Darkest Hour

First Hit:  Maybe the brightest and best two hours in the theater this year.

If my memory serves me correctly, my middle school history teachers painted Winston Churchill as a roundish, heavyset, and controversial bull-doggish sort of man who saved England from Nazi Germany. But what did that really mean? How did he do this? This film sorts out the enigmatic view I had of him.

What this movie does is shine a light on a controversial 3-week period in England’s history about whether to negotiate a peace agreement with Nazi Germany or to fight them to the end.

When the film begins Neville Chamberlain (Ronald Pickup) is losing the support of Parliament’s conservative party and Foreign Secretary, Lord Halifax (Stephen Dillane) doesn’t want to be elevated to Prime Minister while he’s pushing for a negotiated peace. Parliament is in an uproar and King George VI (Ben Mendelsohn) is deeply concerned about his country.

Chamberlain floats and gets traction for the idea to hand over conservative power to Winston Churchill (Gary Oldman). Being a controversial person, not well liked by anyone, the conservatives figure if Churchill fails then Halifax and his solution will step up to save England from what is happening in Europe, wide-spread destruction and surrender.

Churchill’s reputation as being difficult and having backed failed campaigns in Africa and Gallipoli proceeds his ascension to Prime Minister. But as he would state  in his defense, these campaigns weren’t all his doing. He also had backed England returning the Pound to a pre-WWI gold standard parity, which had caused its fair share of problems.

When summoned to accept the position of Prime Minister from King George, the clock starts and the film effectively marks the passage of the days and decisions by displaying the day and month prominently every so often.

What makes the situation so incredibly difficult is that most of England’s active army has been corralled onto the beach at Dunkirk with the German army closing in. England’s ships have been all but destroyed by the Germans, their airplanes have been mostly shot down by the superior German Luftwaffe and last but not least, the United States has vowed to stay out of the war to this point and cannot assist England. This last item is poignantly shared in a desperate phone call Churchill places to President Roosevelt.

To save as many of their troops as possible, Churchill sends out a command asking all private boat owners having boats from 30 – 100’ long, to set sail to Dunkirk to save the British troops. (Note: See one of the other best films to be released earlier this year Dunkirk to witness this amazing event.)

In a moment of desperation Churchill asks Halifax to begin exploring a negotiated peace with Nazi Germany. But as Winston was known to do, he deviated from the script and reached out to the people of England to ask what they wanted him to do. As we all know, he chose the path of “We will never, never, never surrender.”

The way this film is shot, we believe we’re in the early 1940’s. The darkness of the time is expressed though spending a lot of time in small underground rooms and darkened hallways moving with him as he finds a way through his own dark depressive drinking way of creating his answers through the inspirational speeches and talks he gives. The final speech he gives to Parliament is frightfully stirring. I also loved how he made England sound big and small by referring to it as an island instead of a country.

That Churchill drank all the time, smoked cigars, and was depression prone was duly present, but the strength, power, and encouragement he brought to his country shines through from beginning to end.

Oldman quite simply is the best actor in a lead role this year. His embodiment of Churchill is full, complete, and by every measure extraordinary. Lilly James as Elizabeth Layton, Churchill’s assistant, typist, and confidant was sublime. Her enthusiasm, struggle and devotion was the heart this film sits upon. Mendelsohn was perfect as the stuff-ish King George VI who learned to embrace and trust Churchill. When he shared with Winston that his family, the royals, wanted to know if they needed to exile to Canada, the bond was made. Kristen Scott Thomas (as Churchill's’ wife Clementine) was wonderful. She provided support when needed and was a perfect sounding board for Winston. Dillane was strong as Viscount Halifax, who didn’t think England stood a chance and believed that a negotiated peace was the best way to save the people, culture and country. Anthony McCarten wrote an amazingly rich script. The dialogue perfectly reflected the times. Joe Wright’s direction was sublime. The story was told with genuine care and creates power of the decisions made at the time. What made it even better was I wanted the film to go on and tell me more of the story.

Overall:  This is truly a contender for best film of the year.

The Second Best Exotic Marigold Hotel

First Hit:  At times funny and joyous while at other times it seemed to be trying to tell too many sub-stories.

There is always a risk in creating a follow-on film because of the comparison between it and the original. Sometimes films move the same character into a totally different situation, others expand or further develop the original storyline. Here we have the later.

Making a success of the Best Exotic Marigold Hotel, proprietor Sonny Kapoor (Dev Patel) and Muriel Donnelly (Maggie Smith) have set their sights on adding a new hotel to their mix. They make a pitch for co-financing with a San Diego company.

Then we have Evelyn Greenslade (Judi Dench) and Douglas Ainslie (Bill Nighy) are still dancing around getting together as a couple – “we aren’t together, but we aren’t not together”. And, Madge Hardcastle (Celia Imrie) is still trying to decide whom to settle down with. Then there's Norman Cousins (Ronald Pickup) and Carol Parr (Diana Hardcastle) who are testing each other about the exclusivity or non-exclusivity of their relationship.

Besides these stories and other smaller stories and then there is the major story of Sonny and Sunaina (Tina Desai) planning and having their wedding - which is treated as a second hand story. Then there is this story about a hotel inspection by Guy Chambers (Richard Gere) who happens to fall in love with Sonny’s mother Mrs. Kapoor (Lillete Dubey). Their interaction lacked chemistry which is unfortunate because it could have been a interesting story (for a follow-on film).

There is a lot going on in the film and it’s great that the director wanted to tell something of all the stories, however it became distracting.

Patel is a wonderful personality and his joy in what he does brings his character to life. Smith is really great as a dour person. There are moments of shared internal dialogue that are wonderful as well. Dench is strong as someone who wants to reach out and is afraid to take the step. Nighy is amazing and is such a joy in this film. The film is much better with him in it. Imrie is really good as someone who is doing her best to settle down. Pickup was OK as someone who likes his fantasies but wants to be in reality. Hardcastle is strong as the woman who wants a full relationship but tries to be less monogamous. Desai is joyous to watch as the bride to be. Gere is OK as the hotel inspector want-to-be writer. While Dubey was just OK as Sonny’s mother. Ol Parker wrote the screenplay which was a bit too busy. John Madden captured lots of the Indian magic of Jaipur – one of my favorite cities in India.

Overall:  I enjoyed the film. I liked seeing the city of Jaipur again but felt that there were too many strong stories being expressed.

The Best Exotic Marigold Hotel

First Hit:  This was a lovely film with fine acting based in a wonderful story.

When it comes to retiring and what to do next, the options can be very limited based on finances.

Here we have a group of British elderly people who, for mostly financial reasons, find this ad for “The Best Exotic Marigold Hotel” in Jaipur, India. A recently widowed Evelyn (played by Judi Dench) had always left everything thing up to her husband and when she finds out that selling the flat they live in will only pay off the bills he accumulated, she sees this as a way to do something on her own and to not be controlled any longer.

Graham (played by Tom Wilkinson) is a judge who decides he has to make something right that has been bothering him since his young days in India. Douglas and Jean (played by Bill Nighy and Penelope Wilton respectively) are married and with their meager savings given to their daughter who is involved in a internet startup, they have little or nothing to live on. She is perpetually angry and judgmental of everyone, while Douglas is loyal, inquisitive, interested in life and wants to make the best of everything.

Muriel (played by Maggie Smith) is a physically rundown house manager, who has nothing to do, is bitter, racist, and needs a hip operation. Norman (played by Ronald Pickup), who is a very aged "player" looking for the next woman he can score on.

And lastly Madge (played by Celia Imrie) who can’t stand watching her grandkids as her life’s work, wants passion of the heart and loves men. They make the arduous trip to Jaipur together slowly becoming traveling companions along the way. When they arrive, the Hotel (for the “elderly and beautiful”) is run down and looks nothing like it does in the brochures.

Most want to go home but as they begin to settle in, most find things of interest to explore:  Graham, a past relationship; Douglas, exploring the many sights of India; and Evelyn, a job as a coach for a telemarketing firm. Meanwhile Muriel, is bitter about how she ended up here but slowly discovers she has something to offer. Jean holds on to what isn’t (that she has money, is in England, and is happy) and makes appears to make Douglas’ life difficult. Norman tries to hit on Madge but is rebuffed as being not enough, but actually finds the "top of the mountain." 

Madge, tries to hit on men and but is slowly understanding that time may have passed her by. The Hotel is run by Sonny (played by Dev Patel) who has high hopes. But as a dreamer he’s great and as a businessman he is not very adept. His controlling mother wants the building sold and Sonny to come live with her in Delhi.

However, Sonny has a gorgeous girlfriend named Sunaina (played by Tena Desae) who is disliked (although unmet) by Sonny’s mother and Sunaina believes in Sonny.

As Sonny says’ throughout the film: Everything will be perfect in the end, if it is not yet perfect, it is not yet the end. And as you will guess by now, at the end of the film, it is all perfect.

Dench is wonderful as a woman believing that she can and will take charge of her life, her scenes with the telemarketers were beautifully spot on. Wilkinson was sublime as the judge who wanted to right a long past wrong. Nighy steals every scene he is in. He is a joy to watch. Wilton was downright perfect as a woman who is bitter for all that isn’t in her life. Smith was transformative in this role as she slowly learns her next step. Pickup is gangly charming but actually gets real and finds love. Imrie is fun and interesting to watch as she works herself up to be a woman wanted by men. Patel exudes Indian charm and optimism and brings a smile each time he’s on screen. Desae is beautiful and in her beauty demands you watch her in the scenes she is in. Ol Parker wrote a charming script with strong characters for each. John Madden put this great ensemble together and orchestrated them to make a very fun, poignant (for older people) watchable film.

Overall:  Although many can enjoy this film, the older audience will get far more out of it – it helps to have experience with the challenges of age.