Ryan Engle

Breaking In

First Hit: The best part of the film was that the mother won.

As a suspense film it wasn’t great, however it definitely kept my interest and despite knowing the ending, Shaun Russell (Gabrielle Union) as the main character, gave the audience great intensity.

Shaun’s father Issac (Damien Leake), is a wealthy man who was being indicted in federal court for theft. Out for a run before going to court, he is killed by a truck driven by Sam (Levi Meaden).

Shaun, with her children Jasmine and Glover (Ajiona Alexus and Seth Carr respectively) go out to Issac’s country mansion to clean it up and removed things she may want before she sells it. This house is huge, far from the city and neighbors, and very high-tech.

However, upon reaching the house she suspects that something is wrong and soon finds out that four men are in the house looking for a safe. The killing of Issac, we learn, was planned so that Eddie (Billy Burke), Duncan (Richard Cabral), Peter (Mark Furze), and Sam could rob the home.

To leverage their power over Shaun, the leader Eddie, has the other 3 capture and hold her two children as hostages. The thieves’ hope is to leverage holding her children hostage for knowledge about the location of the safe.

There are several scenes where Shaun gets the better of her children’s’ captors. What didn’t work very well was Sam. In his role, although he tried to sound in control and menacing to both his work team and Shaun, there was a lack of strength and surety of his character. In other words he wasn't quite believable.

I think the house could have been used more as a character than it was. The amount of high-tech in the house and using it to trick or thwart the robbers could have made it more interesting, especially if the kids took control. They did a couple of times, but not enough to make it really stand out.

Union was strong as the mother you didn’t want to cross. She showed athleticism as well and intuitive intelligence in this role. Meaden was very good as the semi-reluctant thief although the idea to rob this home was originally his. Alexus and Carr were excellent as the children. They both created age appropriate interests and actions and the right amount of duress. Burke was good but there was one point in the film, I wondered why the other thieves didn’t just kill him and take over the robbery. Cabral was the best of the thieves. He show immense intimidating intensity. Furze had the smallest robber role and it was OK. Ryan Engle wrote a good script but, as I said, I would have like a better group of thieves and the house could have used more. James McTeigue did a good job of directing the actors in this script. It lacked a certain creativeness, but the film worked.

Overall: I like when the main character is rightfully and clearly driven to save the day, that it was a woman, a mother, made it better.

The Commuter

First Hit:  There are excellent and overdone parts in this engaging film.

I will start with that this film was very creative in providing the audience with the setup about who Michael MacCauley (Liam Neeson) is. He’s married, he has a very predictable routine, and he works hard to help his son get a good education. All this is delivered before the opening credits are complete. In other words, if you don’t get to the film on time, don’t bother because then the point of the film is lost.

At work one day, after closing another client on buying an insurance policy, he gets called into his boss’s office and gets terminated. Because the audience was part of his selling the insurance policy just a few moments earlier, we know how this puts him in deep financial straits.

Heading home on the train to tell his wife and son, he’s approached by Joanna (Vera Farmiga) who gives him a proposition, find someone on the train, put a tracking device in their bag, and be paid $100K. Given the financial situation he’s in, being a former cop, and his inquisitive nature he tries to solve the riddle.

However, soon after he begins, everything falls apart and the story gets intense real quick.

This is also where the film begins to get unreal, overly complicated, and overdone. How does Joanna know exactly what is happening on the train, moment by moment, is difficult to buy. The number of fights, the length of the fights, and how undamaged Michael is after all the fights wasn't realistic. The train crash, although spectacular, was not realistic. The crash lasted too long and wouldn’t have happened in the way that it did. Additionally there are a number of other scenes that were not realistic. However, it’s engaging because Neeson is always fun to watch and he’s a great “every” man.

Neeson is excellent as Michael. He can make an unrealistic film good enough to watch and stay engaged with. Farmiga was very good as the elusive Joanna. Her calm demeanor and controlled engaging voice really worked. Patrick Wilson as Police Lt. Alex Murphy was very good and convincing as walking two different sides of the street. Jonathan Banks as another commuter named Walt was very good. His gruff, yet inviting self, worked perfectly. Byron Willinger, Philip de Blasi, and Ryan Engle wrote a convoluted script, which delivered action. Jaume Collet-Serra directed the film with the assurance of having Neeson as his protagonist.

Overall:  Despite its flaws, it is a fun film to watch and it’s the actors that make it work.

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