Patrick Dempsey

Bridget Jones's Baby

First Hit:  Occasionally funny but generally slow and simply didn’t work.

The very first film of this series, Bridget Jones’s Diary, was fun and it worked in many ways. Being introduced to Bridget Jones (Renee Zellweger), a woman who struggles with her weight, is lonely and falls in love with two men. The second was somewhat more of the same; but by this film, the main thing we’ve dropped from the plot is the weight although there are references to weight in the film.

Another constant in the previous films are her two love interests Mark (Colin Firth) and Daniel (Hugh Grant). However, because Grant dropped out of project, he's referenced in a plot device funeral. Here Bridget is successful at her job as producer of a television program. She is celebrating her 43rd birthday and ends of doing it alone in her apartment. She goes to Daniel's funeral and runs into Mark.

A few days later, her coworker Jude (Shirley Henderson) decides to take Bridget to a rock-in-roll festival where she happens to fall into bed with Jack (Patrick Dempsey) and they have a sexual evening. Running into Mark again at a Christening, she has sex with him as well. Having sex with two different men in a short period of time (within a couple weeks of each other), she becomes pregnant and doesn’t know who the father is. That is the plot of this film.

Jones is pregnant, she’s going to keep the baby, she doesn’t know who the father is, and she may lose her job at work. Generally, this plot has a bit of interest but the execution is mediocre. At the end of the film a newspaper article comes up stating that Daniel is still alive, God I hope this doesn't mean there is another film planned.

Zellweger seemed out of place and unengaged in the part. Dempsey seemed to put the most energy into his part although there didn’t seem to be chemistry between him and Zellweger. Firth did well by keeping his stogy, disengaged self in tack. Henderson was delightful and carried her scenes well. Jim Broadbent as Bridget’s dad was his wonderful self and Gemma Jones as Bridget’s mum was good. Emma Thompson co-wrote and also played Bridget’s physician in a wry manner. The other co-writers were Dan Mazer and Helen Fielding. Overall the script was not very strong because it was more rehashed material, although the overall story idea could have been interesting. However, this film is too long and falls apart because of less than engaged acting and lapses of interesting direction by Sharon Maguire. For instance, the scenes of Mark and Jack carrying Jones to the hospital weren’t funny and could have been cut.

Overall:  Despite some funny moments, this film didn’t work and wasn’t worth the price of admission.

Valentine's Day

First Hit: A funny, cute and lighthearted romp with a huge cast ensuring its popularity.

Did I say huge cast? Here is a partial listing: Jennifer Garner, Ashton Kutcher, Jessica Biel, Taylor Swift, Julia Roberts, Patrick Dempsey, Shirley MacLaine, Bradley Cooper, Jamie Foxx, Jessica Alba, Hector Elizondo, and Anne Hathaway and that’s not everyone who is in this film.

This cast alone would drive people to the box office but it is also a Garry Marshall film and it opened on Valentine’s Day weekend so it was almost guaranteed to be successful. I saw this with my partner on Valentine's Day and there were lots of couples in the theater.

From an entertainment point of view, this film was also a success. The story lines are varied; from old time lovers still deepening and rekindling their love to young lovers discovering their next steps. There is a counterpoint of people who struggle and don’t particularly like Valentine’s Day.

The film begins with a man asking a woman to marry him, she says "yes" then has a change of heart. It segues into a boy living with his grandparents and having a crush on his teacher and he wants to give her a valentine but the teacher is deeply involved with a man whom she discovers is married.

There is the story of a mother returning from her overseas Army assignment to be with her love for just 18 hours before she has to return to her assignment. Then there is a football player announcing he is gay which will allow him to be public with his relationship.

These and many more stories were packed into this film. It would be hard to not relate to at least one of them in some way.

I won’t comment on all the performances but bring up a couple which I thought were worth noting. I enjoyed Biel being more physical in her comedy than in previous films. She was very enjoyable to watch. I enjoyed both Garner and Hathaway in their respective roles as teacher and part time phone sex operator. Marshall doesn’t take a lot of risks in this film (which is true to form for him) but he doesn't need to, the story and actors bring it all together under his guiding hand.

Overall: This was a well marketed film that delivered enough laughs and story line to keep me interested for the entire film.

Enchanted

First Hit: Amusing at times, some good acting and a telegraphed ending.

Starting off, the film pays homage to some of Disney’s past animation history with a too long and weak animated setup.

What would have made this better would have been homage to the Disney animation with a strong animation sequence.

The current witch queen doesn’t want her nephew to marry because it means the end of her reign as queen, so the witch throws the princess into "the well". Falling through the well the princess ends up in New York. This turn as a major point of the film here is weak and it shows.

Amy Adams is the main character when the film changes from animation to “real life”. Amy did a very credible job of holding true to the animation (soon to be princess) mind set while she slowly discovers, understands, and interacts with the world as we know it. She meets up with a divorced father of a young girl played by Patrick Dempsey who tries to help her.

His daughter "gets" that this woman is different. Patrick, in his misunderstanding way, attempts to help her back to her animated simple life from where she came.

To add some complication, Patrick’s fiancée finds out about the princess staying with him and gets into a huff.

The animated prince, in his heroic way, dives into “the well” (as do other characters) which brings him here to our reality to find his princess. There are a couple of forced funny turns build around his confusion and blessed ignorance in being in our reality.

At the Enchanted Ball, they, the prince, the princess, the witch (Susan Sarandon), Patrick, and his fiancée all sort out who loves who with the witch making powerful display at thwarting a marriage.

The set-up is obvious and with the telegraphed knowing looks we all know where this story is headed and how it will end.

Overall: It is a pleasant “cute” film with some strong (and weak) acting and a telegraphed story. Younger girls will love it.

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