Love & Mercy

First Hit:  Acting and story was extremely heartfelt while riding the ups and downs of Brian Wilson’s life.

I fondly recall The Beach Boys because I was a beach oriented guy myself in the 1960's.

In 1964 when the Beatles came into the musical consciousness of my life, there was a conflict of who was better. By the Beatles "Revolver", I knew the Beatles had risen to the top. This was partially because of the type of music, but also because of the struggles The Beach Boys were having internally as a group. The focus of those struggles, Brian Wilson, the genius behind the music. He wanted to take the group in a different direction than what they had done in the past.

This film documents Brian of the early years (Paul Dano) and the Brian of the mid 1990’s (John Cusack). Brian, Carl, and Dennis Wilson (Brett Davern and Kenny Wormald respectively) where brought up by a very mean, aggressive and extremely abusive father, Murry (Bill Camp). It effected Brian the most because he was the songwriter and leader of the group.

In his later years after spending an infamous 2 years in bed, Brian he was then controlled and manipulated by a psychiatrist named Dr. Eugene Landy (Paul Giamatti). The visual likeness of Landy and Murray was amazing and was telling how Brian fell into Landy’s fold. Then there was Melinda (Elizabeth Banks) a Cadillac selling girl who sees Brian as a sensitive honest human being. Her relationship helps Brian to free himself from Landy and his life begins again.

Paul Dano was absolutely amazing at being the young Wilson by giving us a Brian who was always on the edge of sanity. He even looked a lot like a young Brian. Cusack was very strong as the older Brian attempting to find his way back into usefulness. Camp was good as the oppressive and abusive father. Giamatti was almost over the top at the unhinged psychiatrist who controlled Brian for his own purposes. Banks was inspiring and really good as the woman who could see Brian for more than what Dr. Landy was presenting. Michael A. Lerner wrote a fantastic script. Oren Moverman did an amazing job of creating a biography film that was both interesting and compelling to watch.

The music was fantastic; the story even better.

Maps to the Stars

First Hit:  I’m sure I’ll be in the minority on this – and I liked this film. It was quirky, yet insightful in the David Cronenberg style.

Havana Segrand (Julianne Moore) is a fading from view movie star who is trying to get the part of her famous deceased movie star mother in an upcoming film. She really wants the part.

The film shows her desperation of want and her pretending to not be attached to getting the role. Agatha Weiss (Mia Wasikowska) is an intelligent, scarred and somewhat twisted girl. We see her abnormal behavior unfold as the film evolves. She becomes Havana's assistant and has an edge that keeps the audience on wondering. Dr. Stafford Weiss (John Cusack) is a Hollywood based spiritual and physical energy therapist to the stars.

His wife Christina (Olivia Williams) and he are driving their son Benjie (Evan Bird) to be an ego filled young actor. There is a controlling power in their house and when Agatha shows up again, all hell breaks loose. Keeping Agatha’s attention was limo driver Jerome Fontana (Robert Pattinson), until her real wish is known.

The fun part of this film is the moving from one type of ego expression to another and in Hollywood it all stands out strong.

Moore is great as the fading star who wants to stay in the limelight. Wasikowska is fantastic as the strangely possessed young woman. Cusack is perfect as the ego driven guru believing his own self-awareness. Williams is great as the mother/wife walking a tightrope. Bird as the ego possessed young man who is getting more than he deserves is very good – believable. Pattinson is really good as the limo driver who pretends non-interest and then interest in Agatha. Bruce Wagner wrote and interesting, complex screenplay that, for me, worked. Cronenberg definitely had his vision and although it isn’t everyone’s cup of tea, for me it worked well.

Overall:  I found this film interesting and fun to watch these characters go through their ego struggles.

The Butler (Original Title)

First Hit:  Some of the performances were outstanding while others were miscast and poor.

I do not like the ego of directors or writers who name their film with their name as part of the title. This film was originally called "The Butler" and now it is called and marketed as “Lee Daniels’ The Butler”.

I’m sure there are reasons why, but for me it taints a films’ integrity. Why? Because it means that the director (in this case) views himself as or more important than the film itself.

The best thing about this film was viewing changes in the civil rights movement through Cecil Gaines (Forest Whitaker) life. Where he watched his mother being abused by the slave owner, his father shot by saying something about it to Martin Luther King’s “I Have a Dream” speech, and finally a black man being elected President of the United States. How it was portrayed by Whitaker, David Oyelowo, and Oprah Winfrey was excellent.

What didn’t work about this film? The representation of the Presidents Cecil served during his time in the White House. This is a great story about how a man learned how to serve with great strength of character and gained respect for his service and being of service. Although his home life was hard at times with his wife being an alcoholic and his oldest son becoming a radical of the sixties with the Black Panthers, he persevered these things as well as losing his youngest son in Vietnam and through it all he continued to be an honorable man.

Whitaker is wonderful and electric in this role. Winfrey is difficult to watch at the beginning because it is hard to separate Oprah from the role. If she acted more, she would be able to have the audience transcend her television persona more easily because she is a very good actress. Oyelowo is absolutely great as Whitaker’s son. Robin Williams as Dwight D. Eisenhower didn’t capture Dwight’s pace or energy. John Cusack did get the creepiness of Nixon but paled as the film moved on. James Marsden seemed more like Bobby Kennedy than John F. Kennedy. Liev Schreiber as Lyndon B. Johnson was pathetic. Alan Rickman was slightly worse than Schreiber as Ronald Reagan. However, I though Jane Fonda was a priceless and fabulous choice as Nancy Reagan – she caught the look, feel and ways of Nancy. Danny Strong wrote a good script. Lee Daniels got good performances from some actors but the choice of others for their roles was very weak.

Overall:  The real story got slightly demeaned by the actors chosen to be Presidents.

The Raven

First Hit:  At times tedious and slow, other times engaged and watchable.

This film had some possibilities but I’d be hard pressed to understand why it didn’t work when looked at as a whole film.

This story is basically about someone who decides to make real the stories of Edgar Allan Poe (played by John Cusack) as a way to get Poe to kill himself. This person determines that the way to do this is to hold Poe’s girlfriend Emily (played by Alice Eve) hostage.

Emily’s father Captain Hamilton (played by Brendan Gleeson) dislikes Poe because Poe is usually drunk and has little inspiration to write more great stories. He’s against Poe but there is little story line to give this some credence.

I didn’t see the chemistry or connection between Poe and Emily. Detective Fields (played by Luke Evans) is the guy investigating the crimes modeled after Poe’s stories but he allows Captain Hamilton to push him around too much. As this point the movie meanders, but it was nice to see aspects of Poe’s tales shown on the screen.

Cusack is intelligent enough to carry off being Poe. Eve was OK but I never saw much of a real connection with Poe to make it work that they would die for each other. Gleeson is righteously arrogant enough to carry off his role as protective father. Evans is good as the detective but there is little to validate his credentials as head detective. Ben Livingston and Hannah Shakespeare wrote the script which meandered at the beginning and tightened up in the end. James McTeigue directed this film. At times it seemed under control and with clear direction while at other times I was fully disengaged as I waited for the next relevant scene.

Overall:  Despite Cusack’s intelligent portrayal of Poe, this film didn’t have enough to make it very good.

2012

First Hit: Visual effects are the real story here which provide an interesting view of what might happen during a cataclysmic world event.

There are lots of things that get mixed up and are inaccurate in this film, like cell phones still working in India and the US when half the world is underwater, but for the most part the film is a fun ride of close calls.

John Cusack plays Jackson Curtis a writer, father and divorced limo driver who inadvertently comes across the US Government testing for the problems in the Earth’s core and crust while camping with his kids in Yosemite National Park.

While in Yosemite, he runs across a roving and raging independent radio broadcast reporter named Charlie Frost (played wonderfully by Woody Harrelson) who begins to convince him that there is a huge problem with the Earth and that the government is hiding it from everyone.

Another of the film’s stories is of a Geologist Adrian Helmsley (played by Chiwetel Ejiofor) who is working with a scientist in India who discovered that the core is heating up so fast that the world will end in a short period of time.

Helmsley speaks with the President who speaks with the other leaders of the world and they decide to create “Arks” to save a part of the human race along with its animals. Of course they don’t tell the populous, but offer up openings on the Arks to those who have the most money.

Meanwhile Jackson figures out that Frost’s ravings are correct that decides to save his children, divorced wife and her current husband. This begins the effects part of the film where there are more buildings falling, waves crashing, and cracks opening up in the Earth than one can ever imagine.

From this point on, the film is a roller coaster ride and it is fun to watch.

Roland Emmerich does a good job of giving us all sorts of fun effects; although some of them not very realistic, like driving through a falling building or flying between the minimal spaces between two buildings falling into each other. However, if one lets go of the accuracies and probabilities, then it is a fun rollick of a movie. Cusack mugs his way through being distraught and brave. I loved the kids Noah and Lily (played by Liam James and Morgan Lily respectively) doing their part to create a glue between the divorced parents in this traumatic situation. Ejiofor was solid as the Geologist as was Danny Glover as the President and Thandie Newton as the President’s daughter.

Overall: Not a great film for dialogue or content but fun to watch for the visual effects.