Lucky Logan

First Hit:  Funny at times but lacked intrigue and substance.

Director Steven Soderbergh had previously indicated he’d quit making films.  I guess it wasn't true. Here he made a film that could be compared with his other action crime films, Oceans 11 through 13, although dumbed down. You'd think think he had the formula down, but he must not have, this one didn't work.

Maybe the mistake was thinking that making the same kind of robbery/crime film with people that aren’t very bright would be interesting or compelling. Unfortunately, it wasn't as it because the storyline didn't translate out of Las Vegas at all. Although he tried to reduce the complexity of the crime and dumb things down because of the characters, it didn’t work because the actual details to pull off this crime and the reveal at the end, weren’t believable.

Jimmy Logan (Channing Tatum) is a doting and wonderful father to Sadie (Farrah Mckenzie). His former wife, Bobbie Jo Chapman (Katie Holmes), is antagonistic towards him but she does see his love for their daughter. He gets fired from his job, through no real fault of his own, because of a old football injury. He does appear to have some smarts about him.

His brother Clyde (Adam Driver) is slow and not very bright. He lost his arm in the Iraq war and has a prosthetic that is somewhat useless to him as a bartender in a local dive. Jimmy also has a sister Mellie (Riley Keogh) who runs a small town beauty salon and knows a hell of a lot about cars.

The location is significant because it is near the Charlotte Motor Speedway.

The Logan clan needs money, so the brothers decide to rob the speedway. Hatching a plan, they decide they need to blow up a safe and decide to hire an incarcerated Joe Bang (Daniel Craig), who is an expert at blowing up safes. Upon hearing the plan, Joe tells Jimmy and Clyde that he'll need his slow hick brothers Fish (Jack Quaid) and Sam (Brian Gleeson) to help him. He wants them to get the explosives and to break the raceway’s computer payment system. The brothers quote was priceless: “I knows all about them twitters and such”, this gives the audience an idea of their ilk.

This team does come up with an ingenious plan to get Joe out of prison without the prison knowing, rob the raceway, and take the heat off them after the robbery. However, the ending leaves a question as to whether they will get away with it as Special Agent Sarah Grayson (Hilary Swank), who seems to be the smartest person in the film, bellies up to the bar in the end and starts talking with Clyde.

Tatum was good, but I didn’t buy his perceived dumbness nor his smartness, and maybe that was the point. Driver was OK as a slow dedicated brother. He almost came across at too dumb. Keogh was fantastic as the smart as a whip sister that knew how to control what she needed to control. Mckenzie was excellent as Tatum’s and Holmes’ daughter. She was very engaging to watch. Holmes was OK as mother and former wife. Craig was odd in this role. There was something that didn’t work for me as him being a hick. However, he did create an over the top character. Quaid and Gleeson were very good in their dumb brother roles and it appears they’ve picked up the acting chops of their parents. Rebecca Blunt wrote the screenplay. What didn’t work was not making the characters believable. Their actions and a lack of character depth created too many questions about the story. Soderbergh made some of the comedy work, but the weakness, for me, lay in the believability of the characters and congruency of their actions.

Overall:  This film is funny at times, but fails where it really needs to be strong, pulling plausibility out of characters and their actions.

Wind River

First Hit:  Extremely well-acted character driven crime film in a stark cold setting.

Jeremy Renner is a fine actor and his turn in “The Hurt Locker” was amazing. In “Wind River” he gets an opportunity to shine once again. Here he plays Cory Lambert an agent with the US Fish and Wildlife Service in Wyoming. He spends most his time alone in the wild hunting down animals that are killing local rancher’s animals. He's divorced, a father and haunted by loss.

He was married to Wilma (Julia Jones) a Native American. They had two children together, however the oldest, a daughter, was suspiciously killed one night while the couple were out together for much needed alone time. Their young son lives primarily with Wilma and she’s looking to move away for a new job.

While tracking mountain lions in the high country, he runs across a Natalie (Kelsey Asbille) who is frozen, dead and barefoot. He can tell she'd been running away from something horrible because of the tracks in the snow, wounds on her body and that the freezing cold air coagulated the blood in her lungs causing them to burst. Cory suspects she was also sexually assaulted because of the location of blood stains on her clothing. He contacts Sheriff Ben (Graham Green) who calls the FBI because they suspect it is a homicide and on government Native American land.

The FBI sends Jane Banner (Elizabeth Olsen) to determine what happened and if a homicide, resolve the murder. Between Ben, Jane and Cory they figure out how Natalie was killed and who was responsible for her death.

The scenes and scenery were dramatically staged showing the wild, cold, wilderness of remote Wyoming. Camera shots were powerful and added to the suspense of the story. The scenes of Cory with Martin (Gil Birmingham), Natalie’s father are deeply moving as they share the experience of losing a daughter and having to deal with their respective losses.

Renner is amazing. He’s perfect for the role by being rugged, smart and sensitive. Jones is perfect as Cory’s divorced Native American wife who's looking to move on. She impeccably carries the sadness of losing her daughter and the status of her and Cory's relationship. Asbille is wonderful in her small, primary, yet pivotal role. Olsen is flawless as the FBI agent naïve in the ways of Wyoming reservation ways, but focused on getting the job done. Birmingham is priceless. I loved his reserved suffering ways and willingness to take another step. Greene is excellent as the Sheriff who bridges the gap between the native American and white man’s worlds. Taylor Sheridan wrote and directed this film. In both cases, he hit a home run. Some of the shots in the wild made me feel as if I was a voyeur and greatly added to the experience.

Overall:  This is a top-notch film because the story, acting and direction is sublime.

Detroit

First Hit:  Extremely powerful film about racial injustice in the city of Detroit in 1967.

Kathryn Bigelow has a history of taking on difficult powerful subjects and bringing them to life. She is a master director. Her filmography continues to get stronger and stronger. From her Blue Steel and Point Break days to The Hurt Locker, Zero Dark Thirty and now, Detroit.

I feel fortunate that, once again, in the matter of a few short weeks I’ve been able to see films where the focus is the story and not particular characters. And what makes this film even better is that although it takes place in 1967 it reflects the targeting of blacks today by law enforcement.

To do this Bigelow seamlessly incorporates actual 1967 film footage and stills into her vision of this story. We follow several black characters who end up being innocently targeted by law enforcement for being at a particular place, at a particular time, and because of the color of their skin.

The script was developed from court transcripts and proceedings, interviews of some survivors and an honest interpretation by the writer. The focus is the murder of three black men and the beatings of seven other black men and two white women by the Detroit Police Department and tacitly condoned by US National Guard. This incident took place at the Algiers Motel, in Detroit during the 12th Street Riots. They victims had gone to the hotel to hide out and stay off the streets because there was a curfew and people couldn’t get home.

One of the guests at the motel shoots a toy pistol, which is mistaken by the police and National Guard as sniper fire. In rushing the motel’s building the police drag these motel guests down to the bottom floor and begin interrogating them to discover where the gun was and who shot the gun. Despite killing the person who shot the never found toy gun, the police used extreme tactics to scare the other guests. They systematically pulled people into rooms threatening to shoot them if they didn't have answers to their questions. They also mercilessly beat each person.

In doing so, they killed another two. For hours they continued to beat each of the suspects to get them to talk. Finally, the police decided they need to leave. To cover their tracks, they threaten each of the remaining suspects, that if they were ever to speak of this event again, they will die.

Eventually, this event and the officers are brought to trial and the all-white jury exonerates the three guilty police officers. Sound familiar?

John Boyega (as Dismukes) is amazing as the black private security officer that attempts to be the peacemaker and mediator between the cops and guests. Boyega is great at hinting, what appears to be, regret that he didn’t do more to help his fellow brothers. Will Poulter (as Officer Krauss) did a wonderful job being everyone’s nightmare. It was not an enviable role but as the racist officer he made the hate real. Algee Smith and Jacob Latimore (as friends and bandmates Larry and Fred respectively) were fantastic as their dreams were taken from them that night. Hannah Murray and Kaitlyn Dever (as Julie and Karen respectively were the beaten white women) were wonderful. They really made their roles standout with honesty. Anthony Mackie as Greene the Vietnam vet who got caught up in the motel was perfect. Mark Boal wrote a fantastic Oscar worthy script. Bigelow, as I previously said, is clearly one of the strongest directors of our time. Her clarity of vision and storytelling is amazing.

Overall:  I recall reading and seeing television news stories about these events when they happened, but only until I saw this film, did I understand the horror.

Baby Driver

First Hit:  Thoroughly enjoyable and fun to watch.

The music mood of the film begins right away. The music is critically important to Baby (Ansel Elgort) because he spends most of his time with his white earbuds in his ears to listen to music that the audience hears during critical moments and sometimes as background in other scenes.

Baby uses the music piped into his brain to drown out the constant noise due to tinnitus. It could be that one of the reasons I related well to this film. Because of the explosive noises I was subjected to in Vietnam and from the extra loud rock concerts I attended, I have a severe case of tinnitus which means I have a constant loud noise in my head all the time.

I find that when I write, especially the two books I’m currently writing, I do it with music headphones on or I use the background noise of a café because it helps me concentrate. That’s why Baby listens to music especially when he drives the getaway vehicles for robberies set up by Doc (Kevin Spacey).

Doc obtains information about banks, armored cars, or even the post office he thinks would make great targets for cash. Doc then gathers a crew of people to do the job and each crew is a cast of different characters for each job he does except Baby.

Doc caught Baby stealing his car once and the trunk contained bags of drugs. Although Baby didn’t know about the drugs, when he fenced the car the drugs were lost. Doc makes Baby drive for the robberies because he’s the best driver there is and Baby’s share of the jobs goes to Doc as repayment for the lost drugs.

The robbery teams include; Buddy (Jon Hamm) Griff, (Jon Bernthal), Darling (Eiza Gonzalez), and Bats (Jamie Foxx). Darling and Buddy are a couple and work together but their first time working with Bats is quite an experience.

When Baby meets a waitress, at a diner he frequents, he is immediately taken with her because she sings while she walks by. Debora (Lily James), is drifting like he is. Her singing reminds him of his mom who sang and also worked at the same diner before she died in a car accident when he was a little boy. He was in the car when his parents died and it was this event that gave him the tinnitus.

When she says to him, she just wants to get in a car and drive west to a new life, he completely falls for her. Baby decides that he’s going to do one last job for Doc, pay off his debt, and ask Debora to go west with him.

This is a great set up for the film because Bats is crazy as hell, Buddy and Darling are fully capable of mayhem, Doc is arrogantly mysterious and Baby is, well, incredibly focused and talks very little.

The only things that I didn’t like in the film was the opening scene which seemed to choreographed and a couple of the scenes when Baby is walking to and from a coffee house to bring the robbery teams coffee. They were a bit to staged as well. Else I loved the driving scenes, the music and the premise as it was unique.

Elgort was fantastic. His inner character is exemplified during the scenes where he's with his foster parent Joseph (CJ Jones). Now that Jones cannot care for himself alone, it is Baby who takes care of him. His boyish soft looks belied the intense driven young man inside. He was perfect for the part. Hamm was great as the intense man, feeding habits including his girlfriend, Darling. Gonzalez was wonderful as the intense woman who was loved by Buddy. Together they had matching intense, impulsive and wild natures. Foxx was off the charts crazy. He clearly made this role his own. Spacey was perfect as the guy with the mean sarcastic whit. He’s got a wonderful ability to make his character drip in a smarmy liquid way. Jones was strong as the deaf man who loved Baby and wanted only the best for him. James was beyond amazing. Her sweet strong personality was perfect for the part. She exuded this role completely. Edger Wright wrote and directed this unique film with deftness. I loved the choreographed driving scenes and my only criticism I’ve already shared. This is one of the best actions films of the year.

Overall:  This movie was a joy ride.

Free Fire

First Hit:  Not many screenwriters and directors attempt to shoot an entire film in one room and this film shows why. Part of the issue with shooting a film in a one room, with a few scenes outside the room, is that the room set has to be dynamic or amazing and/or the characters have to be inspiring and so engaging that the audience is on the edge of their seat. Some films focus on one or the other while most of the rest try to focus on both. This one appears to focus on character development but by limiting any movement in the set because people are in a gunfight and pinned down, the difficulty in making the characters interesting, is pronounced.

What we have is two factions. One group wants to buy some M-16 rifles and another group wants to sell guns. The deal is filled with mistrust as the rifles that get delivered to the meeting place, a broken-down warehouse, are not M-16s. This creates tension between the two factions.

What blows this up is one of the guys Stevo (Sam Riley) who’s on the team buying the guns for the IRA, got beaten up by Harry (Jack Reynor), one of the guys from the seller’s team. Harry beat-up Stevo because he said some very rude things to his sister. When they each recognized each other they start to fight and the two sides begin shooting at each other and thus begins about an hours’ worth of shooting in a small confined space.

During the shooting the sides call out to each other and some of their past association comes to light.

There are very amusing parts and quips along the way which worked, however, the fight was too long and it ran out steam about 20 – 25 minutes into the gun battle. Although the ending wasn’t predictable, it didn’t mean much because I didn’t care a whole lot.

Regardless of the film, if there is nothing to root for, care about, or associate/connect with, then the experience dies and the film fades from my mind just as soon as I get up out of my seat.

The actors that stood out during this film were: Armie Hammer (as Ord) the strong arm. Brie Larson (as Justine) as the smoother between the two groups. Sharlto Copley (as Vernon) another strong arm. Others, like Riley and Reynor, were good, however this film didn’t quite lend itself to strong acting, just short quips and brief explosions of anger or shooting. Amy Jump and Ben Wheatley wrote a quippish script. Wheatley as director did get something out of the limited script, but after 20 minutes of the OK corral in a broken down warehouse the film just fizzled out.

Overall: This film had possibilities but in the end, it failed on all levels.