American Hustle

First Hit:  From the opening moment the audience knows it is going for a real ride.

This film opens with an overweight balding Christian Bale (playing Irving Rosenfeld) fixing his hair with a comb-over that beats all comb-overs. He is meticulous in every detail of his hair, style, and the scams he pulls on everyone to make his living.

His business partner is Sydney Prosser (Amy Adams) who is nothing short of a miracle on the screen. She’s smart, fire, and looking out for number 1. However, Irving is married to Rosalyn Rosenfeld (Jennifer Lawrence) who is a stay at home mom, controlling, sassy and a lush. Irving and Sydney get caught on one of their scams and the agent who busted them, Richie DiMaso (Bradley Cooper), wants to leverage their conning abilities to catch bigger fish – mainly Mayor Carmine Polito (Jeremy Renner).

Richie’s boss Stoddard Thorsen (Louis C.K.) doesn’t want to follow Richie’s outlandish plan to catch political crooks but gets outranked in his decisions. Some of these scenes of their disagreement are outstanding. Watching Bale, Lawrence, Adams and Cooper work together is amazing as each defines their character so clearly and fully that the story just jumps off the screen creating full engagement.

I love this type of film where the story is outrageous (loosely based on the real life Abscam scandal) and the acting is spot on dynamic and engaging.

Bale is sublime, he carries the character through the film with flowing subtle changes. Adams is divine. She is sexy, vulnerable, smart, bold and focused. Her character is so much fun to watch. Lawrence is absolutely amazing. She shows a great depth to transform herself through use of language and facial expressions that keep you focused on her when she is in the frame. Cooper is so much fun. He’s wild, bold, lacks subtlety yet he’s the one that moves the story along – amazing. Renner is transformed as Mayor Polito and as he always does, turns in a sterling performance. In a very small, yet pivotal role, Robert De Niro as mob boss Victor Tellegio is powerful. David O. Russell and Eric Singer wrote an amazing script which also reflected the 1970’s and the mood of the times. Russell did an amazing job of putting together the look and feel of this story. It was like he was leading a major orchestra and everyone was in perfect tune.

Overall:  A full time fun film based in excellent acting.

Homefront

First Hit:  Average Statham thriller where he takes on all comers and wins.

Phil Broker (Jason Statham) is a former DEA agent who is taken on an anonymous life with his daughter in a Louisiana small town.

Being outsiders their behavior is scrutinized and when his daughter Maddy (Izabela Vidovic) punches out a classmate, the kids parents decide to make Broker’s life hell for this indiscretion mayhem ensues. Mayhem is headed by the town Meth cooker Morgan “Gator” Bodine (James Franco). He discovers Broker’s past and gets one of Broker’s convicted prisoners to send people to kill Broker. Assisting Gator is Sheryl Mott (Winona Ryder).

Statham is always solid and here he shows up as usual. It will never win an Oscar doing action films, but he’s very solid. Vidovic is great as the 10 year old daughter. One scene when she is lamenting about her recently past mother is great. Franco is pretty good as a “not all at home” meth cooker. Ryder is either a pretty good actress showing the perfect nervousness as a tweaker, or she just showed up showing her past struggles and put them on the screen – she didn’t look very good. Sylvester Stallone and Chuck Logan wrote the screenplay which was solid. Gary Fielder directed this well-paced action thriller.

Overall: Solid action film.

The Counselor

First Hit:  When all is said and done, there were a few outstanding moments of acting in a film that tried to make a statement.

The question is: What is the statement Director Ridley Scott wanted to make with this film? Was it about greed? Was it about accepting the consequences of the path chosen?

This film begins with a very luxurious soft, emotionally available scene where the Counselor (Michael Fassbender) and Laura (Penelope Cruz) are lying under the sheets in a beautiful modern bedroom. Their mutual attraction physically and emotionally drips off the celluloid.

Then we see that the Counselor must be doing well for himself as he’s driving a Bentley motor car and lives in a very nice home. He visits a client/friend Reiner (Javier Bardem), who we learn quickly is a major player in the drug trade. He enjoys his riches and the accouterments of his home, but he never looks or feels like it is his, it is more like he’s a guest in his home.

Bardem also seems this way in this character; he doesn’t look or feel like he is at home with this character and I never felt like I knew if this was on purpose or not. The best acting of the film came from Cameron Diaz as Malkina who, with her silver nail polish and cold look, defined an I don’t give a f&%# attitude.

Additionally, Brad Pitt as Westray a drug deal middle man carried the right amount of emotional detachment, sleaziness, and peacefulness at the path he’s chosen. The obvious point of the film's main character is: Was The Counselor prepared to pay the price for a big drug deal gone bad? The answer seemed to be not really.

There are major dialogue segments by Reiner, Malkina, Westray, and Jefe (Ruben Blades) that warn him about what the price is, but he still takes the chance. However, questions remain; why is he in this drug deal (excitement, money, greed)? What is the motivator?

Then again, maybe this film is just may be a Ridley Scott vehicle to give his advice on living life.

Fassbender was very good, however I didn’t care about him or his character. There was no background about why he would risk love for more money? Cruz was good as Fassbender’s love interest. Bardem, seemed lost in this role. I never got he was in the role but rather speaking the lines. Diaz was fabulous, showing the ability to be a strong dark presence and make each scene she was in interesting. Pitt was really good at having a laissez faire presence while carrying a clear message to the main character. Cormac McCarthy wrote the script but I don’t know if it was him or Scott that decided to glaze over providing enough information to care. Scott, created some amazingly beautiful scenes and shots but did he just want to tell us his version of the saying; you get what you pay for OR you have to be willing to pay the price?

Overall:  This film was forgettable by the next day, although Diaz’s performance will land her more roles.

Captain Phillips

First Hit:  Tom Hanks is Oscar worthy as was Barkhad Abdi in their respective roles although the film is longer than needed.

This is a great story of two men from different cultures with different objectives colliding.

We meet Captain Phillips (Hanks) with his wife as he heads towards the airport to be dropped off for another trip. He’s a rules guy and wants his crew to shape up – he takes his job seriously. Just as he’s testing the crew on their readiness, a set of boats are approaching fast.

As he discerns that they are pirates, he implores his crew to follow procedure and lock-down the ship, hide, and don’t take chances. He on the other hand, will take intentional chances to keep his crew, the ship and the cargo safe.

Muse (Abdi) is leading a small group of pirates to hijack Phillip's ship and take it back to Somalia for “millions of dollars”. His "boss" has control of Muse's village and forces them to hijack ships or their village will suffer casualties. The ship he attacks is a US registered ship and the US Navy isn’t going to let his dreams of millions come true.

That’s the overall plot. But the action is the dialog between Phillips and Muse. It is intense, crisp, and objective driven.

Director Paul Greengrass uses hand-held cameras and for the most part makes effective use of them by not shaking them just for shakings’ sake. Ships use space effectively and there are a lot of close quarters so his use of these cameras is required to make this film work.

Where the film didn’t work for me was that we are required to spend well over an hour (of a 2+ hour film) waiting for it to get toward the inevitable conclusion. It just seemed to me that some of the extended scenes in the lifeboat weren’t needed.

Hanks is phenomenal. He will win an Oscar nomination for best actor. His final scenes of going through the shock of his experience were transcendent. Abdi’s performance was equally remarkable as Hanks. His intensity as expressed through his eyes showed through. He deserves a best supporting actor nomination for his portrayal of the “Captain” of the hijackers. Everyone else was good. Billy Ray wrote an engaging script and Greengrass did an extraordinary job of bringing this true story for life.

Overall:  Although too long, this is a great story and film to watch.

Machete Kills

First Hit: As expected bloody, poorly acted and shows why the original not worth having a sequel.

I found the first “Machete” an interesting anomaly but this one showed that a "one off" doesn't deserve more film or time.

The gall of the film starting with a quasi-preview of the next Machete was even worse. Although Danny Trejo looks mean and tough, his overall stature, lack of graceful movement, and inability to create a character worth caring about was a waste of Trejo’s talents.

A convoluted uninspiring plot including a schizophrenic drug lord Mendez (Demian Bichir), a mean and clueless Miss San Antonio (Amber Heard), an amusing El Camaleon (played by: Lady Gaga, Antonio Banderas, Walton Goggins, Cuba Gooding Jr.), and a scientific eccentric cult leader Voz (Mel Gibson).

The fun parts of the film were Cuba Gooding Jr. in his turn as El Camaleon. He brought a campy humor to a film that when I left the theater I murmured, with nodded agreement from another guest, “a waste of my time”.

Trejo would do well to get out of working with Director Robert Rodriguez on this sort of film, if he wants to advance his career. Michelle Rodriguez as Luz was fully underused. Cuba Gooding Jr. was the only real fun person to watch. Gaga was OK as was Banderas and Goggins as other personalities of El Camaleon. Bichir tried his best but it was more a poor story than his acting. Heard was probably the second best thing in the film as she spit out a conservative set of lines about immigration and gun control. Gibson attempted to bring up the magic that made him great in Mad Max and the Lethal Weapon series. Kyle Ward wrote a screenplay that probably matched Robert and Marcel Rodriguez's idea for a story. Robert Rodriguez’s direction was immature, lacked focus, and attempted to build a resume off of his first Machete effort – not very smart. He may get money for it but not raising the bar is inexcusable. I will not waste any money of the next sequel.

Overall:  Do not waste your time or money – just remember the first Machete and know it is a cut above this.