to believe it.

Farrell is very good and strong in both the physical challenges of the role but by also giving us a true sense of being lost and wanting to find the truth. Cranston is great as the Chancellor. Beckinsale is so strong in her physical role and was fun to watch. Jessica Biel (as Melina) was very good and shows strength in this physical role. Nighy is good in a limited but pivotal role. Kurt Wimmer and Mark Bomback wrote this effective screenplay while Len Wiseman gave this film believability, fun and action.

Overall: Enjoyable version of this story and worth the price of admission.

New Year's Eve

First Hit: I don’t know how Garry Marshall created such a vapid film about a great subject with great actors.

New Year’s Eve is a perfect subject and so many things can or don’t happen on that infamous night of nights.

Here we follow various people and their experience of this storied night. You’ve got Tess and Griffin (played by Jessica Biel and Seth Meyers respectively) in a race to win $25K for having the first baby of the new year against Grace and James (played by Sarah Paulson and Til Schweiger respectively).

You have Ingrid (played by Michelle Pfeiffer) who is a homely, afraid and not living her life. She breaks away, quits her job and hands her to do list to Paul (played by Zac Efron) who is a bike messenger. They climb on his scooter and he, being creative, finds ways to deliver all of Ingrid’s dreams in one night.

Then there is Kim (Sarah Jessica Parker) who works all the time and is very protective of her daughter Hailey (played by Abigail Breslin) who wants to be trusted to meet up with her friends. Kim tells her "no" but Hailey steals out of her room anyway and heads down town with Kim desperately following and trying to find her.

There is Laura (played by Katherine Heigl) a caterer preparing food for the most famous and luxurious New York New Year’s Eve party where the entertainment is being provided by her former boyfriend Jensen (Jon Bon Jovi).

Also there is Claire Morgan (played by Hilary Swank) who is in charge of the famous ball drop and who is linked to a dying Stan Harris (played by Robert De Niro). There are more many more stars in this movie but to be quite frank this is what killed the film. Too many actors vying for limited shallow parts having limited characteristics and story lines..

Biel had a couple funny lines as a pregnant wife. Meyers was mediocre as Biel’s husband. Paulson was the better pregnant wife as was Schweiger as her husband. Their story was more interesting. Pfeiffer was hard to watch as she played Ingrid too close to the chest. Efron was the best of all the actors and he made the film interesting. Parker was useless to watch and was uninteresting. Breslin was OK as the teenage girl wanting to experience her first New Year’s Eve kiss. Heigl was alright as the jilted woman. Jovi was more or less just being himself, a musician. Swank was in the worst role I’ve seen her in, in quite some time. De Niro gave the worst dying person act I’ve ever seen on film. His eyes were too alert and his actions too fast to be on his death bed. Katherine Fugate wrote a painfully soft, sophomoric, and generic script. Marshall’s direction shows he needs to retire. How can one direct so many wonderful actors (and there were more that I didn’t mention) into a wastefully sentimental uninteresting film.

Overall: This film goes for the easy sentimental story and in doing so made me wish it was over sooner than later.

The A-Team

First Hit: Overly long, failed to be interestingly complex, but the characters and explosions were fun to watch.

I admired that this film didn’t fall into the trap of trying to be its namesake television show.

To set up the characters and their relationship there is a long (Okay real long) opening segment prior to the film title appearing on the screen.

This set up tells us that B.A. Baracus (played by Quinton ‘Rampage’ Jackson) is the newest member of the group and that included Hannibal (played by Liam Neeson), Faceman (played by Bradley Cooper), and Murdock (played by Sharlto Copley).

Each team member has a special skill and we get to experience their skills as the film moves along. After the opening segment, there is a short interlude where the team works together in Iraq. After distinguishing themselves as the only team to deliver in Iraq, they get themselves involved in a job to steal back some US currency printing plates.

However, this job is a partial setup between the CIA, top Army intelligence, the regular Army and a group of private security people.

This is the main story for the film; however the writers don’t believe we think they're capable enough so we’re shown their will, strength, and skills again, by being wrongly thrown in prison so that we can see them escape.

The film drags on with a bunch of effects, like surviving their plane being blown up by parachuting down inside a tank which was in the cargo area and as it falls to earth it loses two of its three chutes, therefore to slow their descent they fire the tank gun at the ground while they fall. Who thought of that for the script?

BTW: Best shot, the aerial view of the wreckage of the container ship after being blown up.

Neeson, plays smart rugged and gruff well. Cooper plays I’m pretty and tough reasonably well. Jackson plays brutish and compassionate adequately, Copley plays psychopathic really well. Jessica Biel plays Army intelligence in a way that wasn’t believable. Patrick Wilson plays a CIA honcho like he had earned his stripes through years of good work but it appears on the screen as simplistic arrogance.

Overall: Some of the characters were amusing and there were occasional out loud guffaws, but you’ll have to sit through a lot to get them.

Valentine's Day

First Hit: A funny, cute and lighthearted romp with a huge cast ensuring its popularity.

Did I say huge cast? Here is a partial listing: Jennifer Garner, Ashton Kutcher, Jessica Biel, Taylor Swift, Julia Roberts, Patrick Dempsey, Shirley MacLaine, Bradley Cooper, Jamie Foxx, Jessica Alba, Hector Elizondo, and Anne Hathaway and that’s not everyone who is in this film.

This cast alone would drive people to the box office but it is also a Garry Marshall film and it opened on Valentine’s Day weekend so it was almost guaranteed to be successful. I saw this with my partner on Valentine's Day and there were lots of couples in the theater.

From an entertainment point of view, this film was also a success. The story lines are varied; from old time lovers still deepening and rekindling their love to young lovers discovering their next steps. There is a counterpoint of people who struggle and don’t particularly like Valentine’s Day.

The film begins with a man asking a woman to marry him, she says "yes" then has a change of heart. It segues into a boy living with his grandparents and having a crush on his teacher and he wants to give her a valentine but the teacher is deeply involved with a man whom she discovers is married.

There is the story of a mother returning from her overseas Army assignment to be with her love for just 18 hours before she has to return to her assignment. Then there is a football player announcing he is gay which will allow him to be public with his relationship.

These and many more stories were packed into this film. It would be hard to not relate to at least one of them in some way.

I won’t comment on all the performances but bring up a couple which I thought were worth noting. I enjoyed Biel being more physical in her comedy than in previous films. She was very enjoyable to watch. I enjoyed both Garner and Hathaway in their respective roles as teacher and part time phone sex operator. Marshall doesn’t take a lot of risks in this film (which is true to form for him) but he doesn't need to, the story and actors bring it all together under his guiding hand.

Overall: This was a well marketed film that delivered enough laughs and story line to keep me interested for the entire film.