David Koepp

Inferno

First Hit:  It started interestingly and then simply fell off the table by an overly complex and poorly developed script, poor acting, and feeble direction.

I’ve not been a fan of any of the Da Vinci Code oriented films. The best was the first and quickly sank with Angles & Demons. It stays on this downward track with Inferno. Here we’ve got Tom Hanks reprising his character Robert Langdon, who knows more than anyone about Dante, his words, and other’s interpretations of Dante’s work.

The film starts confusingly with Langdon hurt in the hospital with a head injury. He’s confused and is being attended by a physician named Sienna Brooks (Felicity Jones). We are also introduced to Billionaire Bertrand Zobrist (Ben Foster), who is convinced that the world is on the verge of collapse. It is 11:59 – one minute till the world collapses because of over population and environmental issues caused by the over population. To right this sinking ship, he wants to spread a virus that will wipe out earth’s population.

With these two plot setups; Langdon being attacked, having amnesia, and why he has a projection device showing Dante’s hell in a picture but the picture has been altered, and the other setup is Zobrist wants to destroy the world’s population. Added to this we have people trying to kill Langdon, the WHO (World Health Organization) trying to stop Zobrist, WHO agent Christoph Bouchard (Omar Sy) who appears to be on some other side, Vayentha (Ana Ularu) a motorcycle riding person wanting to kill Langdon, and Harry Sims (Irrfan Khan) a hired security consultant whose interest in anything is questionable.

Confused, you got it, and that is how the film unfurled itself. What really muddied up this story is that the writer and/or director wanted Langdon to have a tangential and unrequited love interest with WHO’s Elizabeth Sinskey (Sidse Babett Knudsen).

Some of the visual scenes were well shot which helped me to stay somewhat engaged with this lackluster movie. I also loved the, from the air, shots of Venice and Istanbul.

With a bad screenplay and poor direction Hanks was as bad as I’ve ever seen him. There just isn’t enough to be interested in or care about with his character. The device of having him slowly get his memory back during the first half of the film was a waste of Hanks’ talent. Jones character was better than Hanks, but I didn’t buy the shift in her role late in the film. It didn’t surprise me and it just didn’t work. Foster was OK as the guy predicting the end of the world. Khan’s role was sufferable and difficult to watch let alone buy. Knudsen was good in her role until it got to the emotional connection with Langdon, that part denigrated the character. Sy’s role didn’t seem defined and was unclear; it didn’t work for me. Ularu was in a poorly constructed and acted role. David Koepp wrote a horribly convoluted screenplay. Ron Howard knows how to direct so I don’t know what went wrong with the film outside of him just doing his best with the presented screenplay.

Overall:  If there is another film in this series I will not go see it.

Mortdecai

First Hit:  What a wasted piece of fluff.

There is nothing interesting about the characters and with this cast it's shocking. Although I’m not a Johnny Depp (Mortdecai) fan here he is just bad with a bad script.

He plays an eccentric English Lord who is going broke and married to his college sweetheart Johanna (Gwyneth Paltrow). She rules the roost and there is little that tells the film’s audience why she is married to him. There is a second story in this film about him growing a mustache.

This is where the comedy comes in, from time to time. Ewan McGregor (another great actor) plays Martland a British investigator, friend of Mortdecai, and longs for Johanna. Really? Paul Bettany plays Mortdecai’s man servant Jock and he’s the best thing in the film. The storyline is bad and the acting, for the most part, is worse.

Depp is difficult to watch. The fake spacer between his front teeth was way too obvious and the character wasn’t interesting at all. Paltrow tried to rise above the character and film, but it just didn’t work. McGregor tried to play it straight but this role in this film as a waste of his energy. Bettany was fun to watch and made his scenes interesting. Eric Aronson wrote a silly script that didn’t have a good focus. David Koepp had a bad script, great actors and no idea where he was going.

Overall:  This was a waste of my time – as well as the actor’s time.

Jack Ryan: Shadow Recruit

First Hit:  Better than I thought it would be with a good story, believable acting, and the way suspense was created.

Carrying on the legacy of Clancy’s Jack Ryan character is a tall order. Just like carrying on the 007 story with different actors, it takes someone who can embody the spirit of the character, yet show us something and someone new. Daniel Craig has definitely moved 007 forward.

Here Chris Pine, just as he did with Captain Kirk, moved the character of Jack Ryan forward. As his mentor, Kevin Costner is excellent as Commander Thomas Harper. I loved his wry smile, direct commands and hands on engagement.

This is where this film excels. It wasn’t someone behind a desk giving commands from HQ to the lowly analyst (Now your Operative) it was a team of people letting Ryan be the lead, yet knowing he was fully supported by a competent team made it all work. Keira Knightley, as Ryan’s wife Dr. Cathy Muller, was really good and it was great to see her again in a film role.

Briefly, Jack, inspired by September 11th, joins the Marines to fight for the US. He’s super smart and although he’s been sending great intelligence to the Marine’s HQ, he’s doing a grunt role. He gets hurt and rehabs at Walter Reed Hospital where he meets Dr. Muller. Harper read Ryan’s reports and begins to recruit him into the CIA.

As an intelligence analyst he’s real good, and on a trip to Russia to do an audit of a client, he uncovers a plot to destroy the US (of course you would expect this from a Jack Ryan story). It is here that he becomes an operative. Just because we know the ending doesn't take away from the way we get there.

This is what makes this film very watchable, entertaining, and enjoyable.

Pine was an excellent choice for the Ryan role with his charming good looks, intelligence, and ability to be physical. Costner was great as the older, wizened, and veteran CIA operative in charge of the mission. Knightly was sublime as Ryan’s wife Muller. There was enough strong independence as well as intelligent support of her husband. Kenneth Branagh as Viktor Cherevin was particularly strong and I felt he clearly knew how to direct himself. Adam Cozad and David Koepp wrote a wonderful script based on Tom Clancy’s characters. Branagh did a wonderful job of creating suspense and excitement throughout the film.

Overall:  This was a very entertaining film made well by strong people.

Premium Rush

First Hit:  An entertaining and “fun ride” kind of film.

The ending was never in question, but what makes this film very watchable is the bike riding through Manhattan.

We’ve all seen bike messengers in our major cities, and it’s always fun to speculate what their world is like. Does this film do this, probably not, but it does provide one person’s view as to why it is the right job for them right now. Wilee (Yes, his nickname is Wiley coyote), played by Joseph Gordon-Levitt, is a former law school student who discovers he’s just not the gray suit type of guy.

His job as a bike messenger gives him pleasure he cannot find anywhere else. His bike is a point of pride because it has one gear, cannot coast and has no brakes. He always has to keep pedaling and because of this, he’s in perpetual motion riding through the city full-on, all the time. He “sees” options through the various obstacles which confront him on a moment by moment basis and finds his path through them.

The film takes place over a 2 hour time period when he picks up an envelope and delivers it by 7:00 PM. Not a big deal right? It is to a cop who needs to get a hold of the same envelope. The cop Bobby Monday (played by Michael Shannon), has a huge gambling debt and getting the envelope’s contents and delivering it to his debt holders will excuse his debt and the death he caused.

Wilee’s girlfriend Vanessa (played by Dania Ramirez) wants a different lifestyle so she is trying to break up with him. She’s tired of the rough and tumble life of a messenger. Vying for her attention is Manny (Wole Parks) who rides a bike with multiple gears and brakes and claims to be a better rider and man than Wilee.

To bring a level of laughter to this film, there is an ongoing sequence about a bike cop (played by Christopher Place) trying to chase down Wilee because he breaks bicycle laws and runs red lights. As I said, the fun in this film is the riding and Wilee’s avoiding being caught by Bobby for one reason and by the bike cop for another.

Gordon-Levitt is outstanding in both attitude and physicality as Wilee. I believed him in this role. Shannon had just the right level of being stupid, arrogance and bullying in the various type scenes he was given. Ramirez was OK, added some female energy to the film but it was not necessarily needed. Parks was very good as Gordon-Levitt’s competitor for both Ramirez and bike riding. Place was wonderful as the determined bike cop who was going to get his man. Aasif Mandvi as Raj the bike rider’s dispatcher was perfect. David Koepp and John Kamps wrote a fun script and story that didn’t dawdle. Koepp did a wonderful job of choreographing some great bike riding scenes and made it feel as I would imagine it to be like riding in NYC – dangerous.

Overall: This film is very watchable, fun, and very entertaining.

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