The Nice Guys

First Hit:  A dark comedy with some very funny bits and a fair amount of violence.

There are definitely some laugh-out-loud moments in this film. The juxtaposition between the personalities of the main characters made it work.

Jackson Healy (Russell Crowe) a guy who uses his fists to set things right. He's hired by all sorts of people who want someone to leave them alone. He’s ruff, gruff and no-nonsense in his approach. He hits people and asks questions later.

On the other side of the coin we have Holland March (Ryan Gosling), a former police officer and currently a private detective who tries to take the easy way out most of the time. He gets is PI fees up-front and is not always fair to, or honest with, his clients.

He feels guilty because he lost his wife and house to a fire that he might have prevented had he been able to smell. March has taken to drinking most of the time and, although he has a great relationship with his young daughter Holly (Angourie Rice), he's not being a great example as a father.

Holly has become the strength of their home and most of the time she’s really taking care of him. Some of the funny bits are slapstick falls that March takes along with the physical and conversational interaction between Healy and March.

There are also fond remembrances of comics past, including Gosling’s version of Lou Costello’s attempts at calling for help with nothing coming out of his mouth because he’s in state of paralysis/shock because he finds himself lying next to a dead man. There are laugh out loud scenes (many at the big party) as well as a convoluted crime story they are attempting to resolve.

Crowe is perfect as the no-nonsense physical enforcer of right and wrong, according to him. Gosling was very strong as the confused, in mourning, and trying to find how to get of of his funk father. His ability to be both smart and not-smart in this character and make it work is wonderful. Rice was the star of the film. Her maturity while being able to be a young teenager with a conscious was stunning. We will see much more of her as she develops as an actress. There a number of other character actors in this film that were very strong including: Margaret Qualley (as Amelia), Beau Knapp (as Blueface) and Lance Valentine Butler (as Kid on Bike). Shane Black and Anthony Bagarozzi wrote an dynamically funny and engaging script. While Black’s direction was strong in bringing out the dynamics of the main three’s relationship.

Overall:  I enjoyed the story and the dark humor.

Money Monster

First Hit:  This film does not disappoint as it pointedly and powerfully touches on the themes of the day:  The struggle of the middle class, media’s (and social media) power to influence, the police’s response to a situation, and the rich manipulating the system for self-benefit.

Lee Gates (George Clooney) is an over amplified version of Jim Cramer’s afternoon program called “Mad Money” on CNBC.

In Gates’ daily program called “Money Monster” he uses sometimes crude, always flamboyant, and other over the top ways to share what he thinks is going on in the stock market. He’s got a huge following. His director is Patty Fenn (Julia Roberts).

The live show’s success is the combination of his unpredictability, verbal acuity, smarts, and unbridled flair as directed and in concert with her ability to know where he’s going with any particular point allowing the screen graphics to match Gate’s thoughts thereby maximizing the impact for the viewers.

Does Gates go overboard? Yes, and based on statements he made on an earlier show’s prediction for IBIS (an automated trading company), Kyle Budwell (Jack O’Connell) loses all his money. In fact, just about everyone who invested in IBIS loses their money.

Kyle is beyond angry, he wants answers and makes his way onto the set of Gates’ live show with a gun and a vest bomb which he forces Gates to wear.

This film is about: How Kyle comes to this breaking point. How Gates responds to this life threatening intrusion. How some people manipulate money for their own greedy purpose. How the public responds to this live, on air, real-time drama. How the police respond to Budwell’s dilemma. And about Kyle’s pregnant girlfriend Molly (Emily Meade); how does she respond to this event?

I won’t tell you how the film deals with all these questions except to comment on one: How the police respond. Waking up this morning after seeing the film last night, I’m still saddened by the reflective shoot first mentality of the police. We are bombarded these days with the police shooting people as a solution to many situations. There seems to be little room in their mantra to learn more about the situation and the people involved before shooting them.

In this film, from the get go, they (particularly one cop) had one focus which was to kill (“take him out”) Kyle. It isn’t that I didn’t understand their position, guy with gun sometimes aiming it at law enforcement officers, but their actions were heavy handed and reflected the large number of police shootings that cross our headlines every day.

Clooney is perfect as the narcissistic TV personality that masks a lonely life. His portrayal of Gates is wonderful because his caring true self wins in the end. Roberts was beyond fantastic. I thought she caught all the nuances of a TV director and someone who was willing to risk her life to do the right thing for all. O’Connell was amazingly strong as the semi-unhinged guy who just wanted to not be ripped off any longer. His life as a $14.00 an hour guy, who had just lost his mother, his strong willed girlfriend being pregnant, and his concern for how his baby would survive in this world was palpable in all his actions. His moments of confusion, reflection, humiliation, and clear path to wanting to get answers were spot on. Caitriona Balfe as Diane Lester the girlfriend of IBIS CEO and Chief Publicity Officer for IBIS was very good as her subtle shift of consciousness from stonewalling the public to leading the charge and find out what happened was well portrayed. Dominic West as IBIS CEO Walt Camby was well done. His manipulative version of, I’m lying through my teeth about our company being transparent, ran true. Meade as the fed-up girlfriend was powerful as her character pulled no punches. Lastly, Lenny Venito as Lenny the cameraman was perfect. Jamie Linden and Alan DiFiore wrote a wonderfully taut and biting screenplay that covered a lot of bases. Jodie Foster did an excellent job of directing this film. There were some outstanding moments and cuts that were really strong and moved this film along at the perfect clip while covering a lot of ground.

Overall:  This real-time film was perfectly acted, had a strong script and was elegantly directed by Jodie Foster - kudos.

Criminal

First Hit:  Although a very improbable storyline, I enjoyed seeing Costner again.

I found it hard to believe the foundation that Dr. Franks (Tommy Lee Jones) found a way to implant the memories of CIA agent Bill Pope (Ryan Reynolds) into an uncaring prisoner Jericho Steward (Kevin Costner).

However, once I got past this and accepted the premise, the film was interesting enough to keep me focused. The reason why this transfer is to take place is that Pope had learned of a plot by “The Duchman” Jan Stroop (Michael Pitt) to sell dark-worm code.

This code allowed the owner to control all of the US Military’s defense systems while also being able to launch nuclear missiles. What he wants in return for the code is; $10M, a passport, and a new identity in the US. Pope was closing this deal but was shot and killed by an anarchist Xavier Heimdahl’s (Jordi Molla) team of enforcers.

Although Pope is physically dead the CIA is keeping his brain alive by hooking him to machines. Heimdahl wants the code for himself so that he can rule the world and will do anything to get it. Pope’s CIA boss Quaker Wells (Gary Oldman) is also very determined to get the code because he knows Heimdahl will hold the world hostage. This is when Wells hires Dr. Franks to try this experimental approach of moving the dying Pope’s memories to Jericho.

Costner is good at being the guy who sees and feels no consequences for any action he takes. There are multiple scenes showing this and he pulls it off. Ryan Reynolds has a more minor role although his thoughts are major part of the film. Pitt is sufficiently nerdy and agitated to pull of his role. Jones is somewhat miscast as he does better in stronger roles. Molla is very good as the antagonist. Oldman over acted his role, especially in the initial hospital interview scenes when Jericho gets out of surgery. Douglas Cook and David Weisberg wrote the improbable script although sections of when Jericho interacts with Pope’s wife and daughter were very good. Ariel Vromen did a good job of making the improbable story watchable.

Overall:  Costner's acting held this film together and made it very watchable.

Triple 9

First Hit:  This is a somewhat complicated slow-build up film with a satisfying ending.

“Triple 9” is police code for Officer Shot/Down.

In Atlanta when this call comes over the police radios, all units head to the scene above everything else. This is a critical piece of the plot of this film as we have crooked police officers Franco Rodriguez (Clifton Collins Jr.) and Marcus Belmont (Anthony Mackie) working with former federal agents Michael Atwood (Chiwetel Ejiofor) and Gabe Welch (Aaron Paul) to obtain hard to get items for a Russian Jewish syndicate led by the crime bosses’ wife Irina Vlaslov (Kate Winslet).

First they obtain a safe deposit box by robbing a bank and then the get a file box from a NSA secure location. There are additional complications because Atwood has a child with Irina’s sister Elena (Gal Gadot) and both he and Irina use the child to get something they want.

Looking into the robberies and internal issues with the Atlanta Police force are Jeffrey Allen (Woody Harrelson) and Chris Allen (Casey Affleck). The way this film unfolds the story is strong in that it gives you bits of the story and then bits of the characters as it fills out each in the end. The direction was strong and many of the scenes, and ways they were shot, were compelling.

Collins ended up being an intense critical component of this film. When he said he had no issue with a 999 you felt he meant it. Mackie was strong, portrayed a coldness in his police work while occasionally breaking into showing his heart in his role. The development of the partnership with Chris Allen was excellent. Affleck, as Allen, was very good as the no-nonsense brash new guy on the Atlanta force with the balls to move things forward. Ejiofor was very good as the father who was going to, in the end, exact the price for the betrayal of the Russian mob. Winslet was truly a surprise and not a surprise. She played the role of female matriarch and mob leader to perfection. Harrelson was odd and compelling as the strung out police detective who, in his own way, wanted the right thing to happen. Paul was strong as the disintegrating member of the team. His drug use and internal pressure had him spiraling downward. Luis Da Silva Jr. as Luis Pinto was great as the leader of a Latino gang. He showed great presence and a set of cojones when it came towards the police. Matt Cook wrote a very strong script. John Hillcoat did a good job of directing this complex story and creating a solid story and characters.

Overall:  This was a strong film with a few very strong performances.

London Has Fallen

First Hit:  It was as expected and it works – it was entertaining.

As a Secret Service protector of President Asher (Aaron Eckhart), this is what you’d expect a Gerard Butler (as Mike Manning) film to be like.

The basic story is, the US executed a drone attack on Aamir Barkawi (Alon Aboutboul) a weapons dealer who sells to terrorists. The drone attack was at his home compound during his daughter’s wedding.

Revenge is deeply bred, and two years later, Barkawi sets up a “natural cause death” of the British Prime Minister which brings all the Western Heads of State to London. Barkawi has an inside connection to British intelligence and surprises all the heads of state by killing most everyone except President Asher who escapes with Manning’s guidance and protection.

To create more tension and softness in the story, Manning’s wife is about to give birth to his first child and he realizes that his job won’t allow him to be much of a dad. Barkawi wants to kill the President on social media in front of the world, however as most Hollywood films end, it ends with the hero winning.

Butler was well cast in this role. There is a certain level of sarcastic humor and physicality that makes his role work. Eckhart is good as the President yet he’s more physical in action than one might expect. Aboutboul was strong and effective as the revengeful father and terrorist. Elsa Mollien as MI agent was wonderful. Angela Bassett as the President’s secretary was good. Morgan Freeman was effective as Vice President Trumbull. Creighton Rothenberger, Katrin Benedikt, Christian Gudegast, and Chad St. John wrote a typical and entertaining screenplay. Babak Najafi did a good job of creating an entertaining film.

Overall:  It is pure entertainment and it does work.