Joey King

Going in Style

Overall:  This film was enjoyable and its nice to see acting veterans ply their trade. Willie (Morgan Freeman), Joe (Michael Caine) and Albert (Alan Arkin) are three buddies who spent a lifetime working together in a manufacturing factory and live across the street from each other in Queens. They’ve all retired and are collecting their pensions.

However, the money flow has stopped and the bank wants to foreclose on Joe’s home. At the time, Joe’s daughter and granddaughter Brooklyn (Joey King) are living with him and he’s afraid to let them down as well as himself.

Albert and Willie are living together and have an interesting and supportive relationship. However Willie has a kidney problem that he’s not told his buddies’ about and he finds out that if he doesn’t get a transplant soon, he’s going to die soon.

They are all going broke so they decide to rob the very bank that has Joe’s mortgage and is managing the refinancing the sale and closure of the factory. They practice by robbing a local grocery store and it is hilarious. The stuffing of food in their jackets and pants followed by the getaway Joe and Willie make in an electric scooter and Al trying to out run a younger man lasting about 100 feet and gives up is very funny.

Donning Rat Pack masks they rob the bank of enough money to cover their pensions. Pursing them is FBI Special Agent Hammer (Matt Dillon) who suspects the three men and builds up a solid case. However, the guys have done their homework and have their stories and alibies down pat. The clincher comes during a line up when a little girl, who recognizes Willie, decides to protect him.

This film is about loyalty, connection, and family. To this end, it is very good as it has small side stories that make it work. There’s the story about how Willie gets his kidney, how the grumpy Albert gets involved with an admirer named Annie (Ann Margaret). The lodge buddy’s, Milton (Christopher Lloyd), odd view of the world. And finally, Jesus (John Ortiz) who shows these old guys the ropes to rob the bank.

Caine was wonderful, and my favorite scene was when he got angry and gave Jesus a piece of his mind. I could see the how Caine’s real and documented difficult scrappy upbringing was used to make this scene effective. I wouldn't want to mess with him. Freeman was gracefully effective as the selfless friend. He supports and takes care of Albert and doesn’t bother anyone with his critical kidney issue. He effectively portrayed his longing to see more of his daughter and granddaughter. Arkin is perfectly cast as the grumpy curmudgeon of the three. He’s the downer guy and doesn’t want his world mussed up much, however, when he’s in, he’s a force and gives it his all. Loved his interactions with Annie his admirer. King was fantastic as Joe’s granddaughter by being interesting, loving, and engaged making her grandfather proud. Margret was amazing as the woman who sees past Albert’s gruff exterior and wants to create something more. Ortiz was strong as the guy who teaches the “rat pack” how to rob the bank. Dillon was very good as the agent who knows who the robbers were and tries to build a case against them. Siobhan Fallon Hogan as Mitzi their favorite waitress was superb. She embodied the part perfectly. Theodore Melfi wrote a really good script and screenplay. Zach Braff had a great handle on the actors and screenplay. I think he knew exactly what he wanted and got everyone engaged to his vision.

Overall:  Although I think there could have been more laughs, this film was lighthearted and very enjoyable.

Wish I Was Here

First Hit:  An interestingly good and not new or great view of family and how they heal and grow.

Zach Braff funded this film through crowd funding. In other words no one in Hollywood believed in this film so he decided to find another way to fund it. There isn’t much new here.

The film is about forgiveness, family love, and seeing the best in people. Zach playing an out of work actor named Aidan Bloom can’t seem to land a job. His wife Sarah (Kate Hudson) supports him by working at the water company. His kids Tucker and Grace (Pierce Gagnon and Joey King respectively) are being schooled at an expensive Jewish school because their grandfather pays for the schooling.

But grandfather is dying, cannot afford to pay for school and now the kids have to be homeschooled by Aidan. He’s unorthodox and the kids begin to learn something about life in many different ways. Adding to the situation is Aidan’s brother Noah (Josh Gad), who won’t speak to his dad and is caught up in his own world.

I didn’t particularly think the story about how he and his brother use to play that they would save the world in their fantasies was very well thought out. The symbolism wasn’t that strong.

Braff was good and the story line, for the most part was good – not great. Hudson was, at times, very good like when she was at the hospital speaking with Aidan’s father. However, at other times she just seemed to be to easily joyful while being in a stressful situation. Gagnon was superb, he was perfect. King was the star of the film. Her range was amazing and she embodied a young woman learning to trust and love life. Gad was strong as the affected brother. Braff did a good job of directing his and brother Adam’s script. It just didn’t ring true at times while at other times it was wonderful.

Overall:  Entertaining and at times very thoughtful.

White House Down

First Hit:  A very entertaining action film that touches on our political subjects in a sometimes humorous way.

I’ll be open in saying; I didn’t have much hope for this film because it arrived in the theaters so shortly after another recent White House takeover film previewed.

However, this film is heads and tails above the other one. Black President Sawyer (played Jamie Foxx) has a quirky way of arriving to the White House when coming home by helicopter; he requests that the crew do a fly-by of the Lincoln Memorial. This is something that could be congruent with President Obama because of the association of Lincoln and slavery but highly unlikely.

This is why this film is interesting. It gives us a view of our President that makes him human. Cale (played by Channing Tatum) is a member of the Speaker of the House’ security crew, is divorced, doesn’t spend enough time with his daughter Emily (played by Joey King) and wants to get his life together by becoming part of the Presidential Secret Service.

The President is not liked by the head of the Secret Service as well as multiple Republican leaders in the Senate and House. Overall, the film is somewhat suspenseful, except there are clues early in the first few moments of the film telling the audience who the two main opponents to the President are. One specific scene told me exactly who was spearheading the take-over of the White House and to me it wasn't subtle enough.

This film, explores in different ways, the control of the government by special interest groups (arms makers), race perceptions (black President), party differences (Democrats and Republicans), gun use and laws surrounding gun use, computer sabotage, and our governments’ chain of command.

The essence of this film is, through motive of revenge, certain government officials want President Sawyer out of office so that his call for getting out of the Middle East can be reversed.

Foxx is really very good and funny, at times, and I just loved the line, “let go of my Jordan’s”. Tatum is very good as the guy who has been lost but is doing what he can to make it all right. King is sublime. She is amazing as the President admiring daughter of Tatums'. Maggie Gyllenhaal is very good as the number 2 person in the Secret Service. James Woods brings the right amount of intensity and strictness of belief to his role as head of the Secret Service. Richard Jenkins is effective as Speaker of the House Raphelson. James Vanderbilt wrote a strong, funny, and politically astute screenplay. Roland Emmerich did a very good job of making this unrealistic scenario fun, topical, and interesting.

Overall: This film is worth the price of admission on multiple levels.

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