Dead Man Down

First Hit:  I was pleasantly surprised that the story was different than I thought it would be – it was about revenge and maybe revenge not being the; be all end all.

Alphonse (Terrence Howard) is having his organization being picked apart, person by person. He’s being sent clues of small square sections of a larger picture.

The picture shows who's doing the killing. Part of his crew of people, who take over buildings and get rid of people who try to hang on in the building, is Victor (Colin Farrell). The crew forces people out of buildings and re-rents them for higher rent.

Although Victor seems engaged with the group, he has other things going on but has gained Alphonse’s trust. From his apartment he can view another section of the building that has a resident to whom we waves at from time to time.

This resident (Beatrice played by Noomi Rapace) convinces him to go out with her one evening and she tells him she wants him to kill the guy who drove into her car which caused massive facial scars. She wants revenge. But why would he do this? She has a film of Victor killing someone and is it using blackmail.

As the film unfolds we learn more about Victor and why he’s doing what he’s doing and his ultimate plan.

Farrell is, as usual, very strong as the troubled, focused man and here he wants revenge. Howard is very good as the frightened but powerful leader of a bunch of thugs. Rapace is phenomenal as the damaged woman who slowly is letting herself care. I loved how the subtle movements in her face brought forth such a plethora of feelings and emotions. Dominic Cooper was strong as Farrell’s thug friend. Isabelle Huppert was wonderful as Valentine, Rapace’s mother.

Overall: Being pleasantly surprised was good and overall the film delivered a satisfying result.

A Good Day to Die Hard

First Hit:  More or less, it was aimless, thoughtless and died hard.

I’ve seen and enjoyed most all of the Die Hard films. There was a personality created in them through Bruce Willis as John McClane, the script, and the situation in which these two things came together.

In this fourth incarnation I found myself not caring, looking around the theater and waiting for the film to end. It was overstuffed with car chases, shoot-outs, and special effects (helicopter sequence at Chernobyl).

The basic storyline was that McClane didn’t know his son Jack (played by Jai Courtney) was a CIA operative in Russia (thought his son was a lost soul, dealing or using drugs in Russia). John goes to help his son and gets caught up in Jack’s job which is to find out and capture the guy who is going to smuggle nuclear weapons out of Russia.

The story complicates itself with the poorly written part of a wayward daughter double crossing her father, and John and Jack trying to reconcile their relationship.

Willis is the only occasional bright spot in this film with his usual McClane quips. Courtney is OK as Willis’ son but there is little chemistry to make it seem real. Sebastian Koch (as Komarov) is not very believable as a Russian scientist who is on the outs with the Russian Premier. There was nothing that made me believe that Yuliya Snigir as Irina was Komarov’s daughter. Mary Elizabeth Winstead as Willis’ daughter Lucy was OK and was aspect of the film, in her brief parts, that worked. Skip Woods and Roderick Thorp wrote a lazy script that focused on what sort of shooting and chase sequences can we put in. John Moore wasted my time (and probably yours) by trying to put this story on the screen.

Overall:  The worst of this otherwise reasonably entertaining group of Die Hard films.

Side Effects

First Hit:  An outstanding film; finely crafted with excellent performances.

I cannot say enough about this film because the drama setup and then to have it evolve into a complex crime thriller was fantastic.

I was fully drawn in by the story but it was the fine acting by Jude Law (as Dr. Jonathan Banks), Rooney Mara (as Emily Taylor) while being outstandingly supported by Catherine Zeta-Jones (as Dr. Victoria Siebert) and Channing Tatum (as Martin Taylor).

The film subtly draws you in to feel a deep sadness for Emily and Martin as they attempt to put their lives back together after he comes out of prison for insider trading. The descriptions of, and watching Emily experience her depression were extraordinary – I completely believed her.

What made this film work was the wonderful writing and the amazing direction by Steven Soderbergh. This film explores depression, the use of pharmaceuticals to treat depression, the law and how it works with double jeopardy and mental health, pharmaceutical companies, relationships, and greed encased in a whole and complete film.

Mara was unbelievably great and I bought the story hook line and sinker. Her performance in this film will set her apart from a small group of very good actresses into greatness. Law was outstanding. His strength as a man and openness as a human being were all exposed as he knew something was up and wasn’t going to stop trying to figure out what the real story was. Zeta-Jones in a secondary but critical/pivotal role was very very good. Tatum was physically only in the first part of the film but his presence set up the rest of the film and therefore he’s part of the whole film. Scott Z. Burns wrote a sublime script. It was interesting, full of twists but not for effect, they were there to move the story forward and drive to a very interesting end. Soderbergh directed this film with perfection - cannot say anything more - perfect.

Overall:  This is a really great film.

Identity Theft

First Hit:  A general waste of time, not funny and does little to bring to light the prevalent issue of identity theft.

This film has an identity problem. It tries to be funny, point out the issue of identity theft, and tries to be heartwarming or meaningful. It is none of these.

Watching Diana (Melissa McCarthy) is like watching a train wreck, you know it’s going to happen, you know it will be catastrophic, and the only thing left is a mess. I’ve yet to see McCarthy be in anything interesting, intelligent or of value. She appears to specialize in uncultivated actions of an overweight person trying to fit in, be funny or the center of attention. Sandy Peterson (Jason Bateman) does his best to hold the film together but this is a match made hell.

The presentation of the subject and story is rarely interesting and mostly just grossly reaching for laughs.

McCarthy is horrible in this character and it there was nothing about her character that would make the audience be interested in her. The attempts to have Sandy’s kids like her were grossly obvious ploys to have us care about the character – too little too late. Bateman tried his best and did the best he could with the script, direction, and McCarthy. The moments he spends and communicates with his kids and wife Trish (Amanda Peet) are good and are the only things good in this film. Peet, in a minor role, was OK. Craig Mazin wrote a poorly conceived script. Seth Gordon tried to make the story interesting but the script, McCarthy, and idea were guaranteed to make this film fail.

Overall:  Not worth more than 5 minutes of anyone’s time.

Stand Up Guys

First Hit:  Very enjoyable to watch acting pros work.

Val (Al Pacino) is getting out of prison after spending 28 years behind bars. His best friend and running mate “Doc” (Christopher Walken) is there to pick him up.

We quickly figure out Doc has to kill Val because he killed mob boss Claphands' (Mark Margolis) son during a job many years ago. Killing Val is about revenge. Because Doc has until 10:00 AM the next day to kill Val, Doc and Val go out and have some fun.

One of the decisions they make is to rescue the one other member from their earlier days. This third member is Hirsch (Alan Arkin) who was their driver on the jobs they use to pull. The overall camaraderie between the 3 guys is amazing as they make their way through the night doing things they want to do together.

The scenes in the diner with Alex (Addison Timlin) are precious. Yes, there are scenes that are predictable but the way Walken, Pacino and Arkin work the script, their experience as great actors’ is evident.

There are truly funny parts through the snappy and wonderful delivery of the script and it revolves around a believable heartfelt story of friendship.

Walken is superb as an aging crook who is trying to find a little peace in his life by doing right especially to his granddaughter. Pacino gives the best performance in years in this film. Arkin continues his streak of great performances in the past couple years. Margolis is solid as the unforgiving no nonsense crime boss. Lucy Punch as Wendy the Madame at the house of prostitution was a perfect choice as the daughter of the original Madame. She was witty, fun and business like all in one. Timlin was sublime as Walken’s granddaughter. Julianna Margulies plays Hirsch’s daughter Nina and makes the very most of this small role. She is what you focus on when she says her lines. Noah Haidle wrote a fun although, at times, predictable script. Fisher Stevens directed these excellent veteran actors with aplomb.

Overall:  A totally enjoyable film because you watch excellent actors doing what they do best.