What They Had

First Hit: Touching, poignant, funny, and unless you’ve been near the subject it might be difficult to understand this story.

This film is about he hard choices some families must make about putting parents into assisted care.

We begin with Ruth (Blythe Danner) getting up, putting on a robe and walking out the front door. The ground is covered with snow, there’s no one on the streets and she heads down a empty snowy street to get to somewhere in her past. Her husband Bert (Robert Forster) wakes up some time later, notices his wife is not in bed, gives a slight here we go again look that quickly turns to caring concern, and he bolts out the door looking for Ruth.

He calls his son Nick (Michael Shannon) who lives nearby, who in turn, contacts his sister Bridget (Hilary Swank). Nick goes out searching for his Mom, while Bridget flies back to her home town to see if she can help. Ruth has increasing stages of dementia and it is getting more difficult for Bert, who has a bad heart, to manage and care for his wife, but he’s stubborn. Nick, being close by, wants to get his mom into a care facility and his father into assisted living. Bert is vehemently resisting this sort of move. Compounding this is that Bridget has power of attorney and rarely there to see what Nick, Bert, and Ruth go through.

A subplot to the main story is that Bridget is in an unhappy marriage and has huge communication issues with their daughter Emma (Taissa Farmiga). Emma has been doing poorly in college, wants to quit and her parents are pushing her to continue.

Bridget and Emma fly back together so the audience knows this sub-plot will get attention as well.

The scenes between Bridget (aka Bitty) and Nick are dynamically interesting and full of great dialogue. Their interaction when they agree and disagree is right on target. I especially liked how Nick finally tells Bridget that she’s out of touch with their parents and how exhausted he is being an upscale bar owner and the “go to” person when there is an issue with Ruth—and there’s always an issue.

Bridget tries to be a mediator, trying to find a middle path but ends up alienating both Nick and Bert. When she has a huge argument with her dad about assisted care, she finally tells him that he’s never listened to her or asked what it is she’d like in life, including her marriage. This was an excellent scene because she was doing the same thing to Emma, not asking what Emma wanted and ignoring her.

Bitty’s clumsy attempt at a flirtation with an old high-school friend was excellent. I loved how he charged her an enormous amount for changing the locks. Bitty’s surprise look was perfect.

This film has a lot to say about how families navigate through the emotions and practicalities of a loved one with dementia.

Swank was excellent and teamed with Shannon had great scenes of brotherly and sisterly love and frustration. When Swank climbs into bed with Emma, a wonderful softening takes place. Shannon was excellent as the brother who was showing up and doing his best. That his father had no respect that he was a bar owner (“…you tend bar don’t you, you’re a bartender…”) and ran his own business was perfect. I especially loved when Bert finally came to see the bar and ordered a martini. Danner was amazing as Ruth. She really captured the look and sense of someone who had forgotten who her husband was and then would remember everything. She segued from one state of presence to another with sublime clarity of the role and the disease. Forster was excellent as the stubborn husband and dad that knows best about everything. When he gets up and realizes that Ruth has left the house, there is a quick moment of, shit not again look, that segues into I care and have got to find her. This quick set of expressions was perfect. Farmiga was very strong as Emma, the troubled daughter that wasn’t being heard by her parents and she’d had enough of living their expectations for her. Elizabeth Chomko wrote and directed this wonderful glimpse into a family struggling with how to deal with a loved one’s battle with dementia.

Overall: This film is not everyone’s cup of tea, however, it is an excellent film about a real issue many families face.

The Homesman

First Hit:  A well-acted slow evolving film that seems to end in mid-sentence.

Hilary Swank as Mary Bee Cuddy is anything but plain, although the makeup personnel did their best. I think she is and was interestingly beautiful in this film.

Here she is a single smart capable and headstrong woman who is making her way as a farmer in the desolation of “the territories” (later known as Nebraska). She propositions men for marriage by announcing her assets (money in the bank, two strong mules and land) but they decline saying she’s as “plain as a pail” and “bossy”.

The harsh winters have caused three women to “go crazy”. However, to me it was the men who pushed these women towards their craziness by being thoughtless. Anyway, Cuddy decides to take them back to Iowa where they can be with their families.

To help her on this journey she employs George Briggs (Tommy Lee Jones) who is just surviving by cheating and stealing. How they meet is a hoot and sets up their relationship perfectly. Together they set out to take Anabella Sours (Grace Gummer), Theoline Belknap (Miranda Otto), and Gro Svendsen (Sonja Richter) to Iowa so that they can be reunited with their families.

The trip is about the relationship between Cuddy and Briggs and how they survive the long trip through the cold, desolation and their ability to become friends while minding their precious cargo. What was fittingly odd, was the ending – would Briggs have closure or would he just do what was next.

Swank is amazing and could get an Oscar nod. Jones is amazingly strong and he also wrote and directed this film. Gummer, Otto and Richter were good in their limited but strategically important roles. Kieran Fitzgerald co-wrote the longish film with Jones who also directed this film with some great prairie visuals and some very interesting one on one scenes.

Overall:  I didn’t love this film, but watching great actors act was worth the time.

New Year's Eve

First Hit: I don’t know how Garry Marshall created such a vapid film about a great subject with great actors.

New Year’s Eve is a perfect subject and so many things can or don’t happen on that infamous night of nights.

Here we follow various people and their experience of this storied night. You’ve got Tess and Griffin (played by Jessica Biel and Seth Meyers respectively) in a race to win $25K for having the first baby of the new year against Grace and James (played by Sarah Paulson and Til Schweiger respectively).

You have Ingrid (played by Michelle Pfeiffer) who is a homely, afraid and not living her life. She breaks away, quits her job and hands her to do list to Paul (played by Zac Efron) who is a bike messenger. They climb on his scooter and he, being creative, finds ways to deliver all of Ingrid’s dreams in one night.

Then there is Kim (Sarah Jessica Parker) who works all the time and is very protective of her daughter Hailey (played by Abigail Breslin) who wants to be trusted to meet up with her friends. Kim tells her "no" but Hailey steals out of her room anyway and heads down town with Kim desperately following and trying to find her.

There is Laura (played by Katherine Heigl) a caterer preparing food for the most famous and luxurious New York New Year’s Eve party where the entertainment is being provided by her former boyfriend Jensen (Jon Bon Jovi).

Also there is Claire Morgan (played by Hilary Swank) who is in charge of the famous ball drop and who is linked to a dying Stan Harris (played by Robert De Niro). There are more many more stars in this movie but to be quite frank this is what killed the film. Too many actors vying for limited shallow parts having limited characteristics and story lines..

Biel had a couple funny lines as a pregnant wife. Meyers was mediocre as Biel’s husband. Paulson was the better pregnant wife as was Schweiger as her husband. Their story was more interesting. Pfeiffer was hard to watch as she played Ingrid too close to the chest. Efron was the best of all the actors and he made the film interesting. Parker was useless to watch and was uninteresting. Breslin was OK as the teenage girl wanting to experience her first New Year’s Eve kiss. Heigl was alright as the jilted woman. Jovi was more or less just being himself, a musician. Swank was in the worst role I’ve seen her in, in quite some time. De Niro gave the worst dying person act I’ve ever seen on film. His eyes were too alert and his actions too fast to be on his death bed. Katherine Fugate wrote a painfully soft, sophomoric, and generic script. Marshall’s direction shows he needs to retire. How can one direct so many wonderful actors (and there were more that I didn’t mention) into a wastefully sentimental uninteresting film.

Overall: This film goes for the easy sentimental story and in doing so made me wish it was over sooner than later.

Conviction

First Hit: A good film even though one knows from the beginning how it ends.

Sam Rockwell plays Kenny Waters as a thinking and yet unthinking man who grew up with few boundaries.

Hilary Swank plays Betty Anne Waters as always looking up to her brother and caring for him as their mother couldn’t and wouldn’t. As children we see them always fighting for and protecting the other.

Their mother was non-existent and spent her time working and sleeping around with other men. The only father figure they had was their grandfather. Living in a small town created circumstances that whenever there was trouble Kenny was one person the police looked at as being the possible culprit because often he was.

When a woman is found stabbed and bludgeoned to death, they picked up Kenny, try and convicted him. He claims innocence and Betty of course uses all means to save her brother.

The film takes place over an 12 – 16 year span and during this time Betty goes to school, works full time, gets a degree, attends law school and passes the bar. She does this so that she can get Kenny out of jail.

Assisting Betty is Abra Rice (played by Minnie Driver). Abra works with Betty, assists her with her studies, prods her during downfalls, and ultimately joins the crusade to free Kenny.

It’s a wonderful story about brotherly and a sisterly love and the connection between two people. One downside is that their aging wasn't represented very well it was uneven.

Rockwell is an extremely intelligent actor and this part allowed him to be boundless which at times didn’t work for me. At times when he acted out it may have been in the script but I felt that Rockwell was too smart a person to have acted the way he did. Swank, as is customary, gave an all-out performance in a admirable but not noteworthy role. Driver was very good as the open forgiving friend showing that friendship can survive ups and downs. Pamela Grey wrote a good script which effectively lays out this story. Tony Goldwyn did a good job of directing the actors and guiding the story.

Overall: This is definitely a good film to watch on the couch with family.