Straight Outta Compton

First Hit:  Loved watching these young men fight through police repression to make a name for themselves.

I’ll deal with the downsides of this film first:  It needed about 30 minutes trimmed from its running time. And two, I would have liked a little more about what connected Ice Cube (O’Shea Jackson Jr.), Dr. Dre (Cory Hawkins) and Easy-E (Jason Mitchell) to each other.

The film had the relationships at a slight arms distance, and it may have been how they were, but it just seemed to me that there may have been more to the depth of their connection (especially Dre and Cube). The most powerful parts of the film were how situations with Police drove Ice Cube to write amazing powerful lyrics and then, of course, the concert scenes.

The climatic concert scene was the Detroit concert where the cops told them to not sing “Fuck Tha Police”. Of course they did, using their amendment driven rights of free speech to tell their story. This was was followed by a riot and arrest. The sadness of Easy-E and Jerry Heller's (Paul Giamatti)  greed was hard to watch, especially when the others trusted them. They were getting theirs while the rest of the group wasn’t.

Then in comes Suge Knight (R. Marcus Taylor) bullying himself into saving the day, but really only for his benefit. The film also gives glimpses of Snoop Dogg and Tupac. We get to see Ice figure out he needs to leave NWA and go out successfully on his own. Then we see Dre figure out he needs to control his own destiny as well. He leaves Death Row Records and starts Aftermath through Interscope Records and Jimmy Iovine. Anyone who knows anything about music knows that Aftermath has a stable of amazing rappers, including 50 Cent, Kendrick Lamar and Eminem.

This films gives a great lesson and view of the West Coast rap scene.

Jackson Jr. was incredibly strong as Ice and playing his dad must have been interesting and amazing. Hawkins was wonderful as Dre. My favorite scene was when his blew up at Death Row Records office which was followed by his telling Suge, “I’m out”. Mitchell was sublime as the wheeler-dealer E. His first scene of him learning to rap was fantastic, along his finding out that he had AIDs were spot on. Giamatti was very good as NWA’s first manager. My favorite scene was when he was pleading with E to not leave – but always stating that he took care of his end. Taylor was incredibly sublime as Suge. He had the cigar smoking attitude down pat. Jonathan Herman and Andrea Berloff wrote a very strong, intelligent, and pointed script. Outside that I think the film was too long, F. Gary Gray’s direction was very good.

Overall:  This was a very strong film about West Coast rap scene and I liked it.

Ricki and the Flash

First Hit:  Nothing lasting about this film and moments were really enjoyable.

It must have been interesting for a real life mother (Ricki/Linda played by Meryl Streep) and daughter (Julie played by Mamie Gummer) to play film life mother and daughter.

The resemblance was there and I couldn’t help but wonder if Meryl’s movie making career created some angst in Mamie’s relationship with her? My guess is that there might have been some but not as much as in this film. Here Ricki/Linda leaves her marriage to Pete (Kevin Kline) to follow her dream of being in a Rock-n-Roll band. Pete was left to care for the three kids, Julie, Josh and Adam, alone. Pete marries Maureen (Audra McDonald) who steps in and becomes the mother Ricki/Linda isn’t.

However, this film is also about following your dreams regardless if you become rich and famous for it. Her band is her family now and we get to watch her relationship grow with Greg (Rick Springfield) the lead guitarist.

The band’s covers of songs by various artists are strong and authentic enough to make it work. Their versions of these songs take into account the age of the band members as well as their abilities. Although I didn’t particularly like the songs chosen – they work well enough.

The film is about acceptance and seeing things from another’s point of view.

Meryl Streep was almost convincing as someone who lives in a dream land kind of way. Her dialogue was good for the part but Streep's inane intelligence belied her part. It seemed hard for me to see Streep be a character that didn't understand the impact of her choices. It is difficult to play ignorantly spacey. As the film progresses her character begins to get it, so the acting isn’t as difficult. Gummer is pretty good at being the spoiled child who cannot believe her marriage turned out the way it did. Kline was very good as the father, still loving his first wife, loving his second wife, and knowing where to be strong and flexible. McDonald did a strong job of being the woman who raised someone else’s kids. Springfield was very good as Ricki’s band mate and lover. It also gave credibility to the music playing in the film. Diablo Cody wrote the, at times, adequate and compelling script. Jonathan Demme directed the cast well, it was just that the subject matter wasn’t presented in the strongest way.

Overall:  This was a feel good film and for the most part it worked.

Amy

First Hit:  Very well crafted, visually arresting, and a finely produced film of Amy Winehouse’s short lived music career.

Three or four times during the first half-hour of the film I thought to myself, I’m so glad they put the words to the songs Amy was singing on the screen.

There were also occasions when the director used captions when Amy or some others, like Blake, spoke. To me the director did this for two reasons: 1) To show the power of her lyrics without getting caught up in deciphering the words in her musical pacing and 2) Her heavy cockney accent was at times difficult to understand, especially with some of the home filmed segments.

The captions made this film and story more accessible. This film starts with a brief show of her powerful voice when she sings “Happy Birthday”, and ends with her death. In between these two points, we get a deep view and listening to her heavily jazz influenced music stylings.

The film does not hold back on pictures showing Amy as high as a kite, make-up skewed, and holding on to either her ego, self-obsessed father, Mitch, or the love of her life Blake Fielder-Civil. Despite their pronounced lover for Amy, these men appeared to only care about themselves and what they could or would get them (fame, money, drugs, and booze). The people who really cared and loved her by their actions were her childhood girlfriends, Yasin Bey (Mos Def) and a few others.

Tony Bennett’s admiration of her singing ability and support meant so much to Amy. In the end it is a story of someone who misplaced what would really make her happy with the influence and behaviors supported by her hanger’s on.

Asif Kapadia did an outstanding job of putting together, phone video, still photos, and studio level video to create an amazing journey through Amy’s adult life.

Overall:  Well done story.

Love & Mercy

First Hit:  Acting and story was extremely heartfelt while riding the ups and downs of Brian Wilson’s life.

I fondly recall The Beach Boys because I was a beach oriented guy myself in the 1960's.

In 1964 when the Beatles came into the musical consciousness of my life, there was a conflict of who was better. By the Beatles "Revolver", I knew the Beatles had risen to the top. This was partially because of the type of music, but also because of the struggles The Beach Boys were having internally as a group. The focus of those struggles, Brian Wilson, the genius behind the music. He wanted to take the group in a different direction than what they had done in the past.

This film documents Brian of the early years (Paul Dano) and the Brian of the mid 1990’s (John Cusack). Brian, Carl, and Dennis Wilson (Brett Davern and Kenny Wormald respectively) where brought up by a very mean, aggressive and extremely abusive father, Murry (Bill Camp). It effected Brian the most because he was the songwriter and leader of the group.

In his later years after spending an infamous 2 years in bed, Brian he was then controlled and manipulated by a psychiatrist named Dr. Eugene Landy (Paul Giamatti). The visual likeness of Landy and Murray was amazing and was telling how Brian fell into Landy’s fold. Then there was Melinda (Elizabeth Banks) a Cadillac selling girl who sees Brian as a sensitive honest human being. Her relationship helps Brian to free himself from Landy and his life begins again.

Paul Dano was absolutely amazing at being the young Wilson by giving us a Brian who was always on the edge of sanity. He even looked a lot like a young Brian. Cusack was very strong as the older Brian attempting to find his way back into usefulness. Camp was good as the oppressive and abusive father. Giamatti was almost over the top at the unhinged psychiatrist who controlled Brian for his own purposes. Banks was inspiring and really good as the woman who could see Brian for more than what Dr. Landy was presenting. Michael A. Lerner wrote a fantastic script. Oren Moverman did an amazing job of creating a biography film that was both interesting and compelling to watch.

The music was fantastic; the story even better.

Pitch Perfect 2

First Hit:  The upside was the music the downside was the comedy, which was sophomoric, staged, and unnecessary.

I’m not much for musical films but when done right as part of the plot it can be good. The singing here was very strong and some of the representations of current and older songs were fun to hear. Unfortunately the part of the plot that didn’t work was the staged comedy scenes.

Fat Amy (Rebel Wilson) rowing across the lake, Fat Amy hanging from the middle of the stage and her costume rips. Yes the screenwriters and director used this to push the plot in a particular direction but the women in the film are too old and too smart for this sort of plot.

The only actress that seemed to fit age wise for college was Emily (Hailee Steinfeld). Beca (Anna Kendrick) sang well but I couldn’t help but think she wasn’t really interested in the role. The silly scenes of her being pulled up into a tree on the retreat or her unintelligent comebacks to Chloe (competitor lead singer) weren’t in-line with her, the depth of her character or the film.

Kendrick is a very strong singer and it is unfortunate that the screenplay had her underplay her skills. Wilson is hard to watch. Her voice is mediocre compared to the rest of the cast (occasionally flat or sharp) and having her be the brunt of the humor because of her size is type casting and unfortunate. Steinfeld was good and seemed to be the only person who was age appropriate for the part. Kay Cannon and Mickey Rapkin wrote a very poor script and the story they created to put the Bella team into a situation where they had to sing well to get their reputation back, was lame. Director Elizabeth Banks didn’t make this film stand out but she wasn’t given much of a script to work with.

Overall:  This film probably didn’t need to be made and there better not be another.