First Hit: A perfect role for Ryan Gosling and a very good film.
When an actor fits the role and it's within their wheelhouse, then add an interesting story, it is a pleasure to drop into the story and let it go.
Drive does this because the film is perfect for Gosling who plays the “Driver”. There are times when a character needs to have a historic storyline to make his character believable. However great acting, as delivered in this particular role, doesn't require this type of development to make the character and film work. In Drive we have the later.
Driver is a mechanic at a small garage run by Shannon (played by Bryan Cranston). Driver also works as a Hollywood film stunt driver, and does odd driving jobs for robberies. He runs into a neighbor woman named Irene (played by Carey Mulligan) who has a young son. He is immediately attracted to Irene and her boy. The chemistry between them is obvious. There are lots of moments of silence between them, but they say so much.
Irene is married to a Standard (played by Oscar Isaac) who is in prison and when he gets out he owes money to the mob that protected him while he was in prison. For payback, the mob asks him to do a job and he solicits Driver to help him.
The job goes bad and the local mob is now after the money that Driver is holding. Driver wants to give the money back to protect Irene but Bernie (played by Albert Brooks) and Nino (played by Ron Perlman) want everyone eliminated that know about this blown job.
Gosling is perfect as the quiet, private, intelligent and remotely caring Driver. This is a grand performance because he says so very little but provides so much information. Mulligan in a role that matches her age is wonderful. Her ability to play off of the quiet Driver is amazing. Cranston is very good as they guy beholding to too many people and continues to have “bad luck”. Isaac has the right look and feel of the guy scared and tough at the same time. Brooks is the surprise here. He’s great as the local mob ringleader with a dark heart. The defining moment is when he kills Shannon in a caring, subtle, and decisive way. Perlman is just right for this off-handed second in command guy who at “59” continues to screw things up. Hossein Amini wrote a very good screen play including when to have silence in a character’s role. Nicolas Winding Refn directed this with a great feel for LA and the type of characters which reside there.
Overall: I fully enjoyed this film but I would have like just a little more driving.