Frankie

First Hit: Languid look at a family gathered to process a life-altering event.

During a day in Sintra, Portugal, Francois Cremont, AKA “Frankie” (Isabelle Huppert) has asked family and friends to gather to spend time together. Frankie is a famous actress and tries to keep a low profile while at this famous picturesque town. She walks with her husband, Jimmy (Brendan Gleeson), and a guide who says at one point, there are miracle healing waters in an undisclosed place near the hotel. You can tell by the way she looks, she’s not well.

Frankie’s invited her son Paul (Jeremie Renier) and close friend Irene (Marisa Tomei), hoping to make a love connection between them. However, Irene has brought her boyfriend Gary (Greg Kinnear) as they were both working on a “Star Wars” film in nearby Spain. Gary springs his plans to ask Irene to make their relationship more permanent by moving in together. He gives her a ring as a token of his intentions. Irene hesitates.

The closeness of Irene and Frankie is wonderfully portrayed during their long walk together and then the ride back to the hotel in a small open-air taxi. It’s a sweet and revealing moment.

Gary, sad at being shunned by Irene, runs into Frankie and learns from her that if Irene didn’t come right out and say yes to his proposal that they live together, it’s probably something she doesn’t want to do. Then Gary shifts and asks if Frankie would be interested in a script he’s thinking of turning into a film.

Sylvia and Ian Andoh (Vinette Robinson and Ariyon Bakare) are also at the hotel with their daughter Maya (Sennia Nanua). Sylvia and Ian’s marriage is in trouble, and Sylvia wants to move on. Their discussion at the café was impactful when she learns that he’s suspected her wanting to leave and tells her what his lawyer has stated.

The story has Maya getting away from her frustrated mother that results in a few sweet scenes of Maya taking a trolley to the beach, meeting a boy, and kissing him.

These scenes and more are not integrated very well into the overall theme of the film, which to me, was about Frankie trying to say goodbye.

There was little character development for all the characters, and therefore the audience is left to fill in the vast spaces left by the dialogue about past events.

Huppert is good as Frankie. However, I didn’t really care about her character or her story. Tomei was excellent, and she showed a fantastic range of emotions during her conversations with Gary and Frankie. Renier was strong as the son who was probably not very important to his famous mother, Frankie. Gleeson seemed very miscast and sort of bumbled through this role. I didn’t sense any chemistry between him and Frankie and didn’t see how they could have been married. Robinson was dynamic as a woman who wanted to leave her husband because she didn’t feel like there was anything left for her in her relationship. Bakare was good as Sylvia’s husband, who loved his wife but knew she really wanted to leave. Nanua was terrific as the young girl who went to explore the coastal town and discovered more about herself. Kinnear was well cast as an opportunist. Ira Sachs and Mauricio Zacharias wrote this bland screenplay. The dialogue never really seemed to go anywhere and seem to fall into a state of languishment. Sachs directed this film, and I’m not sure what it is he really wanted to say or express.

Overall: There was little in this film about human nature, but Sintra seems like a beautiful place to visit.

The Ides of March

First Hit: A very good film which simply shows how a politician’s imperfection and ego leads to the illusion.

We all know that to become a politician one must have a strong ego and a somewhat thick skin.

To run for President of the United States, there are a lot of compromises one might have to make along the way. When they state they want to “serve the people”, there is also a serving of one’s ego. The people who serve these politicians do what they can to “position” their candidate in the best light possible.

We’ve seen in recent past politics, that handlers like Karl Rove and Dick Cheney serve in oddly powerful and conclusive ways.

Here, Steven Myers (played by Ryan Gosling) is the chief strategist working directly for Campaign Manager Paul Zara (played by Philip Seymour Hoffman). They are both working on the campaign to elect Governor Mike Morris (played by George Clooney) for the office of President of the United States. In the other camp there is Tom Duffy (played by Paul Giamatti) who is Zara’s counterpart for the other candidate.

Duffy sees that Myers is good and is guiding Morris for a win. His job; find an opportunity to change the playing field. But Myers ends up having some political collateral of his own and he learns that politics is a nasty game and that some people talk a good game for the people, but in their own lives, things might be not as honorable.

The way this story is played out is clean, clear, uncluttered, and predictable in that I guessed the ending long before it happened. But even so, it was well done, clearly defined, and wonderfully acted. This was a tour-de-force of a number of strong actors doing a wonderful job. Although some advertisements call this film a thriller, it is not, it is a drama all the way.

Gosling is clearly present for this part. He is quick minded and his eyes reflect it. He is naïve and his eyes show it. He is strong and his eyes express it. Clooney is perfect as the smooth talking, handsome, eloquent candidate who hides his indiscretions under an uncompromising smile of slickness. The scene in the kitchen with Gosling when the deal is cut is superb and pointedly packaged. Hoffman is perfect as the guy who lives by his belief regardless of where it takes him. Giamatti is both creepy and elegant as the guy who will do what he needs to get his candidate elected. Evan Rachel Wood (as campaign intern Molly Sterns) is wonderfully captured as the smart beautiful girl who gets intoxicated by the powerful men in politics. Marisa Tomei (as news reporter Ida Horowicz) was good and especially with the turning of the tables (both times), one where she is on top and the other where she isn’t. Lastly Jeffrey Wright (as Senator Thompson) was really strong as the Senator who wanted to get the most out a selling his support by using a bidding process for the highest cabinet job possible. George Clooney and Grant Heslov wrote a very clear and strong script and Clooney did a wonderful job of directing this film.

Overall: This was a very strong Clooney effort and a wonderful film to watch.

Crazy, Stupid, Love.

First Hit: This film had some very funny, sad, thoughtful moments, but wasn’t memorable.

Cal (played by Steve Carell) is married to Emily (played by Julianne Moore) and they’ve been married for a long time. They were each other’s soul mates but they’ve grown apart.

Emily has an affair with David Lindhagen (played by Kevin Bacon) and it devastates Cal. He moves out. They have three children one is grown and gone while the other two are younger. The boy Robbie (played by Jonah Bobo) is smart, wise and in love with the babysitter Jessica (played by Analeigh Tipton) who is 5 years older than Robbie but she has a crush on Cal.

Cal goes to a singles bar to drown his sorrows and watches as Jacob (played by Ryan Gosling) picks up woman after woman each and every night. Jacob, in turn, watches Cal telling tales in the bar about how his wife did him wrong and decides to help him out. He invites Cal on a shopping trip and then lets him listen to how he picks up women. One night Cal picks up Kate (played by Marisa Tomei) who likes his honesty and charm. He learns that Kate is a “5 years sober” teacher.

In the meantime we watch Hannah (played by Emma Stone) get shut down by a guy who offers her a job when she thought she was going to be proposed to. In a fit of upset, she finds Jacob, whom she turned down on an earlier encounter and makes him take her to his house for sex.

However, they end up in a long conversation and begin to fall in love. As they fall in love, Cal is busy picking up a string of women but missing Emily. Emily dates David but misses Cal. Robbie is making Jessica feel uncomfortable with his ever present text messages outlining his undying love.

This is the setup for what I think was the funniest and most interesting scene in the film. I won’t spoil it, and it has to do with people meeting people and the police having to separate all the men fighting each other.

Carell is good as a heart broken man and good as the newly coiffed player. However the word I used was good, not great as I continued to feel separateness from and not an embodiment of of the character he was playing. Moore was very good as the woman who was searching for femininity and inner glow again. Bacon was perfect for the short but important part as the “other man”. Bobo was very good, although some of his lines and actions seemed more than what a 12 year old would say or do. Tipton was wonderful and perfect as the babysitter who is beautiful, doesn’t know it, and feeling the pressure of her first crush. Tomei was outstanding as the teacher who finds out she slept with, yet another man, who lied to her. Gosling was fully engaging as the guy with the photo-shopped body and used his charms to pick up women but then was able to meet someone whom he really cared about. Dan Fogelman wrote a strong and, at times, surprising script although I think the 12 year old lines were overly adult at times. Glenn Ficarra and John Requa directed the film with skill in many places including the little surprises that lead to a nice climax. However, it was longer than needed and there could have been some pruning of a number of scenes (including lawn raking and bar pickup bits).

Overall: The film was enjoyable and surprising moments that were really funny.

Cyrus

First Hit: Disturbing, insightful, funny and well-acted film which surprised me.

I’m not a Jonah Hill fan; however as Cyrus he is dead-on perfect. He plays a character who is disturbed, overly protected by his mother Molly (played by Marisa Tomei), intelligent, and very shielding of his relationship with his mother.

However, the film is really a vehicle for John C. Reilly to display both his comedic and dramatic talents. John (played by Reilly) is lost after his divorce 7 years ago. His ex-wife Jamie (played by Catherine Keener) is getting married but spends a lot of time trying to get John better adjusted because he is floundering. She makes him go to a party where he makes some funny and very awkward attempts to make conversation with some of the guests.

Then he meets Molly who sees him and accepts him immediately. They spend the evening together and eventually he meets her son Cyrus who pretends to like him, but really is plotting to get him out of the house. There is nothing hidden from the audience but it doesn’t matter the characters are strong enough to make it work.

Reilly is very good as the lonely guy who thinks of himself as Shrek with no hope of meeting someone as amazing as Molly. He is able to show a multitude of feelings and expressions without it being forced. He is natural in this role. Tomei is wonderful. Seeing her in a role reminded me about how good she is and why I like seeing her in films. Hill, as I stated before, is very good in this role and embodies Cyrus, a boy/man who is lost but talented and intelligent.

Overall: I liked this film and thought that writers and directors Mark and Jay Duplass created a wonderful, thoughtful and insightful film.

The Wrestler

First Hit: Mickey Rourke is phenomenal as Randy “The Ram” Robinson an over the hill aging wrestler doing the only thing he knows how to do.

I was mesmerized by this film from the very opening scenes.

The film is shot with a roughness and edge that complements and accentuates the characters in the film.

This is a story about people we may have watched in person or seen on TV. We always knew the wrestling matches were choreographed but this never meant that these men didn’t suffer in pain from their efforts in the ring.

This film shows this suffering, the underside of their body abuse, and the deep comradely among the men who actually fight and promote the event. Randy was once the top wrestler and with age he has slipped little by little into the forgotten world of has-beens who fight in front of small, but adoring, crowds.

There is one scene where he and some other once famous wrestlers are at a autograph signing and mostly they just sit there in silence in an empty room while a hand full of fans come through and get a “polaroid” picture and autograph. It is such a telling scene of how time has passed them by.

The Ram visits an aging lap dancer named Cassidy (played by Marisa Tomei) for dances and conversation. Like him she is caught up on her own world and struggles and trying to find her own way out of her life. Both of them have children and Ram has a couple of very powerful and revealing scenes with his daughter Stephanie (played convincingly by Evan Rachel Wood).

Other scenes that round out the character are when the neighborhood kids wake him up, from sleeping overnight in his van, so that they can wrestle with him.

And a scene where he reluctantly works behind a deli counter but slowly gets into the people he is serving and this beautiful fun kind spirit jumps out of him and you, as you watch this scene.

Rourke is so good in this film that he easily gives the best performance by an actor in 2008 – no question. He will probably get a nomination for an Oscar but his reputation may keep him from receiving it. Tomei is incredibly strong and also deserves a Oscar nomination. Her performance shows a depth and strength that is very compelling and out shines her mostly partially nude scenes. Darren Aronofsky directed this film with a clear vision and gives us a slice of life we rarely see.

Overall: Easily one of the 3 best films of the year. This is a must see film whether you like wrestling or not because it is a deeply inspired, well acted and moving slice of life.