Tom Tykwer

A Hologram for the King

First Hit:  Although, it is a typical fish out of water story, the acting is wonderful which elevates this film to very good.

The opening sequence is amusing and pointed. To the background music of The Talking Heads song “Once in a Lifetime”; Alan (Tom Hanks) is walking through a set with his shack, house, car and wife all blowing up in sequence with the song - ending with him looking up at the camera saying “How did I get here?” Then we find Alan sitting on a plane full of Muslims, a prayer session begins with a cleric leading them using the flight attendant’s microphone.

This opening gives the audience the sense that we are going for a ride. Alan is going through a divorce, he’s made a couple business mistakes, needs money to keep his daughter Kit (Tracey Fairaway) in college; he feels like a failure. So he’s off to sell the King of Saudi Arabia on a holographic meeting system.

He’s full of anxiety, his boss keeps the pressure on with daily phone calls and he has a lump on his back that worries him. Each day he gets up and has missed the shuttle bus to the technology center, an hour or so outside the city where he and his team is staying. However, I kept wondering why his team didn't collect him in the morning for the shuttle?

Anyway, this plot device gives him the opportunity to call a driver/guide. Yousef (Alexander Black) likes to talk when he drives while listening to 1970's hits on his tape system. They get along great and it is in the car we begin to see the stress Alan is going through.

Watching Alan slide downhill like this is hard, and Hanks pulls this off with aplomb. But when he needs to be on, he’s ready with a strong sales pitch backed by a smile and an easy way to befriend people. Every day he’s told his contact will meet him the next day, but the day arrives and he’s told "this will not be possible."

His fluctuation between patience and impatience is perfect and when he does get the meetings done, he and his team are ready. But this is only part of the story, through a set of circumstances, he ends up meeting a Zahara (Sarita Choudhury) a doctor who both helps him with his building anxiety as well as diagnosing the lump. This story is about taking a chance on a new beginning.

Hanks is typically strong in this role as a lost man. He’s able to make his circumstance and steps he takes believable. Tracey Fairaway is wonderful as the daughter who looks up to her dad as well as seeing the pain and stress of what he’s going through. Choudhury is very strong as the woman Muslim doctor. Her dance between the rules of her culture and her feelings was marvelous. Black is comically perfect as the driver who also dances between both worlds; his Saudi roots and his western exposure. Tom Tykwer wrote and directed this film. The dialogue was strong as were many of the scenes, especially with Hanks in the hotel room.

Overall:  This was a solid feel good film.

Cloud Atlas

First Hit:  A difficult concept to make believable in film but here it works fairly well and is interesting.

The concept that the energy/spirit of who we are never ceases to exist and manifests itself in bodies is not new.

His Holiness Dalai Lama has revisited us 14 times. If you watch the Martin Scorsese film “Kundun” (HHDL’s nickname) you will see an enactment of his discovery of who he is and was. Anyway, Cloud Atlas takes us through people and their connections through many different expressions of their lifetimes.

Tom Hanks plays multiple versions of a good guy as does Halle Berry his connected partner. This very long (almost three hours) film goes by surprisingly fast because there are 6 story lines the audience has to follow.

The credit for this film being engaging and interesting is to the fine direction under Tom Tykwer with Lana and Andy Wachowski. I found myself wanting to know more (and read this also as caring more) about some story lines versus others. T

here were storylines I wanted to dismiss quickly while others I had more interest in. Without tipping my hand too much, the future stories were more interesting to me as were 2 of the historical stories. At times the scenes and sets were amazing in their ethereal beauty while others were sharp in their rough starkness.

Without me having to go back (and I won’t) watch it again, what struck the following day was; did anyone learn enough in their previous versions of themselves to go from being a bad guy to a good guy? Was there redemption? I don’t think so. This thought took me to thinking how much better this film might have been if an energy/spirit learned from their past behavior and moved to a different based energy. But then again it would have been a whole other film.

At one point the film did strike a chord in me which I think is true: “Love is real. Everything else is an illusion. Live in this realm and you will be at peace.”

I wondered how hard it was for the actors to stay in character for all the roles each had to play – and therefore kudos to all. Hanks was very good but typical of himself in his roles as Dr. Henry Goose, and 5 others. Halle Berry was strong in her 6 roles. Jim Broadbent was really fun to watch in his 5 roles. Hugo Weaving had 6 really disparate but interesting roles as the bad guy. Jim Sturgess was the young hero in 7 roles and did this well but I didn’t think the Asian makeup worked well. Doona Bae was mesmerizing as Sonmi-451 (interesting reference to another famous 451) and her scenes stole much of the film. Lana and Andy Wachowski along with Tom Tykwer wrote an interesting screenplay from David Mitchell’s book Cloud Atlas (named for a symphony). They also did an outstanding job of keeping this long film moving and engaging the audience.

Overall:  Interesting, far reaching, and well done but not great.

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