Stephen Dillane

Darkest Hour

First Hit:  Maybe the brightest and best two hours in the theater this year.

If my memory serves me correctly, my middle school history teachers painted Winston Churchill as a roundish, heavyset, and controversial bull-doggish sort of man who saved England from Nazi Germany. But what did that really mean? How did he do this? This film sorts out the enigmatic view I had of him.

What this movie does is shine a light on a controversial 3-week period in England’s history about whether to negotiate a peace agreement with Nazi Germany or to fight them to the end.

When the film begins Neville Chamberlain (Ronald Pickup) is losing the support of Parliament’s conservative party and Foreign Secretary, Lord Halifax (Stephen Dillane) doesn’t want to be elevated to Prime Minister while he’s pushing for a negotiated peace. Parliament is in an uproar and King George VI (Ben Mendelsohn) is deeply concerned about his country.

Chamberlain floats and gets traction for the idea to hand over conservative power to Winston Churchill (Gary Oldman). Being a controversial person, not well liked by anyone, the conservatives figure if Churchill fails then Halifax and his solution will step up to save England from what is happening in Europe, wide-spread destruction and surrender.

Churchill’s reputation as being difficult and having backed failed campaigns in Africa and Gallipoli proceeds his ascension to Prime Minister. But as he would state  in his defense, these campaigns weren’t all his doing. He also had backed England returning the Pound to a pre-WWI gold standard parity, which had caused its fair share of problems.

When summoned to accept the position of Prime Minister from King George, the clock starts and the film effectively marks the passage of the days and decisions by displaying the day and month prominently every so often.

What makes the situation so incredibly difficult is that most of England’s active army has been corralled onto the beach at Dunkirk with the German army closing in. England’s ships have been all but destroyed by the Germans, their airplanes have been mostly shot down by the superior German Luftwaffe and last but not least, the United States has vowed to stay out of the war to this point and cannot assist England. This last item is poignantly shared in a desperate phone call Churchill places to President Roosevelt.

To save as many of their troops as possible, Churchill sends out a command asking all private boat owners having boats from 30 – 100’ long, to set sail to Dunkirk to save the British troops. (Note: See one of the other best films to be released earlier this year Dunkirk to witness this amazing event.)

In a moment of desperation Churchill asks Halifax to begin exploring a negotiated peace with Nazi Germany. But as Winston was known to do, he deviated from the script and reached out to the people of England to ask what they wanted him to do. As we all know, he chose the path of “We will never, never, never surrender.”

The way this film is shot, we believe we’re in the early 1940’s. The darkness of the time is expressed though spending a lot of time in small underground rooms and darkened hallways moving with him as he finds a way through his own dark depressive drinking way of creating his answers through the inspirational speeches and talks he gives. The final speech he gives to Parliament is frightfully stirring. I also loved how he made England sound big and small by referring to it as an island instead of a country.

That Churchill drank all the time, smoked cigars, and was depression prone was duly present, but the strength, power, and encouragement he brought to his country shines through from beginning to end.

Oldman quite simply is the best actor in a lead role this year. His embodiment of Churchill is full, complete, and by every measure extraordinary. Lilly James as Elizabeth Layton, Churchill’s assistant, typist, and confidant was sublime. Her enthusiasm, struggle and devotion was the heart this film sits upon. Mendelsohn was perfect as the stuff-ish King George VI who learned to embrace and trust Churchill. When he shared with Winston that his family, the royals, wanted to know if they needed to exile to Canada, the bond was made. Kristen Scott Thomas (as Churchill's’ wife Clementine) was wonderful. She provided support when needed and was a perfect sounding board for Winston. Dillane was strong as Viscount Halifax, who didn’t think England stood a chance and believed that a negotiated peace was the best way to save the people, culture and country. Anthony McCarten wrote an amazingly rich script. The dialogue perfectly reflected the times. Joe Wright’s direction was sublime. The story was told with genuine care and creates power of the decisions made at the time. What made it even better was I wanted the film to go on and tell me more of the story.

Overall:  This is truly a contender for best film of the year.

44 Inch Chest

First Hit: It started off well but faded as the film moved along then ended with a thud.

This strong cast of Ray Winstone (playing Colin Diamond), John Hurt (playing old man peanut), Tom Wilkinson (playing Archie), Ian McShane (playing Meredith), Stephen Dillane (playing Mal), and Dave Legeno (playing Brighton Billy), are close friends gathering together to support one of their own.

Colin has come home to his wife Liz (played by Joanne Whalley) who proceeds to tell him that she has met another man and doesn’t love him any longer. He pleads with her to understand how could this be the case after 21 years and that she is everything to him.

She doesn't relent and in his anger he tries to strangle her. To escape she runs through a sliding glass door window. He contacts Archie, who contacts the others in the group who gather together to help him. This assistance consists of the group kidnapping this man from his job as a waiter in a restaurant and depositing him in a wardrobe cabinet in a deserted building.

Gathered together, they sit Colin in front of the wardrobe expecting him to take his revenge out on this young man. Most of the film centers around how they encourage him with their rants and their own sick ways of viewing the situation. Each person has a different focus, but they are in agreement that Colin must extract his revenge.

However, Colin doesn't know what to do he is so hurt. As brisk as the dialog is at the beginning, it loses steam and the film eventually falls flat.

Winstone has been better (See him in Edge of Darkness). Hurt is ranting and shows little else in and of his character. Wilkinson is the only one who seems to have some character development that is meaningful. The writers, Louis Mellis and David Scinto, had an interesting idea but seem to have gotten lost in creating intense and intense dialogue which kept the film from moving along.

Overall: Where "Glengarry Glen Ross", was filled with intense and competitive dialogue which moved the film along, this film is filled with intense dialogue and which makes the film fizzle out.

Savage Grace

First Hit: A mediocre meandering of possibly a compelling story.

This film is about a wealthy family that meandered around Europe with little purpose.

The father, Brooks Baekeland, (played by Stephen Dillane) is an intelligent man whose Grandfather discovered plastic and therefore he’s not had to do much in life except be interesting.

Barbara Baekeland (played by Julianne Moore) is Brook’s American wife. She is a painter, a bit crass in her attitude, and a socialite whose role was to make sure they were connected to people of social standing.

Their son (played as a young boy and as a young adult by Barney Clark and Eddie Redmayne respectively) is obsessed over and treated more as a friend by his mother versus a child.

There is very little psychological digging in this drama to suggest the deep abusive sickness that permeated this family and ultimately resulted in the father having an affair with his son’s girlfriend, the mother having sex with her son, and then his killing her and later her mother both with a knife.

This film moved laboriously along with little digging and discovery. It is a cursory view of the story. I would hold the writer and director at fault for the lack of depth and cohesiveness.

Overall: Although there are moments of some good acting, in the end this is not even a video rental film.

googleaa391b326d7dfe4f.html