The Bling Ring

First Hit:  Walks a very fine line between aggrandizing these thieves, seeing them as kids trying to fit in, celebrity worship, and viewing how out of touch these affected kids were.

The moment I began to lose interest in a section of the film, Director Sofia Coppola switched gears to show the repercussions of their actions – this is the only thing that made it work for me.

It was clear that Coppola was artfully walking this fine line. The film begins by cutting between telling the story and interviews with the teens pre and post-trial. The story goes that Marc (Israel Broussard) is a soft spoken that doesn’t like to go to school. He’s dropped off by his mom at yet another new school and she says, "have a good day at your new school".

Comments by mean-spirited kids begin immediately as he walks up the steps to his new school. Just as he’s leaving school, Rebecca (Katie Chang) walks up and chats him up. Like me, Marc thinks she’s going to do or say something rude to him, but instead takes him out with another friend and they get high on the beach. Rebecca suspects she can get Marc to do things with her and eventually invites him to go steal from one of his friend’s homes.

Caught between his knowing he’s doing something wrong and wanting to be liked by this beautiful girl keeps him in the game of doing more and larger thefts with her. Her other peers Nikki (Emma Watson), Chloe (Claire Julian), and Sam (Taissa Farmiga) all join in the fun of stealing from the celebrities’ homes and blow all their loot on drugs, liquor, and partying. When they get caught, Marc is contrite, Rebecca tries to make people she didn't do anything, but it is Nikki that steals all the scenes.

Her mother Laurie (Leslie Mann) is fully immersed in the teachings of “The Secret” and has raised her kids this way. Nikki’s public interviews and expressions of being misunderstood (“it will all be clear when my side of the story gets out”) with illusions of grandeur are fascinating.

Broussard is very strong as the meek, wanna fit in boy, who goes along with the thefts but the audience always knows it goes against his beliefs. Chang is a knockout as the conniving “in” girl who is fascinated with Lindsey Lohan. Watson is amazing and is showing some real variety and acting chops since the Harry Potter series has ended. Julian and Farmiga are very good as compatriots of the thieving team. Mann is superb as the disillusioned mom. Coppola did a great job of walking the fine line although the real lack of a strong opinion of her character’s acts could have been a weakness as well.

Overall:  Scary to think that others might want to duplicated these kids’ acts. But definitely an interesting film.

Now You See Me

First Hit:  I like magic and therefore I was interested and entertained during this film.

However from a plot point of view it was confusing and didn’t necessarily hold together. In the opening scenes we see four magicians performing their particular types of magic. J. Daniel Atlas (Jesse Eisenberg) doing street magic that is grand in its own right.

Merritt McKinney (Woody Harrelson) does mindreading and hypnosis in small venues to make a living after his bother stole all his money. Henley Reeves (Isla Fisher) use to be Atlas’ assistant but does her own dramatic magic in small showrooms. Lastly there is Jack Wilder (Dave Franco) who is mostly a con-artist with deft hands and the ability to be clever.

They are corralled together by an unknown guide and a year later is performing major stage magic in front of thousands of people in Las Vegas. They identify Author Tressler (Michael Caine) as their financial benefactor to the audience.

Also the audience is introduced  to Thaddeus Bradley (Morgan Freeman) in this “First Act” show as someone who makes a living debunking Magic by sharing magician's tricks on his website. In the first act the 4 Horsemen, as they’re called, are to have someone from the audience come up to the stage and rob a bank in France and give the proceeds to the audience.

This is the films setup because the magicians are brought into the FBI for questioning and here they meet Dylan Rhodes (Mark Ruffalo) who is heading the US investigation of the robbery while his Interpol counterpart is Alma Dray (Melanie Laurant). As each of the three 4 Horsemen acts unfold, the story gets more convoluted. This is the problem with this film, it just doesn’t provide enough sustenance and bread crumbs to make it work.

Eisenberg is intense as usual and although he’s good for the part, he’s become more of a one trick pony. Harrelson, as he’s done in the last few years, takes each of his characters and makes them interesting and compelling. Fisher is good enough but I would have seen more grit (street smarts) from her to beef up her part. Franco is OK as the most minor of the four characters but reappears at the end as a critical component. Caine is good as the hard, steely eyed, guy who gets taken for a ride. Freeman is strong as the guy who gets his in the end. Ruffalo is OK, however didn’t seem very believable as a FBI investigator. Laurant is OK but I’m not quite sure this character was needed. Ed Solomon and Boaz Yakin wrote the convoluted story with big ideas. Louis Leterrier directed the film, and it seems, with a certain respect for magic.

Overall: I found the film entertaining and that could be that is because I like the illusion of magic.

Fast & Furious 6

First Hit:  It was fun however so many of the stunts were so far fetched that it made it unbelievable.

This is one film in a series of films that highlight fast cars, car chases and some sort of crime.

We begin with everyone who participated in the previous film having some portion of $100,000,000 on which they are living the good life. However they cannot return to the United States because they are wanted for robbery. Also in the last film, Dominic Toretto (played by Vin Diesel) lost his love Letty (played by Michelle Rodriguez) in a fiery explosion.

A government investigator Hobbs (Dwayne Johnson) is trying to track down an infiltrator named Shaw (Luke Evans) who is stealing items to make some unimaginable weapon (none of this is really clear because the film is more about the chases). Shaw needs only one more item and Hobbs is worried that he'll get it, so he makes a deal with Dom and his Fast & Furious warriors to stop Shaw.

The deal is that they will get absolute pardons for their previous crimes. But this isn’t the reason why they say yes, they say yes because they learn Letty is still alive and under Shaw's control. Tricks like jumping off a car, catching someone in mid-air and then landing on the windshield of another car moving the opposite way and not getting hurt? Right.... Or maybe it was the plane moving quickly down a runway that must have been 5 or more miles long before the plane even got 30 feed off the ground. Just isn't real - there is no such runway. Or maybe it was jumping from a plane and landing in/on a car some 30 feet below. Nope, not lined up like they were - just isn’t real.

I enjoyed the car chases and driving but that was it. “More” and “bigger” is not necessarily better.

Diesel is OK and I felt that the edge is gone and his ability to be believable has been diminished. Paul Walker as Brian is stronger here than he was in the previous films. Johnson was adequate as the government agent. Jordana Brewster as Mia (Brian’s wife) is good in a minor role. Rodriguez is OK but her interpretation of having no memory didn’t work for me. Tyrese Gibson as Roman was funny and enjoyable to watch. Sung Kang and Gal Gadot as Han and Gisele were good but didn't have enough screen time. Ludacris as Taj was funny as well and I liked the way he and Gibson played off each other. Chris Morgan wrote the screenplay and pushed it farther than needed. Justin Lin kept the film moving but some of the stunts were too unbelievable to buy in to.

Overall:  Action was fun, cars were great, but some of the stunts made it unbelievable and therefore I lost interest.

Pain and Gain

First Hit:  This film didn’t know what it wanted to be and I left wondering what the point was.

A film that has to tell you about 2/3 the way through that it is still a true story, means it didn’t do its job. It didn’t make it believable.

It was hard for me to believe that the real life weightlifters Daniel Lugo (played by Mark Wahlberg), Paul Doyal (played by Dwayne Johnson), and Adrian Doorbal (played by Anthony Mackie), would have seen themselves as comically stupid as these actors portrayed them to be. No matter how hard these actors tried to be serious in these roles, they exuded a humorous vein of the stupidity the real life characters couldn’t discern.

What the audience ends up with is some really funny stupidity scenes and the grossness of idiotic violence gone badly. Only Wahlberg seemed capable of portraying believable stupidity but only occasionally. These three guys are tired of their "just getting by existence" so they decide take all of Victor Kershaw’s (Tony Shalhoub) money and assets. T

hey eventually get the money and Victor, who survives the attempted killing by these goons. The cops don’t believe Victor’s story so he’s left to try to get his money back by himself. Then he happens to get ahold of a retired detective named Ed DuBois (Ed Harris) who believes him and begins to unravel the caper.

The boys run through their ill-gotten goods quickly and decide to hit another and, of course, this one falls apart quickly and they get caught.

Wahlberg is the most believable of the actors but the film’s direction didn’t have a clear vision. Johnson is OK but I didn’t buy his character's addictions and therefore I didn’t buy his character. Mackie was the weakest of the three and that might have been the intention because his real life character might have been somewhat wishy-washy. Shalhoub was good as the arrogant tough guy first victim. Harris was one of the better things of this film. Christopher Markus and Stephen McFeely wrote this script from a true story. Michael Bay misdirected this as the film never seemed to find a center.

Overall:  This film just didn’t work very well although there were some really funny bits.

The Place Beyond the Pines

First Hit:  A good job of attempting to create a film about a very difficult idea and concept.

How much of our behavior comes from watching and being around our parents and what role does genetics play?

This has always been a difficult question to solve/resolve in science and how would a film address this? This is a film about what fate might be, about loss and about what drives a man to do certain things.

Ryan Gosling (as Luke) is a daredevil motorcycle rider. He unknowing father's a son with Eva Mendez (as Romina) and upon the discovery of this, turns to a life of crime to give his son the things he never got from a father he never knew.

This part of the film is exquisitely done. Enter Bradley Cooper (Avery) a cop which his father, a judge, thinks is a poor life/job choice. In a shootout he kills Luke. He learns that Luke has a 1 year old son just like him. 15 years later A.J. (Avery’s son) meets up with Jason (Luke’s son) and unknowingly of their father’s history, become friends.

However, they get into trouble and Avery realizes that the boy his son is hanging out with is the son of the man he killed. The story continues to develop from here as the sons begin to learn about their father’s earlier interaction.

There are aspects of this story that bring out the character of Avery, A.J. and Jason which are well done.

Gosling is amazing. The scene where he sits in church during his son’s baptizing, I realized, again, how good he can be. Mendez is great and perfect for the role. Cooper is very strong and can be believed as both the cop and Attorney General. Ben Mendelsohn as Robin a friend of Gosling's was fantastic. His character added depth to Gosling's role as well. Dane DeHann as Jason was very strong and carried through a believable Luke’s son. Emory Cohen as AJ was very good as well and brought enough darkness to make his angst believable. Ray Liotta was amazing at being able to make me dislike his crooked cop character in just 2 minutes. Ben Coccio co-wrote with Derek Cianfrance who also directed this very challenging and interesting film.

Overall:  This film can stay with you long after you leave the theater.