Wild Tales (Relatos Salvajes)

First Hit:  A wonderful set of 6 short films that are well done, interesting, to the point, and enjoyable.

From the opening film called “Pasternak” to the end film called “The Proposal”, all of them are intense, dark, and in the end funny.

The writing and direction by Damian Szifron exemplifies a bright creative mind and the wherewithal to deliver these ideas and stories through film. All of the actors in each of the films were great.

Overall:  This is a wonderful set of films, they are Wild Tales.

Insurgent

First Hit:  I liked this slightly better than Divergent, and that’s about it.

We are back in the structured society of 6 factions: Abnegation (Selfless), Dauntless (Brave), Erudite (Intelligent), Amity (Peaceful), Candor (Honest) and Divergent (which is all traits).

They all live in an area where most the buildings are broken down or in small camps in the woods. There are some who live in well maintained and modern buildings. All of this is behind a circular wall where supposedly nothing exists beyond the wall.

The point seemed to be there was a secret box that when someone figures out how it works, the revealed information helps everyone. To get to the point of the film we’ve got to sit through lots of fighting, bravery, and adventure. Was it interesting? Somewhat. Was it believable? At times barely.

Shailene Woodley as Tris was good and she did a really good job with the various feelings and situations she was put in. Theo James as Four was solid. Kate Winslet as leader of the people Jeanine was good given the lines and role. Jai Courtney as Jeanine’s henchman was OK. Miles Teller as Peter was one of the more interesting characters in this film. Brian Duffield and Akiva Goldsman wrote the partially interesting but convoluted script. Robert Schwentke directed the film with some wonderful visuals but it plodded along with a more convoluted plot than needed.

Overall: This second of the series was good enough to see the next film.

'71

First Hit:  This well shot, dark, and a brooding film sheds little light on the Catholic / Protestant conflict in Belfast but shows how England didn’t know what to do at that time.

Gary Hook (Jack O’Connell) a private in the English army is sent with his unit to Belfast to quell an unrest and assist in arresting an IRA sympathizer.

When the English Army gets attacked by the locals, he and another soldier are sent to chase down a kid who took an English soldier’s gun. The crowd erupts and Hook is left behind fighting for his life. This story is about how there is compassion, hate, honor and deceit.

O’Connell is very good as the left behind soldier. Although there are other actors in this film, the focus is on Hook and the others represent ideals and beliefs and in their way they were amazing. Gregory Burke wrote a very strong screenplay. Yann Demange directed with film with wonderful vision for the feel of the time and the situation.

Overall:  I liked the film and would have loved seeing more of the roots of the conflict.

Chappie

First Hit:  At times disappointing and at other times interestingly introspective.

I’ll start with the interestingly introspective thoughts:  Can consciousness be identified, digitized, and downloaded/uploaded?

I loved thinking about this. In this film, Deon Wilson (Dev Patel) thinks he can create a computer program that will allow an electronic brain to learn like a child does (although faster). He’s already created programmable robots that act like police people which dramatically brings down the crime rate in Johannesburg South Africa, where this film takes place.

There is also a part where there is an uploading followed by a downloading of the “consciousnesses” of two humans and a robot named Chappie. This stuff is interesting and can cause one to think about the possibilities. However, the criminals Ninja (Ninja), Yolandi (Yo-Landi Visser), and Yankie (Jose Pablo Cantillo), where at times clown like and too obvious and overt in their actions to make it work. I found it unbelievable that the thieves let Deon go and return on his own free will.

Additionally, I’m not sure the Vincent Moore character (Hugh Jackman), who had developed a large aggressive armored robot, was required to make this film work. He became the antagonist for the criminals, Deon, the company Deon and he worked for, and society.

In the end it seemed like the writers and directors could have made a more thoughtful film without the demoness of Moore’s character and his robot (which was vaguely too similar to other robots in other films).

Patel was good as the caring “maker”. Visser was oddly and engagingly interesting in her role and verbal cadence. Ninja was overtly too much in both ways; as a uncaring bad guy and as someone who missed his girlfriend. Cantillo was the most interesting criminal. Jackman was good in his role but I didn’t think the role was needed. Sigourney Weaver was weak in her role as decision maker in the company that made the robots. Terri Tatchell’s script was both strong and weak. Neill Blomkamp’s direction followed the script, and used some interesting sets (like the round cylindrical building with the Vodafone sign) but this film lost site of the most interesting subject.

Overall:  The concept in this film was really good and the execution faltered in many ways.

Black Sea

First Hit:  Jude Law was great, the film lacked gripping drama and action.

There is a scene when they are pulling the gold across the bottom of the ocean floor and there was nothing that made all this compelling. This was the problem with the whole film; the setups and results were lackluster.

Captain Robinson (Law) did his best to make all this work but it wasn’t enough to carry the film. In essence this film is about working class people trying to find a way to use their skills to get something back. This group of men British and Russian decide to locate a sunken German U2 submarine that is carrying ~80 million dollars’ worth of gold. The crew is motley and they may or may not be trustworthy.

The film explores this with a few choice characters and script choices. Most of the film takes place in an old sub, therefore the sets are limited but they were wonderfully detailed.

Law brings a wonderfully full and expressive character. His maturation as an actor really shows here and I found myself very drawn into his character. All the other actors we OK including; Ben Mendelsohn, Tobias Menzies, Grigoriy Dobrygin, Michael Smiley, Karl Davies, and Konstantin Khabenskiy. Dennis Kelly wrote the plodding script. Kevin Macdonald directed this, and as with most underwater movies, it was dark.

Overall:  Law was the film.