Patriots Day

First Hit:  This was an interesting perspective of a very tragic event in Boston and America’s history.

This dramatization of a horrific event was both; interesting from a historical perspective and not very engaging from a character standpoint. The film took a very broad perspective of the people to be included as characters. It included the various law enforcement agencies including; the Boston Police Department, the FBI, Watertown Police Department, MIT Police Department and a couple of other US Government agencies. From a citizen perspective, there were both students and citizens from various neighborhoods.

The filmmakers made attempts to provide backstories, or history per se, of certain characters, however despite being helpful at a small level it was difficult to engage with anyone at an emotional level. For example; Police Officer Sergeant Tommy Saunders (Mark Wahlberg) was the lead character and we learn early on he’s got a history with the department and is on probation. Why? We never really find out but there are multiple references to alcohol and there are a couple scenes where he drinks when it might have been better if he didn’t.

But this isn’t the story, but it nagged at me that we didn’t have this history. The story is about how Boston and others captured the brothers, Dzhokhar Tsarnaev and Tamerlan Tsarnaev (Alex Wolff and Themo Melikidze respectively), who become radicalized Muslim bombers and exploded two bombs at the finish line of the Boston Marathon.

The film tries to track a lot of people including: the Tsarnaev brothers, Tamerlan’s wife Katherine Russell (Melissa Benoist), Officer Saunders, bomb injured married couple Patrick Downes (Christopher O’Shea) and Jessica Kensky (Rachel Brosnahan), MIT Officer Sean Collier (Jake Picking), car jacked Dun Meng (Jimmy O. Yang), Boston Commissioner Ed Davis (John Goodman), Boston Mayor Thomas Menino (Vincent Curatola), FBI Special Agent Richard DesLauriers (Kevin Bacon), Watertown Police Sergeant Jeffery Pugliese (J. K. Simmons), Carol Saunders (Michelle Monaghan), Massachusetts Governor Deval Patrick (Michael Beach), and a host of others. It begins the evening before the bombing and goes to when they were captured (Dzhokhar) and killed (Tamerlan). One thing that was interesting was that this film had one of the largest credited and uncredited casts for any film in recent memory.

The filmmakers used some archival footage as well as re-enacted scenes in following the brothers, law enforcement, and citizens over subsequent week as the brothers tried to escape, go to New York to place another bomb, and how they were captured through the use of technology, law enforcement officers, and the bravery of citizens.

Wahlberg was very good as the film’s key focal point. I wanted to know more of why he was being punished, but from a character point of view he was very strong. Wolff and Melikidze were both very solid as the brothers who brought this havoc to Boston. I think they did a great job of emoting the attitude as affected Muslim radicals. Bacon was wonderful as the FBI agent trying to get the bombers identified and captured quickly. O’Shea and Brosnahan were wonderful as the married couple that lost limbs, survived, and made it back to a subsequent race. Yang was really good as the young man whose car was hijacked by the brothers during their escape. Simmons was OK as the Watertown Sergeant. Goodman was strong as the Commissioner. Picking was wonderful as the caring officer that was shot by the brothers. Monaghan was engaging as Officer Saunders’ wife. Peter Berg, Matt Cook, and Joshua Zetumer wrote a very ambitious screenplay that attempted to cover numerous stories around this very tragic event. In this ambitious effort, it lost a little heart and focus. Peter Berg did his best to cover this expansive story.

Overall:  This is an amazing story to tell and it does honor the affected people.

Denial

First Hit:  A strong and heart felt story about a truth.

Has anyone ever denied something you and everyone else you know to be true? For me it is deflating and hurtful to have the truth be ignored by ignorance or ego driven insensitivity. I can only imagine what it might have felt like when Deborah Lipstadt (the real person), a noted historian and writer, was challenged by a denier that the Holocaust had actually happened. Being Jewish historian, she wrote a book called “Denying the Holocaust” in which she indicate that Irving was a liar by denying the holocaust had happened.

This film attempts to share this powerful story when Lipstadt (Rachel Weisz) was confronted by David Irving (Timothy Spall), a holocaust denier, while she was teaching a class. Irving said that he'd give anyone $1,000 if they could prove that holocaust had taken place. She was so incensed that she called him a liar in public along with a few other assorted things which gave Irving the forum he needed to have Lipstadt sued for libel thereby having his cause heard. By having his cause heard, he would become more famous, validated, and rich. The forum he chose was the English court system. In this system, the defendant (Lipstadt) had to prove that Irving was a liar, which is different than the US court system where the prosecutor has to prove they were libeled. Living in the US Lipstadt didn’t know this and took the case straight on.

Her English Barrister (the person doing the lead research) was Anthony Julius (Andrew Scott) and her Advocate (the person arguing the case) was Richard Rampton (Tom Wilkinson). Together they spent years and millions of pounds detailing out a case, in front of a judge, to hopefully show that Irving was lying.

The arguments on both sides were interesting. One of Irving’s beliefs that stood out reminded me of the OJ Simpson trial. In the Simpson trial Johnnie Cochran came up with a catch phrase that swayed the trial, “if it doesn’t fit, you must acquit”. In this film, Irving and the press came up with, “No holes, no holocaust”. What it referenced was the issue that no one had been able to show that were holes in the ceilings of the gas chambers where the poisonous gas materials were dropped into the chambers. If there were no evidence of holes in the ceilings, then how could have gas pellets been dropped into the chamber?

On the other side arguments brought forth by Rampton were aimed at having Irving box himself into a corner showing that he knowingly lied about his research. By doing this, he would be admitting that he was a liar on his own accord which would then support Lipstadt’s original statement, that he was a liar. This was a difficult challenge and Rampton, who threw himself fully into the task. But one thing he insisted on was to ensure that the arguments were not emotional. Therefore, he insisted that neither Lipstadt nor any survivors take the stand to make an emotional case. He wanted the case decided on logic and true information so that this issue wouldn't ever again be questioned.

With this set-up , the film deftly brings this story to light. The English Court system, the pain of the holocaust, and a way to commit to the truth without the display of emotions.

Weiss was very good as Lipstadt. Her drive and dignity of the character were well delivered. Wilkinson was wonderful as the Advocate. His humanness and logical drive were strongly present through the entire process. Spall was amazing in this unlikeable role. The ability to take on a role like this despite your beliefs is challenging and he did it extremely well. Scott was good as the Barrister who wanted to right the wrong. David Hare created a wonderful and intense screenplay. The dialogue exchanges between Lipstadt and Rampton were wonderfully written. Mick Jackson did a wonderful job of directing this courtroom thriller. Some of the scenes at Auschwitz were amazingly and deftly shot.

Overall:  This was a strong film about a deeply emotional piece of history.

Anthropoid

First Hit:  This was a strong, well-presented, and interesting film about the assassination of Reinhard Heydrich the architect of the holocaust.

The story follows a small group of men who parachute into Czechoslovakia with the goal of assassinating Reinhard Heydrich who had been sent to Czechoslovakia to ensure that the country supplies Germany with the war materials they expect.

There is a resistance movement in Prague which has been decimated by German soldiers publicly killing people who do not fall in line with German leader wishes. Heydrich had come up with the plan and process for killing all European Jews and was Hitler’s number 3 guy so he was Hitler's guy to get Czechoslovakia in line.

The film mainly follows two of the men, Jan Kubis and Josef Gabcik (Jamie Dornan and Cillian Murphy respectively) who parachuted into the republic, and find themselves in Prague being helped by the resistance led by Uncle Hajsky (Toby Jones). Both Jan and Josef are coupled with two women Marie Kovarnikova and Lenka Fafkova (Charlotte Le Bon and Anna Geislerova respectively) as a way to help them blend into Prague city life while they plan the assassination.

The film is graphic about the struggle and occasionally uses actual footage. The scene of the actual assassination was well staged in that it felt risky and real. The suspense was palpable.

The end scene with the battle in the church was very well done and very heroic in nature. Watching this film was like watching an important piece of history, which means the filmmakers did an excellent job of bringing this story to life.

Dornan was wonderful as the guy who struggled to pull the trigger but when the chips were down he was a reliable member of the team. His romance and connection with Marie was palpable. Murphy was fantastic and the driver of the mission. His ability to be strong, yet apologize for his focus, was truly heartfelt. Jones was really good as the main contact and leader of the underground. Le Bon was really good in the way she was supportive of the mission and her love for Kubis. Geislerova was truly amazing. Her strength of character shone through in this role. Sean Ellis and Anthony Frewin wrote a very strong script and Ellis’ direction was spot on.

Overall:  This was a truly interesting and well-acted film about a historical event.

Free State of Jones

First Hit:  Ambitious telling of a few southern men who really wanted to be free of the South’s prejudicial way of life.

The film begins with Newton Knight (Matthew McConaughey) carrying a wounded soldier into a field hospital. Showing intelligence and compassion, he strips off the soldier’s uniform and replaces it with an officer’s and announces that he’s got a captain that needs assistance.

Because he’s an officer the wounded soldier gets help. In this simple scene we are shown the compassionate leadership qualities in Knight. When his son Daniel (Jacob Lofland), by his wife Serena (Keri Russell), gets killed, he loads him up on a mule and deserts the Confederate Army, a corporal offense, and returns the body to his home.

Serena, distraught, packs up their youngest child and leaves the area. Because he’s now a wanted deserter, Knight has to hide out in the swamp with escaped slaves. One day, while protecting a poor farmer's wife and daughters from Lt. Barbour's (Bill Tangradi) pillaging their corn, hogs, and supplies, he's discovered by the Confederate Army raiders which now want to chase him down and prosecute him.

Of course the rich landowners were not pillaged and were also protected from losing any of their property. Knight ends creating a small society of other deserters and former slaves whose goal is to live free with equality among all men. Moses (Mahershala Ali) is one of the slaves who becomes a strong leader in the movement to rid the South of their prejudicial ways.

Newton falls in love with Rachel (Gugu Mbatha-Raw), who is another slave who fled their owner and they have a child together. This story becomes very complex because this growing group of freedom fighters, fight the Confederate Army and the Klu Klux Klan to earn freedom from oppressive citizen attitudes and a government learning how to enforce the U.S. Constitution and Bill of Rights.

To re-enforce the difficulty of these changes, Rachel and Newt’s son is shown in court as an adult because he’s partially black and wasn’t allowed to marry a white woman.

McConaughey was well suited to this role. His down home nature and natural leadership qualities are well represented here. Russell is strong as the first wife who leaves and comes back to be very supportive of the movement. Trangradi is very good and brings the right attitude to his character. Ali is powerful as the former slave who embraces his freedom in all ways. Mbatha-Raw is sublime as the movement’s supporter and eventual wife of Newt. Gary Ross wrote and directed this ambitious effort. Although I think he bit more off than could be chewed in this film, his representation of the changes the South went through was excellent.

Overall:  This film sheds light on a man whose tombstone accurately states: “He lived for others.”

The Finest Hours

First Hit:  This long film attempted to highlight an amazing true story about a rescue made by the Coast Guard.

This is based on the true 1952 story where two oil tankers broke apart off of Cape Code in a huge storm.

Chris Pine, as Bernie Webber, is a follow the rules member of the Coast Guard. He’s quiet and introspective. He’s lacks outward confidence as shown in the first scene where he meets Miriam (Holliday Grainger) a woman he’s only written and spoken to.

Ray Sybert (Casey Affleck) is the engine room seaman on one of the oil tankers. He does not get much respect from the rest of the crew because he is so focused on the ship. However, they end up turning to him for survival after the ship breaks up.

The film very slowly unwinds with the group of seasoned Coast Guard team has little confidence that Bernie is a good enough captain. No one makes it “over the bar” in heavy stormy seas, yet Bernie attempts and makes it.

The tanker crew turns to Sybert because he’s the only one committed to saving them all as a group. The film is about the rescue, about self-belief, confidence and romance.

Pine played this part in such a way that I did not find him very interesting or compelling. I did find Grainger’s character interesting and driven. Affleck was far more compelling in his role and I was engaged watching his role play out. Rachel Brosnahan as Bea Hansen a fisherman’s wife to also be very engaging. Scott Silver and Paul Tamasy wrote this adequate screenplay. I’m not sure whether is was the screenplay, actors or direction of Craig Gillespie that was the cause of this film dragging, although once the rescue actually begins, it gets better.

Overall:  Unfortunately I’m not sure the compelling real story came through in this film.