Diablo Cody

Tully

First Hit: I was genuinely surprised by the ending of this powerful film about motherhood.

Marlo (Charlize Theron) is 9 months pregnant, mother of two other children Emmy (Maddie Dixon-Poirer) and Jonah (Asher Miles Fallica), and wife to Craig (Mark Duplass). The family home is rather chaotic and stems, in-part, because of Jonah’s “quirky” presence and because motherhood has wiped her out and taken her spirit.

Craig is a good husband, it is apparent that he loves his wife and does support the family process by doing their children’s homework with them and helping Marlo to make the children’s lunches. There is a scene towards the end of the film that shows this sweetness and togetherness.

Marlo’s brother Drew (Ron Livingston) has made it financially and as his new baby gift to his sister offers to pay for a night nanny to assist his worn-out sister.

She resists because she perceives that this will show weakness and a lack of ability. After the new baby arrives, her worn out life gets worse and there is little she can do given the pressure of Jonah’s school is asking her to remove Jonah because of his “quirky” behavior, along with trying to meet the new baby’s needs.

She resigns herself to making the call to a night nanny. Tully (Mackenzie Davis) arrives one evening with a bright open smile, lots of empathy, and skills far beyond her age of 26. Each evening Tully arrives and takes over the care of the new baby Mia. She brings Mia up to Marlo for the night feedings, sits and watches until the feeding is complete, and takes Mia back downstairs.

Tully, also cleans the house, bakes cupcakes and does lots of other things that release Marlo from the heaviness of raising a newborn at night. Because she’s now getting sleep, Marlo becomes more present and active with her children and starts to make elaborate meals for her family instead of the “frozen pizza” dinner she often throws down.

Tully and Marlo become friends and what they share together slowly reveals who Marlo is, who Tully is, and Marlo's love for Craig.

This film speaks directly and pointedly to the difficulties many women have being a mother. For this alone, many men need to see this film.

Theron is dynamic in this role. Not only did she put on about fifty pounds to make the role feel real for her and the audience, her embodiment of the frustration of raising children was spot on. Davis as Tully was amazing. I loved her joyful embrace of being an empathetic, smart, supportive nanny. Duplass was very good as the caring loving husband who needed to learn more about helping his wife. Dixon-Poirer was wonderful as the daughter. Her slow emerging as part of the family was great. Fallica was excellent as the quirky young boy. His ability to slowly evolve as Marlo evolves was perfect. Diablo Cody wrote an excellent script and the film’s direction by Jason Reitman made this story come alive through great acting.

Overall: I was truly moved by the representation of motherhood, family, and life as this film unfolded.

Ricki and the Flash

First Hit:  Nothing lasting about this film and moments were really enjoyable.

It must have been interesting for a real life mother (Ricki/Linda played by Meryl Streep) and daughter (Julie played by Mamie Gummer) to play film life mother and daughter.

The resemblance was there and I couldn’t help but wonder if Meryl’s movie making career created some angst in Mamie’s relationship with her? My guess is that there might have been some but not as much as in this film. Here Ricki/Linda leaves her marriage to Pete (Kevin Kline) to follow her dream of being in a Rock-n-Roll band. Pete was left to care for the three kids, Julie, Josh and Adam, alone. Pete marries Maureen (Audra McDonald) who steps in and becomes the mother Ricki/Linda isn’t.

However, this film is also about following your dreams regardless if you become rich and famous for it. Her band is her family now and we get to watch her relationship grow with Greg (Rick Springfield) the lead guitarist.

The band’s covers of songs by various artists are strong and authentic enough to make it work. Their versions of these songs take into account the age of the band members as well as their abilities. Although I didn’t particularly like the songs chosen – they work well enough.

The film is about acceptance and seeing things from another’s point of view.

Meryl Streep was almost convincing as someone who lives in a dream land kind of way. Her dialogue was good for the part but Streep's inane intelligence belied her part. It seemed hard for me to see Streep be a character that didn't understand the impact of her choices. It is difficult to play ignorantly spacey. As the film progresses her character begins to get it, so the acting isn’t as difficult. Gummer is pretty good at being the spoiled child who cannot believe her marriage turned out the way it did. Kline was very good as the father, still loving his first wife, loving his second wife, and knowing where to be strong and flexible. McDonald did a strong job of being the woman who raised someone else’s kids. Springfield was very good as Ricki’s band mate and lover. It also gave credibility to the music playing in the film. Diablo Cody wrote the, at times, adequate and compelling script. Jonathan Demme directed the cast well, it was just that the subject matter wasn’t presented in the strongest way.

Overall:  This was a feel good film and for the most part it worked.

Young Adult

First Hit: Theron fully embodies this depressed disillusion woman’s journey to the past.

There were multiple great and wonderful scenes in this film and a couple of the ones that I thought captured the depth of the character were: When Beth’s (played by Elizabeth Reaser) band, Nipple Confusion,  dedicated and played a song for Beth's husband Buddy (played by Patrick Wilson). This song was Mavis (played by Charlize Theron) and Buddy’s song in high school.

As the band and Beth played their heart out, Mavis’s face moves from one feeling to the another all encased with this semi stoic shocked looked. She was angry, hurt, and marginalized all in one place and time. All of these feelings were clearly transmitted to the audience.

Adding to the impact, her heart begins to beat so hard and strong with this pent up hurt and frustration and shock that that the gold heart necklace hanging around her neck starts to move with each beat of her heart.

Another amazing scene was the climactic scene where family and friends are at Beth and Buddy’s house for the baby naming party. Mavis goes off on everyone, especially Beth, noting that she thinks it should have been her and Buddy’s baby they were naming not Beth and Buddy’s.

A very rich scene carried off with pointed revealing clarity. I also loved her slightly off key singing of Buddy and her song over and over again as Mavis drove to her old town of Mercury, Minnesota to steal Buddy away from his current life and wife. The other strong story in this film is of another high school acquaintance named Matt (played by Patton Oswalt).

Matt had a locker next to Mavis but when they meet in an old bar, Mavis only really connects with who Matt is after he tells her that he was the guy all the jocks nearly killed because they thought he was gay (which he wasn’t). He is also caught in a life based on the past, but his is holding on to the pain of what was done to him by others.

These two continually meet up to share their depressed sadness with each other and the ore we watch them the more we know they are so very much alike.

Theron was amazing at embodying this depressed, alcoholic and living in the past character. The subtleties of her work through her expressionless and expressing eyes along with her body language was amazing. Reaser was perfect as Buddy’s wife. Confident in her relationship with Buddy and also with who she is made for a perfect character. Wilson was very good as the husband who really loves his wife and daughter along with being clear about what he was about. Oswalt was very strong as the guy who was holding on to his pain as a badge for his depressed introverted life. Louisa Krause played the hotel front desk girl so well she deserves a mention. Mavis’s Pomeranian dog was way too cute and deserves credit. Diablo Cody wrote a very strong crisp script. Jason Reitman directed this film cleanly and well getting the most of the script and actors.

Overall: I really enjoyed this film and realized at some time or another, people look back thinking that their high school days were where they were their best. This film shows you that this view probably isn’t true.

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