Death Wish

First Hit: Although not as impactful as the original film, this one was very good.

Charles Bronson was an amazing actor and in the original Death Wish, me, like the rest of the audience, rooted for him.

In this version, we have Bruce Willis playing Dr. Paul Kersey who, as he said himself, did everything right, was a responsible surgeon, happily married, and was raising an amazing daughter. Like the first film, we do root for the main character, but in a different way.

One night while he’s at the hospital, three thugs come to his house to rob it. Finding the wife and daughter home, the thieves kill his wife Lucy (Elisabeth Shue) and injure his daughter Jordan (Camila Morrone). Jordan falls into a coma while Paul slips into a deep depression.

His brother Frank (Vincent D’Onofrio) is supportive of his brother’s angst and helps by reading to Jordan while she’s in a coma. During his mourning, Paul gets the idea, by listening to his father-in-law, that he just might have to find his wife’s killers and kill them himself.

Finding a gun one day, he begins the process of making things right by becoming Chicago’s “Vigilante Killer.” In the television news, he becomes the white dude with a hoodie that is making things right.

We follow Paul as he makes his way through a criminal world to find his wife’s killers and make things right. All the while, the police do what they can to find the killers, but part of the film’s point is that there are so many killings in Chicago that they rarely solve any of the crimes.

Willis is good, and he’s got that typical Willis smirk working for him as well. Because he’s comfortable in his body, the skirmishes he’s in are believable. D’Onofrio is wonderful as his brother. The chemistry between the two was very brotherly like and worked well. Shue in her small role was strong and I enjoyed seeing her again on the big screen. Morrone as the daughter was good. Her openness in this role was perfect. Dean Norris as Detective Kevin Raines, the man in charge of the investigation, was sarcastically enjoyable. Joe Carnahan wrote an appropriate script for the times and I especially enjoyed the banter between Willis and D’Onofrio. Eli Roth was solid in directing this remake.

Overall: Bruce Willis gives his all in each role and he does this again here.

The Magnificent Seven

First Hit:  The original 1960’s film had heart, this one doesn’t.

As much as I like Denzel Washington (playing Chisolm) and Chris Pratt (playing Josh Faraday) in films, this one felt dead. No character was really given a story to care about until the end when Chisolm shares why he really took the job to kill and defeat Bartholomew Bogue’s (Peter Sarsgaard) group of men who controlled the small western town. But until this moment, there was only some “telling” as to why this small band of men decided to protect this small town versus engaging the audience in a story having heart.

It is a shame, because there's a slew of wonderful actors in this film but they cannot make up for a mediocre script by Richard Wenk and Nic Pizzolatto and direction without vision. Yes, director Antoine Fuqua got the action of movement and shooting to kill reasonably well. He even got the small western town set well, but the heart of the film, the townsfolk’s fear as shared by Emma Cullen (Haley Bennett), lacked depth as did most of the Seven hired men.

The strong points of the film were initial discovery of each of the characters. But after this, it fell flat. Besides Chisolm, the main characters were:  Faraday as a self-professed great lover and fast drawing gunslinger. Goodnight Robicheaux (Ethan Hawke) and Billy Rocks (Byung-hun Lee) as a team of two who bet on their skills of speed to take people's money. Goodnight, who was formerly a confederate sniper with legendary rifle abilities haunted him. The overall story about his connection with Chisolm is that Chisolm saved Goodnight from self-destruction.

As in kind, Rocks, a foreigner, was being help to interpret the West by Goodnight. Vasquez (Manuel Garcia-Rulfo) was the least defined character. Still not sure how or why he joined the group. Red Harvest (Martin Sensmier) was a Comanche Indian that was ousted from his tribe and seemed like he needed something to do.

The most amusing and fun character was Jack Horne (Vincent D’Onofrio) who was a bear mountain man sort of a guy. He was fond of pontificating religious beliefs and sayings all the while being part of the team of seven. The basic story is that these seven men help a small town from a siege by Bogue and his army of killers that have taken over their gold mines.

Washington did what he could do to make this film work, but the lack of a good screenplay and an action only focused director, let him down. Pratt made the most of his character and, although he didn’t seem to care about the lack of story, he made it fun for himself and the audience. Sarsgaard’s role didn’t work for me. He didn’t seem to embody the role from the inside although his actions were rather ruthless. Bennett did what she could to create caring about the town and its hapless citizens. She was one of the stronger characters. Lee was OK and seemed to relish his role as fast with a knife. Garcia-Rulfo did what he could but I didn’t get his particular “role”. Hawke was OK but his fear of killing more people wasn’t developed very well. Sensmier had a strange role in that I never got why he would bother helping this band of white men in their quest. I did like his handling of the Indian character on Bogue’s team as it was inevitable that these two would tangle. D’Onofrio was very engaged in his role. He embraced the nuttiness of this man bear. Richard Wenk and Nic Pizzolatto’s screen play from the famous Akira Kurosawa Seven Samurai screenplay was poorly conceived. It lacked heart and a way for the audience to care. Antoine Fuqua did the action part OK, but everything else was empty – no soul.

Overall:  Don’t bother seeing this version go back to the 1960 version – much better.

Jurassic World (3-D)

First Hit:  Although the CGI is great, the whole film felt staged like it was a sequence of scenes strung together to make a story.

I liked Jurassic Park enough to want to see this leap forward film. This story has us, the visitors to the park (world), always wanting something new and different or else we won’t spend the enormous amount of money required to visit the amusement park and make it profitable.

This is the “why” they genetically created this new dinosaur (Indominus – Rex) as an attraction. To bring more people to fund more generic engineering. Then there is the story about the Aunt Claire (Bryce Dallas Howard) who works at the park but is being neglectful of her nephews Zack and Gray (Nick Robinson and Ty Simpkins respectively) who come to visit her at the park.

Then there is Own (Chris Pratt) who works at the park and is “training” the Velociraptors to respond to his commands. We’ve got Claire running through the jungle and the film in high heels (although there is a scene where she has flats on). There are a number of misrepresentations during the film, but the fun factor makes it rise above mediocrity, but not by a whole lot.

Pratt is fun in his best interpretation of Harrison Ford as Indiana Jones. He’s good in this rough and tumble role. Howard is good as the female interest of Pratt’s as well as the key female character in the story – she’s the one from which the story binds. Vincent D’Onofrio as Hoskins the quasi-military oriented guy who wants to use the dinosaurs as a weapon was very formula driven. Rick Jaffa and Amanda Silver wrote this overly ambitious script. Colin Trevorrow directed this film. Unfortunately, the bigness of the task at hand was beyond his ability to rein in the ideas into a single cohesive story.

Overall:  The ambitiousness of the concept and the multitude of stories ran further than the abilities to make this film work.