Tully

First Hit: I was genuinely surprised by the ending of this powerful film about motherhood.

Marlo (Charlize Theron) is 9 months pregnant, mother of two other children Emmy (Maddie Dixon-Poirer) and Jonah (Asher Miles Fallica), and wife to Craig (Mark Duplass). The family home is rather chaotic and stems, in-part, because of Jonah’s “quirky” presence and because motherhood has wiped her out and taken her spirit.

Craig is a good husband, it is apparent that he loves his wife and does support the family process by doing their children’s homework with them and helping Marlo to make the children’s lunches. There is a scene towards the end of the film that shows this sweetness and togetherness.

Marlo’s brother Drew (Ron Livingston) has made it financially and as his new baby gift to his sister offers to pay for a night nanny to assist his worn-out sister.

She resists because she perceives that this will show weakness and a lack of ability. After the new baby arrives, her worn out life gets worse and there is little she can do given the pressure of Jonah’s school is asking her to remove Jonah because of his “quirky” behavior, along with trying to meet the new baby’s needs.

She resigns herself to making the call to a night nanny. Tully (Mackenzie Davis) arrives one evening with a bright open smile, lots of empathy, and skills far beyond her age of 26. Each evening Tully arrives and takes over the care of the new baby Mia. She brings Mia up to Marlo for the night feedings, sits and watches until the feeding is complete, and takes Mia back downstairs.

Tully, also cleans the house, bakes cupcakes and does lots of other things that release Marlo from the heaviness of raising a newborn at night. Because she’s now getting sleep, Marlo becomes more present and active with her children and starts to make elaborate meals for her family instead of the “frozen pizza” dinner she often throws down.

Tully and Marlo become friends and what they share together slowly reveals who Marlo is, who Tully is, and Marlo's love for Craig.

This film speaks directly and pointedly to the difficulties many women have being a mother. For this alone, many men need to see this film.

Theron is dynamic in this role. Not only did she put on about fifty pounds to make the role feel real for her and the audience, her embodiment of the frustration of raising children was spot on. Davis as Tully was amazing. I loved her joyful embrace of being an empathetic, smart, supportive nanny. Duplass was very good as the caring loving husband who needed to learn more about helping his wife. Dixon-Poirer was wonderful as the daughter. Her slow emerging as part of the family was great. Fallica was excellent as the quirky young boy. His ability to slowly evolve as Marlo evolves was perfect. Diablo Cody wrote an excellent script and the film’s direction by Jason Reitman made this story come alive through great acting.

Overall: I was truly moved by the representation of motherhood, family, and life as this film unfolded.

Table 19

First Hit:  Poorly conceived, not funny, and poorly executed.

When a film isn’t clearly defined, and has no real point, the audience will struggle. When a film adds poor execution to a lack of direction it ought to be tabled.

There is so little about this film that works, I cannot imagine the producer seeing it for the first time in the screening room saying, I can’t wait to get this distributed. So why did someone put this in theaters? They may have been hoping that the stars who are in it would fill seats ($).

Briefly, Eloise (Anna Kendrick) has become the ex-maid of honor after being dumped via text from the bride’s brother Teddy (Wyatt Russell). The story tells us she had known the bride her whole life and she was shocked to find out that she was also dumped from the bridal party as maid of honor. I did like the scene where she kept checking both the regrets and acceptance boxes on the wedding invitation. In her own disgust at her behavior, she finally sets it on fire and then puts out the flames and sends the burnt invitation back to the bride Francie Millner (Rya Meyers). Arriving at the wedding, her seating assignment is Table 19 the table furthest from bride a groom. This is the table for outcasts, people who the bride and groom wished had sent their regrets.

When Eloise gets to the table, she finds Nanny Jo (June Squibb), Bina and Jerry Kepp (Lisa Kudrow and Craig Robinson) Renzo Eckberg (Tony Revolori), and Walter Thimple (Stephen Merchant). Eloise explains the entire room table setup because she did the seating chart and why the people she’s sitting with are not important to the wedding party. With this knowledge, the table leaves the wedding party and spends time outside learning more about each other.

There are several scenes when the camera is aimed at the wedding reception and wedding party and it is just wasted film. There is no reason for the camera pan and these scenes add no value to the story. There is a set of scenes when Eloise meets a handsome guy named Huck (Thomas Cocquerel) who dances with her, but the team at Table 19 find out later he’s the groom to a wedding just down the hall. There are several set-up scenes which could have evolved into a funny sub-plot or something interesting but they all failed.

The film tries to be funny and it has some wonderful actors who could have made it funny like Kendrick, Squib, Kudrow, Robinson, and Merchant, but most everything failed to be funny. The other side of the film wanted to be dramatic with the subplot of having Eloise pregnant with Teddy’s baby but it failed to gain traction.

Kendrick was as good as she could be with the material she had. I’d suggest that she do a better job of script selection. Squib was thoroughly underutilized and didn’t have an opportunity to share her comedic chops. Kudrow and Robinson as a couple failed. There was no chemistry and I could buy their story of how they got together. We know they both can be funny given good material but… alas. Merchant had a very odd role which if stretched could have been funny, but again the script and direction failed. Revolori was interesting as I couldn’t figure out why he was in the film. His character didn’t fit and the comedic scenes with him didn’t work. Walking up to a table and telling a young woman about the size of his penis didn’t work. Meyers was gracious in her minimal dramatic role. Russell was mediocre in his role. I know the role has him being a bit slow and not too bright, but it didn’t work. Jay and Mark Duplass wrote this strangely weak and poorly constructed screenplay that really had no real beginning, middle, or end. It just started at one level, ran for a couple hours and fizzled out all-together. Jeffery Blitz had no chance to make this film work because of the script, but it is important to note that his direction didn't help the film either.

Overall:  One of the worst films that will come out in 2017.

The One I Love

First Hit:  Interesting concept but I’m not sure the acting raised the story to a level worth watching.

A young couple, Ethan (Mark Duplass) and Sophie (Elisabeth Moss) are having marital problems. The trouble began with a lack of communication,  physical connection and resulting in Ethan having an affair.

Sophie is having difficulty in forgiving her husband and they decide to see a therapist (Ted Danson). After a number of sessions he suggests a weekend trip to a home he uses to assist couples in healing. They arrive and soon discover there are a couple of abnormalities in this retreat home. The story then revolves on how the couple deals with the abnormality and their real dreams of a relationship.

The unfortunate part of this film was in the acting. The actors just didn’t seem strong enough to hold this, possibly interesting, story together.

Duplass is weak as the husband that realizes he’s made a mistake and wants his wife back. His reaction to the abnormity just seemed weak and lifeless – it lacked passion. Moss was better in her role and made the story more interesting. Danson was fine in this limited role. Justin Lader wrote an interesting story and script but it was either Charlie McDowell’s weak direction or the weak acting by the cast that dragged this film down.

Overall:  I loved the idea in the storyline, it just wasn’t executed well.

Your Sister's Sister

First Hit:  Not a great film and some situations were well acted and thoughtful.

The film begins with some speeches at a party in a living room about someone who’s been deceased for a year. The persons brother Jack (played by Mark Duplass), still hurting from the loss of his brother, gives a talk about some of the earlier and darker sides of his deceased brother.

The gathered group doesn’t want to hear it, including Iris (played by Emily Blunt) who was the girlfriend of the dead brother. She pulls Jack aside and suggests he get himself together by staying at her family’s cabin on an island in the Puget Sound. He gets on his bike and rides to a ferry, takes the ferry to an island and finds the remote island cabin. Arriving he runs into Iris’s gay sister Hannah (played by Rosemarie DeWitt).

Hannah is at the cabin because she just ended a 7-year relationship and is trying to find herself. They sit down, have a bunch of drinks and end up having sex. Iris arrives the next day to visit Jack unexpectedly and finds her sister there as well.

The untold stories begin to evolve here and the audience is along for the ride. What I liked was the process of how the sisters resolve their issue - it wasn't with a simple “I’m sorry”. There are long walks, moments of ignoring the other person in the room, and alone time. Jack has his own searching to do but his search comes to fruition when he trashes his bike.

It is within these sections of the film where I thought and felt the congruency of the remote scenery and emotional processing each person goes through to resolve what life brings.

Overall, Duplass is good but not great. There are interesting moments when we get a glimpse of an interesting character. Blunt is very good in her role and I enjoy when she is on the screen. She has an ability to hide and expose who she and her character are simultaneously. DeWitt is charming and her interaction with Blunt in the bed scenes are revealing, sweet and joyous to watch. Lynn Shelton wrote and directed this film which is very much a woman’s film with a woman’s point of view.

Overall: I fully enjoyed how the threesome under the direction of Shelton took their time to resolve the issue at hand.

Jeff, Who Lives at Home

First Hit:  Although I didn’t anticipate much, this film was touching and more interesting than I originally thought.

Jeff (Jason Segel) lives at home. He’s over 30 years old, watches the film “Signs” often, smokes a lot of pot, and is totally lost in his life.

Trying to find his way, he looks for his own signs that will give him a clearer picture of what he needs to do with his life. Jeff is a pacifist and mourns the loss of his father.

His brother Pat (played by Ed Helms) is struggling in his marriage to Linda (Judy Greer) and is trying to spice his life up with a new car. Jeff and Pat’s mother Sharon (played by Susan Sarandon) works in an office, doesn’t know how to motivate her son Jeff and is being admired by someone in her office.

Jeff gets a call from someone who is asking for “Kevin”. There is no Kevin so Jeff, while on an errand for his mom, leaves the house and then runs into a young man with “Kevin” written on his shirt. He thinks it is a sign. He eventually runs into his brother Pat.

Pat on the other hand, has bought a Porsche which he and his wife cannot afford because he thinks he’s missing out on life. They run into Linda who is meeting up with a male friend. Sad that Pat doesn’t talk with or listen to her any longer, she ends up in a hotel room with him.

Then Sharon getting anonymous instant messages from someone at the office has her in an emotional tizzy. The ingredients are interesting and result in a very nice finale.

Segel is very good as Jeff the wayward slacker lost in life. Helms is good as the highly wound-up brother who just wants something different in his life and doesn’t see he needs to look within. Sarandon is wonderful as the lost mother of two boys who are on their own unhealthy paths. Greer is great as the wife who has had enough and wants things to change. It was very nice to see Rae Dawn Chong again in her role as Sharon’s office friend. Jay Duplass and Mark Duplass co-wrote and co-directed this pleasantly interesting and engaging film.

Overall: This is a thoughtful and interesting film.